In 1986 a group of friends who used to get together to play music, became L… Read Full Bio ↴In 1986 a group of friends who used to get together to play music, became LOS PERICOS, the first REGGAE Rock band in Argentina.

Their first record, “LOS PERICOS” released in 1988 was the best selling album of the year, obtaining Triple Platinum Award for its 180 thousand units sold.

One year later, they recorded KING KONG, produced by Herbert Vianna (OS PARALAMAS DO SUCESSO). Immediately after, they launched Maxi ANFITREU, a vinyl disc that impacted because of its unique style.

In 1990 LOS PERICOS launched their third studio record RAB A DAB STAIL and they went on tour, performing several live concerts around Argentina, highlighting the two shows at the LUNA PARK Stadium in Buenos Aires.

Their 4th album, BIG YUYO, was launched in 1993. In it PERICOS, showed a strongly predominant musical sound reflecting their own identity with songs such as: ME LATE, WAITIN, HACE LO QUE QUIERAS, etc. They caused a surge of popularity across Latin America countries chartering successfully.

That same year LOS PERICOS were invited to participate in the 6th INTERNATIONAL FESTIVAL REGGAE SUNSPLASH Edition, taking place annually in JAMAICA.

In 1994 they performed again in the INTERNATIONAL FESTIVAL REGGAE SUNSPLASH and closed the WORLD BEAT NIGHT. Rita Marley invited them to the TUFF GONG RECORDS studios, where BOB MARLEY used to record.

That July, they enthusiastically embarked on a tour through the United States including the cities of Miami, New York, Los Angeles, Chicago and Boston, after finishing the recording of their 5th album in that country.

With the released of PAMPAS REGGAE, tours across Latin America and the sales of their records continued to increase.

Their sales reached more than one million copies worldwide.

Their 6th album, YERBABUENA, was released simultaneously in every country of LATIN AMERICA, the UNITED STATES and SPAIN.

In March 1997, PERICOS was the only Latin America band invited to participate in the reggae tribute to The Police and recorded, together with STEWART COPELAND: DARKNESS, included in Regatta Mondatta album. They also participated in the latin tribute to The Police: Outlandos D´America.

On the 28th of December 1997, they celebrated their 10 years anniversary with a free live outdoor concert, supported by the GOBIERNO DE LA CIUDAD DE BUENOS AIRES, for more than 120,000 people.

1998 started with a couple of shows across Central America and Venezuela with a live concert in MARGARITA ISLAND for 140,000 people and a performance with a record audience of 180,000 people at the FESTIVAL EXPERIENCIA ROJA in CARACAS.

By mid July they started recording their next album at their own studio, ROBLEDO SOUND MACHINE. They travelled again to Caracas, but this time to the 50th anniversary celebration of the UNIVERSAL HUMAN RIGHTS DECLARATION (at La Carlota Airport), organised by AMNESTY INTERNATIONAL.

On 27th of November 1998, they released MYSTIC LOVE and the videoclip of its first cut, SIN CADENAS.

The presentation of MYSTIC LOVE was on AUGUST 31st and September 1st at the OPERA THEATRE, both performances were absolutely SOLD OUT without having the opportunity to add shows due to the theatre’s lack of available dates.

In November they started the 5th Mystic Love Tour including the cities of NEW JERSEY, QUEENS, MANHATTAN and MONTREAL. That was the first time an Argentinean band reached this Canadian City and obtained stunning reviews in TORONTO, where they presented a very hot show in spite of low temperature.

At the beginning of 2000, LOS PERICOS gave a show at RIVER PLATE STADIUM celebrating THE NEW MILENIUM for an audience of 75,000 people.

LOS PERICOS began mixing a new album, a tribute to the 1008 shows performed until such time, called: 1000 VIVOS.

During 2001 they continued with their shows across the continent and were invited to close the 2001 VIVE LATINO edition.

In 2004, the Argentinean band with 17 years of successful path, surprised its fans by changing their vocal scheme; with Juanchi Baleiron switching from lead guitar to vocals.

With a completely fresh approach, fuelled by the beginning of a new stage of change and challenge, they presented a live show with a more compact scheme, reinforcing their reggae-rock format.

More than two million records were sold and 1600 live shows performed, rocketing LOS PERICOS as one of the MOST IMPORTANT BANDS in the history of LATIN REGGAE/ROCK.

In August 2005 the band released its new album called "7" with performances across Latin America.

In 2006 the band went on one of its most important tours. They performed in México, Uruguay, Ecuador, Puerto Rico, USA, Venezuela, Canadá, Bolivia, Colombia, Chile, Salvador and Perú; more than 140 shows in a year.

2007 starts with the Argentinean summer tour , performing in this country’s most popular vacation destinations. In April they returned to Mexico for the Reggae Music Fest featuring Pato Banton in their set. During May they closed the International Festival of Veracruz, and had a show for 50,000 in Caracas Venezuela.

PERICOS is currently working on new material to be released this November.

Molly
Los Pericos Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Cuando recuerdo molly
La tarde del 3 de enero
Aquellos buenos tiempos
Siempre serán secretos

Y en mi corazon
Se me fue la vida nena
De sol a sol

Se me va la vida,nena
Una vez mas,despierto
Siguiendo su sombra,
Buscándola, a Molly, Molly, Molly

Y en su corazon
Se me fue la vida,nena
De sol a sol
Se me va la vida nena
Cuando llegue la noche
Al menos tendré un secreto
Para decirle a la luna
Que enero fue solo un reto

Una vez mas despierto
Siguiendo su sombra
Buscandola, oh, no
A Molly, Molly, Molly
Aun sigue en mi memoria
La tarde del 3 de enero
Aquellos buenos tiempos
Siempre seran secretos

Molly, Molly

Y en su corazon
Se llevo mi vida nena

Y en su corazon
Se me va la vida nena

Overall Meaning

The song "Molly" by Los Pericos tells a nostalgic story of a past romance that continues to haunt the singer. The lyrics refer to a specific memory of a day in early January and how the good times they shared will always be kept secret. The singer's life seems to have been consumed by this relationship, as they reflect on how their heart and life have been taken by this woman. They express a sense of longing and desperation to find her once again, to follow her shadow wherever it may lead, and to bring her back into their life.

Despite the pain caused by the loss of this love, the singer still holds onto this memory and embraces the secrecy of it all. The reference to the moon at the end of the song suggests a sense of vulnerability and sadness. The singer has one secret which they can only share with the moon, showing that they have found solace in keeping this memory close to their heart.

Overall, the song is a passionate and emotional reflection on the intense power of love and its impact on a person's life. The lyrics suggest that this relationship has left an indelible mark on the singer, and they will forever be searching for the woman who they call Molly.

Line by Line Meaning

Cuando recuerdo molly
When I remember Molly

La tarde del 3 de enero
The afternoon of January 3rd

Aquellos buenos tiempos
Those good times

Siempre serán secretos
Will always be secrets

Y en mi corazon
And in my heart

Se me fue la vida nena
I lost my life, baby

De sol a sol
From sunrise to sunset

Se me va la vida,nena
I lose my life, baby

Una vez mas,despierto
Once again, I wake up

Siguiendo su sombra,
Following her shadow

Buscándola, a Molly, Molly, Molly
Looking for her, Molly, Molly, Molly