He was also musical director for a large number of musicals and other plays, including ones by Noel Coward. After the war, he concentrated on recording, and eventually gave up live performance altogether. He worked with arranger and composer Ronnie Binge, who developed the "cascading strings" sound (also known as the "Mantovani sound").[citation needed] His records were regulars in stores selling hi-fi stereo equipment, as they were produced and arranged for stereo reproduction. In 1952 Binge ceased to arrange for Mantovani, but his distinctive sound remained.
He recorded for Decca until the mid-1950s, and then London Records. He recorded over 50 albums on that label, many of which were top-40 hits. These included Song from Moulin Rouge and Cara Mia, which reached No. 1 in Britain in 1953 and 1954, respectively. The latter was also Mantovani's first U.S. Top Ten hit.
In the United States, between 1955 and 1972, he released over 40 albums with 27 reaching the Top 40 and 11 the Top Ten. His biggest success was with the album Film Encores, which made it to No. 1 in 1957. Similarly, Mantovani Plays Music From 'Exodus' and Other Great Themes made it to No. 2 in 1961 and sold over one million albums.
In 1959, Mantovani starred in his own syndicated television series, Mantovani, which was produced in England and which aired in the United States. 39 episodes were filmed.[1]
Mantovani made his last recordings in 1975.[citation needed]
[edit] Music style and influences
The cascading strings technique developed by Binge became Mantovani's hallmark in such hits arranged by Binge as "Charmaine". Binge developed this technique to replicate the echo experienced in venues such as cathedrals by arrangement alone, in an echo-free surrounding.
Author Joseph Lanza describes Mantovani's string arrangements as the most "rich and mellifluous" of the emerging light music style during the early 1950s. He stated that Mantovani was a leader in the use of new studio technologies to "create sound tapestries with innumerable strings", and that "the sustained hum of Mantovani's reverberated violins produced a sonic vaporizer foreshadowing the synthesizer harmonics of space music."[2]
In 1958 Mantovani and his family bought a holiday home in Bournemouth in Durley Chine Road, then in 1961 acquired a new property in Burton Road (now part of Poole). He moved, finally, to a new home in Martello Road in Poole.
Since his death at a care home in Tunbridge Wells, Kent, in 1980, his music has enjoyed a minor revival,[citation needed] with much of his catalogue reappearing on CD and an orchestra bearing his name performing concert tours. The saleability of the Mantovani name is underscored by new recordings being made as the Mantovani Orchestra. Unfortunately[neutrality is disputed], a large number of CDs are also available of unauthorized recordings, billed as Mantovani or Mantovani Orchestra.[citation needed] There have also been CDs released under the Mantovani name of recordings made by others while Mantovani was still alive.[citation needed] Thus, consumers of this music are advised to familiarize themselves with the conductor's discography. Material with the London Records logo on it is apt to be genuine Mantovani, while other recordings are less likely to be actual Mantovani recordings.[citation needed]
The continued popularity of Mantovani's music is evident by the number of original albums which are being released, on labels such as Dutton-Vocalion, and by the many compilations available throughout the world. In 2008, as a result of successful, ongoing CD sales, amongst other contributing factors, the Mantovani Orchestra (performing from the original scores) was recreated for a tremendously successful historical tribute concert, sponsored by Bentley Motors, held at the Lighthouse, in Poole, England, on 27 January, conducted by Sam Newgarth, MBE. Much critical acclaim has led to the planning of a second concert, to take place in January 2009, at the same venue. There are four Mantovani websites in honour of the maestro, a written biography by Colin MacKenzie entitled Mantovani - A Lifetime In Music (ISBN 1-905226-19-5). For further information, please visit http://www.hallowquest.com/mantiindex.htm; http://members3.jcom.home.ne.jp/torumonty; http://www.lighthousepoole.co.uk (re. ticket sales for 31 January 2009). A ten CD set 'The Wonderful World of Mantovani' was released in November 2008 in Japan (a link to the website in Japan may be found by visiting www.hallowquest.com/mantiindex.htm), featuring many rare tracks which have never been released on CD before, in a superbly remastered format, and, following the success of the Mantovani Orchestra's 2008 concert, 'More MANTOVANI Magic' took place at Lighthouse in Poole, England, on 31 January 2009, again conducted by maestro Sam Newgarth MBE. The concert was sponsored by Poole Audi, and also with the generous support of Richard Cox.
Sweethearts
Mantovani Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Good night sweetheart, sleep will banish sorrow
Tears and parting may make us forlorn
But with the dawn, a new day is born (so I'll say)
Good night sweetheart, tho' I'm not beside you
Good night sweetheart, still my love will guide you
Dreams enfold you, in each one I'll hold you
Good night sweetheart, good night
Good night sweetheart, till we meet tomorrow
Good night sweetheart, sleep will banish sorrow
Tears and parting may make us forlorn
But with the dawn, a new day is born
(so I'll say) Good night sweetheart, tho' I'm not beside you
Good night sweetheart, still my love will guide you
Dreams enfold you, in each one I'll hold you
Good night sweetheart, good night
In "Goodnight Sweetheart," Mantovani sings about saying goodbye to a loved one before falling asleep. He reassures his sweetheart that despite not being beside her, his love will guide her through the night. The lyrics acknowledge that tears and parting can bring sadness but emphasize that with each morning, a new day is born, providing hope and the possibility of a fresh start.
The lyrics also speak to the power of dreams, as Mantovani pledges to hold his sweetheart in each one. This sentiment adds to the song's overall theme of hope, as dreams can often provide comfort and serve as a reminder of the love shared between two people.
Overall, "Goodnight Sweetheart" is a tender and reassuring song that reminds us that even though we may face obstacles and separation, love can guide us through those difficult times and provide comfort in the form of dreams and new beginnings.
Line by Line Meaning
Good night sweetheart, till we meet tomorrow
I bid you goodnight my beloved, until we reunite once again tomorrow
Good night sweetheart, sleep will banish sorrow
May your slumber be peaceful and free from any worries or sadness
Tears and parting may make us forlorn
The separation between us may bring tears and sadness to our hearts
But with the dawn, a new day is born
However, every morning presents an opportunity for a fresh start and new beginnings
(so I'll say) Good night sweetheart, tho' I'm not beside you
Thus, as I bid you goodnight, know that even though I may not be physically present with you, my thoughts and love will always be with you
Good night sweetheart, still my love will guide you
Let my love serve as a source of comfort and protection as you rest
Dreams enfold you, in each one I'll hold you
May your dreams be filled with warmth and love, and know that in each dream, I will be by your side
Good night sweetheart, good night
Once again, I say goodnight my love, and may you enjoy a peaceful rest
Lyrics © MUSIC SALES CORPORATION, TuneCore Inc., Kanjian Music, Warner Chappell Music, Inc.
Written by: Jimmy Campbell, Ray Noble, Reg Connelly
Lyrics Licensed & Provided by LyricFind