At least four artists exist by this name on last.fm:
1) a British ba… Read Full Bio ↴At least four artists exist by this name on last.fm:
1) a British band
2) an American rapper
3) a Brazilian death metal group
4) a Mongolian rock band
1) Madness is a British pop and ska band from Camden Town, London, England that was formed in 1976. As of 2012, the group has continued to perform with their most recognised lineup of seven members, although that has varied slightly over the years. Known for their cheeky humour and musical eclecticism, the band members called a "dysfunctional family", the group was one of most prominent artists in the late-70s 2 Tone ska movement. As their career progressed, Madness moved closer toward conventional pop music and has become one of the most successful British bands of all time.
The guys achieved most of their success in the 80s, often picking up new wave fans who enjoyed the band's eclectic sound. Madness, in fact, spent exactly 214 weeks on the U.K. singles charts from 1980-89, thereby sharing the record for most weeks spent by a group in said charts with UB40. Examples of some of their most popular songs include 1979's "One Step Beyond", 1982's "Our House", and 1984's "Keep Moving".
Formation
The core of the band formed as "The North London Invaders" in 1976. This outfit included Mike Barson (Monsieur Barso) on keyboards and vocals, Chris Foreman (Chrissy Boy) on guitar and Lee Thompson (Kix) on saxophone and vocals. They later recruited John Hasler on drums and Cathal Smyth (better known as Chas Smash) on bass guitar. Later in the year, they were joined by lead vocalist "Dikron". This six-piece lineup lasted until part way through 1977, when Graham McPherson (better known as Suggs) took over the lead vocals after seeing the band perform in a friend's garden. Smyth, who was poor on bass guitar, was replaced by Gavin Rogers, an acquaintance of Barson. McPherson was kicked out of the band for too often choosing to watch football instead of rehearsing. As well, Thompson left the band after Barson criticised his saxophone playing.
By 1978, the band had allowed McPherson to return, after filling in temporarily for Hasler (who had taken over vocals when McPherson was removed). Thompson returned after patching things up with Barson, and Daniel Woodgate (Woody) and Mark Bedford (Bedders) also joined the band, on drums and bass guitar respectively. After briefly changing their name to Morris and the Minors, the band renamed itself as Madness; paying homage to one of their favourite songs by ska/reggae artist Prince Buster. The band remained a sextet until late 1979, when Chas Smash rejoined and officially became the seventh member of Madness as a backing vocalist and trumpet player.
Early success
In 1979, the band recorded the Lee Thompson composition "The Prince". The song, like the band's name, paid homage to their idol, Prince Buster. The song was released through 2 Tone Records, the label of The Specials founder Jerry Dammers. The song was a surprise hit, peaking in the UK music charts at #16. A performance of "The Prince" on popular UK music show Top of the Pops helped Madness gain public recognition. Madness then toured with fellow 2 Tone bands The Specials and The Selecter, before recording their debut album, One Step Beyond..., which was released by Stiff Records. The album included a re-recording of "The Prince" and the band's second and third singles: "One Step Beyond" and "My Girl". The title song was a cover of the B-side of the 1960s Prince Buster hit "Al Capone". One Step Beyond... stayed in the British charts for over a year, peaking at #2. After the release of "My Girl", the band felt that they had exhausted the material from One Step Beyond..., and did not want to release any more singles from the album. However, Dave Robinson, head of Stiff Records, disagreed. Eventually, a compromise was made, and the band decided to release an EP featuring one album track and three new tracks. The result was the Work Rest and Play EP, which was headlined by the song "Night Boat to Cairo", from the One Step Beyond album. The EP reached #6 in the UK singles chart.
The following year, the band's second album, Absolutely reached #2 in the UK album charts. Absolutely spawned some of the band's biggest hits, most notably "Baggy Trousers"; which peaked at #3 in the UK singles chart. "Embarrassment" reached #4 in the charts, and the instrumental song "Return of the Los Palmas 7" climbed to #7.
Change of direction
In 1981, the band's third studio album, 7 reached #5 in the UK album charts and contained three hit singles. In an article in 1979, Chris Foreman explained that the band's music would move with the times, and change styles as time goes on. This was shown to be the case, as unlike the two ska-filled, fast-paced albums that preceded it, 7 was somewhat of a change in direction. Suggs' vocal performance changed significantly, and his strong Cockney accent from the previous albums had been watered down. The album strayed from the ska-influenced sound of One Step Beyond... and Absolutely, and moved towards a more conventional and mature pop sound; a trend that continued with subsequent albums. Near the end of 1981, Madness released one of their most recognised songs; a remake of Labi Siffre's 1971 hit "It Must Be Love". The song climbed to #4 in the UK and entered the US charts at #33. In 1982, Madness released their only #1 hit to date, "House of Fun"; as well as their fourth studio album The Rise & Fall. The album contained their most internationally successful single to date, "Our House", which reached #5 in the UK music charts and # 7 in the US charts. In 1983, their single "Wings of a Dove" peaked at #2 in the UK charts. Their following album, Keep Moving, peaked at #6 in the UK album charts, and several singles from that album reached the top 20 in the UK music charts.
Decline and breakup
In October 1983, the band's founder, keyboardist and prominent songwriter Mike Barson decided to leave the band, partly because he had relocated to Amsterdam, Netherlands. He officially left the band in June 1984, following the release of "One Better Day". The six remaining members left Stiff Records and formed their own label, Zarjazz Records, which was sub-label of Virgin Records. In 1985, the label released the band's sixth album, Mad Not Mad. Barson's keyboard parts were filled by synthesisers, and in later years, frontman Suggs described the production as "polished turd". The album reached #16 in the UK charts, which was the band's lowest position on the album charts to date. Despite the poor chart showing, the album was listed as #55 in NME's All Time 100 Albums. The singles for the album fared even worse, with "Yesterday's Men" peaking at #18 in the UK charts. The subsequent singles, "Uncle Sam" and "Sweetest Girl", failed to make the top 20, which was a first for Madness singles.
The band then attempted to record a new album, and 11 demo tracks were recorded. However, musical differences arose between band members, and in September 1986, the band announced that they were to split. Barson rejoined the band for a farewell single, "(Waiting For) The Ghost Train", but did not appear in the music video. The band officially split following the release of the single, which reached a high of #18 in the UK. In 1988, four members of the band — Suggs, Chas Smash, Lee Thompson and Chris Foreman — created a new band, using the name The Madness. After one self-titled album and two singles that failed to make the the top 40, the band split.
Reunions and The Dangermen
In early 1992, "It Must Be Love" was re-released and reached #6 in the UK singles chart. Following that, the singles compilation Divine Madness was released and peaked at #1 in the album charts. Madness then announced plans for a reunion concert, Madstock!, which was held at Finsbury Park, London on August 8 and 9 of that year. The original lineup reunited, performing together for the first time since Mike Barson left the band in 1984. Over 75,000 fans attended the weekend festival, and during "One Step Beyond", the crowd danced so much they caused an earth tremor which measured over 4 on the richter scale. A subsequent live album was released, and the associated single, "The Harder They Come" (a cover of Jimmy Cliff's 1973 song) reached #44 in the UK.
The band continued to reunite for annual UK Christmas season tours and held three more Madstock! festivals; in 1994, 1996 and 1998. In 1999, Madness released their first studio album since 1986, entitled Wonderful. The album reached #17 in the UK album charts, and the lead single, "Lovestruck", gave the band their first new top 10 hit in the UK since 1983. Neither of the two subsequent singles from the album, "Johnny The Horse" and "Drip Fed Fred", entered the top 40 of the UK charts.
From October 28, 2002 to August 16, 2003, a musical based on Madness songs, Our House, ran at the Cambridge Theatre in west London. Madness played a role in the executive production of the show, and Suggs played a role in the production for a period of time, playing the central character's father. It won an Olivier Award for best new musical of 2003, and the performance was released on DVD on November 1, 2004. There was also a previous musical based on Madness songs, One Step Beyond!, written by Alan Gilbey. The musical had a brief run at the Theatre Royal Stratford East in 1993.
In 2004, the band played a series of low-key concerts as The Dangermen, performing covers of classic reggae and ska songs. A lot of the songs were those played by the band when they were first forming, and the band performed the songs as a celebration of their 25 year anniversary. This led to the release of the album The Dangermen Sessions Vol. 1 in August 2005. However, during the sessions which produced the album, the band's guitarist Chris Foreman announced his departure. Foreman left the band in mid 2005, citing "the petty, time consuming bollocks that goes on in the band" in a statement announcing his decision to leave. The band completed the album without him, and on release, it peaked at #11 in the UK album charts, which was the band's highest studio album chart position in 21 years. Although two singles were released, neither was a major success in the UK. The more successful of the two, "Shame & Scandal", reached #38. Despite the poor chart showing, the single reached #12 in France.
In late 2006, this six remaining members of Madness began working on their first original album in seven years. However, for Madness' 2006 Christmas season tour, Foreman rejoined the band. In March 2007, the single "Sorry" was released from the band's upcoming album, peaking in the UK charts at #23. The single included a version featuring UK hip hop artists Sway DaSafo and Baby Blue. Both artists were included on the music video which accompanied the hip-hop version of the song, but not on the original music video. Both music videos were also without Chris Foreman, despite the fact that he was a band member at the time of release.
The new Madness song "NW5 (I Would Give You Everything)" and a re-recorded version of "It Must Be Love" were featured in the German film Neues vom Wixxer. The two songs were released in Germany as a double A-Side, and both of them were turned into music videos. While promoting "Sorry", Sway DaSafo confirmed in an interview with NME that he will perform in the recording of Madness' updated version of their song "Baggy Trousers", entitled "Baggy Jeans". The updated song will be featured on Madness' upcoming studio album, and also released as a single. DaSafo predicted the song will be a "huge smash gaurenteed", although the date of release is not yet known.
Lyrical themes
Although Madness were seen by many as somewhat of a humorous band with catchy, bouncy songs, they sometimes tackled, what were at the time, controversial issues in their lyrics. "Embarrassment" (from the "Absolutely" album) was written by Lee Thompson, and reflected the unfolding turmoil following the news that his teenage sister had become pregnant and was carrying a black man's child. The band discussed animal testing in the song "Tomorrow's Dream". The band criticized the National Health Service in "Mrs. Hutchinson"; which told the story of a woman who, after several misdiagnoses and mistreatment, became terminally ill. The story was based on the experiences of Mike Barson's mother. Madness' final single prior to disbanding, "(Waiting For) The Ghost Train", commented on apartheid in South Africa.
Skinhead controversy
Early in their career, Madness were linked to skinheads; members of a British working class subculture that the media often stereotyped as racist (although the clear majority of skinheads were anti-racist). Not only were Madness, along with other 2 Tone bands, popular with skinheads, but it was said that the band members themselves were associated with the subculture. The band's relationship with the skinheads varied at times. Mike Barson was particularly displeased with the band's skinhead following, often finding it disappointing that so many were present at performances. Prior to becoming a full member of the band, Chas Smash had been involved in fights with skinheads at performances. In one particular incident on November 18, 1979, Madness were supported by "Red Beans and Rice", who featured a black lead singer, and the band were prevented from completing the performance due to the racist chants from certain members of the skinhead filled audience. Suggs later came on stage to show his displeasure at their behaviour, but this didn't stop much of the audience from Nazi saluting at the end of the show.
In a 1979 NME interview, Madness member Chas Smash was quoted as saying "We don't care if people are in the NF as long as they're having a good time." This added to speculation that Madness was a racist band supporting the fascist group National Front, although the band members denied those allegations. Numerous fans felt upset that Chas Smash's views were mispresented by the media, with yellow journalists just looking for a story in their eyes. Smash responded to the NME article in the song "Don't Quote Me On That". Eventually, band members denied their skinhead roots, which disappointed much of their skinhead fan base. The issue faded as the years went by and the far-right skinhead groups failed completely in winning converts, their particular fringe shrinking massively while in the meantime Madness' international popularity grew.
Awards
The band's first notable musical award came in 1983 when they won an "Ivor Novello Award" for Best Song for the international hit "Our House". They received another "Ivor Novello Award" 17 years later for an "Outstanding Song Collection". In 2005, they were awarded the Mojo Magazine "Hall Of Fame" award, notably for being 'an artist's artist'. As of 2007, a campaign is taking place by fans of Madness for the band to be awarded a Brit award. Many fans and critics feel they have been overlooked over their past 30 years in the music industry.
Website
madness.co.uk
2) Madness is also the name of a hip-hop artist from Florida in the U.S. He has competed in many Grindtime Rap Battle events, and the rapper work is featured on the release 'Fresh Coast Perishables Volume One' as well as in his own underground albums.
3) Madness is a Brazilian death metal band.
4) Madness is a Mongolian rock band.
1) a British ba… Read Full Bio ↴At least four artists exist by this name on last.fm:
1) a British band
2) an American rapper
3) a Brazilian death metal group
4) a Mongolian rock band
1) Madness is a British pop and ska band from Camden Town, London, England that was formed in 1976. As of 2012, the group has continued to perform with their most recognised lineup of seven members, although that has varied slightly over the years. Known for their cheeky humour and musical eclecticism, the band members called a "dysfunctional family", the group was one of most prominent artists in the late-70s 2 Tone ska movement. As their career progressed, Madness moved closer toward conventional pop music and has become one of the most successful British bands of all time.
The guys achieved most of their success in the 80s, often picking up new wave fans who enjoyed the band's eclectic sound. Madness, in fact, spent exactly 214 weeks on the U.K. singles charts from 1980-89, thereby sharing the record for most weeks spent by a group in said charts with UB40. Examples of some of their most popular songs include 1979's "One Step Beyond", 1982's "Our House", and 1984's "Keep Moving".
Formation
The core of the band formed as "The North London Invaders" in 1976. This outfit included Mike Barson (Monsieur Barso) on keyboards and vocals, Chris Foreman (Chrissy Boy) on guitar and Lee Thompson (Kix) on saxophone and vocals. They later recruited John Hasler on drums and Cathal Smyth (better known as Chas Smash) on bass guitar. Later in the year, they were joined by lead vocalist "Dikron". This six-piece lineup lasted until part way through 1977, when Graham McPherson (better known as Suggs) took over the lead vocals after seeing the band perform in a friend's garden. Smyth, who was poor on bass guitar, was replaced by Gavin Rogers, an acquaintance of Barson. McPherson was kicked out of the band for too often choosing to watch football instead of rehearsing. As well, Thompson left the band after Barson criticised his saxophone playing.
By 1978, the band had allowed McPherson to return, after filling in temporarily for Hasler (who had taken over vocals when McPherson was removed). Thompson returned after patching things up with Barson, and Daniel Woodgate (Woody) and Mark Bedford (Bedders) also joined the band, on drums and bass guitar respectively. After briefly changing their name to Morris and the Minors, the band renamed itself as Madness; paying homage to one of their favourite songs by ska/reggae artist Prince Buster. The band remained a sextet until late 1979, when Chas Smash rejoined and officially became the seventh member of Madness as a backing vocalist and trumpet player.
Early success
In 1979, the band recorded the Lee Thompson composition "The Prince". The song, like the band's name, paid homage to their idol, Prince Buster. The song was released through 2 Tone Records, the label of The Specials founder Jerry Dammers. The song was a surprise hit, peaking in the UK music charts at #16. A performance of "The Prince" on popular UK music show Top of the Pops helped Madness gain public recognition. Madness then toured with fellow 2 Tone bands The Specials and The Selecter, before recording their debut album, One Step Beyond..., which was released by Stiff Records. The album included a re-recording of "The Prince" and the band's second and third singles: "One Step Beyond" and "My Girl". The title song was a cover of the B-side of the 1960s Prince Buster hit "Al Capone". One Step Beyond... stayed in the British charts for over a year, peaking at #2. After the release of "My Girl", the band felt that they had exhausted the material from One Step Beyond..., and did not want to release any more singles from the album. However, Dave Robinson, head of Stiff Records, disagreed. Eventually, a compromise was made, and the band decided to release an EP featuring one album track and three new tracks. The result was the Work Rest and Play EP, which was headlined by the song "Night Boat to Cairo", from the One Step Beyond album. The EP reached #6 in the UK singles chart.
The following year, the band's second album, Absolutely reached #2 in the UK album charts. Absolutely spawned some of the band's biggest hits, most notably "Baggy Trousers"; which peaked at #3 in the UK singles chart. "Embarrassment" reached #4 in the charts, and the instrumental song "Return of the Los Palmas 7" climbed to #7.
Change of direction
In 1981, the band's third studio album, 7 reached #5 in the UK album charts and contained three hit singles. In an article in 1979, Chris Foreman explained that the band's music would move with the times, and change styles as time goes on. This was shown to be the case, as unlike the two ska-filled, fast-paced albums that preceded it, 7 was somewhat of a change in direction. Suggs' vocal performance changed significantly, and his strong Cockney accent from the previous albums had been watered down. The album strayed from the ska-influenced sound of One Step Beyond... and Absolutely, and moved towards a more conventional and mature pop sound; a trend that continued with subsequent albums. Near the end of 1981, Madness released one of their most recognised songs; a remake of Labi Siffre's 1971 hit "It Must Be Love". The song climbed to #4 in the UK and entered the US charts at #33. In 1982, Madness released their only #1 hit to date, "House of Fun"; as well as their fourth studio album The Rise & Fall. The album contained their most internationally successful single to date, "Our House", which reached #5 in the UK music charts and # 7 in the US charts. In 1983, their single "Wings of a Dove" peaked at #2 in the UK charts. Their following album, Keep Moving, peaked at #6 in the UK album charts, and several singles from that album reached the top 20 in the UK music charts.
Decline and breakup
In October 1983, the band's founder, keyboardist and prominent songwriter Mike Barson decided to leave the band, partly because he had relocated to Amsterdam, Netherlands. He officially left the band in June 1984, following the release of "One Better Day". The six remaining members left Stiff Records and formed their own label, Zarjazz Records, which was sub-label of Virgin Records. In 1985, the label released the band's sixth album, Mad Not Mad. Barson's keyboard parts were filled by synthesisers, and in later years, frontman Suggs described the production as "polished turd". The album reached #16 in the UK charts, which was the band's lowest position on the album charts to date. Despite the poor chart showing, the album was listed as #55 in NME's All Time 100 Albums. The singles for the album fared even worse, with "Yesterday's Men" peaking at #18 in the UK charts. The subsequent singles, "Uncle Sam" and "Sweetest Girl", failed to make the top 20, which was a first for Madness singles.
The band then attempted to record a new album, and 11 demo tracks were recorded. However, musical differences arose between band members, and in September 1986, the band announced that they were to split. Barson rejoined the band for a farewell single, "(Waiting For) The Ghost Train", but did not appear in the music video. The band officially split following the release of the single, which reached a high of #18 in the UK. In 1988, four members of the band — Suggs, Chas Smash, Lee Thompson and Chris Foreman — created a new band, using the name The Madness. After one self-titled album and two singles that failed to make the the top 40, the band split.
Reunions and The Dangermen
In early 1992, "It Must Be Love" was re-released and reached #6 in the UK singles chart. Following that, the singles compilation Divine Madness was released and peaked at #1 in the album charts. Madness then announced plans for a reunion concert, Madstock!, which was held at Finsbury Park, London on August 8 and 9 of that year. The original lineup reunited, performing together for the first time since Mike Barson left the band in 1984. Over 75,000 fans attended the weekend festival, and during "One Step Beyond", the crowd danced so much they caused an earth tremor which measured over 4 on the richter scale. A subsequent live album was released, and the associated single, "The Harder They Come" (a cover of Jimmy Cliff's 1973 song) reached #44 in the UK.
The band continued to reunite for annual UK Christmas season tours and held three more Madstock! festivals; in 1994, 1996 and 1998. In 1999, Madness released their first studio album since 1986, entitled Wonderful. The album reached #17 in the UK album charts, and the lead single, "Lovestruck", gave the band their first new top 10 hit in the UK since 1983. Neither of the two subsequent singles from the album, "Johnny The Horse" and "Drip Fed Fred", entered the top 40 of the UK charts.
From October 28, 2002 to August 16, 2003, a musical based on Madness songs, Our House, ran at the Cambridge Theatre in west London. Madness played a role in the executive production of the show, and Suggs played a role in the production for a period of time, playing the central character's father. It won an Olivier Award for best new musical of 2003, and the performance was released on DVD on November 1, 2004. There was also a previous musical based on Madness songs, One Step Beyond!, written by Alan Gilbey. The musical had a brief run at the Theatre Royal Stratford East in 1993.
In 2004, the band played a series of low-key concerts as The Dangermen, performing covers of classic reggae and ska songs. A lot of the songs were those played by the band when they were first forming, and the band performed the songs as a celebration of their 25 year anniversary. This led to the release of the album The Dangermen Sessions Vol. 1 in August 2005. However, during the sessions which produced the album, the band's guitarist Chris Foreman announced his departure. Foreman left the band in mid 2005, citing "the petty, time consuming bollocks that goes on in the band" in a statement announcing his decision to leave. The band completed the album without him, and on release, it peaked at #11 in the UK album charts, which was the band's highest studio album chart position in 21 years. Although two singles were released, neither was a major success in the UK. The more successful of the two, "Shame & Scandal", reached #38. Despite the poor chart showing, the single reached #12 in France.
In late 2006, this six remaining members of Madness began working on their first original album in seven years. However, for Madness' 2006 Christmas season tour, Foreman rejoined the band. In March 2007, the single "Sorry" was released from the band's upcoming album, peaking in the UK charts at #23. The single included a version featuring UK hip hop artists Sway DaSafo and Baby Blue. Both artists were included on the music video which accompanied the hip-hop version of the song, but not on the original music video. Both music videos were also without Chris Foreman, despite the fact that he was a band member at the time of release.
The new Madness song "NW5 (I Would Give You Everything)" and a re-recorded version of "It Must Be Love" were featured in the German film Neues vom Wixxer. The two songs were released in Germany as a double A-Side, and both of them were turned into music videos. While promoting "Sorry", Sway DaSafo confirmed in an interview with NME that he will perform in the recording of Madness' updated version of their song "Baggy Trousers", entitled "Baggy Jeans". The updated song will be featured on Madness' upcoming studio album, and also released as a single. DaSafo predicted the song will be a "huge smash gaurenteed", although the date of release is not yet known.
Lyrical themes
Although Madness were seen by many as somewhat of a humorous band with catchy, bouncy songs, they sometimes tackled, what were at the time, controversial issues in their lyrics. "Embarrassment" (from the "Absolutely" album) was written by Lee Thompson, and reflected the unfolding turmoil following the news that his teenage sister had become pregnant and was carrying a black man's child. The band discussed animal testing in the song "Tomorrow's Dream". The band criticized the National Health Service in "Mrs. Hutchinson"; which told the story of a woman who, after several misdiagnoses and mistreatment, became terminally ill. The story was based on the experiences of Mike Barson's mother. Madness' final single prior to disbanding, "(Waiting For) The Ghost Train", commented on apartheid in South Africa.
Skinhead controversy
Early in their career, Madness were linked to skinheads; members of a British working class subculture that the media often stereotyped as racist (although the clear majority of skinheads were anti-racist). Not only were Madness, along with other 2 Tone bands, popular with skinheads, but it was said that the band members themselves were associated with the subculture. The band's relationship with the skinheads varied at times. Mike Barson was particularly displeased with the band's skinhead following, often finding it disappointing that so many were present at performances. Prior to becoming a full member of the band, Chas Smash had been involved in fights with skinheads at performances. In one particular incident on November 18, 1979, Madness were supported by "Red Beans and Rice", who featured a black lead singer, and the band were prevented from completing the performance due to the racist chants from certain members of the skinhead filled audience. Suggs later came on stage to show his displeasure at their behaviour, but this didn't stop much of the audience from Nazi saluting at the end of the show.
In a 1979 NME interview, Madness member Chas Smash was quoted as saying "We don't care if people are in the NF as long as they're having a good time." This added to speculation that Madness was a racist band supporting the fascist group National Front, although the band members denied those allegations. Numerous fans felt upset that Chas Smash's views were mispresented by the media, with yellow journalists just looking for a story in their eyes. Smash responded to the NME article in the song "Don't Quote Me On That". Eventually, band members denied their skinhead roots, which disappointed much of their skinhead fan base. The issue faded as the years went by and the far-right skinhead groups failed completely in winning converts, their particular fringe shrinking massively while in the meantime Madness' international popularity grew.
Awards
The band's first notable musical award came in 1983 when they won an "Ivor Novello Award" for Best Song for the international hit "Our House". They received another "Ivor Novello Award" 17 years later for an "Outstanding Song Collection". In 2005, they were awarded the Mojo Magazine "Hall Of Fame" award, notably for being 'an artist's artist'. As of 2007, a campaign is taking place by fans of Madness for the band to be awarded a Brit award. Many fans and critics feel they have been overlooked over their past 30 years in the music industry.
Website
madness.co.uk
2) Madness is also the name of a hip-hop artist from Florida in the U.S. He has competed in many Grindtime Rap Battle events, and the rapper work is featured on the release 'Fresh Coast Perishables Volume One' as well as in his own underground albums.
3) Madness is a Brazilian death metal band.
4) Madness is a Mongolian rock band.
IUMB GbR
Madness Lyrics
Jump to: Line by Line Meaning ↴
Ich schrieb über's Schreiben, weil wie ich schreib, schreibt keiner
Alles was umgeht beschreibt, schrieben drei Writer
Die mit ihrem eigenen Scheiß scheitern
Fang um vier an, mach bis drei weiter
Doch lass es einfach raus, bin wie ein Einteiler
Steig aus dem Prom-Ride-Bus
Als stieg ich aus meinem eigenen Nightliner
Ich leb und leb von dem was ich in 16ern sag
Kauf mein Album und du besitzt mehr als nur mein letztes Jahr
Schreib zum Beat von Enaka Bars
Erzähl nicht dass du S-Klassen parkst
Ich steh in der Szene für Hessen Chab wie das FKK Sharks
Repräsentier sechs vier unweit von Mainhattan
Formulier Leid in Reimketten
Es geht um den Käse in Scheibletten
Wie bei Livewetten
Döll, also warum nennst du mich Fabi?
Und redest von Dingen mit dem Sachverständnis einer Jule Wasabi
Wenn ich was sag, dann erfordert's das auch oder ich forder's raus
Ich seh unterfordert aus
Und such Reim auf „Hol dir Tour Tickets im Vorverkauf!“
Geht man von vorher aus, bin ich verdammt froh, dass wir hier sind
Wie ihr werden, wer ihr sind, wir bleiben, wer wir sind, wir sind
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Ich und mein Bruder GBR (ich und mein Bruder GBR)
Ich und mein Bruder GBR (ah ah)
Ich und mein Bruder GBR (woo woo GBR)
Ich und mein Bruder GBR, GBR (ah ah)
Is de sehr, sehr gude, Scherz
Is de mehr als gude
Der von Mädness und er und sein Bruder
Immer noch Fan, ich feier uns seit der ersten Minute
Einzimmervilla so wie BRKNs Bude
Live immer Killer, jeder Vers is 'ne Kugel
Meine Band ist die Crew und die Crew meine Gang
Deine Gang nur 'ne Fam' solang der Rubel rollt
Die Rache der Coverboys
Grüße an jeden, der unsere Platte käuft
An alle anderen: Ich habe kein' Hass auf euch
Ihr seid halt krasse Toys
Rapper wollen hoch so wie Hapag-Lloyd
Wollen an die Patte und suchen den Charterfolg
Doch was sie machen, geht an dem Kern der Sache vorbei so wie Tabakjoints
Rap aus Schland kennt nur einen einzigen Flow
Trägt die immer drei gleichen Trikots, aber weiß nicht wieso
Wichtig ist nicht die Mucke, sondern das womit man sie kaschieren will
Und komm mir nicht mit „I bims“, ich weiß nur, wer wir sind, wir sind
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Ich und mein Bruder GBR (ich und mein Bruder GBR)
Ich und mein Bruder GBR (ah)
Ich und mein Bruder GBR (woo GBR)
Ich und mein Bruder GBR (GBR)
Ich und mein Bruder GBR (ich und mein Bruder GBR)
Ich und mein Bruder GBR (woo)
Ich und mein Bruder GBR (GBR)
Ich und mein Bruder GBR (GBR)
Alles was umgeht beschreibt, schrieben drei Writer
Die mit ihrem eigenen Scheiß scheitern
Fang um vier an, mach bis drei weiter
Doch lass es einfach raus, bin wie ein Einteiler
Steig aus dem Prom-Ride-Bus
Als stieg ich aus meinem eigenen Nightliner
Ich leb und leb von dem was ich in 16ern sag
Schreib zum Beat von Enaka Bars
Erzähl nicht dass du S-Klassen parkst
Ich steh in der Szene für Hessen Chab wie das FKK Sharks
Repräsentier sechs vier unweit von Mainhattan
Formulier Leid in Reimketten
Es geht um den Käse in Scheibletten
Wie bei Livewetten
Döll, also warum nennst du mich Fabi?
Und redest von Dingen mit dem Sachverständnis einer Jule Wasabi
Wenn ich was sag, dann erfordert's das auch oder ich forder's raus
Ich seh unterfordert aus
Und such Reim auf „Hol dir Tour Tickets im Vorverkauf!“
Geht man von vorher aus, bin ich verdammt froh, dass wir hier sind
Wie ihr werden, wer ihr sind, wir bleiben, wer wir sind, wir sind
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Ich und mein Bruder GBR (ich und mein Bruder GBR)
Ich und mein Bruder GBR (ah ah)
Ich und mein Bruder GBR (woo woo GBR)
Ich und mein Bruder GBR, GBR (ah ah)
Is de sehr, sehr gude, Scherz
Is de mehr als gude
Der von Mädness und er und sein Bruder
Immer noch Fan, ich feier uns seit der ersten Minute
Einzimmervilla so wie BRKNs Bude
Live immer Killer, jeder Vers is 'ne Kugel
Meine Band ist die Crew und die Crew meine Gang
Deine Gang nur 'ne Fam' solang der Rubel rollt
Die Rache der Coverboys
Grüße an jeden, der unsere Platte käuft
An alle anderen: Ich habe kein' Hass auf euch
Ihr seid halt krasse Toys
Rapper wollen hoch so wie Hapag-Lloyd
Wollen an die Patte und suchen den Charterfolg
Doch was sie machen, geht an dem Kern der Sache vorbei so wie Tabakjoints
Rap aus Schland kennt nur einen einzigen Flow
Trägt die immer drei gleichen Trikots, aber weiß nicht wieso
Wichtig ist nicht die Mucke, sondern das womit man sie kaschieren will
Und komm mir nicht mit „I bims“, ich weiß nur, wer wir sind, wir sind
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Mädness und Döll von
Ich und mein Bruder GBR (ich und mein Bruder GBR)
Ich und mein Bruder GBR (ah)
Ich und mein Bruder GBR (woo GBR)
Ich und mein Bruder GBR (GBR)
Ich und mein Bruder GBR (ich und mein Bruder GBR)
Ich und mein Bruder GBR (woo)
Ich und mein Bruder GBR (GBR)
Ich und mein Bruder GBR (GBR)
Ich schrieb über's Schreiben, weil wie ich schreib, schreibt keiner
I wrote about writing because no one writes like I do
Alles was umgeht beschreibt, schrieben drei Writer
Everything that goes around, three writers described
Die mit ihrem eigenen Scheiß scheitern
Who fail with their own shit
Fang um vier an, mach bis drei weiter
Start at four, continue until three
Doch lass es einfach raus, bin wie ein Einteiler
But let it out, I'm like a one-liner
Steig aus dem Prom-Ride-Bus
Get off the Prom-Ride-Bus
Als stieg ich aus meinem eigenen Nightliner
As if I stepped out of my own Nightliner
Ich leb und leb von dem was ich in 16ern sag
I live and thrive on what I say in 16 bars
Kauf mein Album und du besitzt mehr als nur mein letztes Jahr
Buy my album and you'll own more than just my last year
Schreib zum Beat von Enaka Bars
Write to the beat of Enaka bars
Erzähl nicht dass du S-Klassen parkst
Don't say that you park S-Classes
Ich steh in der Szene für Hessen Chab wie das FKK Sharks
I stand in the scene for Hessen Chab like the FKK Sharks
Repräsentier sechs vier unweit von Mainhattan
Represent sixty-four not far from Mainhattan
Formulier Leid in Reimketten
Formulate suffering in chains of rhyme
Es geht um den Käse in Scheibletten
It's about the cheese in processed cheese slices
Wie bei Livewetten
Like in live betting
Döll, also warum nennst du mich Fabi?
Döll, so why do you call me Fabi?
Und redest von Dingen mit dem Sachverständnis einer Jule Wasabi
And talk about things with the expertise of a Jule Wasabi
Wenn ich was sag, dann erfordert's das auch oder ich forder's raus
If I say something, it requires it or I demand it
Ich seh unterfordert aus
I look underchallenged
Und such Reim auf „Hol dir Tour Tickets im Vorverkauf!“
And search for a rhyme for 'Get tour tickets in advance!'
Geht man von vorher aus, bin ich verdammt froh, dass wir hier sind
Assuming beforehand, I'm damn glad that we're here
Wie ihr werden, wer ihr sind, wir bleiben, wer wir sind, wir sind
As you become who you are, we stay who we are, we are
Mädness und Döll von
Mädness and Döll from
Ich und mein Bruder GBR (ich und mein Bruder GBR)
Me and my brother GBR (me and my brother GBR)
Is de sehr, sehr gude, Scherz
Is it very, very good, joke
Is de mehr als gude
Is it more than good
Der von Mädness und er und sein Bruder
The one from Mädness and him and his brother
Immer noch Fan, ich feier uns seit der ersten Minute
Still a fan, I celebrate us since the first minute
Einzimmervilla so wie BRKNs Bude
One-room villa like BRKN's crib
Live immer Killer, jeder Vers is 'ne Kugel
Always killer live, every verse is a bullet
Meine Band ist die Crew und die Crew meine Gang
My band is the crew and the crew is my gang
Deine Gang nur 'ne Fam' solang der Rubel rollt
Your gang is just a family as long as the money rolls
Die Rache der Coverboys
The revenge of the cover boys
Grüße an jeden, der unsere Platte käuft
Greetings to everyone who buys our record
An alle anderen: Ich habe kein' Hass auf euch
To everyone else: I have no hate for you
Ihr seid halt krasse Toys
You are just cool toys
Rapper wollen hoch so wie Hapag-Lloyd
Rappers want to rise like Hapag-Lloyd
Wollen an die Patte und suchen den Charterfolg
Want the dough and seek chart success
Doch was sie machen, geht an dem Kern der Sache vorbei so wie Tabakjoints
But what they do misses the point like tobacco joints
Rap aus Schland kennt nur einen einzigen Flow
Rap from Schland (Germany) knows only one flow
Trägt die immer drei gleichen Trikots, aber weiß nicht wieso
Always wears the same three jerseys, but doesn't know why
Wichtig ist nicht die Mucke, sondern das womit man sie kaschieren will
It's not the music that matters, but what one wants to conceal with it
Und komm mir nicht mit „I bims“, ich weiß nur, wer wir sind, wir sind
And don't come to me with 'I bims' (German slang), I only know who we are, we are
Ich und mein Bruder GBR (ich und mein Bruder GBR)
Me and my brother GBR (me and my brother GBR)
Ich und mein Bruder GBR (ah ah)
Me and my brother GBR (ah ah)
Ich und mein Bruder GBR (woo woo GBR)
Me and my brother GBR (woo woo GBR)
Ich und mein Bruder GBR, GBR (ah ah)
Me and my brother GBR, GBR (ah ah)
Lyrics © BMG Rights Management, Universal Music Publishing Group
Written by: Fabian Doell, Marco Doell, Nicolas Krikis
Lyrics Licensed & Provided by LyricFind
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Der Seelenraubende
2 Brüder die kurz mal tief aus dem Herzen zerreißen 🔥🌪️💯
Laura
Wird immer noch in Dauerachleife gehört. Danke dafür Jungs!
Julez Joker
Ihr beiden seit mehr als dope ! Immer weiter so
Tobias Köhler
Döll flowt so gigantisch krass!
Luka M
Tobias Köhler Ist Döll der erste?
Tobias Köhler
Luka Mrvc jo :D
Luka M
Tobias Köhler Der ist echt zu krass ... mädness feier ich nicht
Tobias Köhler
Luka Mrvc ja geht mir ähnlich, Mädness is schon gut, aber nicht so mein Geschmack.. Döll hat auch ne Solo: Weit entfernt, gib dir die mal! :)
Elkjaer Thill
ZU! krass
DNS DeutschrapCharts
Was döll sich mit der zeit für einen überkrassen flow angeeignet ❤ hat!!! schon wieder ein richtig brutales brett von den beiden ! RESPEKT ! #LeiderVielZuUnderHyped