Laibach are best known for their cover versions of pop songs which have been rerendered in such a way as to reveal formerly hidden or unnoticed messages, often commenting on political totalitarianism or rock stardom’s own forms of dictatorship. This was done most successfully on Opus Dei, especially on their cover of One Vision. Named Geburt Einer Nation after D. W. Griffith’s classic film The Birth of a Nation, Queen’s lyrics are sung in German to a strident military beat. All of a sudden lines like “one flesh, one blood, one true religion” start sounding suspiciously familiar...
However the bulk of Laibach’s output is their own work. Their own early experiments with totalitarian ambiguity led to their being outlawed in then-Communist Yugoslavia; their name was made illegal so the band resorted to using their black-cross emblem on posters instead. To this day their work deals with similar ideas but frequently Laibach reference their own legendary status and tongue-in-cheekily play with the kinds of in-jokes a band accrues in over 25 years of work.
Laibach’s musical style has varied a lot over the years. They began as avant-garde industrial musicians, producing what could best be described as ambient noise but soon discovered the joys of the martial rhythm. Having produced a couple of albums of heavy martial industrial music, they began to expand sonically. Following the collapse of Yugoslavia their difficult but rewarding album Kapital included hip-hop influences among many others and NATO borrowed from techno while keeping the bombastic atmosphere. The next offering Jesus Christ Superstars came after quite a hiatus and it may have shocked a lot of people with its balls-out metal guitar riffs. The 2003 album WAT returns to a more electronic sound; working with techno producer umek has produced a slightly odd album of electro beats.
Volk was released on October 20, 2006, preceded by the single Anglia. The album contains 14 songs composed and produced together with Silence, inspired by national anthems.
2008 Laibach released new album, titled Kunst der Fuge. This album is the laibachian interpretation of Johann Sebastian Bach's work The Art of Fugue (Die Kunst der Fuge). The majority of the material has been created already in 2006 and premierly performed the same year on June the 1st at Bachfest festival in Leipzig.
VOLKSWAGNER is the title of a musical project which was realized in collaboration between Laibach and the RTV Slovenia Symphony Orchestra (2009). Laibach also cooperated with the composer and conductor Izidor Leitinger on this project, and it was decided that together they would compose a work which will in a specific manner interpret some of Wagner's better known musical motifs and combine them into a unified symphonic electronic suite.
From a formal point of view, the collaborating artists have decided to seek in Wagner the rudiments of modernism, which first through Mahler, Bruckner, and Debussy, and subsequently through Schöenberg, Berg, and Webern, developed into the core of the jazz music of the sonic experimentalists, such as Miles Davis and Sun Ra, and to upgrade them with the ambient electronic spectrum that has been developing over the last three decades. In addition, the suite will address the history of the 20th century – modernism crossbred with pop art.
4.4. 2012 a movie titeled Iron Sky was released. Laibach in collaboration with Ben Watkins as a co-writer and producer of the score provided soundtrack for Moon Nazi Invasion in Iron Sky.
Official Laibach website: www.laibach.org
Krst
Laibach Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
koncana so dejanja mnogih,
polja z mrtvimi so posejana,
zemlja kri previva, gnije.
Najvec sveta otrokom slisi Slave.
Nasli bomo pot in vero in postave -
ce pa naklonijo smrt bogovi,
kot so pod svetlim soncem
suzni dnovi.
The lyrics of Laibach's song "Krst" are a reflection on war and its devastating consequences. The first verse describes the ongoing battle and the aftermath, where the land is littered with dead bodies and soaked with blood. The second verse is a call for hope and guidance for the youth, who are the future of the world. The lyrics suggest that despite the possibility of death, there is still some comfort in knowing that the darkness of death is still less terrifying than the slavery of the living.
This song is a powerful statement on the futility of war and the need for hope in dark times. It suggests that even in the darkest moments, there is still something to cling to, whether it be faith or a sense of purpose. The lyrics reflect on the horrors of war and the pain it inflicts on those involved, while also acknowledging the resilience and strength of the human spirit.
Line by Line Meaning
Za svoje se borimo,
We fight for what is ours,
koncana so dejanja mnogih,
The deeds of many have come to an end,
polja z mrtvimi so posejana,
Fields sown with dead seeds,
zemlja kri previva, gnije.
The land is soaked with blood and decays.
Najvec sveta otrokom slisi Slave.
The most holy listens to children's prayers.
Nasli bomo pot in vero in postave -
We will find the path, the faith and the laws,
ce pa naklonijo smrt bogovi,
But if the gods favor death,
manj strasna noc je v crne zemlje krili
Less scary is the night in the dark earth's embrace
kot so pod svetlim soncem suzni dnovi.
Than the sunlit days with tears shed.
Contributed by Parker N. Suggest a correction in the comments below.