He was also musical director for a large number of musicals and other plays, including ones by Noel Coward. After the war, he concentrated on recording, and eventually gave up live performance altogether. He worked with arranger and composer Ronnie Binge, who developed the "cascading strings" sound (also known as the "Mantovani sound").[citation needed] His records were regulars in stores selling hi-fi stereo equipment, as they were produced and arranged for stereo reproduction. In 1952 Binge ceased to arrange for Mantovani, but his distinctive sound remained.
He recorded for Decca until the mid-1950s, and then London Records. He recorded over 50 albums on that label, many of which were top-40 hits. These included Song from Moulin Rouge and Cara Mia, which reached No. 1 in Britain in 1953 and 1954, respectively. The latter was also Mantovani's first U.S. Top Ten hit.
In the United States, between 1955 and 1972, he released over 40 albums with 27 reaching the Top 40 and 11 the Top Ten. His biggest success was with the album Film Encores, which made it to No. 1 in 1957. Similarly, Mantovani Plays Music From 'Exodus' and Other Great Themes made it to No. 2 in 1961 and sold over one million albums.
In 1959, Mantovani starred in his own syndicated television series, Mantovani, which was produced in England and which aired in the United States. 39 episodes were filmed.[1]
Mantovani made his last recordings in 1975.[citation needed]
[edit] Music style and influences
The cascading strings technique developed by Binge became Mantovani's hallmark in such hits arranged by Binge as "Charmaine". Binge developed this technique to replicate the echo experienced in venues such as cathedrals by arrangement alone, in an echo-free surrounding.
Author Joseph Lanza describes Mantovani's string arrangements as the most "rich and mellifluous" of the emerging light music style during the early 1950s. He stated that Mantovani was a leader in the use of new studio technologies to "create sound tapestries with innumerable strings", and that "the sustained hum of Mantovani's reverberated violins produced a sonic vaporizer foreshadowing the synthesizer harmonics of space music."[2]
In 1958 Mantovani and his family bought a holiday home in Bournemouth in Durley Chine Road, then in 1961 acquired a new property in Burton Road (now part of Poole). He moved, finally, to a new home in Martello Road in Poole.
Since his death at a care home in Tunbridge Wells, Kent, in 1980, his music has enjoyed a minor revival,[citation needed] with much of his catalogue reappearing on CD and an orchestra bearing his name performing concert tours. The saleability of the Mantovani name is underscored by new recordings being made as the Mantovani Orchestra. Unfortunately[neutrality is disputed], a large number of CDs are also available of unauthorized recordings, billed as Mantovani or Mantovani Orchestra.[citation needed] There have also been CDs released under the Mantovani name of recordings made by others while Mantovani was still alive.[citation needed] Thus, consumers of this music are advised to familiarize themselves with the conductor's discography. Material with the London Records logo on it is apt to be genuine Mantovani, while other recordings are less likely to be actual Mantovani recordings.[citation needed]
The continued popularity of Mantovani's music is evident by the number of original albums which are being released, on labels such as Dutton-Vocalion, and by the many compilations available throughout the world. In 2008, as a result of successful, ongoing CD sales, amongst other contributing factors, the Mantovani Orchestra (performing from the original scores) was recreated for a tremendously successful historical tribute concert, sponsored by Bentley Motors, held at the Lighthouse, in Poole, England, on 27 January, conducted by Sam Newgarth, MBE. Much critical acclaim has led to the planning of a second concert, to take place in January 2009, at the same venue. There are four Mantovani websites in honour of the maestro, a written biography by Colin MacKenzie entitled Mantovani - A Lifetime In Music (ISBN 1-905226-19-5). For further information, please visit http://www.hallowquest.com/mantiindex.htm; http://members3.jcom.home.ne.jp/torumonty; http://www.lighthousepoole.co.uk (re. ticket sales for 31 January 2009). A ten CD set 'The Wonderful World of Mantovani' was released in November 2008 in Japan (a link to the website in Japan may be found by visiting www.hallowquest.com/mantiindex.htm), featuring many rare tracks which have never been released on CD before, in a superbly remastered format, and, following the success of the Mantovani Orchestra's 2008 concert, 'More MANTOVANI Magic' took place at Lighthouse in Poole, England, on 31 January 2009, again conducted by maestro Sam Newgarth MBE. The concert was sponsored by Poole Audi, and also with the generous support of Richard Cox.
Mona Lisa
Mantovani Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You're so like the lady with the mystic smile
Is it only cause you're lonely they have blamed you
For that Mona Lisa strangeness in your smile
Do you smile to tempt a lover Mona Lisa?
Or is this your way to hide a broken heart?
Many dreams have been brought to your doorstep
They just lie there, and they die there
Or just a cold and lonely, lovely work of art.
Do you smile to tempt a lover Mona Lisa?
Or is this your way to hide a broken heart?
Many dreams have been brought to your doorstep
They just lie there, and they die there
Are you warm, are you real Mona Lisa?
Or just a cold and lonely, lovely work of art.
Mona Lisa, Mona Lisa.
Mantovani's song "Mona Lisa" is a thoughtful look at one of the world's most famous paintings. The song begins by addressing the portrait by name, imploring "Mona Lisa, Mona Lisa men have named you". The song then goes on to describe her well-known "mystic smile", and wonders whether her loneliness is the reason behind it. The lyrics pose a series of questions to the painting, asking if her smile is a way to tempt a lover, or simply a way to hide a broken heart.
The song then observes the many dreams that have been brought to Mona Lisa's doorstep, only to "lie there, and they die there". The lyrics suggest that Mona Lisa may simply be a cold and lonely work of art, rather than a warm and real human being. Overall, the song reflects on the enigma that is the Mona Lisa, and marvels at the enduring fascination that the painting continues to hold.
Line by Line Meaning
Mona Lisa, Mona Lisa men have named you
You, Mona Lisa, have been given a name by men.
You're so like the lady with the mystic smile
You bear a resemblance to the woman with an enigmatic smile.
Is it only cause you're lonely they have blamed you
Are people unjustly blaming your unusual smile on your loneliness?
For that Mona Lisa strangeness in your smile
There is something strange and intriguing about your smile.
Do you smile to tempt a lover Mona Lisa?
Are you using your smile to lure a potential lover, Mona Lisa?
Or is this your way to hide a broken heart?
Alternatively, could your mysterious smile be a way to conceal a broken heart?
Many dreams have been brought to your doorstep
Numerous dreams have been shared with you, Mona Lisa, from those who view you.
They just lie there, and they die there
However, these dreams never come to fruition and simply fade away.
Are you warm, are you real Mona Lisa?
Mona Lisa, are you truly warm and genuine or simply a distant, beautiful masterpiece?
Or just a cold and lonely, lovely work of art.
Perhaps you are simply a cold and lonely, yet still lovely, piece of art.
Mona Lisa, Mona Lisa.
The songstress repeats your name, highlighting your captivating essence.
Lyrics © Sony/ATV Music Publishing LLC, Songtrust Ave
Written by: Ray Evans, Jay Livingston
Lyrics Licensed & Provided by LyricFind