Jeff McIlwain has been producing his visceral, melodic strain of abstract e… Read Full Bio ↴Jeff McIlwain has been producing his visceral, melodic strain of abstract electronic music as Lusine for over 10 years now. Originally a Texas native, McIlwain met Shad Scott while living in LA and put out his self titled debut on Scott's imprint, Isophlux. He relocated to Seattle in late 2002 and began steadily releasing his music on Ghostly International. McIlwain has also contributed tracks to various compilations and remix releases on Mute, !K7, Kompakt, Asthmatic Kitty, and Shitkatapult. In 2009, he released the album, "A Certain Distance", which featured the single, “Two Dots.” His newest, critically acclaimed album, "The Waiting Room", was just recently released in 2013.
McIlwain has performed throughout the US and abroad, including the SXSW, Mutek, DEMF, and Sonar festivals, and sets at London’s esteemed Fabric nightclub, Tokyo's Unit, and Berlin's Berghain and Watergate nightclubs. He has been involved in the scoring of various film and commercial projects: co-scoring (with David Wingo) the 2008 film "Snow Angels" (with Kate Beckinsale and Sam Rockwell), and "The Sitter" (Jonah Hill) and scoring the 2009 film "Linewatch" (with Cuba Gooding Jr. and Omari Hardwick). McIlwain teamed up with David Wingo again this year to score the film "Joe" (Nicolas Cage) . He just recently wrapped up tours in Europe and Japan in 2013, and is prepping a new EP to be released sometime in 2014.
Texan Jeff McIlwain produces ambient/experimental techno that harks back to the era of classic early-'90s British techno (itself inspired by American sources in Detroit). Highly melodic though usually highly abrasive as well, his self-titled debut album was released in 1999 on the Isophlux label. He maintained a steady release schedule through 2003, with a full-length released each year -- in addition to an assortment of singles and EPs. Also performing under the name Lusine, in 2004 McIlwain signed to Ghostly for a series of releases including that year's Serial Hodgepodge, 2007's Podgelism, 2009's A Certain Distance, and 2013's Waiting Room. ~ John Bush, Rovi
McIlwain has performed throughout the US and abroad, including the SXSW, Mutek, DEMF, and Sonar festivals, and sets at London’s esteemed Fabric nightclub, Tokyo's Unit, and Berlin's Berghain and Watergate nightclubs. He has been involved in the scoring of various film and commercial projects: co-scoring (with David Wingo) the 2008 film "Snow Angels" (with Kate Beckinsale and Sam Rockwell), and "The Sitter" (Jonah Hill) and scoring the 2009 film "Linewatch" (with Cuba Gooding Jr. and Omari Hardwick). McIlwain teamed up with David Wingo again this year to score the film "Joe" (Nicolas Cage) . He just recently wrapped up tours in Europe and Japan in 2013, and is prepping a new EP to be released sometime in 2014.
Texan Jeff McIlwain produces ambient/experimental techno that harks back to the era of classic early-'90s British techno (itself inspired by American sources in Detroit). Highly melodic though usually highly abrasive as well, his self-titled debut album was released in 1999 on the Isophlux label. He maintained a steady release schedule through 2003, with a full-length released each year -- in addition to an assortment of singles and EPs. Also performing under the name Lusine, in 2004 McIlwain signed to Ghostly for a series of releases including that year's Serial Hodgepodge, 2007's Podgelism, 2009's A Certain Distance, and 2013's Waiting Room. ~ John Bush, Rovi
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Lusine Lyrics
We have lyrics for these tracks by Lusine:
Another Tomorrow Do you show you're stressing me, I'm over? Do you try…
Ticking Hands Leave me a smile I'll be a little while You're a sight…
Twilight What do you know about the ancient, What do you know…
Two Dots two dots joined by a line might be detached by a crime …
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@kickbuttvids1
I'm pulling an all nighter for finals week and this music video speaks to me perfectly right now. A whole semester of being a cyborg alternating between the physical and digital worlds on zoom, pumping out essays in the final stretch with caffeine and electricity running through my veins... where do I end and the computer begins? Blood running through the switchboards, our humanity becoming entangled in our circuitry. Technology becomes more human, we become more technological. Pure biocybernetic energy flowing in the arteries of our machine into an unstoppable beating heart.
@SetnaroX
Such a good song. Truly one of the best bangers to come out of the Ghostly label.
@codysingleton6262
NOC+10 kinda brought me here. Good song, and I really like the concept behind the blending of Blood and Machine.
@saltapples0275
Also brought me here
@religiousindustrialaliens
here from the night mind video bout it
@atalantado
This is ART, music and video.
@StyleK226
Thank you Off The Air...
@BansheeBeet
Beautiful work on the video. I like it when everything starts melting. Maybe humans and machines won't get along after all.
@b1nary_f1nary
This is still the best music video I've ever seen, all these years later, masterpiece video to go with a timeless tune!
@klaymonkey9073
Easily one of the coolest videos i've ever seen