Lyttle recorded "Turn Me On" in Saint Vincent and the Grenadines in 2001. His strong live performances of soca influenced by hip hop and r&b made the song a hit throughout the Caribbean.
The song started finding its way into clubs in the UK. It was officially released as a single in the UK in late 2003 and reached Number 2 in its first week, spending seven weeks in the Top Ten of the UK singles chart. It later reached #11 in Finland and #3 in Australia; and was a hit in another 12 countries. The single was released in the U.S. in 2004 and the video was added to MTV on 24 May 2004. "Turn Me On" eventually peaked at #4 on the Billboard Hot 100.
Kevin Lyttle signed with Atlantic Records in 2003. His self-titled album was released on July 27, 2004 in the U.S. The second single "Last Drop" has been released in markets outside the U.S., and has reached the top ten in Finland, top 20 in Switzerland and top 40 in the Netherlands, Sweden and Australia.
Kevin Lyttle's most recent release is called "Fyah". Songs include the title song, as well as "Come See Me" featuring Lexxus and "Something About You," which is co-produced by Kevin Rudolf ("Let It Rock" featuring Lil Wayne.)
Turn Me On Extended mix
Kevin Lyttle Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Is ah big dancehall song in know
Madzart alongside Kevin Little
You know how it is,
You Know how we go
You know
For the longest while we jamming in the Party
Pushing everything up
Right back on top of me
(tea - hey - ai)
But if you think you're gonna get away from me
You better change your mind
You're going home.......
You're going home with me tonight
Let me hold you
Girl caress my body
You got me going crazy
You turn me on
Turn me on ......
Let me jam you
Girl wine
All around me
You got me going crazy
You Turn me on
Turn me on ......
The girl ya nah go get way tonite
If she think madd man nah go fight
Me done feed her with popcorn and sprite
Now she whar come fly way like kite
Ooh yea yea
Ooh yea yea
Ooh yea yea yea
Ooh yea yea yea yea yea yea
Yea yea......
One hand on the ground and
Bumper cock sky high
Wining hard on me
Got my Python
Hollerin' for mercy - yea hey -ai
Then I whisper in her ear
So wine harder
And then she said to me
Boy just push that thing
Push it harder back on me
So .. Let me hold you
Girl caress my body
You got me going crazy
You turn me on
Turn me on ......
Let me jam you
Girl wine
All around me
You got me going crazy
You Turn me on
Turn me on ......
Girl just...
Hug me, hug me
Kiss me, squeeze me,
Hug me, hug me,
Kiss and caress me
Hug me, hug me
Kiss me, squeeze me,
Hug me, hug me,
Kiss and caress me
The girl ya nah go get way tonite
If she think madd man nah go fight
Me done feed her with popcorn and sprite
Now she whar come fly way like kite
For the longest while we jamming in the Party
And you're wining on me
Pushing everything up
Right back on top of me
(tea - hey - ai)
But if you think you're gonna get away from me
You better change your mind
You're going home.......
You're going home with me tonight
Let me hold you
Girl caress my body
You got me going crazy
You turn me on
Turn me on ......
Let me jam you
Go wine
All around me
You got me going crazy
You Turn me on
Turn me on ......
Yeah .....eahh ......
Nahnananana .... eahhh ..... yeahhh
Hug me, hug me
Kiss me, kiss me,
Hug me, hug me,
Kiss and caress me
Hug me, hug me
Squeeze me, squeeze me,
Hug me girl and
Kiss and caress me
Yeah ... Yeah .. Yeah ... eah ...
Ouhhhh ...Yeah ...
"Turn Me On" is a dancehall song by Kevin Lyttle and Madzart. The lyrics describe dancing with a girl at a party and becoming increasingly attracted to her. The chorus repeatedly emphasizes that the girl turns the singer on. He wants to hold her, caress her, and have her hug, kiss, and squeeze him. The singer tells the girl that she cannot leave without him because he is going home with her that night. He urges her to wine on him harder and he responds with his python, which symbolizes his sexual attraction to her.
The song features a blend of reggae, funk, and R&B, making it a club hit internationally. The song was released in 2003, when Kevin Lyttle's popularity grew rapidly in Europe, Australia, New Zealand, and North America. The song was so successful that it opened doors for soca and dancehall music globally. The extended mix of the song often heard in clubs is over 4 minutes long, and there is also a radio edit that is shorter.
Line by Line Meaning
Oh yeaa......ah ah ah.......
Introduction to the song with an excited and energetic tone.
Is ah big dancehall song in know
A statement acknowledging the popularity of the song being played which is likely a dancehall genre.
Madzart alongside Kevin Little
Credits or introduces the artists performing the song together, Madzart and Kevin Little.
You know how it is,
Assumption that the listener is familiar with the context of the song and how it should be enjoyed.
You Know how we go
Further assumption that the listener is familiar with the singers' styles and that the song will continue in the same vein.
For the longest while we jamming in the Party
Describes that the party has been going on for a long time and that they have been enjoying it.
And you wining in on me
The singer is being danced upon or ground against by the listener or someone in the party.
Pushing everything up
The physical closeness and intimacy are creating tension.
Right back on top of me
There is no escape from the physical closeness and the tension is rising.
(tea - hey - ai)
A common expression or vocalization used in Caribbean music to emphasize or punctuate certain lines.
But if you think you're gonna get away from me
There is a threat to keep the person the singer is dancing with unless she consents.
You better change your mind
A warning to the person that it is in her best interest to stay with the singer.
You're going home.......
An implication that the person will not be going home alone.
You're going home with me tonight
An assertion that the singer expects the person to go home with him.
Let me hold you
An invitation to engage in physical intimacy.
Girl caress my body
A request or instruction for the girl to touch, stroke or caress the singer's body while dancing.
You got me going crazy
The girl's actions are having a profound effect on the singer in terms of arousal.
You turn me on
The girl is stimulating the singer sexually.
Turn me on ......
Emphasis on the sexual nature of the experience.
Let me jam you
An invitation for the girl to dance provocatively or sexually with the singer.
Girl wine
A request for the girl to move her body in such a way that her hips are gyrating or moving sensually.
All around me
The singer wants the girl to be in close proximity to him while dancing.
The girl ya nah go get way tonite
A warning that the girl is not going to be able to get away from the singer or the experience tonight.
If she think madd man nah go fight
An implication that the singer won't hesitate to fight off any competition for the girl's attention.
Me done feed her with popcorn and sprite
The singer has treated the girl and doesn't believe she will want to leave him or the situation.
Now she whar come fly way like kite
The girl is unlikely to or should not be thinking of leaving because she is having such a good time.
Ooh yea yea
An expression of excitement or satisfaction.
Ooh yea yea
Repeat expression of excitement or satisfaction.
Ooh yea yea yea
More emphasis on the excitement or satisfaction.
Ooh yea yea yea yea yea yea
The singer is at the climax of his excitement or satisfaction.
Yea yea......
A continuation of the exciting or satisfying experience.
One hand on the ground and
Describes the sexually provocative way the girl is dancing.
Bumper cock sky high
The girl's backside is exalted as if it is a prized possession.
Wining hard on me
The girl is exerting physical pressure and intimacy on the singer.
Got my Python
A metaphorical expression for the singer's phallus, which is aroused and requiring sexual interaction with the girl.
Hollerin' for mercy - yea hey -ai
A vocalization of the intensity of feeling from the singer or a representation of enjoying the experience at its fullest.
Then I whisper in her ear
An indication of intimacy and trust between the singer and the girl.
So wine harder
An instruction for the girl to increase her efforts in dancing and physical intimacy.
And then she said to me
The girl reciprocates or acquiesces to the singer's advances.
Boy just push that thing
An encouragement to the singer to do more or successfully carry out his sexual advances.
Push it harder back on me
The girl wants the singer to match or exceed her level of physical intimacy.
Girl just...”
The girl is willing and accepting of the singer's advances.
Hug me, hug me
The singer is requesting more intimate physical contact between himself and the girl.
Kiss me, squeeze me,
The singer is requesting more intimate physical contact between himself and the girl.
Hug me, hug me,
The singer is requesting more intimate physical contact between himself and the girl.
Kiss and caress me
The singer is requesting more intimate physical contact between himself and the girl.
Hug me, hug me
The singer is requesting more intimate physical contact between himself and the girl.
Kiss me, squeeze me,
The singer is requesting more intimate physical contact between himself and the girl.
Hug me, hug me,
The singer is requesting more intimate physical contact between himself and the girl.
Kiss and caress me
The singer is requesting more intimate physical contact between himself and the girl.
Yeah ... Yeah .. Yeah ... eah ..
A continuation of the exciting experiences and enjoyment being had.
Ouhhhh ...Yeah ...
An expression of excitement or satisfaction.
Lyrics © Sony/ATV Music Publishing LLC
Written by: ARNOLD HENNINGS, COURTNEY SILLS, DARON JONES, KEVIN LYTTLE, MARVIN SCANDRICK, MICHAEL KEITH, QUINNES PARKER, RAEON PRIMUS
Lyrics Licensed & Provided by LyricFind
@joshuamugume1540
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@mohamedsaieddd
21
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22
@ersinsahin3879
22
@nitishvyas2190
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@suzannablacksmith2290
This always makes me dance!! And I’m 37 still got it 😝🖤
@cariannette1
I hear ya sis! I'm 51 and still doing the whine and twerkin' for my husband lol!
@TheGassy92
Werk
@donnymoney4222
Lmfao u say that like 37 is that damn old 😂