The devolution of Mat McHugh. That’s what we’re talking about. Bands get bi… Read Full Bio ↴The devolution of Mat McHugh. That’s what we’re talking about. Bands get bigger over time. Music gets louder. Everything evolves, there is nothing which doesn’t change over time. Some artists keep trying to find bigger mountains to climb, others make a conscious effort to crawl back into the sea.
In 2002 the frontman and creative force behind The Beautiful Girls began riding the wave as the band’s Morning Sun EP became the radio hit of the Australian Summer. In 2010, after 12 world tours, eight records and 285,000 album sales, the wave reached a musical high-water mark with the critically acclaimed Spooks – a dub tour de force which peaked at number 6 on the US Billboard Reggae Charts and debuted at number one on the Australian Independent charts. The album won over critics around the world and took McHugh to the US for two national tours in the one year. The first with his band to see the old fans and the second to the church of John Butler with nothing but an acoustic guitar between him and a new cast of thousands. The latter was a watershed moment – and now the tide has receded to reveal a new world of inspiration for one of Australia’s best-loved songwriters.
“Spending a year of my life working on Spooks was an amazing journey and it’s a brilliant record, but The John Butler tour was as influential to me as anything in my musical career so far. It was such a grounding, emotionally-fulfilling experience. I’m used to playing in a band to a few thousand people who are having a party, but playing solo to two or three thousand people, I felt connected. Music, for me, has always been about communication. It was a turning point as far as working out what I was going to do next – and that’s what 2011 is about,” Mat muses.
The result is devolution. Mat McHugh’s first album as a naked, raw solo artist. After a decade of striving to get bigger, better, louder and more colourful, the focus is on being transparent. Simple. Honest. Intimate.
This is a roots record in every sense of the word. No computers. No auto-tune. Nothing but guitar, bass and drums. It’s back to where it all began, albeit through the eyes of a man who has spent three quarters of the last decade sampling beats from around the globe and melting them down in his own brand of earthenware.
Devolution isn’t about fashion. It isn’t about what everyone else is doing. It isn’t about trends. Devolution isn’t about a marketing plan and guest appearances. Devolution is about music at its purest. “I want to contribute to the musical landscape in 2011 by making something more about feelings and emotions than it is about musical cleverness,” McHugh says.
“My favourite records, whether they’re Johnny Cash or Nick Drake sound like they could have been made in 2011 or 1960. There’s nothing added, it’s a simple formula. They’re just a little statement of what the people who created them believed to be inherent truths and that’s all I’m trying."
In 2002 the frontman and creative force behind The Beautiful Girls began riding the wave as the band’s Morning Sun EP became the radio hit of the Australian Summer. In 2010, after 12 world tours, eight records and 285,000 album sales, the wave reached a musical high-water mark with the critically acclaimed Spooks – a dub tour de force which peaked at number 6 on the US Billboard Reggae Charts and debuted at number one on the Australian Independent charts. The album won over critics around the world and took McHugh to the US for two national tours in the one year. The first with his band to see the old fans and the second to the church of John Butler with nothing but an acoustic guitar between him and a new cast of thousands. The latter was a watershed moment – and now the tide has receded to reveal a new world of inspiration for one of Australia’s best-loved songwriters.
“Spending a year of my life working on Spooks was an amazing journey and it’s a brilliant record, but The John Butler tour was as influential to me as anything in my musical career so far. It was such a grounding, emotionally-fulfilling experience. I’m used to playing in a band to a few thousand people who are having a party, but playing solo to two or three thousand people, I felt connected. Music, for me, has always been about communication. It was a turning point as far as working out what I was going to do next – and that’s what 2011 is about,” Mat muses.
The result is devolution. Mat McHugh’s first album as a naked, raw solo artist. After a decade of striving to get bigger, better, louder and more colourful, the focus is on being transparent. Simple. Honest. Intimate.
This is a roots record in every sense of the word. No computers. No auto-tune. Nothing but guitar, bass and drums. It’s back to where it all began, albeit through the eyes of a man who has spent three quarters of the last decade sampling beats from around the globe and melting them down in his own brand of earthenware.
Devolution isn’t about fashion. It isn’t about what everyone else is doing. It isn’t about trends. Devolution isn’t about a marketing plan and guest appearances. Devolution is about music at its purest. “I want to contribute to the musical landscape in 2011 by making something more about feelings and emotions than it is about musical cleverness,” McHugh says.
“My favourite records, whether they’re Johnny Cash or Nick Drake sound like they could have been made in 2011 or 1960. There’s nothing added, it’s a simple formula. They’re just a little statement of what the people who created them believed to be inherent truths and that’s all I’m trying."
Avalanches
Mat McHugh Lyrics
We have lyrics for 'Avalanches' by these artists:
A Fine Frenzy We found ourselves atop of a mountain peak The air was…
Adrien Gallo Tes silences Tes dessous Je vois tout Tes romances Tes sale…
Alma (Feat. Sound Remedy & Kill Paris) Will i see you on the brighter side of this…
C.R.A.F.T Club An avalanche an avalanche is coming your way, Would you pref…
Colony 5 I don't dare to scream I'm afraid of avalanches Afraid to …
Columbine Je la fais jouir à en déclencher des avalanches C′est l'bord…
Félix Dyotte pourquoi suis-je allé vers la plus folle? j'y pense, autour …
IAMX We danced in the snow Of a crystal December In the dying…
JAD WIO Quand j'enlace les doigt, Autour du manche de la guita,…
Witness We follow the leads But the clues offer nothin' of any So…
We have lyrics for these tracks by Mat McHugh:
A Pocket Full Of Shells I got a pocket full of shells And not much of…
A Pocketful Of Shells I got a pocket full of shells, And not much of…
Bad Blood The queen is in the parking lot Counting all the things…
Breaking your Fall Some days seem complicated, other days don't seem like nothi…
Fools Fools, they think they, for sure, know something Oh, of moon…
Go Don't Stop I've been holding out for way too long, been hoping you…
It Isn't Me no, don't you say you love me when you don't love…
Love Come Save Me what would you say if we had never wasted, all of…
No One Left to Blame And when the stars are busy falling at your feet Would…
Strange Days All last night Well I dreamt I was free. Free from both…
Under The Landslide I love my god, god made love I love my god,…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Drift13Creations
Sums up modern life so perfectly
Süssiboi69
have somebody the chords?
Larry Workman
F# , Bb, G#. Hit the low E on F# to begin with then strum, then strum E string again followed by G string 3rd fret twice and slide to 1st fret into your Bb by strumming A string 1st fret then back to F#. G# for "Each wave keeps breaking like never before", then back to F#. 3 chords pretty much whole song. Just play with the tapping on those chords and you'll hear it. G# has a pinky tap on the 6th fret. Beautiful song for sure!
ReMZ & FriendZ
oh shit
didnt listen really to it until now !
oh shit . 😲
🙃
Michael Hall
chur. mean as track!
mario puzos
I see no way out