The Flowers of Evil
Marilyn Manson Lyrics


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The day they covered us in the dirt
Like stars in the ground
That will grow into dead flowers
The day they covered us in the dirt
Like stars in the ground
That will grow into dead flowers
Your body's on me
Like sleepless spiders
Your touch is so empty
Your touch is so empty
Your bodies on me like

Sleepless spiders
Your touch is so empty
Your touch is so empty
Your touch is so empty
Your touch is so empty

I've been running
From the bloodless
For fear of exile
For all of my sorceries
That shun the light
That shun the light

I've been running
From the bloodless
For fear of exile
For all of my sorceries
That shun the light
That shun the light

The day they covered us in the dirt
Like scars in the ground
That will grow into dead flowers

The day they covered us in the dirt
Like scars in the ground
That will grow into dead flowers

I've been running
From the bloodless
For fear of exile
For all of my sorceries
That shun the light
That shun the light

I've been running
From the bloodless
For fear of exile
For all of my sorceries
That shun the light
That shun the light

I've been running
From the bloodless
For fear of exile
For all of my sorceries
That shun the light
That shun the light

I've been running
From the bloodless
For fear of exile
For all of my sorceries
That shun the light
That shun the light

Light
Light




Light
Light

Overall Meaning

The Flowers of Evil by Marilyn Manson is a song with cryptic lyrics that are open for interpretation. The song begins with the singer acknowledging that they were covered in dirt like stars in the ground that will eventually grow into dead flowers. The reference to stars and dead flowers implies that something that was once alive, maybe even beautiful and important, has been buried and forgotten. The next verse describes a touch that feels empty, like sleepless spiders, and a body that is on the singer, possibly implying a lack of emotional connection or even a dangerous obsession.


The chorus is a repetition of the opening verse, emphasizing the burying of something important and the inevitable decay and death that follows. The last verse talks about the singer running from the bloodless, haunted by their sorceries that shun the light. It could be interpreted that they are running away from the consequences of their actions, the people they've hurt, or even their own guilt. The repeated phrase "that shun the light" further implies a hiding or running from something that needs to be faced.


Line by Line Meaning

The day they covered us in the dirt Like stars in the ground That will grow into dead flowers
The day they buried us in the ground, likened to stars that will eventually become dead flowers.


Your body's on me Like sleepless spiders Your touch is so empty
Your body is on me, comparable to sleepless spiders, and your touch feels hollow.


I've been running From the bloodless For fear of exile For all of my sorceries That shun the light That shun the light
I've been fleeing from those without blood for fear of being exiled, due to my use of magic that prefers darkness and shadows.


The day they covered us in the dirt Like scars in the ground That will grow into dead flowers
The day they buried us in the earth, akin to scars on the ground, which will soon become lifeless flowers.


Light Light Light Light
The repetition of the word light serves as an emphasis on this key aspect, which links to the idea of brightness and the absence of darkness.




Lyrics © THE BICYCLE MUSIC COMPANY
Written by: BRIAN HUGH WARNER, CHRIS ALAN VRENNA, JEORDIE WHITE

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

Ratón Mágico

To all the people complaining everywhere about Manson not being the same as he was in Antichrist or Mechanical Animals, get over it and move on. He's an artist, and a true artist keeps changing, exploring new styles, new themes, in an always-changing sick society, and his own experience on it. If you want Manson to betray himself and new visions on art, without maturing, without trying new things, pretending to be 25 yrs old forever, well... he's not that mediocre at all, so ignore his post-Holy Wood work, imagine it never happened and listen to Antichrist Superstar, Mechanical Animals, etc. over and over and over again until you die. Born Villain is one of his greatest later-day works as is The Pale Emperor. I recommend you to pay attention to such visceral and sublime music.

Arun Maharaj

He did everything amazing and accomplished soo much at 26-28! :)

Ziana Wagner

@Anthony Sears-Piccioni THANK you. Everybody I've talked to seems to hate Eat Me, Drink Me, but I think it was a brooding, romantic masterpiece

David Hoyle

I am sooo sorry to inform you that I am here to remind you of that stupid retarded illegal shit you did in the bar two weeks before you left this comment two years ago and found out you just committed a crime and had to lie to all your friends infront of a nazi for 4 months so you wouldn't have to get charged. Run on alert I'm aware.

eggplant mcgee

John Semones but here you are, an ignorant bitchass, degrading someone’s work that is more recognizable that you every will be. Who’s brain dead now?

Rogue Lts

Corey 742617000027 I like marilyn manson as a person

12 More Replies...

Angel M

'Hey, cruel world...', 'Murderers' and 'You're so vain' are the 'old-school' songs; 'No reflection', 'Slo-mo-tion' and 'Pistol Whipped' are the populars; 'Overneath', 'The flowers of evil' and 'The gardener' are the 'celebritarism songs'; 'Children of Cain', Born Villain' and 'Breaking the same old ground' are the epics; 'Disengaged' and 'Lay down your goddamn arms' are like the THEOL and EMDM songs. I wish u can understand me.

slashkill 666

This is now my favourite song; the bridge makes spine tingle,
bv is my 2nd fave album after the flawless Holy Wood.

slashkill 666

+slashkill 666 correction; the gardener, not foe.

marcelscalades

I never thought I’d be jamming the F out while sitting on the toilet. God I love Manson

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