John Kenneth Holt (born 11 July 1947 in Kingston, Jamaica; died 19 October … Read Full Bio ↴John Kenneth Holt (born 11 July 1947 in Kingston, Jamaica; died 19 October 2014 in London, England) was a reggae singer and songwriter who first found fame as a member of the Paragons before establishing himself as a solo artist. Amongst the songs he wrote was "The Tide Is High" (later made famous by Blondie and also covered by Atomic Kitten).
On an island renowned for its superb vocalists and composers, John Holt remains head and shoulders above the rest as one of Jamaica's sweetest singers and enduring songwriters. He voiced and penned so many of the country's classics that in a way, Holt defined the island's sound. Born in the Greenwich Farm area of Kingston, Jamaica, on July 11, 1947, the young Holt took his first steps into the music business via the talent show circuit. Talent shows have always had a massive popularity in Jamaica and the top ones were initially broadcast live on radio and later on television. Many of the island's greatest artists (Gregory Isaacs amongst them) made their first appearances in talent shows, and it has proved an excellent training ground for young hopefuls.
In 1958, the 12-year-old Holt entered his first contest, run by promoter Joseph Verejohn. Over the next four years, the youngster became a staple of these shows, notching up a record-breaking 28 titles. His dulcet tones were soon familiar to a much larger audience, as a number of these contests were broadcasts of Radio Jamaica. For his final victory in 1962, Holt performed Solomon Burke's "Just Out of Reach." The talented teen was quickly snapped up by producer Leslie Kong, who recorded Holt's debut single, "Forever I'll Stay"/"I Cried a Tear." From there, the youngster began working with producer Clive Chin, debuting the partnership with "Rum Bumper," a duet with Alton Ellis.
More singles followed, but none really captured the island's imagination. That all began to change in 1964 when Holt joined the vocal group the Paragons, replacing founding member Leroy Stamp. It was about this time that another founding member, Junior Menz, also departed and his place taken by Howard Barrett. The group's lineup was completed by veteran members Bob Andy and Tyrone Evans, and it was this grouping that recorded "Good Luck and Goodbye" for Coxsone Dodd. Ironically, this is precisely what Andy said to his bandmates soon after the single's release, as he quit the group to pursue a solo career. Now reduced to a trio, and with both Evans and Barrett holding full-time jobs, Holt was entrusted with the dual role of composer and arranger, positions for which he turned out to be ideally suited. And the timing couldn't have been more perfect. Ska was withering under the hot Jamaican sun, with rocksteady rising to take its place. Its slower tempo was perfect for vocal groups and Holt's pen seemed especially cut for the easy going beat and pop flavor that the style embraced. Soon after, the trio linked with Duke Reid, a producer never at home with ska, but the ultimate purveyor of rocksteady.
By 1968, the Paragons were Jamaica's premier vocal group, with virtually every one of their releases a hit. Although the group did record covers (notably "Island in the Sun"), much of their material was composed by Holt and the popularity of his songs is evident by the number of other prominent vocalists who recorded their own cover versions of them. In 1968, Holt set off on a parallel solo career, recording for producers Bunny Lee and Harry J. The following year, the Paragons returned to Dodd, where the trio continued on a successful path. 1970, however, brought an abrupt end to the group when Evans and Barrett both went to the U.S. after being awarded scholarships. Holt, however, merely picked up the pace of his solo recordings, cutting songs for a variety of different producers. His work with Dodd was particularly exemplary and boasts a slew of classics, including "Tonight," "Stranger in Love," and "A Love I Can Feel." The latter song titled Holt's 1971 album, which compiled many of his hits with Dodd. Like a Bolt, released that same year, bundles up recordings done with Duke Reid, including the hit "Ali Baba," which quickly became one of Reid's most-versioned rhythms. Prince Buster cut a number of gems with the singer, including the exquisite "Rain From the Sky," while Alvin Ranglin also recorded a number of charming numbers, notably "Son of the Wise." During this same time, Phil Pratt scored a hit with a re-cut, "My Heart Is Gone," a song Holt initially recorded for Dodd. Arguably the best work the singer recorded in the early '70s was for Bunny Lee, including the classic "Tonight." However, their biggest success was a cover of "Stick By Me," deliberately arranged to take advantage of the latest dance craze, the John Crow. The song stuck to the Jamaican charts for an amazing 23 weeks and became the biggest-selling single of the year.
Amidst the growing pile of hit singles was also a clutch of albums, many picked up for U.K. release by the Trojan label. 1973's Holt and Still in Chains both helped Holt establish himself as a reggae artist extraordinaire and have since been repackaged on one CD by the British label See for Miles. In 1974, though, the singer released three albums — The Further You Look, Dusty Roads, and Sings for I — that showcased his penchant for ballads. Many of the tracks were self-penned, an exception to the cover-heavy records he'd previously released. Presenting the Fabulous John Holt is also comprised of ballads, but Duke Reid slathers them in a wondrously rootsy production, while Coxsonne Dodd gave the ballads Holt cut for him a superbly earthy atmosphere on A Love I Can Feel. That same year, the singer released the Harry Mudie-produced Time Is the Master, featuring the ultimate MOR package of covers accompanied by lush string arrangements. The title-track was another smash and the album spawned a clutch of further Jamaican hits.
It was obvious to Trojan that a crossover success was in their sights. The label brought Holt to the U.K. later in 1974, and set him to work with pop producer Tony Ashfield, who had arranged the strings on Time Is the Master. The end result was the covers collection 1000 Volts of Holt, which gave Holt his first U.K. hit with "Help Me Make It Through the Night." Inevitably, two follow-ups were recorded — 2000 Volts and 3000 Volts — with both these albums were later combined onto a single disc. However, apparently Britain felt one reggae lite cover was enough and Holt was unable to equal the success of "Help Me."
Eventually, he called it a day and headed home. He announced his return with 1976's Up Park Camp, which boasts both superbly re-cut classics and equally sublime new songs. The album's title-track was a fabulous take on the Heptones' "Get in the Groove," with new cultural lyrics, and set the singer on the path for dancehall success. For the rest of the decade, Holt continued making the studio rounds, working with the likes of JoJo Hookim, and most notably reuniting with Bunny Lee. 1976's Winter World of Love captures only some of the magic of this latter partnership, which produced a clutch of fine singles. However, 1977's Holt Goes Disco suggests that the singer was beginning to lose his grip on his audience. That concern grew with 1981's Children of the World and the following year's Just the Two of Us, both bland AOR sets. In many ways, Holt had painted himself into a corner. As rocksteady had shifted into reggae, the singer had no trouble in transforming his songwriting toward the new genre. But as roots had taken hold, his own penchant for pop, and particularly love songs, no longer connected with younger fans. He had edged gracefully into the realms of MOR, but with age had come rebellion. In a rather belated conversion, Holt admitted to his Rastafarian beliefs in 1983 and began growing dreadlocks.
The previous year, the singer had performed at Reggae Sunsplash to much acclaim and had seen chart success with such fare as "If I Were a Carpenter" and covers of the Isley Brothers' "This Old Heart of Mine" and Lou Rawls' "You'll Never Find a Love of Mine," but at the same time, Holt was also turning his attention back to the dancehalls. His intrigue with the DJ scene dated back over a decade, when the singer had attended a King Tubby sound system dance and was blown away by U-Roy toasting over his own classic hit "Wear You to the Ball." Holt immediately introduced the DJ to Duke Reid, who launched U-Roy to stardom ("Wear You to the Ball" was the singer's third single for Reid, and his third number one). The DJ repaid Holt by recording a number of other versions of the singer's hits. Dennis Alcapone had also versioned a number of his songs. Linking up with producer Junjo Lawes, the singer cut a number of dancehall singles across 1982, including the hit "Fat She Fat," and DJ superstar Yellowman also versioned a number of Holt's classics this same year. But none of this really prepared audiences for the Police in Helicopter album. Lawes' deep roots rhythms turned out to be the perfect accompaniment for Holt's songs, from the lightest pop to the heaviest hitting roots numbers. In one fell swoop, Holt had shed his family entertainer image and reinvented himself as a cultural hero.
The following year, the singer cut the equally strong "If You Were My Lover" for Prince Jammy, amongst a clutch of other recordings. 1985 brought a reunion with Bunny Lee for the Pure Gold album, which while enjoyable, didn't hold a candle to Helicopter.
The next year, the singer joined forces with singer/producer Dennis Brown for the Wild Fire album. It was during this period that both Holt and Brown became involved in a plot by veteran singers to fight the DJ phenomenon by saturating the market with vocal material. Gregory Isaacs, the most prolific of the conspirators, Dennis Brown, Ken Boothe, Delroy Wilson, and many others were involved and began releasing a deluge of material. It certainly wasn't personal, and in fact, virtually all the singers involved had happily collaborated with DJs over the years and continued to do so. Holt's relationship with U-Roy wasn't unique; Isaacs, for example, had a stream of hits with Trinity, a DJ Brown had also cut a single with. The conspirators logic was that the DJs reigned supreme only because there wasn't enough vocal product on the market. They intended on changing that. The down side was, of course, that over time every one of those involved would sully their own reputations by releasing too much inferior product. And although each of these artists would occasionally record an album worthy of their own legendary status, too many of their releases were mediocre at best.
Holt was no exception. However, there are a number of albums from these later years worth picking up. For holiday parties, one can't beat 1986's The John Holt Christmas Album, which is split between traditional numbers and covers of rock's festive best from the likes of Slade, Mud, John Lennon, and George Michael — bizarre, but it works. Equally effective is 1989's Why I Care, which finds Holt back in the dancehall, accompanied by producer Hugh "Redman" James' most militant rhythms. In 1993, the singer decided to expand his musical horizons on Reggae Hip House R&B Flavour, and while not always successful, it is certainly intriguing. 1997's All Night Long features such guest stars as Johnnie Clarke, Screwdriver, and Latisha Vining, updating old hits and a few new numbers. But perhaps the best album of the decade, New Horizon, came at its end, a solid set overseen by Roy Francis and Computer Paul.
Across the decade, Holt made numerous acclaimed appearances at Reggae Sunsplash, and the singer continues to compose, record, and perform. All that's missing is a compilation worthy of Holt's genius. The best on offer was the Trojan label's My Girl Wears a Crown, which compiles the best of the singer's recordings with the Paragons. Of his solo material, Can't Keep Us Apart bundles up 20 singles cut with Bunny Lee and their dub companions.
Having been taken ill at the One Love Festival on 16 August, Holt died on 19 October 2014 in a London hospital.
On an island renowned for its superb vocalists and composers, John Holt remains head and shoulders above the rest as one of Jamaica's sweetest singers and enduring songwriters. He voiced and penned so many of the country's classics that in a way, Holt defined the island's sound. Born in the Greenwich Farm area of Kingston, Jamaica, on July 11, 1947, the young Holt took his first steps into the music business via the talent show circuit. Talent shows have always had a massive popularity in Jamaica and the top ones were initially broadcast live on radio and later on television. Many of the island's greatest artists (Gregory Isaacs amongst them) made their first appearances in talent shows, and it has proved an excellent training ground for young hopefuls.
In 1958, the 12-year-old Holt entered his first contest, run by promoter Joseph Verejohn. Over the next four years, the youngster became a staple of these shows, notching up a record-breaking 28 titles. His dulcet tones were soon familiar to a much larger audience, as a number of these contests were broadcasts of Radio Jamaica. For his final victory in 1962, Holt performed Solomon Burke's "Just Out of Reach." The talented teen was quickly snapped up by producer Leslie Kong, who recorded Holt's debut single, "Forever I'll Stay"/"I Cried a Tear." From there, the youngster began working with producer Clive Chin, debuting the partnership with "Rum Bumper," a duet with Alton Ellis.
More singles followed, but none really captured the island's imagination. That all began to change in 1964 when Holt joined the vocal group the Paragons, replacing founding member Leroy Stamp. It was about this time that another founding member, Junior Menz, also departed and his place taken by Howard Barrett. The group's lineup was completed by veteran members Bob Andy and Tyrone Evans, and it was this grouping that recorded "Good Luck and Goodbye" for Coxsone Dodd. Ironically, this is precisely what Andy said to his bandmates soon after the single's release, as he quit the group to pursue a solo career. Now reduced to a trio, and with both Evans and Barrett holding full-time jobs, Holt was entrusted with the dual role of composer and arranger, positions for which he turned out to be ideally suited. And the timing couldn't have been more perfect. Ska was withering under the hot Jamaican sun, with rocksteady rising to take its place. Its slower tempo was perfect for vocal groups and Holt's pen seemed especially cut for the easy going beat and pop flavor that the style embraced. Soon after, the trio linked with Duke Reid, a producer never at home with ska, but the ultimate purveyor of rocksteady.
By 1968, the Paragons were Jamaica's premier vocal group, with virtually every one of their releases a hit. Although the group did record covers (notably "Island in the Sun"), much of their material was composed by Holt and the popularity of his songs is evident by the number of other prominent vocalists who recorded their own cover versions of them. In 1968, Holt set off on a parallel solo career, recording for producers Bunny Lee and Harry J. The following year, the Paragons returned to Dodd, where the trio continued on a successful path. 1970, however, brought an abrupt end to the group when Evans and Barrett both went to the U.S. after being awarded scholarships. Holt, however, merely picked up the pace of his solo recordings, cutting songs for a variety of different producers. His work with Dodd was particularly exemplary and boasts a slew of classics, including "Tonight," "Stranger in Love," and "A Love I Can Feel." The latter song titled Holt's 1971 album, which compiled many of his hits with Dodd. Like a Bolt, released that same year, bundles up recordings done with Duke Reid, including the hit "Ali Baba," which quickly became one of Reid's most-versioned rhythms. Prince Buster cut a number of gems with the singer, including the exquisite "Rain From the Sky," while Alvin Ranglin also recorded a number of charming numbers, notably "Son of the Wise." During this same time, Phil Pratt scored a hit with a re-cut, "My Heart Is Gone," a song Holt initially recorded for Dodd. Arguably the best work the singer recorded in the early '70s was for Bunny Lee, including the classic "Tonight." However, their biggest success was a cover of "Stick By Me," deliberately arranged to take advantage of the latest dance craze, the John Crow. The song stuck to the Jamaican charts for an amazing 23 weeks and became the biggest-selling single of the year.
Amidst the growing pile of hit singles was also a clutch of albums, many picked up for U.K. release by the Trojan label. 1973's Holt and Still in Chains both helped Holt establish himself as a reggae artist extraordinaire and have since been repackaged on one CD by the British label See for Miles. In 1974, though, the singer released three albums — The Further You Look, Dusty Roads, and Sings for I — that showcased his penchant for ballads. Many of the tracks were self-penned, an exception to the cover-heavy records he'd previously released. Presenting the Fabulous John Holt is also comprised of ballads, but Duke Reid slathers them in a wondrously rootsy production, while Coxsonne Dodd gave the ballads Holt cut for him a superbly earthy atmosphere on A Love I Can Feel. That same year, the singer released the Harry Mudie-produced Time Is the Master, featuring the ultimate MOR package of covers accompanied by lush string arrangements. The title-track was another smash and the album spawned a clutch of further Jamaican hits.
It was obvious to Trojan that a crossover success was in their sights. The label brought Holt to the U.K. later in 1974, and set him to work with pop producer Tony Ashfield, who had arranged the strings on Time Is the Master. The end result was the covers collection 1000 Volts of Holt, which gave Holt his first U.K. hit with "Help Me Make It Through the Night." Inevitably, two follow-ups were recorded — 2000 Volts and 3000 Volts — with both these albums were later combined onto a single disc. However, apparently Britain felt one reggae lite cover was enough and Holt was unable to equal the success of "Help Me."
Eventually, he called it a day and headed home. He announced his return with 1976's Up Park Camp, which boasts both superbly re-cut classics and equally sublime new songs. The album's title-track was a fabulous take on the Heptones' "Get in the Groove," with new cultural lyrics, and set the singer on the path for dancehall success. For the rest of the decade, Holt continued making the studio rounds, working with the likes of JoJo Hookim, and most notably reuniting with Bunny Lee. 1976's Winter World of Love captures only some of the magic of this latter partnership, which produced a clutch of fine singles. However, 1977's Holt Goes Disco suggests that the singer was beginning to lose his grip on his audience. That concern grew with 1981's Children of the World and the following year's Just the Two of Us, both bland AOR sets. In many ways, Holt had painted himself into a corner. As rocksteady had shifted into reggae, the singer had no trouble in transforming his songwriting toward the new genre. But as roots had taken hold, his own penchant for pop, and particularly love songs, no longer connected with younger fans. He had edged gracefully into the realms of MOR, but with age had come rebellion. In a rather belated conversion, Holt admitted to his Rastafarian beliefs in 1983 and began growing dreadlocks.
The previous year, the singer had performed at Reggae Sunsplash to much acclaim and had seen chart success with such fare as "If I Were a Carpenter" and covers of the Isley Brothers' "This Old Heart of Mine" and Lou Rawls' "You'll Never Find a Love of Mine," but at the same time, Holt was also turning his attention back to the dancehalls. His intrigue with the DJ scene dated back over a decade, when the singer had attended a King Tubby sound system dance and was blown away by U-Roy toasting over his own classic hit "Wear You to the Ball." Holt immediately introduced the DJ to Duke Reid, who launched U-Roy to stardom ("Wear You to the Ball" was the singer's third single for Reid, and his third number one). The DJ repaid Holt by recording a number of other versions of the singer's hits. Dennis Alcapone had also versioned a number of his songs. Linking up with producer Junjo Lawes, the singer cut a number of dancehall singles across 1982, including the hit "Fat She Fat," and DJ superstar Yellowman also versioned a number of Holt's classics this same year. But none of this really prepared audiences for the Police in Helicopter album. Lawes' deep roots rhythms turned out to be the perfect accompaniment for Holt's songs, from the lightest pop to the heaviest hitting roots numbers. In one fell swoop, Holt had shed his family entertainer image and reinvented himself as a cultural hero.
The following year, the singer cut the equally strong "If You Were My Lover" for Prince Jammy, amongst a clutch of other recordings. 1985 brought a reunion with Bunny Lee for the Pure Gold album, which while enjoyable, didn't hold a candle to Helicopter.
The next year, the singer joined forces with singer/producer Dennis Brown for the Wild Fire album. It was during this period that both Holt and Brown became involved in a plot by veteran singers to fight the DJ phenomenon by saturating the market with vocal material. Gregory Isaacs, the most prolific of the conspirators, Dennis Brown, Ken Boothe, Delroy Wilson, and many others were involved and began releasing a deluge of material. It certainly wasn't personal, and in fact, virtually all the singers involved had happily collaborated with DJs over the years and continued to do so. Holt's relationship with U-Roy wasn't unique; Isaacs, for example, had a stream of hits with Trinity, a DJ Brown had also cut a single with. The conspirators logic was that the DJs reigned supreme only because there wasn't enough vocal product on the market. They intended on changing that. The down side was, of course, that over time every one of those involved would sully their own reputations by releasing too much inferior product. And although each of these artists would occasionally record an album worthy of their own legendary status, too many of their releases were mediocre at best.
Holt was no exception. However, there are a number of albums from these later years worth picking up. For holiday parties, one can't beat 1986's The John Holt Christmas Album, which is split between traditional numbers and covers of rock's festive best from the likes of Slade, Mud, John Lennon, and George Michael — bizarre, but it works. Equally effective is 1989's Why I Care, which finds Holt back in the dancehall, accompanied by producer Hugh "Redman" James' most militant rhythms. In 1993, the singer decided to expand his musical horizons on Reggae Hip House R&B Flavour, and while not always successful, it is certainly intriguing. 1997's All Night Long features such guest stars as Johnnie Clarke, Screwdriver, and Latisha Vining, updating old hits and a few new numbers. But perhaps the best album of the decade, New Horizon, came at its end, a solid set overseen by Roy Francis and Computer Paul.
Across the decade, Holt made numerous acclaimed appearances at Reggae Sunsplash, and the singer continues to compose, record, and perform. All that's missing is a compilation worthy of Holt's genius. The best on offer was the Trojan label's My Girl Wears a Crown, which compiles the best of the singer's recordings with the Paragons. Of his solo material, Can't Keep Us Apart bundles up 20 singles cut with Bunny Lee and their dub companions.
Having been taken ill at the One Love Festival on 16 August, Holt died on 19 October 2014 in a London hospital.
Last Love
John Holt Lyrics
We have lyrics for 'Last Love' by these artists:
AAA Hey boy, deatta koro kara Hey boy, kawatta taido ga I know…
AAA Hey boy, 出逢った頃から Hey boy, 変わった態度が I know you playin' on me (…
Babbal Rai Tu mera pehla pyaar hai Tu hi yaara aakhri Bss Tu haansil…
d.p.s Blues outside my door I don't even know if it's raining But…
Julie Ervik LAST LOVE You came into my life so full of kindness And…
K はじめての Dance floor 誘われるままに リズムの海に飛びこめば 踊る君と目が合う ぼくは動けない 揺れた微笑…
Kato Miliyah 加藤ミリヤ 一緒に過ごしてきた 今は思い出の中にひとりきりで 君がこの部屋に浮かんでは消える 会いたい 会えない 切なくて 愛を誓…
Kim BumSoo 내가 이렇게 아픈데 그댄 어떨까요 원래 떠나는 사람이 더 힘든 법인데 아무 말하지…
Larson Nicolette Blues outside my door I don't even know if it's raining But…
Matrimony You conquered me when you let me be When you let…
MILIYAH 一緒に過ごしてきた 今は思い出の中にひとりきりで 君がこの部屋に浮かんでは消える 会いたい 会えない 切なくて 愛を誓…
Rihwa I just felt that I knew it all I just tried…
RIVRS Food for thought And you left me cold and hungry True or…
Sin Ye Young 몰랐었어 너의 그바램들을 모두 이해한다 믿고만 싶었던 거야 너무 힘들다고 말하는 널 보며 잠시…
Sinead Harnett Mm-mm I'll tell you how I feel about it I don't wanna…
Toto What would you say If I asked you to stay with…
Unist 愛しい時間も 儚い想いも 君がくれたもの 声にしない陽だまりの笑みも 全部僕のもの 孤独さえ 消えていく 今に溺れてた…
Wendy Rene 왜 내게서 멀어졌나요 난 정말 원치 않았던 이별이었어요 긴 하루를 보낼 때마다 나도 모르게…
加藤ミリヤ 一緒に過ごしてきた 今は思い出の中にひとりきりで 君がこの部屋に浮かんでは消える 会いたい 会えない 切なくて 愛を誓…
김범수 내가 이렇게 아픈데 그댄 어떨까요 원래 떠나는 사람이 더 힘든 법인데 아무 말하지…
박진영 행복했던 것 만큼 아파하고 겨우 상처를 추스려 힘겹게 마음을 열고 낯설은 사람에게…
We have lyrics for these tracks by John Holt:
(I Want) A Love I Can Feel I want a love I can see. (Ah-Pow-Pow) That's the only…
a love like yours You'll never find, as long as you live Someone who loves…
A Man Needs a Woman When I was the age of three My dear mother had…
Alfie What's it all about, Alfie? Is it just for the moment…
Ali Baba My dream last night was about Ali Baba With the forty…
Ali Baba Version My dream last night was about Ali Baba With the forty…
All I Ever Ask Love means so many different things But you're all that matt…
All My Life In the morning when the moon is at it's rest you…
And I Love Her I want a love I can see. (Ah-Pow-Pow) That's the only…
Baby Don't Get Hooked On Me Girl you're gettin' that look in your eyes, and it's startin…
Baby I'm a Want You Baby, I'm-a want you Baby, I'm-a need you You the only one…
Baby Only You You know I've been wanting you My whole life through And now…
Beach Party One million girls in bikini On the beach, I say I was…
Born to Lose Born to lose, I've lived my life in vain Every dream…
Call On Me Love and affection Love you with a passion Never never never…
Can I Change My Mind Lying all alone and restless unable to lose this image sleep…
Can't Use Me You not gonna use me no more You not gonna use…
CanT Get You Off My Mind Lying all alone and restless unable to lose this image sleep…
Change Your Style / Hooligan Hooligans, hooligans stop for a while Change your hooligan s…
Do You Love Me You broke my heart 'cause I couldn't dance, You didn't even…
Don Girl you're gettin' that look in your eyes, and it's startin…
Everybody's Talkin' Everybody's talkin' at me I don't hear a word they're sayin'…
Fancy Make Up Don't watch those pretty dress that they wear Those Fancy Ma…
Fat She Fat Whachi wachi eausbdirviwbeheibirhruribdirbeurbvrurhrvrurbrug…
Find a Dub You'll never find, as long as you live Someone who loves…
For the Love of You This old heart of mine been broke a thousand times. Each…
For The Love Of You #2 Hmm Huh Hoo hoo hey baby I'm looking for you Drifting…
Girl From Ipanema Tall and tan and young and lovely The girl from Ipanema…
Happy Xmas So this is Christmas and what have you done, Another year…
Have You Ever Been In Love Have you ever, have you ever? Have you ever been in…
Help Me Make It Though the Night Take the ribbon from your hair Shake it loose and let…
Help Me Make It Trough The Night Take the ribbon from your hair Shake it loose and let…
Hey Jude Hey Jude, don't make it bad Take a sad song and…
Homely Girl It must have broke your poor little heart When the boys…
Hooligan Hooligans, hooligans stop for a while Change your hooligan s…
How Can I I want a love I can see. (Ah-Pow-Pow) That's the only…
I Love means so many different things But you're all that mat…
I Can't Get You Off My Mind Lying all alone and restless unable to lose this image sleep…
I Don't Want To See You Cry I got to tell you goodbye babe, But I don't want…
I Love You I want a love I can see. (Ah-Pow-Pow) That's the only…
I Want to Wake Up With You I wanna wake up with you I wanna be there when…
I Will Who knows that I have found you Will know I love…
I Will Always Love You If I should stay Well, I would only be in your…
I'd Love You to Want Me When I saw you standing there I about fell off my…
I'll Be Lonely I know I'll be lonely, I know I'll be blue Yet,…
I'll Take a Melody [Geoff Tate // Lead & Backing Vocals] [Jeff Carrell // Elect…
I'm The One To Blame Whoa, I'm free, nobody now owns me Yes, I'm free, nobody…
I've Got to Get Away There is a man that live next door In my neighborhood In…
Id Love You to Want Me When I saw you standing there I about fell off my…
If I Were A Carpenter If I were a carpenter and you were a lady Would…
If It Don You can get it if you really want You can…
In The Middle Of The Night Hoverin' by my suitcase Tryin' to find a warm place to…
It Take the ribbon from your hair Shake it loose and let…
It'S All Right Hoverin' by my suitcase Tryin' to find a warm place to…
John Holt Yes boss, yes boss, yes boss, yes boss... Police in helicop…
Just Don't Want To Be Lonely I don't mind when you say that you're goin' away I…
Just Out Of Reach Love that runs away from me. Dreams that just won′t let…
Keep On Moving Lord, I gotta keep on moving Lord, I gotta get away Lord,…
Killing Strumming my pain with his fingers Singing my life with his…
Kiss And Say Goodbye This has got to be the saddest day of my…
Last Christmas Last Christmas, I gave you my heart But the very next…
Last Train Last call from the ghetto Get onboard, get onboard Can't yo…
Left With a Broken Heart You were seen runnin' round With him again, woah yeah But I…
Let Your Love Flow There's a reason for the sunshine sky There's a reason why…
Let's Kiss and Say Goodbye I had to meet you here today There's just so many…
Living for the Love of You Hmm Huh Hoo hoo hey baby I'm looking for you Drifting on…
Lonely This Christmas Try to imagine A house that's not a home Try to imagine A…
Looking Back Looking back over my life I can see where I've caused…
Love I Can Feel I want a love I can see. (Ah-Pow-Pow) That's the only…
Love You To Want Me You broke my heart 'cause I couldn't dance, You didn't even…
Loving Pauper I'm not in a position to maintain you, The way that…
Man Next Door (Got to Get Away) There is a man that live next door In my neighborhood In…
Memories By the Score Just like the dew that clings to dawn I'll cling to…
Morning of My Life In the morning when the moon is at it's rest you…
Mr Bojangles I knew a man Bojangles And he danced for you In worn…
My Desire my desire you never let you go baby baby sweet heart you wil…
My Number One I heard you say to me you want to be…
My Oh My Lying all alone and restless unable to lose this image sleep…
My Satisfaction It's a human sign When things go wrong When the scent o…
My Sweet Lord Mm, my sweet Lord Mm, my Lord Mm, my Lord I really want…
My Time Woah My resistance is getting weaker I just can't stand th…
Never Never Never I'd like to run away from you But if you never…
Oh Girl Oh little girl, oh sweet baby Oh girl, I’d be in…
On the Beach Let's go have some fun, On the beach where there is…
Police in Helicopter Police in helicopter, a search fi marijuana. Police man in d…
Police In Helicopter pt2 Yes boss, yes boss, yes boss, yes boss... Police in helicopt…
Police In Helicopter Version Yes boss, yes boss, yes boss, yes boss... Police in helicop…
Private Doctor I am your private doctor Call me any hour I am your…
Queen Of the Ghetto She's a queen of the ghetto, and i know so Oh…
Rain from the Skies Ever since you went away Every day, it's just a cloudy…
Rainy Night In Georgia Hoverin' by my suitcase Tryin' to find a warm place to…
Riding for a Fall Someday somebody will make you cry Then you'll gonna have te…
Santa Claus Is Comin' To Town I just came back from a lovely trip along the…
Satisfaction It's a human sign When things go wrong When the scent of…
Sexy Eyes I was sittin' all alone Watching people get it on with…
She Wants It You can get it if you really want You can…
Sister Big Stuff Sister big stuff Who do you think you are? Sister big stuff …
Stealing Stealing Hit bomb! Ahh ah ah (4x) I've got love Within my hear…
Stealing, Stealing Sister big stuff Who do you think you are? Sister big stuff …
Stick by Me Stick by me, I'll stick by you Stick by me, I'll…
Stick By Me (And I'll Stick By You) Stick by me (and) I'll stick by you Stick by me…
Stoned Out of My Mind Got me stoned Stoned without your love Baby, when I foun…
Strange Things Strange things happen on a friday night. Girls, beach boys, …
Stranger In Love Have you ever, have you ever? Have you ever been in…
Sweetie Come Brush Me Sweetie Sweetie Sweetie Sweetie There's a giiirrl, living in…
The Burning Sun Livin' in the city but the life ain't pretty and…
The Girl from Ipanema Tall and tan and young and lovely The girl from Ipanema…
The Prophet Do you love with all of your heart? Just for a…
The Tide Is High The tide is high but I'm holding on I'm gonna…
Thief In The Night Hoverin' by my suitcase Tryin' to find a warm place to…
Thinking Lying all alone and restless unable to lose this image sleep…
This Love of Mine This old heart of mine been broke a thousand times. Each…
Tide Is High The tide is high but I'm holding on I'm gonna…
Time Is the Master Time is a going why not make yourself a plan…
Too Good To Be Forgotten Too good to be forgotten Too good to be forgotten. Benny w…
Touch Me In The Morning Touch me in the morning Then just walk away We don't have…
Tribal War Tribal War- We don't want no more at all. Tribal War- I know…
Up Park Camp Newton-John Olivia Xanadu Xanadu (Olivia Newton-John With El…
Want To I want a love I can see. (Ah-Pow-Pow) That's the only…
Wasted Day And Wasted Nights Wasted days and wasted nights I have left for you behind…
When A Child Is Born A ray of hope flitters in the sky A tiny star…
Whereever I lay my hat By the look in your eye I can tell you're…
White Christmas I'm dreaming of a white Christmas Just like the ones I…
Winter World of Love My love, the days are colder. So, let me take your…
Yester Me What happened to the world we knew, when we would dream…
Yesterday Yesterday All my troubles seemed so far away Now it looks as…
You Lying all alone and restless unable to lose this image sleep…
You Baby You know I've been wanting you My whole life through And now…
You Never Know You'll never find, as long as you live Someone who loves…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Raimunda Isabel Pereira Almeida
ddddddddddd+
@doreencampbell7242
Beautiful, RIP
@MiguelGomes-xl7kj
.muitas saudades