Lorenzo Aitken (22 April 1927 – 17 July 2005), better known by the stage na… Read Full Bio ↴Lorenzo Aitken (22 April 1927 – 17 July 2005), better known by the stage name Laurel Aitken, was an influential Caribbean singer and one of the pioneers of Jamaican ska music. He is often referred to as the "Godfather of Ska".

Born in Cuba of mixed Cuban and Jamaican descent, Aitken and his family settled in Jamaica in 1938. After an early career working for the Jamaican Tourist Board singing mento songs for visitors arriving at Kingston Harbour, he became a popular nightclub entertainer. His first recordings in the late 1950s were mento tunes such as "Nebuchnezer", "Sweet Chariot" (aka the gospel classic "Swing Low, Sweet Chariot") and "Baba Kill Me Goat". Aitken's 1958 single "Boogie in My Bones"/"Little Sheila" was one of the first records produced by Chris Blackwell and the first Jamaican popular music record to be released in the United Kingdom. Other more Jamaican rhythm and blues orientated singles from this period include "Low Down Dirty Girl" and "More Whisky" both produced by Duke Reid.

Aitken moved to Brixton, London, in 1960 and recorded for the Blue Beat label, releasing fifteen singles before returning to Jamaica in 1963. He recorded for Duke Reid, with backing from the Skatalites on tracks such as "Zion" and "Weary Wanderer", before returning to the UK, where he began working with Pama Records. He recorded hits such as "Fire in Mi Wire" and "Landlord and Tenants", which led to a wider recognition outside of Jamaica and the UK. This cemented his position as one of ska's leading artists and earned him the nicknames The Godfather of Ska, and later Boss Skinhead. He gained a loyal following not only among the West Indian community, but also among mods, skinheads and other ska fans. He had hit records in the United Kingdom and other countries in the 1950s through to the 1970s on labels such as Blue Beat, Pama, Trojan, Rio, Dr. Bird, Nu-Beat, Ska-Beat,Hot Lead and Dice. Some of his singles featured B-sides credited to his brother, guitarist Bobby Aitken. Aitken also recorded a few talk-over/deejay tracks under the guise of 'King Horror', such as "Loch Ness Monster", "Dracula, Prince of Darkness", and "The Hole". Aitken settled in Leicester with his wife in 1970. His output slowed in the 1970s and during this period he worked as an entertainer in nightclubs and restaurants in the area including the popular 'Costa Brava Restaurant' in Leicester under his real name Lorenzo. In 1980, with ska enjoying a resurgence in the wake of the 2 Tone movement, Aitken had his only success in the UK Singles Chart with "Rudi Got Married" (#60) released on I-Spy Records (the label created and managed by Secret Affair. Aitken's career took in mento/calypso, R&B, ska, rock steady, and reggae, and in the 1990s he even turned his talents to dancehall. He performed occasional concerts almost until his death from a heart attack in 2005. After a long campaign, a blue plaque in his honour was put up at his Leicester home in 2007. Punk band Rancid cover's Aitken's Everybody Suffering on their 2014 LP Honor Is All We Know

Laurel Aitken (April 22, 1927 - July 17, 2005) became famous as one of the originators of Jamaican ska music in the late 1950s.

Aitken was born as Lorenzo Aitken in Cuba, and is the brother of singer Bobby Aitken. He moved to England in the 1960s, and had a loyal following among Skinheads and other ska fans. He had massive hits in the 1950s through 1970s, while recording for Blue Beat Records, Pama Records and Trojan Records. He recorded one of the earliest ska records, the double A-sided Boogie in My Bones / Little Sheila (1958). It was the first record on producer Chris Blackwell's Island Records label.

Aitken, who is known as "The Godfather of Ska", made his home in Leicester UK and performed live almost until his death. He suffered from a serious illness following a heart attack about a year before he died. He died from a heart attack in Leicester, UK on July 17, 2005.

Swing Low Sweet Chariot
Laurel Aitken Lyrics

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I looked over Jordan and what did I see?
Comin' for to carry me home
There was a band of angels, a-comin' after me

Comin' for to carry me home
Swing low, sweet chariot
Comin' for to carry me home
Swing low, sweet chariot

Comin' for to carry me home

I'm sometimes up, and I'm sometimes down
Comin' for to carry me home
But but I know my soul is heavenly bound
Comin' for to carry me home

Swing low, sweet chariot
Comin' for to carry me home
Swing low, sweet chariot
Comin' for to carry me home
If you get there before I do
Comin' for to carry me home
Tell all my friends that I'm a-comin' too

Comin' for to carry me home
Swing low, sweet chariot
Comin' for to carry me home
Swing low, sweet chariot

Comin' for to carry me home
And now they're comin' for to carry me home

Overall Meaning

The lyrics of Laurel Aitken's song "Swing Low Sweet Chariot" allude to a metaphysical experience, primarily referencing an African American spiritual song from the 19th century. Through its use of biblical imagery, the song speaks to the idea of liberation, salvation, and the journey towards a heavenly afterlife.

The phrase "I looked over Jordan and what did I see?" suggests a moment of reflection and contemplation by the singer. Jordan is often associated with crossing over into the Promised Land in the Bible, symbolizing a transition from earthly life to the spiritual realm. The mention of "Comin' for to carry me home" implies that the singer is anticipating being escorted back to their true home, which is heaven.

The line "There was a band of angels, a-comin' after me" further strengthens the imagery of a heavenly presence. The band of angels represents divine beings descending to guide and escort the singer on their journey towards heaven. This line alludes to the belief in guardian angels who protect and lead individuals towards salvation.

The repeated phrase "Swing low, sweet chariot" emphasizes the desire for a heavenly vehicle, represented by a chariot, to carry the singer back home. This line implies a yearning for release from earthly struggles and hardships, suggesting the chariot will provide a means of escape and deliverance.

The final verse, "And now they're comin' for to carry me home," signals the culmination of the singer's anticipation and the realization that their heavenly journey is imminent. It conveys a sense of hope and excitement in reuniting with loved ones and friends in the afterlife.

Ultimately, "Swing Low Sweet Chariot" encapsulates the longing for spiritual liberation and the belief in a higher power that guides and escorts individuals towards their ultimate home in heaven. The song's evocative lyrics and imagery serve as a powerful expression of hope, salvation, and the search for eternal peace.

Swing Low Sweet ChariotLaurel Aitken Lyrics

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Swing Low Sweet Chariot
Laurel Aitken Lyrics