Founded in Detroit in 1989, Insane Clown Posse performs a style of hardcore hip hop known as horrorcore and is known for its elaborate live performances. Originally known as JJ Boyz and Inner City Posse, the group introduced supernatural- and horror-themed lyrics as a means of distinguishing itself stylistically. The duo founded the independent record label Psychopathic Records with Alex Abbiss as manager, and produced and starred in the feature films Big Money Hustlas and Big Money Rustlas. They formed their own professional wrestling promotion, Juggalo Championship Wrestling, and later collaborated with many hip hop and rock musicians.
The songs of Insane Clown Posse center thematically on the mythology of the Dark Carnival, a metaphoric limbo in which the lives of the dead are judged by one of several entities. The Dark Carnival is elaborated through a series of stories called Joker's Cards, each of which offers a specific lesson designed to change the "evil ways" of listeners before "the end consumes us all". The original lineup of Insane Clown Posse was John Utsler (John Kickjazz), Joe Bruce (Violent J) and Joey Utsler (Shaggy 2 Dope). John Utsler left before Carnival of Carnage was released in 1992.
Insane Clown Posse's performance style is often described as horrorcore hip hop, which "utilize shocking (and blatantly over-the-top) narratives to give an over-exaggerated, almost cartoon-like version of urban deprivation in Detroit", according to author Sara Cohen. Bruce and Utsler describe many of their lyrics as being tongue-in-cheek. The group's early work features a raw, minimalistic sound, which later evolved into a more rock-oriented style. The group's lyrics serve as morality tales, with songs focusing on subjects such as cannibalism, murder and necrophilia. Insane Clown Posse's debut album, Carnival of Carnage, features a politically-oriented focus, criticizing elitism and prejudice against those who live in the ghetto, while the album's liner notes criticize the Gulf War. The group's lyrics have opposed racism, bigotry, domestic violence, and child abuse.
Insane Clown Posse has covered songs by Geto Boys, Sly Fox, and Above the Law. Bruce and Utsler refer to Ice Cube, Awesome Dre, Geto Boys, and Esham as influences on their own music, while Bruce has expressed admiration for Gong, Pearl Jam, and Michael Jackson. Mike E. Clark's production for the group incorporates elements such as "carnival organ riffs, power chords and shotgun blasts...banjolike plucking and Van Halen-esque guitar squeals", while Bruce and Utsler sometimes alternate between rapping and screaming. Bruce has credited pop music as an influence on some of the group's material, even terming the music "Wicked Pop". Bruce has also stated "We do our own genre of music". In his review of The Tempest, Allmusic's David Jeffries writes that Bruce and Utsler "[rap] in a carnival barker fashion that fits with their circus motif, their Insane Clown disguises, and Mike E. Clark's big top-inspired production." Insane Clown Posse has influenced similar acts, such as Axe Murder Boyz, Blaze Ya Dead Homie and Boondox.
My Kind of Bitch
Insane Clown Posse Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
'cause my bitch don't bitch at all
My bitch don't blink, she don't even think
About money or fuckin mall
My kind of bitch don't fix her hair
She don't care about what she wears
'cause she's much too busy pulling the worms
My kind of bitch, I'll never forget
We forced met on a Oujia board
Miss Crabber Damned, she would chew on snakes
And swallow a ninja sword
I said, "hey bitch, how do you do?
Some fucks call me Violent J"
She picked her nose and flicked it at me
Smiled and was on her way, my kind of bitch
My kind of bitch
My kind of bitch don't fix her hair
She don't care about what she wears
My kind of bitch don't fix her hair
She don't care about what she wears
Fuck that!
My kind of bitch has a hole in her neck
And has to talk like this "I love you"
She can drink through it, ya get used to it
It whistle every time we kiss
My kind of bitch gots one good tittie
The other one's skinny and red
She can make the one jiggle
The other one don't do shit but just sit their dead
My kind of bitch has a wooden eye
With a nail sticking half way out
It once caught a fire and we all had to spit
In her face just to put it out
My kind of bitch is a little loopy
And her ass might droop a bit
But I scoop that loop and fold the flop
And I fuck that pile of shit, my kind of bitch
My kind of bitch
My kind of bitch gots one good tittie
The other one's skinny and red
My kind of bitch gots one good tittie
"Hello? Um, my name is J. I'm from Detroit. I'm looking for a girl,
who's, um, dead. Um, a girl who can possibly forfill some of my
fetishes. Which include, um, dipping your titties in Faygo and
slapping my face with them. Um, jumping from the dresser and landing
on my balls. Uh..."
My kind of bitch waits till I sleep
Then run and fuck my friends
And everytime I break her legs
Then give my homie's ends (haha what's up, man!)
She shot me once and stabbed my neck
And even broke my nose
But I lick her from her crooked neck
Down to her stringy toes, my kind of bitch
My kind of bitch
My kind of bitch waits till I sleep
Then run and fuck my friend
My kind of bitch waits till I sleep then...
"Hello? Uh, my name is Shaggs, and I'm lookin for a girl with a
big big fat fuckin ass. And titties. And a big fat fuckin ass.
And, uh, I want my dick sucked, and I want my balls scratched.
And I want her to scratch my ass and twist my balls at the same
time, that's a must. And I'm looking for a girl who can stretch
titties and stuff em in her ass."
Fuck yeah, motherfucker
I'm looking for a bitch
I'm looking for a girl to fit my needs (my kind of bitch)
We can have picnics under the moon
In the graveyard
We can have picnics under my house (my kind of bitch)
I'm looking for a girl to die with
If you're already dead, that's cool
You can sit around and wait for me to die (my kind of bitch)
I'm looking for a girl to squeeze me
I'm looking for a girl to squeeze my balls
Let me squeeze your neck
"This is Lisa. I've been a bad, bad girl."
The lyrics of "My Kinda Bitch" by Insane Clown Posse are simple and straightforward, but they are intentionally vulgar and offensive. The song describes the singer's ideal woman, who is nothing like the image of a conventional beauty or a traditional partner. This woman refuses to conform to societal norms of appearance or behavior, as she does not care about fixing her hair or dressing up to go to a mall. Instead, she is busy pulling worms out of her butt and ignoring the need to take a bath for years. Moreover, this woman has one good tittie and stretches the other to place it in her ass. She also has a hole in her neck, a wooden eye, and a loopy butt, which makes her look more like a surreal monster than a human being.
The lyrics of the song are undoubtedly misogynistic, as they objectify and degrade women. The singer calls this woman his "kinda bitch," implying that he views her as a commodity or a sexual object that fulfills his twisted fantasies. The song promotes a misogynistic ideology that defines women as inferior and disposable, and it does not consider their feelings, desires, or personalities. Instead, it establishes a toxic masculinity that celebrates violence, degradation, and power over women.
Line by Line Meaning
My kind of bitch ain't like your bitch
The singer has unique preferences when it comes to the type of woman he likes.
'cause my bitch don't bitch at all
The Speaker's ideal woman isn't a complainer or nag.
My bitch don't blink, she don't even think
The perfect woman for the singer is someone who doesn't think too much or overanalyze things.
About money or fuckin mall
The artist's ideal woman isn't interested in material things.
My kind of bitch don't fix her hair
The artist finds a woman who doesn't fuss over her appearance attractive.
She don't care about what she wears
The singer's perfect woman isn't overly concerned with fashion.
'cause she's much too busy pulling the worms
The singer likes a woman who is comfortable with herself and isn't ashamed of her quirks.
Out her butt, she ain't bathed in years
The artist is attracted to a woman who isn't preoccupied with things like hygiene.
My kind of bitch, I'll never forget
The artist has fond memories of one particular woman who fits his ideal woman description.
We forced met on a Oujia board
The artist met this particular woman in an unconventional way.
Miss Crabber Damned, she would chew on snakes
The singer's memorable woman had unusual eating habits.
And swallow a ninja sword
The artist's memorable woman had a talent for sword-swallowing.
I said, "hey bitch, how do you do?
The singer recalls how he first introduced himself to the memorable woman.
Some fucks call me Violent J"
The singer reveals his stage name or nickname.
She picked her nose and flicked it at me
The singer's memorable woman wasn't afraid of behaving in a crude manner.
Smiled and was on her way, my kind of bitch
Despite her strange behavior, the artist was still fond of this woman.
My kind of bitch
The artist reiterates his ideal woman description.
Fuck that!
The singer rejects the idea of conforming to traditional societal expectations.
My kind of bitch has a hole in her neck
The singer is willing to tolerate unusual physical deformities in his ideal woman.
And has to talk like this "I love you"
The artist has a particular attraction to a woman with a speech defect.
She can drink through it, ya get used to it
The artist explains how he's adapted to his ideal woman's unique circumstances.
It whistle every time we kiss
The artist looks fondly on the unusual noises his ideal woman makes when they kiss.
My kind of bitch gots one good tittie
The singer doesn't mind physical imperfections or asymmetry in his ideal woman.
The other one's skinny and red
The artist is attracted to the unique features of his ideal woman, even if they aren't typically considered attractive.
She can make the one jiggle
The singer is enamored with his ideal woman's physical quirks.
The other one don't do shit but just sit there dead
The singer is still attracted to his ideal woman despite some of her physical limitations.
My kind of bitch has a wooden eye
The singer is undeterred by significant physical deformities in his ideal woman.
With a nail sticking half way out
The artist describes in detail the unusual features of his ideal woman's wooden eye.
It once caught a fire and we all had to spit
The artist describes an unusual incident involving his ideal woman's wooden eye catching on fire.
In her face just to put it out
The singer finds humor in the unconventional methods by which they extinguished the fire.
My kind of bitch is a little loopy
The singer is OK with mental health issues or strange behavior when it comes to his ideal woman.
And her ass might droop a bit
The artist doesn't mind physical deformities or normal aging in his ideal woman.
But I scoop that loop and fold the flop
The artist uses unconventional language to express his attraction to his ideal woman's unique features.
And I fuck that pile of shit, my kind of bitch
The artist is still enamored with his ideal woman despite her off-putting hygiene and physical features.
My kind of bitch waits till I sleep
The singer acknowledges that his ideal woman is unfaithful and sneaky.
Then run and fuck my friends
The artist describes how his ideal woman cheats on him regularly, even with his own friends.
And everytime I break her legs
The singer describes how he physically punishes his ideal woman, likely due to his insecurities or frustrations.
Then give my homie's ends
The singer mentions how his ideal woman sleeps with his friends despite his possessive behavior.
She shot me once and stabbed my neck
The singer describes how his ideal woman has hurt him in the past, possibly due to his abusive behavior towards her.
And even broke my nose
The artist acknowledges how his ideal woman has inflicted physical harm on him.
But I lick her from her crooked neck
The artist has a complex and unhealthy relationship with his ideal woman, as he seems to enjoy being abused and dominating her.
Down to her stringy toes, my kind of bitch
The singer reiterates how much he enjoys his ideal woman despite the unhealthy aspects of their relationship.
We can have picnics under the moon
The singer fantasizes about engaging in romantic activities with his ideal woman.
In the graveyard
The artist incorporates dark, unconventional settings into his idea of romance.
We can have picnics under my house (my kind of bitch)
The artist continues to express his unconventional approach to romance with his ideal woman.
I'm looking for a girl to die with
The artist expresses his desire to engage in dark and fatalistic activities with his ideal woman.
If you're already dead, that's cool
The singer is attracted to unconventional and extreme situations, and is not deterred by the fact that his ideal woman may already be dead.
You can sit around and wait for me to die (my kind of bitch)
The artist sees himself and his ideal woman as accomplices in a mutually destructive relationship.
I'm looking for a girl to squeeze me
The singer seeks an unhealthy level of physical engagement with his ideal woman.
I'm looking for a girl to squeeze my balls
The singer has an unhealthy attraction to pain and domination, as he seeks a partner who will engage in sadomasochistic behavior with him.
Let me squeeze your neck
The singer fantasizes about choking his ideal woman in a sexual manner.
Fuck yeah, motherfucker
The artist is confident and unashamed of his unconventional pursuits.
I'm looking for a bitch
The artist's language objectifies and degrades women, even as he seeks their companionship.
I'm looking for a girl to fit my needs (my kind of bitch)
The singer reiterates his narrow and specific idea of the ideal woman.
"This is Lisa. I've been a bad, bad girl."
The singer includes an audio recording of a woman engaging in submissive and degrading behavior, further objectifying and degrading women.
Hello? Um, my name is J. I'm from Detroit. I'm looking for a girl,
The artist sets the stage for his monologue using an unconventional, non-musical introduction.
who's, um, dead. Um, a girl who can possibly forfill some of my
The artist continues to express his unconventional desires and behaviors, this time with a specific desire to engage in necrophilia or similar behaviors.
fetishes. Which include, um, dipping your titties in Faygo and
The artist is sexually aroused by unusual and degrading behavior, such as dipping a woman's breasts in soda.
slapping my face with them. Um, jumping from the dresser and landing
The singer seeks unconventional sexual acts in which he dominates and objectifies his partner.
on my balls. Uh..."
The artist reiterates his desire for physical pain and domination.
Hello? Uh, my name is Shaggs, and I'm lookin for a girl with a
The singer switches to a different character, but maintains the same level of degradation and objectification of women.
big big fat fuckin ass. And titties. And a big fat fuckin ass.
The singer is sexually aroused by large and unconventional body parts in women.
And, uh, I want my dick sucked, and I want my balls scratched.
The singer wishes to be physically gratified in unusual and degrading ways.
And I want her to scratch my ass and twist my balls at the same
The artist seeks bondage and domination in his sexual encounters.
time, that's a must. And I'm looking for a girl who can stretch
The artist continues to express his unconventional and degrading desires for women.
titties and stuff em in her ass."
The singer fetishizes and objectifies women's bodies in a disturbing manner.
Lyrics © Universal Music Publishing Group
Written by: JOSEPH BRUCE, MIKE E. CLARK
Lyrics Licensed & Provided by LyricFind
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