Maria Bethânia Viana Teles Veloso (June 18, 1946, Santo Amaro da Purificaçã… Read Full Bio ↴Maria Bethânia Viana Teles Veloso (June 18, 1946, Santo Amaro da Purificação, Bahia, Brazil), professionally known as Maria Bethânia, is a Brazilian singer and occasional poet and songwriter, having acquired the title of "Abelha Rainha" (Queen Bee) throughout her career. She is the second best selling Brazilian female singer of all time, with more than 24 million albums sold, considered to be one of the greatest interpreters in the history of Brazilian popular music.

Sister of the also popular and renowned singer and composer Caetano Veloso, she began her artistic career in 1963, appearing in the play "Boca de Ouro" by Nelson Rodrigues. A song about the play was written by Caetano Veloso, who opened the show singing a samba track by Ataulfo Alves. That year she met Gilberto Gil, Gal Costa, Tom Zé, Djalma Correa, Pitti, Alcivando Luz and Fernando Lona in Salvador, with whom she performed at the commemorations inaugurating the Vila Velha de Salvador theatre in 1964 in the shows "Nós por exemplo" and "Nova bossa velha, velha bossa nova". In 1964 she also appeared in "Mora na Filosofia", her first solo show, when she met Nara Leão. As 1965 she replaced the muse of bossa nova in the show at Teatro Opinião (Rio de Janeiro), sharing the stage with Zé Kéti and João do Vale. She stood out for her stirring interpretation of the song "Carcará". In 1965 she also recorded her first record, a single containing the tracks "Carcará" and "É de manhã", the first recording of Caetano Veloso’s composition. That same year she released a double single with the songs "Carcará", "No carnaval", "Mora na filosofia" and "Só eu sei", followed by her debut album "Maria Bethânia" and the record "Maria Bethânia canta Noel Rosa". That year she also performed in the show Arena canta Bahia, directed by Augusto Boal, alongside Gal, Gil, Caetano, Pitti and Tom Zé. Also under the direction of Boal, the same group performed the show Tempo de Guerra. In 1996 she shared the stage of Teatro Opinião with Vinícius de Moraes and Gilberto Gil, presenting the show "Pois é". In 1967 she released the album "Edu & Bethânia" with Edu Lobo. She appeared in the shows "Yes, nós temos Maria Bethânia" (Bolso theatre, Rio de Janeiro) and "Comigo me desavim" (Miguel Lemos theatre, Rio de Janeiro) and "Brasileiro profissão esperança", by Paulo Pontes, directed by Bibi Ferreira, at the Casa Grande theatre (Rio de Janeiro). In 1971 she recorded the album "A tua presença", which was praised by the select critics. In 1971 the show "Rosa dos ventos" premiered at Teatro da Praia (Rio de Janeiro), directed by Fauzi Arap and she released the album of the same name. In 1972 she appeared alongside Chico Buarque and Nara Leão in the film "Quando o carnaval chegar" by Cacá Diegues. After another trip to Europe, she launched the album "Drama - anjo exterminado" also that year. In 1973 the show Drama, luz da noite premiered at Teatro da Praia, directed by Antônio Bivar and Isabel Câmara, from which arose the record "Luz da noite". The following year she commemorated ten years in the music business with the show "A cena muda", directed by Fauzi Arap, at the Casa Grande Theatre (Rio de Janeiro). The show led to a live record of the same name. In 1975 she performed a lengthy season with Chico Buarque at the Canecão (Rio de Janeiro). In 1976 she recorded the album "Pássaro proibido" which earned her first gold record. Also that year she got together with Caetano, Gil and Gal, forming the group Os Doces Bárbaros. In 1977 she released the album "Pássaro da manhã", for which she received the second gold record of her career. That year she was considered one of the bestselling singers in Brazil, which opened new doors in the record industry. In 1978 she starred in the show "Maria Bethânia e Caetano Veloso ao vivo" alongside her brother. Also that year the album "Álibi" was released, which earned her third gold disk. In 1979 she recorded the album "Mel". She released a series of records in the following decades: "Alteza" (81), "Maria" (88), "Memória da pele" (89), "Olho d’água" (92), "As canções que você fez pra mim" (93), only recording records by Roberto and Erasmo Carlos Âmbar (96), "Imitação da vida" (97) and "A força que nunca seca" (99). In 1994 she performed alongside Caetano Veloso, Gal Costa and Gilberto Gil, in the show "Doces Bárbaros na Mangueira", reference to the tribute made to them by this samba school, with the theme "Atrás da verde e rosa só não vai quem já morreu". In 2000, she recorded limited-edition album "Cânticos, preces, súplicas à Senhora dos Jardins do Céu". In 2001, she recorded the album "Maricotinha", containing the tracks "Moça do sonho" (Edu Lobo and Chico Buarque), from the musical "Cambaio, Primavera" (Carlos Lyra and Vinícius de Moraes), "Quando você não está aqui" (Herbert Vianna and Paulo Sérgio Valle), "Antes que amanheça" (Chico César and Carlos Rennó) and "Se eu morresse de saudade" (Gilberto Gil), among others, in addition to the title track, by Dorival Caymmi. She released the record a special show at the Canecão (Rio de Janeiro). The show included appearances by Caetano Veloso, Carlos Lyra, Chico Buarque, Nana e Danilo Caymmi, Adriana Calcanhoto and Gilberto Gil, among other artists. Also in 2001, in commemoration of her 35 years in the music business, she returned to the Canecão in the show "Maricotinha", which led to the double album "Maricotinha ao vivo". On December 8 that same year, she performed before 100,000 people on Copacabana beach alongside Caetano Veloso, Gilberto Gil and Gal Costa in the show "Doces Bárbaros", which concluded the project Pão Music. In 2003 the show presented in 2001 at the Canecão was released on the DVD "Maricotinha ao vivo", directed by André Horta. In 2003 she was also nominated for the Multishow Award in the categories Best Show and Best Album for "Maricotinha ao vivo". Also that year she created her own label, Quitanda, in partnership with record company Biscoito Fino, inaugurated the company by releasing the album "Brasileirinho", containing songs about religion and Brazil, with guest appearances by Nana Caymmi, Miúcha, Denise Stoklos and Ferreira Gullar, in addition to the groups Tira Poeira and Uakti, and the album "Vozes da Purificação", the first song recorded by Dona Edith do Prato. In 2004 she received the Tim Award in the categories Best Singer, Best Record and best visual MPB project, the Rival BR Award in the category Best Album, and the Academia Brasileira de Letras Award in the category Best Singer, in addition to being nominated for the Latin Grammy. That same year she produced and appeared as a singer alongside other artists on the album "Namorando a Rosa", a tribute record to violinist Rosinha de Valença, released by her Quitanda label. In 2005 she released the album Que falta você me faz, recording works by Vincius de Moraes, in partnership with Tom Jobim, Chico Buarque, Carlos Lyra, Baden Powell, Toquinho, Adoniran Barbosa and Jards Macalé. That same year she appeared at Canecão (Rio de Janeiro) in the show "Tempo Tempo Tempo Tempo - Uma homenagem a Vinícius de Moraes". In 2005 she also received the Golden Music Dolphin Award from the Rio de Janeiro State Culture Council.

Marginalia II
Maria Bethânia Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Eu brasileiro confesso
Minha culpa, meu pecado
Meu sonho desesperado
Meu bem guardado segredo
Minha aflição

Eu brasileiro confesso
Minha culpa, meu degredo

Pão seco de cada dia
Tropical melancolia
Negra solidão

Aqui é o fim do mundo
Aqui é o fim do mundo
Aqui é o fim do mundo

Aqui, o terceiro mundo
Pede a benção e vai dormir
Entre cascas das palmeiras
Araçás e bananeiras
Ao canto da juriti
Aqui meu pânico e glória
Aqui meu laço e cadeia
Conheço bem minha história
Começa na lua cheia
E termina antes do fim

Aqui é o fim do mundo
Aqui é o fim do mundo
Aqui é o fim do mundo

Minha terra tem palmeiras
Onde sopra o vento forte
Da fome, do medo e muito
Principalmente da morte
Olê, lê, lá, lá

A bomba explode lá fora
Agora o que vou temer
Oh, yes, nós temos banana
Até pra dar e vender
Olê, lê, lá, lá

Aqui é o fim do mundo
Aqui é o fim do mundo
Aqui é o fim do mundo

Aqui é o fim do mundo

Aqui é o fim do mundo
Aqui é o fim do mundo

Overall Meaning

The song "Marginalia II" by Maria Bethânia explores the complex emotions and experiences of being Brazilian in a world that can be hostile and unforgiving. The lyrics touch on themes of guilt, longing, and despair as the singer confesses their innermost thoughts and feelings. The opening line, "Eu brasileiro confesso" ("I, Brazilian, confess"), sets the tone for the rest of the song, as the singer grapples with their identity and place in the world.

Throughout the song, there is a sense of isolation and alienation, as the singer describes a world that feels like "the end of the world." They describe the struggles of everyday life, from the "dry bread of each day" to the "tropical melancholy" and "black solitude." Yet despite these challenges, there is also a sense of resilience and pride in being Brazilian, as evidenced by the reference to "my panic and glory" and the opening lines of the final stanza: "My land has palm trees / Where the strong wind blows."

Line by Line Meaning

Eu brasileiro confesso Minha culpa, meu pecado Meu sonho desesperado Meu bem guardado segredo Minha aflição
As a Brazilian, I confess My guilt, my sin My desperate dream My well-guarded secret My affliction

Eu brasileiro confesso Minha culpa, meu degredo Pão seco de cada dia Tropical melancolia Negra solidão
As a Brazilian, I confess My guilt, my exile Dry bread of everyday Tropical melancholy Black solitude

Aqui é o fim do mundo Aqui é o fim do mundo Aqui é o fim do mundo
Here is the end of the world Here is the end of the world Here is the end of the world

Aqui, o terceiro mundo Pede a benção e vai dormir Entre cascas das palmeiras Araçás e bananeiras Ao canto da juriti
Here, the third world Asks for blessing and sleeps Among the palm tree shells Guavas and banana trees At the corner of the juriti bird

Aqui meu pânico e glória Aqui meu laço e cadeia Conheço bem minha história Começa na lua cheia E termina antes do fim
Here, my panic and glory Here, my bond and chain I know my story well It begins on the full moon And ends before the end

Minha terra tem palmeiras Onde sopra o vento forte Da fome, do medo e muito Principalmente da morte Olê, lê, lá, lá
My land has palm trees Where the strong wind blows Of hunger, fear, and much Mainly death Olê, lê, lá, lá

A bomba explode lá fora Agora o que vou temer Oh, yes, nós temos banana Até pra dar e vender Olê, lê, lá, lá
The bomb explodes outside Now what will I fear? Oh, yes, we have bananas Even to give away and sell Olê, lê, lá, lá

Aqui é o fim do mundo Aqui é o fim do mundo Aqui é o fim do mundo
Here is the end of the world Here is the end of the world Here is the end of the world

Contributed by Muhammad D. Suggest a correction in the comments below.

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Eu brasileiro confesso
Minha culpa, meu pecado
Meu sonho desesperado
Meu bem guardado segredo
Minha aflição
Eu brasileiro confesso
Minha culpa, meu degredo
Pão seco de cada dia
Tropical melancolia
Negra solidão
Aqui é o fim do mundo
Aqui é o fim do mundo
Aqui é o fim do mundo
Aqui, o terceiro mundo
Pede a benção e vai dormir
Entre cascas das palmeiras
Araçás e bananeiras
Ao canto da juriti
Aqui meu pânico e glória
Aqui meu laço e cadeia
Conheço bem minha história
Começa na lua cheia
E termina antes do fim
Aqui é o fim do mundo
Aqui é o fim do mundo
Aqui é o fim do mundo
Minha terra tem palmeiras
Onde sopra o vento forte
Da fome, do medo e muito
Principalmente da morte
Olê, lê, lá, lá
A bomba explode lá fora
Agora o que vou temer
Oh, yes, nós temos banana
Até pra dar e vender
Olê, lê, lá, lá
Aqui é o fim do mundo
Aqui é o fim do mundo
Aqui é o fim do mundo
Aqui é o fim do mundo
Aqui é o fim do mundo
Aqui é o fim do mundo