Hailing from York, Pennsylvania, the group is comprised of Ed Kowalczyk (lead vocals & guitar), Chad Taylor (lead guitar), Patrick Dahlheimer (bass) and Chad Gracey (drums). Since approximately 1999, Live has toured with Ed’s younger brother, Adam Kowalczyk as a rhythm guitarist, and, previously, British keyboardist Michael “Railo” Railton.
Kowalczyk, Taylor, Dahlheimer, and Gracey first came together for a middle-school talent show in the Pennsylvania blue-collar town of York. The group remained together throughout high school, going through a handful of band names and new-wave covers before settling on the moniker Public Affection and recording a self-released cassette of originals, The Death of a Dictionary, in 1989. Frequent trips into New York to play at CBGB helped net the band a deal with Radioactive Records in 1991. With the new name Live, the band entered the studio with former Talking Heads keyboardist Jerry Harrison that year and began recording the EP Four Songs. The single “Operation spirit (the tyranny of tradition)” went to #9 on the Modern Rock chart, and paved the way for the band’s Harrison-produced, full-length debut, 1991’s Mental Jewelry (#73). The album lyrics, penned by Kowalczyk, were heavily inspired by Indian guru Jiddu Krishnamurti.
Fueled by heavy touring (including billing at Woodstock ‘94 and Peter Gabriel’s WOMAD tour) and a string of hit singles (“I Alone”, “All Over You” and the #1 Modern Rock hits “Selling the drama” and “Lightning crashes”), their next album, Throwing Copper, went to #1 in 1994. It is their best-selling, and often most highly regarded by fans and critics, album to date. The band was even asked to perform on Saturday Night Live where they performed their hits “I Alone” and “Selling the Drama” and to this day, they are the only band to receive a standing ovation at the party after the broadcast.[citation needed]
The momentum continued long enough to help 1997’s Secret Samadhi (coproduced by the band and Jay Healey) debut at #1. Deriving its name from a state of Hindu meditation, the album spawned four Modern Rock hit singles, but failed to match its predecessor’s success, with sales topping off at 2 million. The band performed “lakini’s juice” and “Heropsychodreamer” from this album on NBC’s Saturday Night Live.
Harrison came back on board as coproducer for 1999’s The Distance to Here, which debuted at #4 and featured the minor US hit single “The Dolphin’s Cry.”
In September 2001, the more experimental V (originally scheduled to be titled “Ecstatic Fanatic”) was issued to mixed reviews, preceded by “Simple creed” as the first single. However, with the events of 9/11—which occurred a week before V ‘s release—the melancholic “Overcome” began receiving significant airplay, superseding “Simple Creed” and becoming V’s selling point. Unfortunately, Live’s commercial stock—compounded by their petering radio airplay—had fallen further since The Distance to Here, with V merely reaching #22 at home, failing to reach gold status.
Birds of Pray appeared in May 2003, bolstered by the unexpected success of “Heaven”, Live’s first US Hot 100-placing since “The Dolphin’s Cry.” Reaching #28, Birds of Pray ultimately outsold V, although it too received mixed reviews and failed to reach gold status.
In November 2004, Live released Awake: The Best of Live, a career-spanning compilation that included “We deal in dreams”, a previously unreleased song from the Throwing Copper sessions, and a cover of Johnny Cash’s “I Walk The Line”, as well as Birds of Pray’s “Run Away”, re-imagined with Shelby Lynne on co-lead vocals.
In 2005, Live signed with Sony BMG Music Entertainment’s Epic label, and released a new album entitled Songs From Black Mountain in June 2006, preceded by “The river” as lead single. Thus far, while the album has achieved international success, it has proven Live’s lowest-seller yet domestically, only reaching #52 in the US before quickly disappearing from the charts.
While Live remain only moderately popular in terms of record sales in the United States, much of their current sales come from places in Europe, South Africa, Australia and New Zealand. Ed Kowalczyk has said that “Holland is the center of the Live universe” [citation needed].
The group made news in January 2006 as three band members (Chad Taylor, Patrick Dahlheimer and touring rhythm guitar Adam Kowalczyk) and two members of the band’s road crew were on a United Airlines flight when smoke filled the cabin, requiring the pilot to make an emergency landing.
On season 5 of American Idol, finalist Chris Daughtry was accused of performing Live’s rendition of Johnny Cash’s “I Walk the Line” and calling it his own. This angered some Live fans, but one week later Daughtry acknowledged it was not his own rendition, even saying Live was one of his favorite bands. In May 2006, Live appeared on The Howard Stern Show and addressed this issue.
On May 24, 2006, the band and Chris Daughtry performed “Mystery” on the season finale of American Idol, and on June 7, a new version of “Mystery” was released on the Friends of Live website featuring Chris Daughtry on guest vocals.
The members of Live announced in June 2009 that the band would be taking a two-year hiatus as they work on other projects. On November 30, 2009, guitarist Chad Taylor confirmed that the hiatus of the band was most likely a permanent rift. See the Wikipedia page for more. During the first European tour of the new band of Taylor, Gracey and Dahlheimer (The Gracious Few), Taylor commented both on stage and in post-show discussions that he believes Live may still come back together, though he also stated that the chances of Kowalczyk joining them in this effort may be very small. In an exclusive blogpost[1] on website The Comet, Taylor confirmed that the remaining members of the band would be working on new material for Live in Nashville early July 2011.
The band returned from their nearly three-year hiatus on March 12, 2012, with Chris Shinn, formerly of Unified Theory, as their new lead singer. The new line-up performed before an invited audience at the Strand-Capitol Performing Arts Center in York. The band performed as a six-piece with The Gracious Few's Sean Hennesy on guitar and Alexander Lefever on keyboards
[1]: http://thecomet.com/posts/exclusive_blog_chad_taylor_talks_the_gracious_few_and_live
There's another band with the same name:
2. Live was a 70s-era Progressive Rock group from Germany. Formed in 1971, the outfit appeared to be a strangely named band indeed.
In October 1972 their guitarist Martin Knaden went to Curly Curve. Throughout their history only one member has remained, the multi-talented keyboards and flute player Norbert Aufmhof. Although in existence for a decade Live never got to record a proper studio album, or gain a contract, which surely they should have. Maybe the band name was a bit of a jinx?!
Their earlier history was originally just documented by a single. Only more recently did an LP surface collecting 1974 recordings. Quite obviously a collection of rehearsal session tapes, the LP reveals a band with promise albeit rather grottily recorded with often barely understandable muffled lyrics in English. Musically, there are nods to early Satin Whale and Jane, but with lots of classical touches, notably Grieg and Bach, and a penchant to meander rather nicely during the instrumentals.
Based on the ROCK OFFERS track "Sea Fever", they had blossomed and changed focus somewhat, as a much more sophisticated symphonic progressive of the Pancake and Jane type, typical of the mid/late-1970's.
In all, during their history, three different versions of Live existed, but eventually the band split in 1976. A full history of the band is included in the GEVELSBERG CD, which documents other oddments, sessions, and a live recording!
Shit Towne
Live Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
the crackheads they live down the street from me
the tall grass makes it hard to see
beyond my property
hey man this is criminal
this hard line symmetry of people and pets
we don't bother anyone
we keep to ourselves
we don't bother anyone
we keep to ourselves
the mailman visits each of us in time
gotta live gotta live gotta live
in shit towne
gotta live, gotta live, gotta live
in our town.
The lyrics of Live's song "Shit Towne" describe the experience of living in a town that is plagued by social and economic issues, such as drug addiction, poverty, and crime. The singer's neighborhood is sandwiched between "the weavers" and "the crackheads," and he laments the oppressive atmosphere created by the "hard line symmetry of people and pets." Despite the mailman's frequent visits, the people in the neighborhood keep to themselves and try to distance themselves from the problems that surround them.
The repetition of the phrase "gotta live, gotta live, gotta live" emphasizes an underlying feeling of resignation within the singer. He acknowledges the challenges of living in a less-than-ideal environment but accepts that this is his reality. The use of the term "shit towne" implies that this situation is not unique to this specific neighborhood but may be a reflection of larger societal issues.
The song's lyrics highlight an important aspect of social commentary, as they draw attention to the impact of systemic issues on individuals and communities. It also touches on the idea that people may feel trapped in a cycle of poverty and marginalization, without the necessary resources to improve their circumstances.
Line by Line Meaning
the weavers live up the street from me
My neighbors, the Weavers, reside on the street that is situated above mine.
the crackheads they live down the street from me
On the other side of the street from mine, there are dwellings occupied by crack addicts.
the tall grass makes it hard to see beyond my property
The high grass obstructs my view of the area outside my land.
hey man this is criminal
It is outrageous and unjust.
this hard line symmetry of people and pets
The arrangement of individuals and their animals is uniform and unyielding.
we don't bother anyone
We mind our own business and do not interfere with our neighbors.
we keep to ourselves
We stay within the confines of our property and do not socialize with others.
the mailman visits each of us in turn
The postman delivers mail to each household one by one in sequence.
we don't bother anyone
Once more, we maintain our privacy and refrain from disturbing others.
we keep to ourselves
We continue to live our secluded lifestyle, avoiding social interactions.
the mailman visits each of us in time
At some point, our postal employee visits each of our homes.
gotta live gotta live gotta live in shit towne
We must continue to exist, but within this unappealing location with its unpleasant environment and neighbors.
gotta live, gotta live, gotta live in our town.
We must live in this unremarkable and unsatisfying location that we call our home.
Lyrics © Universal Music Publishing Group
Written by: CHAD ALAN GRACEY, CHAD DAVID TAYLOR, EDWARD JOEL KOWALCZYK, PATRICK DAHLHEIMER
Lyrics Licensed & Provided by LyricFind