Cash was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band characterized by train-sound guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark, all-black stage wardrobe, which earned him the nickname "The Man in Black." He traditionally began his concerts by simply introducing himself, "Hello, I'm Johnny Cash," followed by his signature song "Folsom Prison Blues".
Much of Cash's music contained themes of sorrow, moral tribulation, and redemption, especially in the later stages of his career. His other signature songs include "I Walk the Line", "Ring of Fire", "Get Rhythm", and "Man in Black". He also recorded humorous numbers like "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson" (followed by many further duets after their wedding); and railroad songs including "Hey, Porter", "Orange Blossom Special", and "Rock Island Line". During the last stage of his career, Cash covered songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Rusty Cage" by Soundgarden.
Johnny Cash was born on February 26, 1932, in Kingsland, Arkansas, to Ray Cash and Carrie Cloveree (née Rivers). He was the fourth of seven children, who were in birth order: Roy, Margaret Louise, Jack, J. R., Reba, Joanne, and Tommy (who also became a successful country artist). He was primarily of English and Scottish descent. As an adult he traced his surname to 11th-century Fife, after meeting with the then-laird of Falkland, Major Michael Crichton-Stuart. Cash Loch and other locations in Fife bear the name of his family.
At birth, Cash was named J. R. Cash. When Cash enlisted in the United States Air Force, he was not permitted to use initials as a first name, so he changed his name to John R. Cash. In 1955, when signing with Sun Records, he started going by Johnny Cash.
In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas, a New Deal colony established to give poor families a chance to work land that they had a chance to own as a result. Cash started working in cotton fields at the age of five, singing along with his family while working. The Cash farm experienced a flood during the family's time in Dyess, which led Cash later to write the song "Five Feet High and Rising". His family's economic and personal struggles during the Great Depression inspired many of his songs, especially those about other people facing similar difficulties. Consequently, Cash had sympathy for the poor and working class throughout his life.
Cash was very close to his older brother, Jack. On Saturday May 12, 1944, Jack was pulled into an unguarded table saw at his high school while cutting oak into fence posts as his job and was almost cut in two. He lingered until the following Saturday, when he died. Cash often spoke of the horrible guilt he felt over this incident; according to Cash: The Autobiography, his father was away that morning, but Johnny, his mother, and even Jack himself, all had premonitions or a sense of foreboding about that day. His mother urged Jack to skip work and go fishing with his brother, but Jack insisted on working since the family needed the money at the time. On his deathbed, Jack said he had visions of Heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in Heaven.
Cash's early memories were dominated by gospel music and radio. Taught guitar by his mother and a childhood friend, Cash began playing and writing songs at the age of 12. When young, Cash had a high-tenor voice, before becoming a bass-baritone after his voice changed.
In high school, he sang on a local radio station. Decades later, he released an album of traditional gospel songs, called My Mother's Hymn Book. He was also significantly influenced by traditional Irish music, which he heard performed weekly by Dennis Day on the Jack Benny radio program.
In 1997, Cash was diagnosed with the neurodegenerative disease Shy–Drager syndrome, a form of multiple system atrophy. According to biographer Robert Hilburn, the disease was originally misdiagnosed as Parkinson's disease, and Cash even announced to his audience that he had Parkinson's after nearly collapsing on stage in Flint, Michigan, on October 25, 1997. Soon afterwards, his diagnosis was changed to Shy–Drager, and Cash was told he had about 18 months to live. The diagnosis was later again altered to autonomic neuropathy associated with diabetes. The illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs.
During the last stage of his career, Cash released the albums American III: Solitary Man (2000) and American IV: The Man Comes Around (2002). American IV included cover songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Personal Jesus" by Depeche Mode. Trent Reznor of Nine Inch Nails commented that he was initially skeptical about Cash's plan to cover "Hurt", but was later impressed and moved by the rendition. The video for "Hurt" received critical and popular acclaim, including a Grammy Award.
June Carter Cash died on May 15, 2003, at the age of 73. June had told Cash to keep working, so he continued to record, completing 60 more songs in the last four months of his life, and even performed a few surprise shows at the Carter Family Fold outside Bristol, Virginia. At the July 5, 2003, concert (his last public performance), before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage:
"The spirit of June Carter overshadows me tonight with the love she had for me and the love I have for her. We connect somewhere between here and Heaven. She came down for a short visit, I guess, from Heaven to visit with me tonight to give me courage and inspiration like she always has. She's never been one for me except courage and inspiration. I thank God for June Carter. I love her with all my heart. "
Cash continued to record until shortly before his death. His final recordings were made on August 21, 2003, and consisted of "Like the 309", which appeared on American V: A Hundred Highways in 2006, and the final song he completed, "Engine 143", which was recorded for his son John Carter Cash for a planned Carter Family tribute album.
The Cremation Of Sam McGee
Johnny Cash Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The Arctic trails have their secret tales that would make your blood run cold
The Northern Lights have seen queer sights but the queerest they ever did see
Was that night on the marge of Lake Lebarge I cremated Sam McGee
Now Sam McGee was from Tennessee where the cotton blooms and blows
Why he left his home in the South to roam round the Pole God only knows
He was always cold but the land of gold seemed to hold him like a spell
On a Christmas Day we were mushing our way over the Dawson trail
Talk of your cold through the parka's fold it stabbed like a driven nail
If our eyes we'd close then the lashes froze till sometimes we couldn't see
It wasn't much fun but the only one to whimper was Sam McGee
And that very night as we lay packed tight in our robes beneath the snow
And the dogs were fed and the stars o'er head were dancing heel and toe
He turned to me and Cap says he I'll cash in this trip I guess
And if I do I'm asking that you won't refuse my last request
Well he seemed so low that I couldn't say no then he says with a sort of moan
It's the cursed cold and it's got right hold till I'm chilled clean through to the bone
Yet taint being dead it's my awful dread of the icy grave that pains
So I want you to swear that foul or fair you'll cremate my last remains
A pal's last need is a thing to heed so I swore I would not fail
And we started on at the streak of dawn but God! he looked ghastly pale
He crouched on the sleigh and he raved all day of his home in Tennessee
And before nightfall a corpse was all that was left of Sam McGee
There wasn't a breath in that land of death and I hurried horror-driven
With a corpse half hid that I couldn't get rid because of a promise given
It was lashed to the sleigh and it seemed to say you may tax your brawn and brains
But you promised true and it's up to you to cremate those last remains
Now a promise made is a debt unpaid and the trail has its own stern code
In the days to come though my lips were dumb in my heart how I cursed that load
In the long long night by the lone firelight while the huskies round in a ring
Howled out their woes to the homeless snows oh God! how I loathed the thing
And every day that quiet clay seemed to heavy and heavier grow
And on I went though the dogs were spent and the grub was getting low
The trail was bad and I felt half mad but I swore I would not give in
And I'd often sing to the hateful thing and it hearkened with a grin
Till I came to the marge of Lake Lebarge and a derelict there lay
It was jammed in the ice but I saw in a trice it was called the Alice May
And I looked at it and I thought a bit and I looked at my frozen chum
Then Here said I with a sudden cry is my crematoreum
Some planks I tore from the cabin floor and I lit the boiler fire
Some coal I found that was lying around and I heaped the fuel higher
The flames just soared and the furnace roared such a blaze you seldom see
And I burrowed a hole in the glowing coal and I stuffed in Sam McGee
Then I made a hike for I didn't like to hear him sizzle so
And the heavens scowled and the huskies howled and the wind began to blow
It was icy cold but the hot sweat rolled down my cheeks and I don't know why
And the greasy smoke in an inky cloak went streaking down the sky
I do not know how long in the snow I wrestled with grisly fear
But the stars came out and they danced about ere again I ventured near
I was sick with dread but I bravely said: I'll just take a peep inside
I guess he's cooked and it's time I looked then the door I opened wide
And there sat Sam looking cool and calm in the heart of the furnace roar
And he wore a smile you could see a mile and he said please close that door
It's fine in here but I greatly fear you'll let in the cold and storm
Since I left Plumtree down in Tennessee it's the first time I've been warm
There are strange things done in the midnight sun by the men who moil for gold
The Arctic trails have their secret tales that would make your blood run cold
The Northern Lights have seen queer sights but the queerest they ever did see
Was that night on the marge of Lake Lebarge I cremated Sam McGee
The lyrics of "The Cremation of Sam McGee" tells the story of a man who is asked by his dying friend, Sam McGee, to cremate his body after death. The singer, who is not named in the song, agreed to do so but was burdened by the promise he made as he traveled with the corpse through the Arctic wilderness. As the journey becomes more difficult, the lyrics describe the singer's struggles and fears. Finally, he reaches Lake Lebarge, where he finds a derelict ship named Alice May that provides him the means to cremate Sam McGee. The tone of the song is somewhat dark and eerie as it delves into the macabre story of cremating a friend's body in the harsh, unforgiving Arctic environment.
Line by Line Meaning
There are strange things done in the midnight sun by the men who moil for gold
Men who venture into the cold parts of land searching for gold have stories of strange occurrences in their experience
The Arctic trails have their secret tales that would make your blood run cold
People who explore the arctic encounter events that are so scary that it might send a chill down your spine
The Northern Lights have seen queer sights but the queerest they ever did see
Was that night on the marge of Lake Lebarge I cremated Sam McGee
The Northern Lights witnessed a bizarre event when Sam McGee was cremated on the shore of Lake Lebarge
Now Sam McGee was from Tennessee where the cotton blooms and blows
Why he left his home in the South to roam round the Pole God only knows
He was always cold but the land of gold seemed to hold him like a spell
Though he'd often say in his homely way that he'd sooner live in hell
Sam McGee, who was from Tennessee was always cold but was enchanted by the land of gold. Although he cursed the cold, he continued living in the harsh conditions
On a Christmas Day we were mushing our way over the Dawson trail
Talk of your cold through the parka's fold it stabbed like a driven nail
If our eyes we'd close then the lashes froze till sometimes we couldn't see
It wasn't much fun but the only one to whimper was Sam McGee
While traversing the Dawson trail, which was freezing, Sam McGee was the only one who complained when their eyes closed involuntarily due to freezing lashes
And that very night as we lay packed tight in our robes beneath the snow
And the dogs were fed and the stars o'erhead were dancing heel and toe
He turned to me and Cap says he I'll cash in this trip I guess
And if I do I'm asking that you won't refuse my last request
That night, while the group was taking rest, Sam announced that he might not survive till the end of the expedition and requested the others to fulfill his last desire
Well, he seemed so low that I couldn't say no, then he says with a sort of moan
It's the cursed cold and it's got right hold till I'm chilled clean through to the bone
Yet 'tain't being dead--it's my awful dread of the icy grave that pains
So I want you to swear that, foul or fair, you'll cremate my last remains
Sam was frightened of being buried in ice after death and requested the singer to cremate his remains, to which the singer agreed
A pal's last need is a thing to heed, so I swore I would not fail
And we started on at the streak of dawn, but God! he looked ghastly pale
He crouched on the sleigh and he raved all day of his home in Tennessee
And before nightfall, a corpse was all that was left of Sam McGee
The artist promised Sam to cremate his remains, and they resumed the journey at dawn. However, by nightfall, Sam died and his body remained the only thing that remained
There wasn't a breath in that land of death, and I hurried, horror-driven
With a corpse half hid that I couldn't get rid, because of a promise given
It was lashed to the sleigh, and it seemed to say, You may tax your brawn and brains
But you promised true, and it's up to you, to cremate those last remains
The artist was horrified, and there was no life in the area where they were traveling. He was attempting to fulfill the promise he had made, but the weight of Sam's corpse was a strenuous burden they had to bear
Now, a promise made is a debt unpaid, and the trail has its own stern code
In the days to come, though my lips were dumb, in my heart how I cursed that load
In the long, long night by the lone firelight, while the huskies, round in a ring
Howled out their woes to the homeless snows--God! how I loathed the thing
The artist regretted their promise, but they were aware that they had to fulfill it since a promise is a commitment, and breaking it would be dishonorable
And every day that quiet clay seems to heavy and heavier grow
And on I went, though the dogs were spent and the grub was getting low
The trail was bad, and I felt half mad, but I swore I would not give in
And I'd often sing to the hateful thing, and it hearkened with a grin
Every day the burden of Sam's corpse felt heavier, the singer became anxious, but he did not lose hope and continued singing to keep himself motivated
Till I came to the marge of Lake Lebarge, and a derelict there lay
It was jammed in the ice, but I saw in a trice it was called the Alice May
And I looked at it, and I thought a bit, and I looked at my frozen chum
Then, 'Here,' said I, with a sudden cry, 'Is my crematorium.'
The artist searched for a way to cremate Sam's remains and finally found a derelict structure named the Alice May, which he would use as his crematorium
Some planks I tore from the cabin floor, and I lit the boiler fire
Some coal I found that was lying around, and I heaped the fuel higher
The flames just soared, and the furnace roared, such a blaze you seldom see
And I burrowed a hole in the glowing coal, and I stuffed in Sam McGee
The singer tore some boards from the cabin's flooring and used them to make a funeral pyre. They then fueled it and created an intense fire where he finally cremated Sam's remains
Then I made a hike, for I didn't like to hear him sizzle so
And the heavens scowled, and the huskies howled, and the wind began to blow
It was icy cold, but the hot sweat rolled down my cheeks, and I don't know why
And the greasy smoke, in an inky cloak, went streaking down the sky
After cremating Sam's remains, the singer was in haste to create distance and prevent himself from hearing the remains sizzle. It was becoming dark, and the weather was getting colder, and the sky was becoming dark, and smoky clouds formed that stretched across the sky
I do not know how long in the snow I wrestled with grisly fear
But the stars came out, and they danced about, ere again I ventured near
I was sick with dread, but I bravely said: 'I'll just take a peep inside
I guess he's cooked, and it's time I looked,' then the door I opened wide
The singer was unsure of the cremation's success and feared the actions he had done before, so it took him a while to muster up the courage to check if the cremation was successful
And there sat Sam, looking cool and calm, in the heart of the furnace roar
And he wore a smile, you could see a mile, and he said, 'Please close that door'
'It's fine in here, but I greatly fear, you'll let in the cold and storm
Since I left Plumtree down in Tennessee, it's the first time I've been warm.'
When the artist checked, he saw that Sam's remains were successfully cremated and that Sam was resting comfortably inside the furnace. He requested the artist to close the furnace's door since he was enjoying the warmth, which he had not felt since he left Plumtree in Tennessee
Contributed by Hannah C. Suggest a correction in the comments below.
@betsybrains
Yes your pain, spreads wide as grain, for the fathers we might've had. Mine lies dead;
I scratch my head: Was I the source of his pain?
Twas his heart gave out,
amidst economic doubt,
After the tax laws on him did change.
Twas the year '85 he didn't survive.
While the town he built remains. It bustles and thrives, and I hope to survive,
To when they remember his name,
that they might feel mirth, and hopeful worth, his order: Giggle Again.
Didn't know that poem was gonna come out. It's for all our daddies. Huge existential smooches and warmth to all.
@betsybrains
Go teach!!
"We're gonna read a poem today."
Mrs. Sloan, c 1973.
She was a talented orator. Jones Valley Elementary, Huntsville, AL.
Here's my ode to her, and her sharing the Sam McGee poem:
The dark skies in my 6th Grade eyes loved the thrill of this scary tome.
The truth of dirt and its endless hurt was the Biggie I hadn't yet known.
Sloan taught us to spell, and to read as well!
With history on her heels.
The art she shared, to get us a bit scared,
today still feels like my home.
@MykeTriebold
my husband used to recite this to boy scouts around a campfire on a cold night, and now, many years later, he just recited it to me without missing a beat!
@ListenWell
Myke Atwater
https://youtu.be/e8zZOveRh58
@dianeashworth2311
Myke Atwater Yup! The ending is the big surprise. It sounds like a horror poem until the very end, when it’s actually a comic piece. I’ve read this to my classes hundreds of times over the years and I still love it.
@calciferhowl4553
That is exactly how I heard it the first time as well!
@terrencelanderer2985
WE WERE ON A BUS TOUR OF THE YUKON / ALASKA , WHEN OUR TOUR DIRECTOR RECITED THIS POEM TO US ... IT MADE AN IMPRESSION !
@clinthayes4796
They used to recite it at Philmont. Good times!
@malcolmnicoll1165
This is wonderful. Johnny Cash was the perfect orator for this piece. Thank you for posting.
@joanearly266
+Malcolm Nicoll I agree. This version is much preferred to that of the author. I learned the words as a child and it remains the test I give myself, especially after surgery. If I remember the whole poem, I know I'm out of the fog.
@_Devil
+Malcolm Nicoll I agree! I love his songs.
@madylinsk
Growing up in the Yukon, my dad would read this to me as a bedtime story. We left the Yukon mere weeks before I turned 10. At the age of 23, it still gives me a cocktail of nostalgic chills.