Buss It
Kash Doll Lyrics

Drop that ass, drop, drop that ass (Kash Doll, ha)
Kash Doll urges someone to drop their butt repeatedly to the beat of the music.

Where you get it from? I get it from my momma
The singer attributes her voluptuous curves to her mother's genes.

Put your hands on your knees then bust that shit open
The singer instructs someone to place their hands on their knees and twerk their butt open for everyone to see.

Bust that shit open, bust that shit open
The artist repeats her earlier command for emphasis and to maintain the rhythm of the song.

No time for lil' boy games, tell that nigga cut it out (period)
The artist demands that immature men stop playing games and grow up, setting a firm tone with the added 'period'.

Fuck them lil' ass chain, tell that nigga ice me out
The singer dismisses cheap jewelry and requests that her partner upgrade her jewelry to something more valuable and impressive.

I got ass for days and these bitches in a drought
The singer boasts about her ample backside and suggests that other women can't compete with her.

Told 'em grab my waist When I bend down, I poke it out (ah)
The artist describes how she flaunts her butt when she bends over, encouraging others to admire it and touch her waist.

I heard you hater 'cause your nigga is a fan
The artist suggests that a woman might hate on her because their partner is attracted to the artist.

Only fuck wit' rich nigga, bitch I don't want your man
The artist asserts that she only dates wealthy men and doesn't want anyone else's partner.

He tryna see this ass in person, he tired of seein' it on the 'Gram
The singer implies that someone is eager to see her butt in person rather than just in online photos.

And fuck these frilly ass hoes, I don't wanna be your friend
The artist disdains overly feminine and high-maintenance women and has no interest in associating with them.

Bitch, buss down, go and put your hands on hips
The singer urges someone to twerk and to take a specific pose as they do it.

Rich bitch, got a hunnid bands on my wrist
The singer emphasizes her wealth and the expensive jewelry she wears, suggesting she's successful.

You dismissed, I'ma have to cancel out that bitch
The singer dismisses someone and implies that she will cut them out of her life if they don't meet her standards.

Do a split, split, I'ma do Pilates on the dick
The artist uses a sexual innuendo to describe her flexibility and sexual prowess.

Ooh, money get me in the mood
The artist implies that she's turned on by money and material possessions.

If you ain't got it you gon' see me turn rude
The singer warns that she will become unpleasant if someone doesn't have enough money or wealth.

All these curves, you gon' make me curve you
The singer suggests that her curves could influence someone's behavior or attraction to her.

Put this pussy on a plate nigga I'ma serve you
The artist describes herself as a sexual object that she can present to a partner to please them.

Ass fat, big bag, full of cash (full of cash)
The artist lists off her impressive physical and financial assets to grab attention.

Broke boy I ain't worried 'bout your cash
The artist dismisses men with little money or financial prospects as irrelevant to her dating life.

I be laughin' to the bank, yeah I got the last laugh
The singer enjoys her financial success and suggests that she has won over those who doubted her earlier in life.

He in love with thick bitches, boy I got ass ass
The artist suggests that her partner is attracted to curvy women, and that she fits that description.

Ass bouncin' like the South (like the South)
The singer uses a simile to describe the motion of her butt as it moves up and down.

Spend two thousand on this blouse (on this blouse)
The singer reveals the high cost of her clothing, emphasizing her wealth and fashion sense.

If she ain't bad point her out (point her out)
The singer challenges others to identify attractive women for her to notice and potentially connect with.

If he ain't got it put him out
The artist suggests that her partner must have money and resources to remain in her life.

Where my bad bitches at? (ay)
The artist seeks out other impressive and attractive women to associate with.

Where the big bitches sat? (Ay)
The singer seeks out other women with similar body types to her own for socializing.

Where the boss ass, hood rap, real bitches at? (Ay)
The singer seeks out empowered and confident women from less affluent backgrounds who may share her experiences.

Where the school bitches at? (ay)
The artist seeks out intelligent women who prioritize education and may have a different background than her own.

Or the rude bitches at? (ay)
The artist seeks out other women who may be assertive and not shy about expressing themselves.

Where my nine to five, making shit move bitches at? (ay)
The artist seeks out women who work traditional office jobs and may have a strong work ethic or ambition.

(Thirty you a motherfuckin' fool nigga)
An interjection from an admiring collaborator is included to emphasize the quality of the lyrics or performance.