Knightley has since become a notable lead actress, having appeared in several Hollywood films and earning an Academy Award nomination for her role as Elizabeth Bennet in Joe Wright's 2005 adaptation of Jane Austen's Pride and Prejudice.
Biography
Early life
Knightley was born in Teddington, Greater London, England, the daughter of Sharman Macdonald, an award-winning playwright, and Will Knightley, a theatre and television actor. Her father is English and her mother is Scottish and of half Welsh ancestry. She has an elder brother, Caleb, who was born in 1979. Knightley lived most of her life in Richmond, attending Teddington School and Esher College. Knightley has dyslexia, but nevertheless was successful in school and was thus permitted to acquire a talent agent and pursue an acting career. She requested an agent as early as the age of three but got one when she turned six, from her mother as a reward for studying hard. Knightley has noted that she was "single-minded about acting" during her childhood. She performed in a number of local amateur productions including After Juliet (written by her mother) and United States (written by her then drama teacher, Ian McShane, no relation to the Deadwood actor).
Career
Knightley appeared in several television movies in the mid to late 1990s—including ITV1's The Bill—before being cast as Sabé, Padmé Amidala's decoy, in the 1999 science fiction blockbuster Star Wars Episode I: The Phantom Menace. Knightley was cast in the role due to her close resemblance to Natalie Portman, who played Padmé; the two actresses' mothers had difficulty telling their daughters apart when the girls were in full makeup. Knightley's first starring role followed in 2001, when she played the daughter of Robin Hood in the made-for-television Walt Disney Productions feature, Princess of Thieves. During this time, Knightley also appeared in The Hole, a thriller that received a direct-to-video release in the United States. She appeared in a miniseries adaptation of Doctor Zhivago that first aired in 2002 to mixed reviews but high ratings.
Knightley's breakthrough role was in the football-themed film, Bend It Like Beckham, which was a success in its August 2002 UK release, grossing $18 million, and in its March 2003 U.S. release, grossing $32 million. After Bend It Like Beckham's UK release raised her profile, she was cast in the big budget action film, Pirates of the Caribbean: The Curse of the Black Pearl (along with Orlando Bloom and Johnny Depp) which was produced by Jerry Bruckheimer and opened in July 2003 to positive reviews and high box office grosses, becoming one of the biggest hits of summer 2003 and cementing Knightley as the new "It" girl.
Knightley had a role in the British romantic comedy Love Actually, which opened in November 2003. Though charismatic, her performance was overlooked in the crowded A-List cast. Her next film, King Arthur, opened in July 2004 to negative reviews. In the same month, Knightley was voted by readers of Hello! magazine as the film industry's most promising teen star. Additionally, Time magazine noted in a 2004 feature that Knightley seemed dedicated to developing herself as a serious actress rather than a film star. 2005 saw the release of 3 films, the first of which was The Jacket. The complex thriller starring Adrien Brody was derided by critics as unoriginal, silly, and messy. Knightley was taken to task for her American accent but was otherwise dismissed by critics. Next came Tony Scott's Domino, an action film based on the life of bounty hunter Domino Harvey. The film has been Knightley's greatest critical flop to date. Knightley's critics often suggested she was nothing more than a pretty face, which led the young starlet to comment to Elle magazine, “I always feel like I’m the one with everything to prove.” Pride and Prejudice rounded out 2005. For her portrayal of Elizabeth Bennet, Knightley received the greatest reviews of her career thus far. Variety wrote: "Looking every bit a star, Knightley, who's shown more spirit than acting smarts so far in her career, really steps up to the plate here, holding her own against the more classically trained Matthew Macfadyen, as well as vets like Brenda Blethyn, Donald Sutherland, Penelope Wilton, and Judi Dench with a luminous strength that recalls a young Audrey Hepburn. More than the older Jennifer Ehle in the TV series, she catches Elizabeth's essential skittishness and youthful braggadocio, making her final conversion all the more moving." The film grossed more than $100 million worldwide and Knightley earned a Golden Globe nomination and an Oscar nomination (the Oscar ultimately went to Reese Witherspoon). 'Keira Knightley is the third-youngest performer ever nominated for an Academy Award.' BAFTA's decision not to nominate her drew criticism from Pride and Prejudice producer Tim Bevan.
In 2006, Knightley was invited to join the Academy of Motion Picture Arts and Sciences.
Knightley's biggest financial hit thus far, Pirates of the Caribbean: Dead Man's Chest, was released on July 7, 2006. On June 3, 2007, Knightley was up for an MTV Movie Award for Best Performance but she lost to her co-star, Johnny Depp. 2007 saw the release of several films starring Knightley: Silk, an adaptation of the novel by Alessandro Baricco, Atonement, a feature film adaptation of Ian McEwan's novel of the same name (co-starring James McAvoy, Vanessa Redgrave, and Brenda Blethyn), and Pirates of the Caribbean: At World's End, which was released on May 24, 2007. Knightley's performance in Atonement began to generate buzz before the film was released; she was nominated for a Golden Globe Award in the Best Dramatic Actress category for the role, as well as a BAFTA. Critic Richard Roeper was puzzled by both Knightley's and McAvoy's Academy Award snubs stating "I thought McAvoy and Knightly were superb."
In the late spring of 2007, Knightley shot The Edge of Love with Cillian Murphy as her husband, Matthew Rhys as her childhood sweetheart, Welsh poet Dylan Thomas, and Sienna Miller as Thomas' wife Caitlin MacNamara. She has received, for the most part, very positive reviews for her role. This 2008 release was penned by her mother, Sharman Macdonald, and directed by John Maybury. She then began work on The Duchess based on the best-selling biography, Georgiana, Duchess of Devonshire by Amanda Fporeman in which she plays Georgiana Cavendish, Duchess of Devonshire; the film was released in cinemas on September 5, 2008 in the U.K. Knightley has been praised for her portrayal of Georgiana. Critic and Co-Chair of the Toronto International Film Festival, Cameron Bailey, stated that "The Duchess Of Devonshire, with Keira Knightley, which is a beautiful film and she gives a really mature performance. You're seeing her really turn into something beyond the kind of pretty face that we've seen her do already so well. But she's actually a very serious actress and she's turning into a great, great performer." Critic Edward Douglas writes "we were blown away by Keira Knightley's performance in the costume drama The Duchess...Knightley is even better in it than Atonement and Pride & Prejudice." New York Post critic Lou Lumenick writes that in terms of an Oscar nomination, that Knightley "seems a lock for The Duchess" and goes on to say that she "shines" in this role.
Keira's next film roles include King Lear, and the modern drama Last Night in which she will co-star with Eva Mendes, Sam Worthington and Guillaume Canet. It is to be directed by Massy Tadjedin and will start filming in October 2008 in New York.
A Step You Can’t Take Back
Keira Knightley Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
When your world in a bag by your side
And all at once it seemed like a good way
You realized its the end of your life
For what it's worth
Here comes the train upon the track
And there goes the pain it cuts to black
To take a step you can't take back
Take in all the punches you could take
Took 'em all right on your chest
Now the countless back is breaking
Again, again
For what it's worth
Here comes the train upon the track
And there goes the pain it cuts to black
Are you ready for the last act?
To take a step you can't take back
Did she love you?
Did she take you down?
Was she on her knees when she kissed your crown?
Tell me what you found
Here comes the rain, so hold your hat
And don't pray to God, cause He won't talk back
Are you ready for the last act?
To take a step you can't take back
Back, back, back
You can't take back
Back, back, back
So you find yourself at this subway
When your world in a bag by your side
The lyrics of Keira Knightley's "A Step You Can't Take Back" explores the emotions and thoughts of a person who has hit rock bottom and made a decision that can't be undone. The song starts with a vulnerable image of someone standing alone at the subway with their world crammed inside a bag. The heavy weight of their problems and sorrows has caught up to them, and they know that this is the end of the line. The phrase "for what it's worth" emphasizes that the character has tried everything and now they are ready to accept their fate.
As the train approaches, the chorus is repeated. The train symbolizes an irreversible step that the character is about to take, while the pain "cuts to black." It becomes more apparent that the character has to make a hard choice, but they are still unsure of whether they are ready for the last act - taking that step.
In the second verse, the character has been through intense emotional turmoil, taking all the punches and holding them in. But now, the character faces another challenge, and there is nothing they can do to stop it. They are tired, and their back is breaking once again. The tone of the song is melancholic and reflective, asking difficult questions with no real answers.
The bridge inquires about a relationship and asks the character to share what he found out. It's a reminder that life is not just about self-pity; we should also take a moment to appreciate the good things.
In the final chorus, the character faces the end, and the rain represents a metaphorical cleansing of the past. The song ends on the note of finality, emphasizing that life is not a rehearsal, but a one-time show. Overall, "A Step You Can't Take Back" is an introspective, melancholic song that addresses difficult issues and encourages listeners to cherish their present.
Line by Line Meaning
So you find yourself at this subway
You ended up at a subway with all your belongings, unsure of what to do next.
When your world in a bag by your side
All you have left is what you can carry with you, symbolizing the weight of your past decisions.
And all at once it seemed like a good way
At first, the end of the line appears to be a good way to escape from your problems.
You realized its the end of your life
But as you approach the end, you understand that it represents the end of your current life path.
For what it's worth
Regardless of what happens next, nothing can change the past.
Here comes the train upon the track
The train represents the end of the line and the finality of your decision to take this step.
And there goes the pain it cuts to black
As you take the step, your pain and suffering dissipate, but it marks the end of your life as you knew it.
Are you ready for the last act?
This is the final moment of your life as you realize it, and you can't go back.
To take a step you can't take back
Taking this step is irreversible and final, with no opportunity to undo it.
Take in all the punches you could take
You have persevered through all the blows life has thrown your way.
Took 'em all right on your chest
You have faced every challenge head-on, with bravery and resilience.
Now the countless back is breaking
Again, again
For what it's worth
Even though you've overcome everything up until this point, you've finally reached your limit.
Did she love you?
Did she take you down?
Was she on her knees when she kissed your crown?
Tell me what you found
You're reflecting on a past relationship and questioning whether it was worth it or a contributing factor to your current decision.
Here comes the rain, so hold your hat
The rain symbolizes the sadness and regret that comes with the finality of this step.
And don't pray to God, cause He won't talk back
You've lost your faith and feel alone in your final moments.
Back, back, back
You can't take back
Back, back, back
This emphasizes the irrevocable nature of the decision you've made and the inability to change it once it's made.
Lyrics © Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.
Written by: GREGG ALEXANDER, DANIELLE BRISEBOIS, JOHN CARNEY
Lyrics Licensed & Provided by LyricFind
@mooknutsth.6488
For who want to know lyrics this song
So you find yourself at this subway
When your world in a bag by your side
And all at once it seemed like a good way
You realized its the end of your life
For what it's worth
Here comes the train upon the track
And there goes the pain it cuts to black
Are you ready for the last act?
To take a step you can't take back
Take in all the punches you could take
Took 'em all right on your chest
Now the countless back is breaking
Again, again
For what it's worth
Here comes the train upon the track
And there goes the pain it cuts to black
Are you ready for the last act?
To take a step you can't take back
Did she love you?
Did she take you down?
Was she on her knees when she kissed your crown?
Tell me what you found
Here comes the rain, so hold your hat
And don't pray to God, cause He won't talk back
Are you ready for the last act?
To take a step you can't take back
Back, back
You can't take back
Back, back
So you find yourself at this subway
With your world in a bag by your side
@gellynejereza8881
"A Step You Can't Take Back"
So you find yourself at this subway
With your world in a bag by your side
And all at once it seemed like a good way
You realize it's the end of the line
For what it's worth
Here comes the train upon the track
And there goes the pain, it cuts to black
Are you ready for the last act?
To take a step you can't take back?
Taken all the punches you could take
Took 'em all right on the chest
Now the camel's back is breaking
Again, again
For what it's worth
Here comes the train upon the track
And there goes the pain, it cuts to black
Are you ready for the last act?
To take a step you can't take back?
Did she love you?
Did she take you down?
Was she on her knees when she kissed your crown?
Tell me what you found
Here comes the rain, so hold your hat
And don't pray to God, 'cause He won't talk back
Are you ready for the last act?
To take a step you can't take back, back, back?
You can't take back, back, back.
So you find yourself at this subway
With your world in a bag by your side
@cindyhdz8448
I LOVE THIS SONG!!!!
So you find yourself at this subway
With your world in a bag by your side
And all at once it seemed like a good way
You realize it's the end of the line
For what it's worth
Here comes the train upon the track
And there goes the pain, it cuts to black
Are you ready for the last act?
To take a step you can't take back?
Taken all the punches you could take
Took 'em all right on the chest
Now the camel's back is breaking
Again, again
For what it's worth
Here comes the train upon the track
And there goes the pain, it cuts to black
Are you ready for the last act?
To take a step you can't take back?
Did she love you?
Did she take you down?
Was she on her knees when she kissed your crown?
Tell me what you found
Here comes the rain, so hold your hat
And don't pray to God, 'cause He won't talk back
Are you ready for the last act?
To take a step you can't take back, back, back?
You can't take back, back, back.
So you find yourself at this subway
With your world in a bag by your side.
@cindymarieanora
So you find yourself at this subway
When your world in a bag by your side
And all at once it seemed like a good way
You realized its the end of your life
For what it's worth
Here comes the train upon the track
And there goes the pain it cuts to black
Are you ready for the last act?
To take a step you can't take back
Take in all the punches you could take
Took 'em all right on your chest
Now the countless back is breaking
Again, again
For what it's worth
Here comes the train upon the track
And there goes the pain it cuts to black
Are you ready for the last act?
To take a step you can't take back
Did she love you?
Did she take you down?
Was she on her knees when she kissed your crown?
Tell me what you found
Here comes the rain, so hold your hat
And don't pray to God, cause He won't talk back
Are you ready for the last act?
To take a step you can't take back
Back, back, back
You can't take back
Back, back, back
So you find yourself at this subway
When your world in a bag by your side
@padmetsa
i got chills when dan started imagining how the music will come together.
@padmetsa
***** yas me too haha
@mus6afa
+Shaine Aceveda the same here hahah the best
@janncarloslibrea1904
+Shaine Aceveda then he turned green and Hulk smash evreryone. LoL
@padmetsa
Kairi JTG was he hulk?
@janncarloslibrea1904
Shaine Aceveda yes he is! HAHAHA so you better not make him mad!
@lorideron3812
Never knew Kiera Knightly could sing but she does a wonderful job and the movie was great.
@ulrikegohla4707
It is not her so singing
@coolcapricorn2296
@@ulrikegohla4707 It is her though, she has mentioned working with vocal coaches for this movie. I also feel like they would've had a more technically advanced singer if she had been dubbed
@donniej2300
I just saw this movie on Netflix...and it's the best movie I've seen in YEARS!
When Dan starts imagining how Greta's song would sound with backing instruments, I got chills and fell in love with the movie!