He was also musical director for a large number of musicals and other plays, including ones by Noel Coward. After the war, he concentrated on recording, and eventually gave up live performance altogether. He worked with arranger and composer Ronnie Binge, who developed the "cascading strings" sound (also known as the "Mantovani sound").[citation needed] His records were regulars in stores selling hi-fi stereo equipment, as they were produced and arranged for stereo reproduction. In 1952 Binge ceased to arrange for Mantovani, but his distinctive sound remained.
He recorded for Decca until the mid-1950s, and then London Records. He recorded over 50 albums on that label, many of which were top-40 hits. These included Song from Moulin Rouge and Cara Mia, which reached No. 1 in Britain in 1953 and 1954, respectively. The latter was also Mantovani's first U.S. Top Ten hit.
In the United States, between 1955 and 1972, he released over 40 albums with 27 reaching the Top 40 and 11 the Top Ten. His biggest success was with the album Film Encores, which made it to No. 1 in 1957. Similarly, Mantovani Plays Music From 'Exodus' and Other Great Themes made it to No. 2 in 1961 and sold over one million albums.
In 1959, Mantovani starred in his own syndicated television series, Mantovani, which was produced in England and which aired in the United States. 39 episodes were filmed.[1]
Mantovani made his last recordings in 1975.[citation needed]
[edit] Music style and influences
The cascading strings technique developed by Binge became Mantovani's hallmark in such hits arranged by Binge as "Charmaine". Binge developed this technique to replicate the echo experienced in venues such as cathedrals by arrangement alone, in an echo-free surrounding.
Author Joseph Lanza describes Mantovani's string arrangements as the most "rich and mellifluous" of the emerging light music style during the early 1950s. He stated that Mantovani was a leader in the use of new studio technologies to "create sound tapestries with innumerable strings", and that "the sustained hum of Mantovani's reverberated violins produced a sonic vaporizer foreshadowing the synthesizer harmonics of space music."[2]
In 1958 Mantovani and his family bought a holiday home in Bournemouth in Durley Chine Road, then in 1961 acquired a new property in Burton Road (now part of Poole). He moved, finally, to a new home in Martello Road in Poole.
Since his death at a care home in Tunbridge Wells, Kent, in 1980, his music has enjoyed a minor revival,[citation needed] with much of his catalogue reappearing on CD and an orchestra bearing his name performing concert tours. The saleability of the Mantovani name is underscored by new recordings being made as the Mantovani Orchestra. Unfortunately[neutrality is disputed], a large number of CDs are also available of unauthorized recordings, billed as Mantovani or Mantovani Orchestra.[citation needed] There have also been CDs released under the Mantovani name of recordings made by others while Mantovani was still alive.[citation needed] Thus, consumers of this music are advised to familiarize themselves with the conductor's discography. Material with the London Records logo on it is apt to be genuine Mantovani, while other recordings are less likely to be actual Mantovani recordings.[citation needed]
The continued popularity of Mantovani's music is evident by the number of original albums which are being released, on labels such as Dutton-Vocalion, and by the many compilations available throughout the world. In 2008, as a result of successful, ongoing CD sales, amongst other contributing factors, the Mantovani Orchestra (performing from the original scores) was recreated for a tremendously successful historical tribute concert, sponsored by Bentley Motors, held at the Lighthouse, in Poole, England, on 27 January, conducted by Sam Newgarth, MBE. Much critical acclaim has led to the planning of a second concert, to take place in January 2009, at the same venue. There are four Mantovani websites in honour of the maestro, a written biography by Colin MacKenzie entitled Mantovani - A Lifetime In Music (ISBN 1-905226-19-5). For further information, please visit http://www.hallowquest.com/mantiindex.htm; http://members3.jcom.home.ne.jp/torumonty; http://www.lighthousepoole.co.uk (re. ticket sales for 31 January 2009). A ten CD set 'The Wonderful World of Mantovani' was released in November 2008 in Japan (a link to the website in Japan may be found by visiting www.hallowquest.com/mantiindex.htm), featuring many rare tracks which have never been released on CD before, in a superbly remastered format, and, following the success of the Mantovani Orchestra's 2008 concert, 'More MANTOVANI Magic' took place at Lighthouse in Poole, England, on 31 January 2009, again conducted by maestro Sam Newgarth MBE. The concert was sponsored by Poole Audi, and also with the generous support of Richard Cox.
The Way We Were
Mantovani Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Misty water-colored memories of the way we were
Scattered pictures of the smiles we left behind
Smiles we gave to one another for the way we were
Can it be that it was all so simple then
Or has time rewritten every line
If we had the chance to do it all again
Could we?
Memories may be beautiful and yet
What's too painful to remember
We simply choose to forget
So it's the laughter we will remember
Whenever we remember
The way we were
The way we were
In Mantovani Orchestra's song "The Way We Were," the lyrics talk about the power of memories and how they can light up the corners of one's mind. These memories are water-colored, misty images of the past, often focusing on the smiles that were shared between people. The song speaks to the simplicity of the past, but wonders if time has rewritten the lines of those memories. The lyrics pose a question, asking if given the chance, would people do it all again?
The song also acknowledges that not all memories are beautiful and some may even be too painful to remember. But in these instances, people have a choice to simply forget and focus on the positive moments, such as the laughter that was shared. Ultimately, the song reflects on the way things were and encourages people to remember the good times.
Line by Line Meaning
Memories light the corners of my mind
My mind is illuminated by the memories of our past
Misty water-colored memories of the way we were
The memories are fuzzy, like they are seen through a watercolor filter
Scattered pictures of the smiles we left behind
I have various pictures of the happy moments we shared
Smiles we gave to one another for the way we were
Our smiles were a reflection of how happy we were at that time
Can it be that it was all so simple then
I wonder if our past was really that easy compared to the present
Or has time rewritten every line
Time may have distorted our memories, so they are not as accurate anymore
If we had the chance to do it all again
Is there a possibility to relive those moments again?
Tell me, would we?
Would we really want to relive the same past experiences again?
Could we?
Is it feasible for us to recreate the past?
Memories may be beautiful and yet
Although memories can be pleasant, they can also be painful
What's too painful to remember
Some things are just too hard to recall
We simply choose to forget
To move on, sometimes we choose to forget the hurtful moments
So it's the laughter we will remember
Instead of the painful moments, we choose to cherish the happy moments
Whenever we remember
Every time we recall our past
The way we were
We think of how we were back then, and how much we've changed since
Lyrics © Sony/ATV Music Publishing LLC
Written by: Alan Bergman, Marilyn Bergman, Marvin Hamlisch
Lyrics Licensed & Provided by LyricFind