Often remembered for her film score to Eyes Wide Shut, which won her a Chicago Film Award and a Golden Globe nomination, Pook has worked with some of the world’s leading directors, musicians, artists and arts institutions - including Stanley Kubrick, Martin Scorsese, the Royal Opera House, BBC Proms, Andrew Motion, Peter Gabriel, Massive Attack and Laurie Anderson.
Pook has also written film score to Michael Radford’s The Merchant of Venice with Al Pacino, which featured the voice of countertenor Andreas Scholl and was nominated for a Classical Brit Award. Other notable film scores include Brick Lane directed by Sarah Gavron and a piece for the soundtrack to Gangs of New York directed by Martin Scorsese.
With a blossoming reputation as a composer of electro-acoustic works and music for the concert platform, Pook continues to celebrate the diversity of the human voice. Her first opera Ingerland was commissioned and produced by ROH2 for the Royal Opera House’s Linbury Studio in June 2010. The BBC Proms and The King's Singers commissioned to collaborate with the Poet Laureate Andrew Motion on a work entitled Mobile. Portraits in Absentia was commissioned by BBC Radio 3 and is a collage of sound, voice, music and words woven from the messages left on her answerphone. She has received critical acclaim for her song cycle Hearing Voices, which was premiered in December 2012 by the BBC Concert Orchestra and singer Melanie Pappenheim at the Queen Elizabeth Hall.
Pook graduated from the Guildhall School of Music and Drama in 1983, where she studied the viola. She then embarked on a period of touring and recording with artists such as Peter Gabriel, Massive Attack, Laurie Anderson and PJ Harvey and as a member of the Communards.
She also tours extensively with The Jocelyn Pook Ensemble, performing repertoire from her albums and music from her film scores.
Pook won an Olivier Award for the National Theatre's production of St Joan, and for her music-theatre piece Speaking in Tunes she won a British Composer Award. She won a second British Composer Award for her soundtrack to DESH, which accompanies Akram Khan’s dance production of the same name. Pook has also composed scores for television shows and commercials, and was nominated for a BAFTA for Channel 4's The Government Inspector (Dir: Peter Kosminsky).
Pook has chaired and been a judge on various panels including the British Composer Awards, Ivor Novello Awards and BBC Proms Young Composers Competition.
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Flood
Jocelyn Pook Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
(Et lux perpetua luceat eis)
(Deus, in Sion)
(Et tibi reddetur votum in Jerusalem)
Adon hakol mechayeh kol neshamah
Kyrie eleison (Adon hakol mechayeh)
Christe eleison (Kol neshamah)
Kyrie eleison (Yetzav chasdo levat)
Requiem aeternam (Adon hakol mechayeh)
Dona eis, Domine (Kol neshamah)
Et lux perpetua luceat eis (Yetzav chasdo levat)
Te decet hymnus (Adon hakol mechayeh)
Deus, in Sion (Kol neshamah)
Et tibi reddetur votum in Jerusalem (Yetzav chasdo levat)
Exaudi orationem meam (Adon hakol mechayeh)
Ad te omnis (Kol neshamah)
Caro veniet (Yetzav chasdo levat)
Kyrie eleison (Adon hakol mechayeh)
Christe eleison (Kol neshamah)
Kyrie eleison (Yetzav chasdo levat)
The lyrics of Jocelyn Pook's song "Flood" are a mix of Hebrew, Latin and Aramaic language with Christian and Jewish liturgical references. The beginning lines, "Yetzav chasdo levat" means "His kindness endures forever." The next line, "Et lux perpetua luceat eis" in Latin, is a reference to a perpetual light shining on those who have passed on, symbolizing eternal peace.
The next set of lines, "Deus, in Sion" and "Et tibi reddetur votum in Jerusalem" are taken from the Catholic Mass and refer to God's presence in the holy city of Jerusalem and the faithful's devotion to God.
The entire song mixes elements from both Jewish and Christian liturgy, creating a haunting and meditative atmosphere. The chorus, "Kyrie eleison / Christe eleison," is a traditional Christian prayer for mercy, while "Adon hakol mechayeh / Kol neshamah" refers to God as the source of all life in Judaism.
Overall, the lyrics of "Flood" serve to explore the possibility of finding spiritual unity through different religious traditions. The song highlights the similarities and differences between liturgical practices, ultimately bringing them together in a harmonious and meditative piece of music.
Line by Line Meaning
(Yetzav chasdo levat)
His mercy endures forever
(Et lux perpetua luceat eis)
Let perpetual light shine upon them
(Deus, in Sion)
God, in Zion
(Et tibi reddetur votum in Jerusalem)
And to you shall a vow be performed in Jerusalem
Adon hakol mechayeh kol neshamah
Lord, the giver of life to all souls
Yetzav chasdo levat
His mercy endures forever
Kyrie eleison (Adon hakol mechayeh)
Lord, have mercy (Lord, the giver of life)
Christe eleison (Kol neshamah)
Christ, have mercy (to all souls)
Kyrie eleison (Yetzav chasdo levat)
Lord, have mercy (His mercy endures forever)
Requiem aeternam (Adon hakol mechayeh)
Eternal rest (Lord, the giver of life)
Dona eis, Domine (Kol neshamah)
Grant them, Lord (to all souls)
Et lux perpetua luceat eis (Yetzav chasdo levat)
Let perpetual light shine upon them (His mercy endures forever)
Te decet hymnus (Adon hakol mechayeh)
A hymn befits you (Lord, the giver of life)
Deus, in Sion (Kol neshamah)
God, in Zion (to all souls)
Et tibi reddetur votum in Jerusalem (Yetzav chasdo levat)
And to you shall a vow be performed in Jerusalem (His mercy endures forever)
Exaudi orationem meam (Adon hakol mechayeh)
Hear my prayer (Lord, the giver of life)
Ad te omnis (Kol neshamah)
To you, all (souls)
Caro veniet (Yetzav chasdo levat)
His mercy endures forever
Kyrie eleison (Adon hakol mechayeh)
Lord, have mercy (Lord, the giver of life)
Christe eleison (Kol neshamah)
Christ, have mercy (to all souls)
Kyrie eleison (Yetzav chasdo levat)
Lord, have mercy (His mercy endures forever)
Writer(s): Jocelyn Frances Pook
Contributed by Lucy N. Suggest a correction in the comments below.
Martin Trebuch
on Thousand Year Dream
could it be "blue venom teardrops"?