18. Campanella de Liszt / 19. Thme et variation III / 20. Modie rythme / 21. Les Brahms ou la vie / 22.
Luc Ferrari (February 5, 1929 – August 22, 2005) was a French composer, par… Read Full Bio ↴Luc Ferrari (February 5, 1929 – August 22, 2005) was a French composer, particularly noted for his tape music.
Ferrari was born in Paris and studied the piano under Alfred Cortot, musical analysis under Olivier Messiaen and composition under Arthur Honegger. His first works were freely atonal.
In 1954, Ferrari went to the United States to meet Edgard Varèse, whose Déserts he had heard on the radio, and had impressed him. This seems to have had a great effect on him, with the tape part in Déserts serving as inspiration for Ferrari to use magnetic tape in his own music.
In 1958 he co-founded the Groupe des Recherche Musicales with Pierre Schaeffer and François-Bernard Mâche. He taught in institutions around the world, and worked for film, theatre and radio.
By the early 1960s, Ferrari had begun work on his Hétérozygote, a piece for magnetic tape which uses ambient environmental sounds in "an organized and poetic, though non-plot oriented manner." The use of ambient recordings was to become a distinctive part of Ferrari's musical language. (Tyranny)
Ferrari's Presque rien No. 1 'Le Lever du jour au bord de la mer' (1970) is regarded as a classic of its kind. In it, Ferrari takes a day-long recording of environmental sounds at a Yugoslavian beach and, through editing, makes a piece that lasts just twenty-one minutes. It has been seen as an affirmation of John Cage's idea that music is always going on all around us, and if only we were to stop to listen to it, we would realise this.
Ferrari continued to write purely instrumental music as well as his tape pieces. He also made a number of documentary films on contemporary composers in rehearsal, including Olivier Messiaen and Karlheinz Stockhausen.
Ferrari was born in Paris and studied the piano under Alfred Cortot, musical analysis under Olivier Messiaen and composition under Arthur Honegger. His first works were freely atonal.
In 1954, Ferrari went to the United States to meet Edgard Varèse, whose Déserts he had heard on the radio, and had impressed him. This seems to have had a great effect on him, with the tape part in Déserts serving as inspiration for Ferrari to use magnetic tape in his own music.
In 1958 he co-founded the Groupe des Recherche Musicales with Pierre Schaeffer and François-Bernard Mâche. He taught in institutions around the world, and worked for film, theatre and radio.
By the early 1960s, Ferrari had begun work on his Hétérozygote, a piece for magnetic tape which uses ambient environmental sounds in "an organized and poetic, though non-plot oriented manner." The use of ambient recordings was to become a distinctive part of Ferrari's musical language. (Tyranny)
Ferrari's Presque rien No. 1 'Le Lever du jour au bord de la mer' (1970) is regarded as a classic of its kind. In it, Ferrari takes a day-long recording of environmental sounds at a Yugoslavian beach and, through editing, makes a piece that lasts just twenty-one minutes. It has been seen as an affirmation of John Cage's idea that music is always going on all around us, and if only we were to stop to listen to it, we would realise this.
Ferrari continued to write purely instrumental music as well as his tape pieces. He also made a number of documentary films on contemporary composers in rehearsal, including Olivier Messiaen and Karlheinz Stockhausen.
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18. Campanella de Liszt / 19. Thme et variation III / 20. Modie rythme / 21. Les Brahms ou la vie / 22.
Luc Ferrari Lyrics
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The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@Frezshii
guys the progress isn't unrealistic, he lives in the simply piano dimension
@rajmundmortis3300
No he lives in China
@crampertv2536
Maybe he said 1 week without anything just piano
@ausi5720
1 second of simply piano be like: Campanella
@rushighcowcat7380
@@rajmundmortis3300 do u get the joke
@pokepulls3745
He lives past the simply piano
@Systenize
To avoid confusion: This video is meant for his asian audience
@nataliepeters9777
but the 10 Year example is decreasing in technique. He should be doing la campanella(Liszt) or Hammerklavier-Sonate(Beethoven)
@rachelswimmer123
ikr lol
@heatherlawson4672
Ohhh, ok