Beethoven: Piano Sonata No.21 in C, Op.53 -"Waldstein" - 1. Allegro con brio
Maurizio Pollini (born January 5, 1942) is an Italian classical pianist. Read Full Bio ↴Maurizio Pollini (born January 5, 1942) is an Italian classical pianist.
He was born in Milan, the son of the Italian rationalist architect Gino Pollini. Maurizio studied piano first with Carlo Lonati, until the age of 13, then with Carlo Vidusso, until he was 18. He received a diploma from the Milan Conservatory and won the International Frederick Chopin Piano Competition in Warsaw in 1960, after which he studied under Arturo Benedetti Michelangeli.
Since the mid-1960s, he has given recitals and appeared with major orchestras in Europe, the United States, and the Far East. He made his American debut in 1968 and his first tour of Japan in 1974.
Regarded as one of the greatest pianists of our age, he is especially noted for his performances of Beethoven, Schubert, Chopin, Schumann, Brahms, Schoenberg, Webern and for championing modern composers such as Pierre Boulez, Luigi Nono and Karlheinz Stockhausen. Important modern works were composed for Pollini, notably Nono’s …sofferte onde serene…, Giacomo Manzoni’s Masse: omaggio a Edgard Varèse and Salvatore Sciarrino's fifth sonata. He displays an absolute technical sovereignty over the piano, but is sometimes criticized for his emotional conservatism. He has conducted both opera and orchestral music, sometimes leading the orchestra from the keyboard in concertos. His first recordings for Deutsche Grammophon in 1971 included Stravinsky’s Three Movements from “Petrushka” and Prokofiev’s Seventh Sonata and is still considered a landmark of twentieth century piano discography. Since then he has been one of Deutsche Grammophon's leading pianists. In 1985, on occasion of Bach's tricentennial, he performed the complete first book of The Well-Tempered Clavier. In 1987 he played the complete Beethoven Piano Concertos in New York with the Vienna Philharmonic under Claudio Abbado and received on this occasion the orchestra’s Honorary Ring. In 1993/1994 he played his first complete Beethoven Piano Sonata cycles in Berlin and Munich and later also in New York, Milan, Paris, London and Vienna. At the Salzburg Festival in 1995 he inaugurated the “Progetto Pollini”, a series of concerts in which old and new works are juxtaposed. An analogous experience will be done at Carnegie Hall in 2000/2001 with “Perspectives: Maurizio Pollini”. In 1996 he received the prestigious Ernst von Siemens Music Prize. In 2001 his recording of Beethoven’s Diabelli Variations won the Diapason d’or. In 2002 Deutsche Grammophon released a 13 CD commemorative edition to celebrate the pianist's 60th birthday.
In 2007, Pollini received the Grammy Award for Best Instrumental Soloist Performance (without orchestra) for his Deutsche Grammophon recording of Chopin nocturnes.
He was born in Milan, the son of the Italian rationalist architect Gino Pollini. Maurizio studied piano first with Carlo Lonati, until the age of 13, then with Carlo Vidusso, until he was 18. He received a diploma from the Milan Conservatory and won the International Frederick Chopin Piano Competition in Warsaw in 1960, after which he studied under Arturo Benedetti Michelangeli.
Since the mid-1960s, he has given recitals and appeared with major orchestras in Europe, the United States, and the Far East. He made his American debut in 1968 and his first tour of Japan in 1974.
Regarded as one of the greatest pianists of our age, he is especially noted for his performances of Beethoven, Schubert, Chopin, Schumann, Brahms, Schoenberg, Webern and for championing modern composers such as Pierre Boulez, Luigi Nono and Karlheinz Stockhausen. Important modern works were composed for Pollini, notably Nono’s …sofferte onde serene…, Giacomo Manzoni’s Masse: omaggio a Edgard Varèse and Salvatore Sciarrino's fifth sonata. He displays an absolute technical sovereignty over the piano, but is sometimes criticized for his emotional conservatism. He has conducted both opera and orchestral music, sometimes leading the orchestra from the keyboard in concertos. His first recordings for Deutsche Grammophon in 1971 included Stravinsky’s Three Movements from “Petrushka” and Prokofiev’s Seventh Sonata and is still considered a landmark of twentieth century piano discography. Since then he has been one of Deutsche Grammophon's leading pianists. In 1985, on occasion of Bach's tricentennial, he performed the complete first book of The Well-Tempered Clavier. In 1987 he played the complete Beethoven Piano Concertos in New York with the Vienna Philharmonic under Claudio Abbado and received on this occasion the orchestra’s Honorary Ring. In 1993/1994 he played his first complete Beethoven Piano Sonata cycles in Berlin and Munich and later also in New York, Milan, Paris, London and Vienna. At the Salzburg Festival in 1995 he inaugurated the “Progetto Pollini”, a series of concerts in which old and new works are juxtaposed. An analogous experience will be done at Carnegie Hall in 2000/2001 with “Perspectives: Maurizio Pollini”. In 1996 he received the prestigious Ernst von Siemens Music Prize. In 2001 his recording of Beethoven’s Diabelli Variations won the Diapason d’or. In 2002 Deutsche Grammophon released a 13 CD commemorative edition to celebrate the pianist's 60th birthday.
In 2007, Pollini received the Grammy Award for Best Instrumental Soloist Performance (without orchestra) for his Deutsche Grammophon recording of Chopin nocturnes.
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Beethoven: Piano Sonata No.21 in C Op.53 -"Waldstein"
Maurizio Pollini Lyrics
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The lyrics are frequently found in the comments by searching or by filtering for lyric videos
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
Jun Kumazawa
– [0:00] Play from the Beginning –
Johannes Brahms
Fantasien, Op. 116
[0:45] 1. Capriccio in D minor, Presto energico
[2:46] 2. Intermezzo in A minor, Andante - [3:33] Non troppo presto - [4:00] Andante
[5:35] 3. Capriccio in G minor, Allegro passionato - [6:14] Un poco meno Allegro - [7:23] Tempo I
[8:15] 4. Intermezzo (Notturno) in E major, Adagio
[12:02] 5. Intermezzo in E minor, Andante (Allegretto) con grazia ed intimissimo sentimento
[14:59] 6. Intermezzo in E major, Andantino teneramente (Andantino grazioso)
[17:40] 7. Capriccio in D minor, Allegro agitato
Anton Webern
Variations for Piano, Op. 27
[20:39] 1. Sehr mäßig
[22:19] 2. Sehr schnell
[22:53] 3. Ruhig fließend
Karlheinz Stockhausen
[26:53] Klavierstück V
[32:30] Klavierstück IX
– Intermission –
Ludwig van Beethoven
Piano Sonata No. 24 in F-sharp major, Op. 78
[43:46] 1. Adagio cantabile - Allegro ma non troppo
[50:24] 2. Allegro vivace
Piano Sonata No. 23 in F minor, Op. 57
[53:49] 1. Allegro assai - [1:02:02] Più Allegro
[1:02:56] 2. Andante con moto -
[1:08:45] 3. Allegro ma non troppo - [1:15:40] Presto
– Encores –
Ludwig van Beethoven
6 Bagatelles, Op. 126
[1:17:55] 3. in E-flat major, Andante (Cantabile e grazioso)
[1:21:52] 4. in B minor, Presto
Arnold Schoenberg
6 kleine Klavierstücke, Op. 19
[1:26:44] 1. Leicht, zart
[1:27:56] 2. Langsam
[1:28:45] 3. Sehr langsame
[1:29:37] 4. Rasch, aber leicht
[1:30:02] 5. Etwas rasch
[1:30:36] 6. Sehr langsam
Frédéric Chopin
24 Préludes, Op. 28
[1:32:15] 24. in D minor, Allegro appassionato
Maurizio Pollini, piano
June 25, 2002
Paris, Cité de la Musique
(The title of this recital was "Feeling Invention".)
Jun Kumazawa
– [0:00] Play from the Beginning –
Johannes Brahms
Fantasien, Op. 116
[0:45] 1. Capriccio in D minor, Presto energico
[2:46] 2. Intermezzo in A minor, Andante - [3:33] Non troppo presto - [4:00] Andante
[5:35] 3. Capriccio in G minor, Allegro passionato - [6:14] Un poco meno Allegro - [7:23] Tempo I
[8:15] 4. Intermezzo (Notturno) in E major, Adagio
[12:02] 5. Intermezzo in E minor, Andante (Allegretto) con grazia ed intimissimo sentimento
[14:59] 6. Intermezzo in E major, Andantino teneramente (Andantino grazioso)
[17:40] 7. Capriccio in D minor, Allegro agitato
Anton Webern
Variations for Piano, Op. 27
[20:39] 1. Sehr mäßig
[22:19] 2. Sehr schnell
[22:53] 3. Ruhig fließend
Karlheinz Stockhausen
[26:53] Klavierstück V
[32:30] Klavierstück IX
– Intermission –
Ludwig van Beethoven
Piano Sonata No. 24 in F-sharp major, Op. 78
[43:46] 1. Adagio cantabile - Allegro ma non troppo
[50:24] 2. Allegro vivace
Piano Sonata No. 23 in F minor, Op. 57
[53:49] 1. Allegro assai - [1:02:02] Più Allegro
[1:02:56] 2. Andante con moto -
[1:08:45] 3. Allegro ma non troppo - [1:15:40] Presto
– Encores –
Ludwig van Beethoven
6 Bagatelles, Op. 126
[1:17:55] 3. in E-flat major, Andante (Cantabile e grazioso)
[1:21:52] 4. in B minor, Presto
Arnold Schoenberg
6 kleine Klavierstücke, Op. 19
[1:26:44] 1. Leicht, zart
[1:27:56] 2. Langsam
[1:28:45] 3. Sehr langsame
[1:29:37] 4. Rasch, aber leicht
[1:30:02] 5. Etwas rasch
[1:30:36] 6. Sehr langsam
Frédéric Chopin
24 Préludes, Op. 28
[1:32:15] 24. in D minor, Allegro appassionato
Maurizio Pollini, piano
June 25, 2002
Paris, Cité de la Musique
(The title of this recital was "Feeling Invention".)
Fatima Canche
Los ENCORES , no los conozco
Luca Zani
Che programma e che concerto fantastico!
Il Maestro Pollini sempre straordinario!
Matthew David
Thank you for sharing this beautiful performance from a true master.
Jun Kumazawa
You’re very welcome! Thank you too for listening 😊
Carmen Reyes
El primer pianista que escuche cuando tenía 8 años me gustó mucho jugando con mis muñecas ,sigue siendo mi favorito. ♥️
Carmen Reyes
Me gustan de esta época porque el sonido es natural es película con muy poca tecnología. 🖐️
Carmen Reyes
El primer pianista que escuche ,cuando era niña. Favorito hasta la fecha 🇮🇷😘 🎶🎶🎶👏👏👏👏
Luxus DE
Superb. Inimitable!!! ❤️
Lejeune Colette
Pollini .... magician of sounds ! Wonderful récital !