Contrasting with the backwards and authoritarian government of General Juan Carlos Onganía, Argentina and specially Buenos Aires were undergoing a cultural blossoming, based on new art expressions; the new generation, the sons of the middle class, was immersed in an effervescence that would not reappear in Argentina until 1983. Spinetta was part and later an exponent of that blossoming and rebellious youth that would express itself both through the arms and the arts. Spinetta devoted fully to the latter path, although he briefly became involved with left-wing political movements.
It was 1969 and his band, Almendra, recorded their first album. The band started recording and playing intensely and it became successful almost overnight. Almendra composed its own songs and the lyrics were in Spanish (something radically new). The subtlety and beauty of their sound would be one of the milestones (maybe the first) of Argentine rock. After two albums that enjoyed radio diffusion and deserved fame, the band split. Spinetta composed and recorded a new solo album, but an inadequate environment (he would later say that the mood of Argentine rock and rockers of those times were too "heavy" and negative for him) and the vast changes that success effected on his life made him leave the country.
After a lengthy stay in Europe, he returned to Argentina and formed a new band: Pescado Rabioso. It was destined to be as mythical as Almendra. With a far more powerful sound and expressing the tension in the streets of an increasingly violent Argentina, Pescado recorded its first album in 1972. It was both a continuation of the creative stream of Spinetta and a drastic change in the style of his music and lyrics. The band recorded a second album; although a third one carried its name, Pescado was by then dissolved; Artaud, recorded in 1973 and mostly a solo album by Spinetta, was a major breakthrough. Partly based on the writings of Antonin Artaud, Spinetta exorcised many of the demons of his past in this album. This process would open the door to a new era in his music.
In 1974 he formed a new band, Invisible. With his new band he recorded three albums; Invisible I, Durazno Sangrando (together with Artaud, hailed as his best album ever), and El Jardín De Los Presentes. With Invisible, he left the powerful and rough sound of Pescado; the new tunes were more harmonic, soft and mellow, yet his work remained essential and revolutionary. Following this line, he embarked on a solo project, A 18' del Sol, after dissolving Invisible in 1976-77. By then, ten years later after starting his career, his style had became a delicate amalgam of old and new; the old pop and (proto) heavy rock had merged with various elements of jazz and bossa nova. That unique flavour would become his style during the next half decade.
After recording and editing a failed album in the United States in 1979 (the only album that Spinetta lamented ever doing), with lyrics in English and destined to the US market, Spinetta returns to Argentina and starts a prolific era: he would record two albums with a short-lived Almendra Revival (one with original songs and the other live), and embark on a new project: Spinetta Jade.
Spinetta Jade would prove to be a successful and innovative band; Spinetta was joined by some of the greatest Argentinan musicians of those and all times to help him build the new sound he was building since Invisible. The product: a blend of jazz and rock that was unseen in Argentina and that escaped the boom of symphonic rock that reached both the world and Argentina in the early 1980s. These four albums, Alma de Diamante (1980), Los Niños que Escriben en el Cielo (1981), Bajo Belgrano (a homage to the neighbourhood where he grew up, 1983) and the unforgettable Madre en Años Luz (1984), represent a defined style as well as the footprints of Spinetta´s evolution. Towards the last two albums, the sound became a little bit more "pop", and embedded with electronic elements (samplers and synthesisers with "artificial" textures). Something worth remarking: the overpowering influence and fame of Spinetta in the Argentinian rock world was only equalled by that of Charly García. Many fans and critics shared the feeling that the two musicians represented antagonistic styles and values. To show otherwise, Spinetta and Charly (with their respective bands at the moment, Jade and Serú Giran) joined efforts and gave what was probably the most important show in the history of Argentine Rock.
Dissolving Spinetta Jade in 1984, Spinetta shortly engaged in an album to be made together with Charly; yet, this would-be mythical work was abandoned. Of this interrupted work, two songs remained: "Rezo por Vos" and "Total Interferencia".
By 1982, Spinetta had restarted his solo projects, and from then on would never leave them. Kamikaze (1982) puts together a number of previously unreleased songs (one gem is a very old song he composed in 1965 called "Barro Tal Vez"). In Mondo Di Cromo (1983) Spinetta prefigures the style of his solo projects during the second half of the 1980s. His new production, from 1986 to 1993, would include four solo albums (Privé (1986), Téster de Violencia (1988), Don Lucero (1989), Pelusón of Milk (1991)), a joint album with Fito Páez, another giant of Rock Nacional (Sólo la la la (1986)), and the soundtrack of the movie "Fuego Gris" (named after the film, 1993). It is hard to describe this collection of wide albums with a single adjective. The style, the sound, the themes that Spinetta picks and uses with the dexterity of a veteran musician are broad enough to encompass rock, pop, some tango, jazz and bossa; they all sound 1980s like; they all sound Argentinian and reflect the difficult years of the new democracy (1983 onwards) and the contemporary thought about Argentina that is being made. Hope and failure, they are covered with the Porteño melancholy maybe more than Spinetta´s previous work.
After a long silence, produced mainly by Spinetta´s conflicts with the recording companies, he finally opens a new period in his music with his new band: Spinetta y los Socios del Desierto. Three years (1997-1999) and four albums later, Spinetta had created yet another legend in Argentinian rock. Two studio albums, the double Socios del Desierto (1997) and Los Ojos (1999) would bring along a new sound, much more dry and 1990s sounding. The band made an MTV Unplugged, Estrelicia (1998), that because of its softness and acoustic nature, wildly contrasts with their live album, San Cristóforo (1998). As Spinetta said at the beginning of the first concert, "Fans de lo acústico, abstenerse" ("Fans of acoustic music, refrain"). The speed and roughness of the sound recalls Pescado´s sound. Also, in 1998, Spinetta chose the featured songs and artwork of a Greatest Hits album called Elija y Gane, edited the same year.
The band dissolved quietly towards the end of 1999. Spinetta started a solo era that spawns until the present. Silver Sorgo (2001), Obras en Vivo (2002), a live album, and Para Los Árboles (2003) combine maturity with boldness. The changing and mostly tragic landscape of current Argentina powerfully affects the background of these works. In them, Spinetta has showed that his creative flame is anywhere but near of being extinguished.
On 23 December 2011 he published on the Twitter account of his son Dante that he was facing lung cancer. He died on February 8, 2012 in his native Argentina, at the age of 62. His ashes were scattered in the waters of the Río de la Plata, according to his last wish, next to the Memory Park built to remember the desaparecidos of the National Reorganization Process.
No Habrá Un Destino Incierto
Luis Alberto Spinetta Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
y encara hacia el mar...
( otra vez )
solo el cielo,
te acompañará...
y es que no habrá un destino incierto...
ni habrá distancia que,
pueda alejarme de tí...
que el mundo está aquí,
para dar...
Solo tus manos te podrán contar...
y es que no habrá un camino adverso...
ni habrá distancia que,
pueda alejarme de tí...
Hay brillo en tus ojos hoy,
oh reina de mi querer...
tuyo es ese cielo amor,
tuyo amor,
tuyo el cielo... oh !
Ecos de la tierra,
y de un valle feliz,
para amar...
Pronto este arribo,
se hará realidad...
y es que no habrá un destino incierto,
ni habrá distancia que,
pueda alejarme de tí...
y es que no habrá un destino incierto...
ni habrá distancia que,
pueda alejarme de tí
The lyrics of Luis Alberto Spinetta's song No Habrá Un Destino Incierto have a message of hope and encouragement. The first two lines encourage the listener to extend their wings and face the sea, repeating the phrase again to emphasize the importance of this action. The idea is that only the sky will accompany them, but with the reassurance that there will not be an uncertain destiny. There is no distance that can separate them from the one they love. It is a call to overcome the obstacles that may come their way and not let anything stand in the way of their pursuit of happiness.
The lyrics continue to inspire the listener by asking them to open their eyes and embrace the world around them, stressing that the only thing that can guide them is their own hands. There is no adverse path, and no distance that should keep them from their loved ones. The chorus repeats this message of an assured destiny and the absence of distance as barriers. The song then goes on to talk about the shining eyes of a queen of love, with the sky and love belonging to her.
Overall, the message from the lyrics of No Habrá Un Destino Incierto is one of hope and perseverance through any obstacle, with the reassurance that distance and uncertainty will not hinder progress.
Line by Line Meaning
Extiende tus alas, y encara hacia el mar... ( otra vez )
Take a risk and venture out into the unknown, just like you did before
solo el cielo, te acompañará...
You may feel alone, but the sky will always be with you
y es que no habrá un destino incierto...
Believe that your path is already set and your destination is certain
ni habrá distancia que, pueda alejarme de tí...
No matter how far apart we are, our connection will never be broken
Abre tus ojos, que el mundo está aquí, para dar...
Be present and receptive to the opportunities the world has to offer
Solo tus manos te podrán contar...
Your experiences and achievements are unique to you and cannot be measured by anyone else's standards
y es que no habrá un camino adverso...
No matter how tough the road may seem, keep moving forward
Hay brillo en tus ojos hoy, oh reina de mi querer...
You radiate beauty and strength today, my love
tuyo es ese cielo amor, tuyo amor, tuyo el cielo... oh !
The sky belongs to you, my love, just as my love belongs to you
Ecos de la tierra, y de un valle feliz, para amar...
Find happiness in the simple things of life, like the echoes of nature and the beauty of the land
Pronto este arribo, se hará realidad...
Soon, our reunion will become a reality
y es que no habrá un destino incierto, ni habrá distancia que, pueda alejarme de tí...
Once again, believe that our connection is unbreakable and our paths are already set
Contributed by Jack H. Suggest a correction in the comments below.