Lucrecia Dalt was born in Pereira, Colombia in 1980. She studied civil engineering and worked for two years in a geotechnical company in Medellin before deciding to pursue music.
Her first recordings were released by Columbian collective Series under the name Lucrecia. After meeting Gudrun Gut, she contributed four songs to the 4 Women No Cry compilation released on Monika Enterprise in 2008.
After moving to Europe she released a series of recordings, including a release on NicolΓ‘s Jaar's Other People imprint and a series of collaborations with Aaron Dilloway. Among her more recent releases are the albums Anticlines (2018) and No Era SΓ³lida (2020) on RVNG Intl.
Like the whirr of a wake-up call, Lucrecia Daltβs metallic compositions entice us to rethink the possibilities of materiality and existence. The Colombian musician and sound artist has carved out a place at the contemporary frontiers of avant-garde and electronic music, hardware in hand, to channel age-old questions into a distinct and transgressive musical language.
Perhaps the ability to dig a little deeper is hard-wired into Daltβs creative process through her background as a geotechnical engineer. Now residing in Berlin, Dalt often seeks inspiration in the worlds of fiction, poetry, geology and desire, excavating nuanced references to untangle and respond to in her music. At times, this exploratory impulse surfaces like an introspective call and response experiment with her source material, forming new perspectives on ideas rooted in Colombian mythology to German New Wave cinema. Daltβs conceptual blueprints are intimate and intricate, emerging like cyanotypes cast in the sun. Around these frameworks she shapes her sound, using analogue instrumentation, a vast array of synthesizers and the processed glow of her voice.
Dalt joined the RVNG family in 2018 with the release of Anticlines. Interspersed with enigmatic metaphors, the record channels at its core the principle of tectonic plates compressing stratified rock: old material is pushed to the centre and sometimes becomes exposed. Guided by this concern with boundaries and edges, Dalt reframes traditional Latin American rhythms beside visceral tones of electronic composition and fragmented spoken word, tracing new contours in the topography of human consciousness. The poetic lyrics of Anticlines were written collaboratively between Dalt and artist Henry Andersen, and the accompanying artwork was realised by visual artist and ongoing collaborator Regina de Miguel.
With the release of Daltβs seventh album No era sΓ³lida (2020), another world is located in her universe. In an embrace of introspection, Dalt sets out to capture the moment when one becomes pure sound. This transcendent process of creation summons Lia: an apparition of the artist as possessed by mimetic impulses. Language is dissolved into an evocative collection of glossolalia as the record swells with rhythmic tremors and the lunar echoes of a lawless organism tethered to sonic hardware. Navigating through each song as a different state experienced by Lia, the album closes with spoken word reflections on the existence of an unworldly lifeform seeded through sound.
Her sound work has been presented internationally in spaces such as Issue Project Room, Pioneer Works in New York, Haus der Kulturen der Welt in Berlin, Museum of Modern Artin MedellΓn, the Mies van der Rohe pavilion in Barcelona, the New South Walles art gallery in Sydney, among others.
Changing the Weather
Lucrecia Dalt Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I feel cold, I feel sad and it rains and still I decide to smile
It seems that, it seems that I'm connected with the changes of the weather
I feel cold, I feel sad and it rains and still I decide to smile
'Cause I'm sure that if I decide to smile, the sun at will rise
And today I hope I will smile so much that I drive the clouds away
'Cause I'm sure that if I decide to smile, the sun at will rise
Lucrecia Dalt's song Changing the Weather speaks to the idea that human emotions are often linked and influenced by external factors, such as the weather. Dalt suggests that she is "connected with the changes of the weather," implying that her moods are affected by the climate around her. Despite feeling cold and sad and dealing with rain, Dalt decides to smile anyway. She believes that her smile can have a powerful impact on the weather itself, making the sun rise and driving the clouds away.
This song could be seen as a metaphor for the way that our attitudes and actions can impact the world around us. Dalt acknowledges that there are things out of her control, such as the weather, but she also recognizes that there are things that she can do to change her circumstances. By choosing to smile even in the midst of a bleak day, she is taking agency and actively trying to shift the energy around her. This idea can be empowering for listeners, suggesting that they too have the ability to make positive changes in their lives and in the world, even if it seems like the odds are against them.
Overall, Changing the Weather is a contemplative and introspective song that encourages listeners to look inward and consider their impact on their surroundings. Through her lyrics, Dalt offers a hopeful message that small but intentional actions can make a difference.
Line by Line Meaning
It seems that, it seems that I'm connected with the changes of the weather
I have noticed that my mood is affected by the weather
I feel cold, I feel sad and it rains and still I decide to smile
Even though I feel unhappy and the weather is gloomy, I choose to show a positive attitude
'Cause I'm sure that if I decide to smile, the sun at will rise
I believe that my positive energy will attract good things into my life
And today I hope I will smile so much that I drive the clouds away
I hope that my happiness will have an impact on the weather and make it better
Writer(s): Lucrecia Dalt
Contributed by Layla R. Suggest a correction in the comments below.
Hoxas
Wonderful! Percussion always killing it omg
Andru Eron
Love it!
A B A C A B B#1999
my favorite song off the album :)
gth222
Que hermoso!!
Aurora De La Parra
Maravilla βοΈπ»ππ΅οΈβοΈπ»ππ΅οΈβοΈπ»ππ΅οΈ
Walter Antonio Melica
Bellissima canzone
Lila March
maravillosos aires a lhasa de sela, muy muy guay e interesante
Steve M.
Tom Waits would approve, I think.
June Asiimwe
Right up his alley for sure. This gave me some Bone Machine vibes.
Amo Bishop Roden
Basically soundwise a Tom Waits rework, just listen to "in the colosseum"...not a bad song anyway. oh, and the guy resembles tiny tim.