Hüsker Dü broke with the anti-traditionalist ethos of most early hardcore bands. Their early songwriting shows the influence of folk, 1960s pop music, blues, and other forms (although often buried under a thick layer of angst and aggression), and has a strong melodic sense. The lyrics made astute, sharp, personal and social commentary, showing a great deal of vulnerability and sympathy for their subjects. Hüsker Dü's songwriting was widely admired, and their live shows were often a venue for brilliant improvisational playing. (A feedback-laden solo guitar performance from an early-'80s soundcheck tape merited release via the avant-garde Telus Magazine.) Hüsker Dü were also, however, widely regarded as somewhat unusual-sounding in their early prime, due to the instruments' non-standard tones: Mould's guitar is described below, while Hart's drums were considered 'thumpy' (and he consistently played slightly behind the beat); Norton played bass fairly laconically even at fast tempos, using his fingers rather than a pick. The band's sound can be considered an organic synthesis of these elements -- a unit that was quite powerful in combination, yet perhaps difficult to parse singly.
A particular strength of the group was the two powerhouse singer/songwriters, Mould and Hart. The tension between their musical styles (Mould was generally the angrier songwriter, Hart the more melodic one), and their willingness to collaborate, made the sum of their contributions greater than their parts. Another strength was Mould's unique, resonant guitar sound, described by a critic at the time as "molten metal pouring from the speakers." Mid-period Hüsker Dü songs are immediately recognizable via Mould's incandescent guitar tone, achieved by splitting the signal in the studio between amplified and direct tones and adding a light stereo chorus effect. Mould's technique involved playing resonant drone notes on the high strings. Although a trio, Hüsker Dü generally sounded extremely large on record and live.
The group is also notable as one of the first 1980s American underground rock bands to contract with a major record label, a move that blazed the trail for the rise of alternative rock a few years later. Another key Minneapolis band who served as an alternative rock icebreaker was The Replacements, who had a friendly rivalry with Hüsker Dü.
Mould has gone on to release other albums, including a recent solo double album release called Body of Song. Prior to that he took a stint as a writer for World Championship Wrestling (WCW) scripting scenarios and fights.
Grant Hart died from cancer on September 14, 2017.
Tired of Doing Things
Hüsker Dü Lyrics
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The lyrics to "Tired of Doing Things" by Hüsker Dü highlight the frustration and dissatisfaction of the singer with the status quo. The repetition of the line "I'm tired of doing things your way" emphasizes the point that the singer has had enough of conforming to someone else's expectations and wants to establish their own identity and agency. The song can be interpreted as a statement of defiance and rebellion against authority or a call for individuality and independence.
The line can be interpreted as a rejection of societal norms and conformity or an assertion of individuality and autonomy. The singer is tired of being told what to do and how to act, and wants to break free from the constraints of conformity. The song might also be interpreted as a commentary on the pressures of conforming to societal norms and expectations.
Overall, the song is an anthem for those who want to establish their own path and push back against conformity and expectations.
Line by Line Meaning
I'm tired of doing things your way (12x)
I have grown weary of conforming to your standards and expectations, and I wish to break free and start living on my own terms.
Contributed by Kaelyn T. Suggest a correction in the comments below.
@NickFixHC
What movie is this?
@jackcampbell3667
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