Cash was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band characterized by train-sound guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark, all-black stage wardrobe, which earned him the nickname "The Man in Black." He traditionally began his concerts by simply introducing himself, "Hello, I'm Johnny Cash," followed by his signature song "Folsom Prison Blues".
Much of Cash's music contained themes of sorrow, moral tribulation, and redemption, especially in the later stages of his career. His other signature songs include "I Walk the Line", "Ring of Fire", "Get Rhythm", and "Man in Black". He also recorded humorous numbers like "One Piece at a Time" and "A Boy Named Sue"; a duet with his future wife, June Carter, called "Jackson" (followed by many further duets after their wedding); and railroad songs including "Hey, Porter", "Orange Blossom Special", and "Rock Island Line". During the last stage of his career, Cash covered songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Rusty Cage" by Soundgarden.
Johnny Cash was born on February 26, 1932, in Kingsland, Arkansas, to Ray Cash and Carrie Cloveree (née Rivers). He was the fourth of seven children, who were in birth order: Roy, Margaret Louise, Jack, J. R., Reba, Joanne, and Tommy (who also became a successful country artist). He was primarily of English and Scottish descent. As an adult he traced his surname to 11th-century Fife, after meeting with the then-laird of Falkland, Major Michael Crichton-Stuart. Cash Loch and other locations in Fife bear the name of his family.
At birth, Cash was named J. R. Cash. When Cash enlisted in the United States Air Force, he was not permitted to use initials as a first name, so he changed his name to John R. Cash. In 1955, when signing with Sun Records, he started going by Johnny Cash.
In March 1935, when Cash was three years old, the family settled in Dyess, Arkansas, a New Deal colony established to give poor families a chance to work land that they had a chance to own as a result. Cash started working in cotton fields at the age of five, singing along with his family while working. The Cash farm experienced a flood during the family's time in Dyess, which led Cash later to write the song "Five Feet High and Rising". His family's economic and personal struggles during the Great Depression inspired many of his songs, especially those about other people facing similar difficulties. Consequently, Cash had sympathy for the poor and working class throughout his life.
Cash was very close to his older brother, Jack. On Saturday May 12, 1944, Jack was pulled into an unguarded table saw at his high school while cutting oak into fence posts as his job and was almost cut in two. He lingered until the following Saturday, when he died. Cash often spoke of the horrible guilt he felt over this incident; according to Cash: The Autobiography, his father was away that morning, but Johnny, his mother, and even Jack himself, all had premonitions or a sense of foreboding about that day. His mother urged Jack to skip work and go fishing with his brother, but Jack insisted on working since the family needed the money at the time. On his deathbed, Jack said he had visions of Heaven and angels. Decades later, Cash spoke of looking forward to meeting his brother in Heaven.
Cash's early memories were dominated by gospel music and radio. Taught guitar by his mother and a childhood friend, Cash began playing and writing songs at the age of 12. When young, Cash had a high-tenor voice, before becoming a bass-baritone after his voice changed.
In high school, he sang on a local radio station. Decades later, he released an album of traditional gospel songs, called My Mother's Hymn Book. He was also significantly influenced by traditional Irish music, which he heard performed weekly by Dennis Day on the Jack Benny radio program.
In 1997, Cash was diagnosed with the neurodegenerative disease Shy–Drager syndrome, a form of multiple system atrophy. According to biographer Robert Hilburn, the disease was originally misdiagnosed as Parkinson's disease, and Cash even announced to his audience that he had Parkinson's after nearly collapsing on stage in Flint, Michigan, on October 25, 1997. Soon afterwards, his diagnosis was changed to Shy–Drager, and Cash was told he had about 18 months to live. The diagnosis was later again altered to autonomic neuropathy associated with diabetes. The illness forced Cash to curtail his touring. He was hospitalized in 1998 with severe pneumonia, which damaged his lungs.
During the last stage of his career, Cash released the albums American III: Solitary Man (2000) and American IV: The Man Comes Around (2002). American IV included cover songs by several late 20th-century rock artists, notably "Hurt" by Nine Inch Nails and "Personal Jesus" by Depeche Mode. Trent Reznor of Nine Inch Nails commented that he was initially skeptical about Cash's plan to cover "Hurt", but was later impressed and moved by the rendition. The video for "Hurt" received critical and popular acclaim, including a Grammy Award.
June Carter Cash died on May 15, 2003, at the age of 73. June had told Cash to keep working, so he continued to record, completing 60 more songs in the last four months of his life, and even performed a few surprise shows at the Carter Family Fold outside Bristol, Virginia. At the July 5, 2003, concert (his last public performance), before singing "Ring of Fire", Cash read a statement about his late wife that he had written shortly before taking the stage:
"The spirit of June Carter overshadows me tonight with the love she had for me and the love I have for her. We connect somewhere between here and Heaven. She came down for a short visit, I guess, from Heaven to visit with me tonight to give me courage and inspiration like she always has. She's never been one for me except courage and inspiration. I thank God for June Carter. I love her with all my heart. "
Cash continued to record until shortly before his death. His final recordings were made on August 21, 2003, and consisted of "Like the 309", which appeared on American V: A Hundred Highways in 2006, and the final song he completed, "Engine 143", which was recorded for his son John Carter Cash for a planned Carter Family tribute album.
The Folk Singer
Johnny Cash Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
With my guitar in my hand suddenly I realize nobody knows me
Well yesterday the motor toots screamed and cried my name out for a song
Now the streets are empty and the crowds they go on home
With the rain on my face there's no place where I belong
And my whole life consists of a story of poem at a song
Now the truths I've tried to tell you are as distant as the moon
More than hundred years too late two hundred years too soon
But when I'm dust and clay where other people stop and to look
And will they marvel and miracles and perform into the high size to the spider
Oh will they take the pages of the book to light of fire
With the rain on my face there's no place where I belong
"The Folk Singer" is one of Johnny Cash's most introspective songs. The lyrics describe a musician walking down the streets, carrying his guitar, realizing that nobody knows him. Yesterday, people were screaming his name out for a song, but now the streets are empty and the crowds have gone. The guitar becomes too heavy, and there is no place where the folk singer belongs. The song passionately captures the plight of an artist struggling to connect with his audience and find a place in the world.
Johnny Cash wrote "The Folk Singer" in the late 1960s when he was feeling disillusioned with the music industry. The song appeared on his 1970 album, "Hello, I'm Johnny Cash." The lyrics express his feelings of isolation, despair, and frustration with the commercialization of music. The song is a reflection of the times when the folk music movement was at its peak, and many musicians were trying to escape the lure of fame.
Line by Line Meaning
As I walk these narrow streets where a million passin' feet are before me
I am walking down a busy street with thousands of people passing by, but no one recognizes me or knows who I am.
With my guitar in my hand suddenly I realize nobody knows me
I am holding my guitar and feeling a sudden realization that no one in this bustling crowd knows who I am.
Well yesterday the motor toots screamed and cried my name out for a song
The day before, people were cheering and calling my name for a performance, but today the streets are empty and silent.
Now the streets are empty and the crowds they go on home
The once busy streets are now completely deserted, and everybody has gone home.
With the rain on my face there's no place where I belong
With the rain pouring down on my face, I feel a sense of loneliness and disconnection from the world around me.
And my whole life consists of a story of poem at a song
My entire existence is centered around the stories and songs I create and perform, which define who I am.
Now the truths I've tried to tell you are as distant as the moon
The messages and truths I have tried to convey through my music are seemingly unreachable, as far away as the moon in the sky.
More than hundred years too late two hundred years too soon
I feel as though my words and messages are either too late or too early to be fully embraced by society, as they are not in line with the current beliefs and values of the world.
I'm a child of the sage Lord's been in the pages of a book
I am someone who tries to capture the wisdom and teachings of great spiritual leaders from throughout history, as they are passed down through written texts.
But when I'm dust and clay where other people stop and to look
When I am nothing more than dust and dirt, some people may stop to remember my music and my messages, but most will simply pass me by without a second thought.
And will they marvel and miracles and perform into the high size to the spider
I wonder if people will remember me as someone who brought about change and inspired great feats, or if my impact will be as small as that of a spider towering high above them.
Oh will they take the pages of the book to light of fire
I fear that after I am gone, people may disregard the wisdom and messages I have conveyed through my songs, and simply use the book to light a fire.
With the rain on my face there's no place where I belong
Throughout all of this introspection and wonder, I still feel isolated and disconnected from the world, and my sense of belonging remains elusive.
Contributed by Jack H. Suggest a correction in the comments below.
Anonymous
on Wayfaring Stranger
Wayfaring Stranger - The New Appalachians - Lyrics
I am a poor wayfaring stranger
Traveling through this world alone
There will be no sickness, toil or danger
In that grand land to which I roam
Well I'm going home to see my mother
I'm going home to a morning rose
I'm only goin' over Jordan
I'm only goin' over home
Musical Interlude
I know dark clouds will gather 'round me
I know my way is rough and steep
And beautiful fields lie just before me
Where God's redeemed there vigils keep
Well I'm going home to see my brothers
I'm going home no more to roam
I'm only goin' over Jordan
I'm only goin' over home
Musical Interlude
I'm going home to see my Father
I'm going home no more to roam
I'm only goin' over Jordan
I’m only goin’ where no one roams
I want to wear that crown of glory
When I get to that good land
I want to shout out salvation story
In concert with that blood washed band.
I'm going there to see my saviour
I’ll see his face no more to roam
I'm only going over Jordan
I'm only going over home
I'm only goin' over home