In 1986 a group of friends who used to get together to play music, became L… Read Full Bio ↴In 1986 a group of friends who used to get together to play music, became LOS PERICOS, the first REGGAE Rock band in Argentina.

Their first record, “LOS PERICOS” released in 1988 was the best selling album of the year, obtaining Triple Platinum Award for its 180 thousand units sold.

One year later, they recorded KING KONG, produced by Herbert Vianna (OS PARALAMAS DO SUCESSO). Immediately after, they launched Maxi ANFITREU, a vinyl disc that impacted because of its unique style.

In 1990 LOS PERICOS launched their third studio record RAB A DAB STAIL and they went on tour, performing several live concerts around Argentina, highlighting the two shows at the LUNA PARK Stadium in Buenos Aires.

Their 4th album, BIG YUYO, was launched in 1993. In it PERICOS, showed a strongly predominant musical sound reflecting their own identity with songs such as: ME LATE, WAITIN, HACE LO QUE QUIERAS, etc. They caused a surge of popularity across Latin America countries chartering successfully.

That same year LOS PERICOS were invited to participate in the 6th INTERNATIONAL FESTIVAL REGGAE SUNSPLASH Edition, taking place annually in JAMAICA.

In 1994 they performed again in the INTERNATIONAL FESTIVAL REGGAE SUNSPLASH and closed the WORLD BEAT NIGHT. Rita Marley invited them to the TUFF GONG RECORDS studios, where BOB MARLEY used to record.

That July, they enthusiastically embarked on a tour through the United States including the cities of Miami, New York, Los Angeles, Chicago and Boston, after finishing the recording of their 5th album in that country.

With the released of PAMPAS REGGAE, tours across Latin America and the sales of their records continued to increase.

Their sales reached more than one million copies worldwide.

Their 6th album, YERBABUENA, was released simultaneously in every country of LATIN AMERICA, the UNITED STATES and SPAIN.

In March 1997, PERICOS was the only Latin America band invited to participate in the reggae tribute to The Police and recorded, together with STEWART COPELAND: DARKNESS, included in Regatta Mondatta album. They also participated in the latin tribute to The Police: Outlandos D´America.

On the 28th of December 1997, they celebrated their 10 years anniversary with a free live outdoor concert, supported by the GOBIERNO DE LA CIUDAD DE BUENOS AIRES, for more than 120,000 people.

1998 started with a couple of shows across Central America and Venezuela with a live concert in MARGARITA ISLAND for 140,000 people and a performance with a record audience of 180,000 people at the FESTIVAL EXPERIENCIA ROJA in CARACAS.

By mid July they started recording their next album at their own studio, ROBLEDO SOUND MACHINE. They travelled again to Caracas, but this time to the 50th anniversary celebration of the UNIVERSAL HUMAN RIGHTS DECLARATION (at La Carlota Airport), organised by AMNESTY INTERNATIONAL.

On 27th of November 1998, they released MYSTIC LOVE and the videoclip of its first cut, SIN CADENAS.

The presentation of MYSTIC LOVE was on AUGUST 31st and September 1st at the OPERA THEATRE, both performances were absolutely SOLD OUT without having the opportunity to add shows due to the theatre’s lack of available dates.

In November they started the 5th Mystic Love Tour including the cities of NEW JERSEY, QUEENS, MANHATTAN and MONTREAL. That was the first time an Argentinean band reached this Canadian City and obtained stunning reviews in TORONTO, where they presented a very hot show in spite of low temperature.

At the beginning of 2000, LOS PERICOS gave a show at RIVER PLATE STADIUM celebrating THE NEW MILENIUM for an audience of 75,000 people.

LOS PERICOS began mixing a new album, a tribute to the 1008 shows performed until such time, called: 1000 VIVOS.

During 2001 they continued with their shows across the continent and were invited to close the 2001 VIVE LATINO edition.

In 2004, the Argentinean band with 17 years of successful path, surprised its fans by changing their vocal scheme; with Juanchi Baleiron switching from lead guitar to vocals.

With a completely fresh approach, fuelled by the beginning of a new stage of change and challenge, they presented a live show with a more compact scheme, reinforcing their reggae-rock format.

More than two million records were sold and 1600 live shows performed, rocketing LOS PERICOS as one of the MOST IMPORTANT BANDS in the history of LATIN REGGAE/ROCK.

In August 2005 the band released its new album called "7" with performances across Latin America.

In 2006 the band went on one of its most important tours. They performed in México, Uruguay, Ecuador, Puerto Rico, USA, Venezuela, Canadá, Bolivia, Colombia, Chile, Salvador and Perú; more than 140 shows in a year.

2007 starts with the Argentinean summer tour , performing in this country’s most popular vacation destinations. In April they returned to Mexico for the Reggae Music Fest featuring Pato Banton in their set. During May they closed the International Festival of Veracruz, and had a show for 50,000 in Caracas Venezuela.

PERICOS is currently working on new material to be released this November.

Bienvenidos a casa
Los Pericos Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Letra de "Bienvenido a Casa"
Todo comenzó como un día normal
Para no ser menos ese fue un día más
No puedo seguir a este ritmo, no
O me planto y me quedo
O reviento y me voy, eh

(Ah ah) Bienvenido a casa

(Ah ah) Bienvenido a casa

(Ah ah) Bienvenido a casa
(Ah ah) Bienvenido a casa

Me gustaría que sepas
Que todo tiene un reloj
Si al menos lo detuvieras
Me quedaría con vos

(Ah uh) Y en mi cuarto (wo yo) solo sigo
(Ah uh) Asustado (wo yo) aburrido
(Ah uh) Y en mi cuarto (wo yo) solo sigo
(Ah uh) Asustado (wo yo) aburrido

Me gustaría que sepas
Que todo tiene un reloj
Si al menos lo detuvieras
Me quedaría con vos

(Ah uh) Y en mi cuarto (wo yo) solo sigo
(Ah uh) Asustado (wo yo) aburrido
(Ah uh) Y en mi cuarto (wo yo) solo sigo
(Ah uh) Asustado (wo yo)

Todo comenzó como un día normal
Para no ser menos solo fue un día más
No puedo seguir a este ritmo, no
O me planto y me quedo
O reviento y me voy, eh

(Ah uh) Y en mi cuarto (wo yo) solo sigo
(Ah uh) Asustado (wo yo) aburrido
(Ah uh) Y en mi cuarto (wo yo) solo sigo
(Ah uh) Asustado (wo yo) aturdido

(Bienvenido a casa)

(Ah ah) Bienvenido a casa
(Ah ah) Bienvenido a casa

(Ah ah) Bienvenido a casa
(Ah ah) Bienvenido a casa

(Ah ah) Bienvenido a casa
(Ah ah) Bienvenido a casa

(Ah ah) Bienvenido a casa
(Ah ah) Bienvenido a casa

Overall Meaning

The lyrics of "Bienvenido a Casa" by Los Pericos reflect a sense of monotony and longing for a change from the daily routine. The verses describe a day that starts like any other, with the singer feeling trapped in a cycle of repetition. The lines "No puedo seguir a este ritmo, no / O me planto y me quedo / O reviento y me voy" convey a feeling of being at a crossroads, torn between staying and breaking free from the mundane routine. The repetition of "Bienvenido a casa" throughout the song could be interpreted as a desire for comfort and stability, but also a yearning for something more.

The lyrics also touch upon the concept of time and how everything is governed by it. The lines "Me gustaría que sepas / Que todo tiene un reloj / Si al menos lo detuvieras / Me quedaría con vos" suggest a wish to halt time in order to remain in a moment of connection or happiness. This sentiment is echoed in the repeated refrain "Y en mi cuarto solo sigo / Asustado aburrido," highlighting a sense of fear, boredom, and perhaps a feeling of being stuck in a certain place or state.

The theme of feeling trapped or confined is further emphasized in the repetition of "Asustado aburrido" and the imagery of being in a room, possibly symbolizing a sense of isolation or confinement. The lyrics express a longing for change and a break from the current routine, as evidenced by the lines "O me planto y me quedo / O reviento y me voy." This internal conflict between staying put and breaking free creates a tension throughout the song that is reflected in the emotive delivery by the vocalist.

Overall, "Bienvenido a Casa" delves into themes of monotony, longing for change, and a sense of confinement within one's routine. The lyrics capture a struggle between stability and the desire for something more, as well as a yearning to break free from the everyday and embrace a new path. The repetition of certain phrases and the emotive delivery of the singer convey a sense of internal conflict and a search for a sense of home or belonging amidst the tumult of life's uncertainties.

Line by Line Meaning

Todo comenzó como un día normal
It all started off like a normal day

Para no ser menos ese fue un día más
To not be any less, it was just another day

No puedo seguir a este ritmo, no
I can't keep up with this pace, no

O me planto y me quedo
Either I stand my ground and stay

O reviento y me voy, eh
Or I explode and leave, eh

(Ah ah) Bienvenido a casa
(Ah ah) Welcome home

Me gustaría que sepas
I would like you to know

Que todo tiene un reloj
That everything has a clock

Si al menos lo detuvieras
If only you would stop it

Me quedaría con vos
I would stay with you

(Ah uh) Y en mi cuarto (wo yo) solo sigo
(Ah uh) And in my room (wo yo) I just keep going