Blues in the Night
Mercer Lyrics


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My mama done tol' me,
When I was in knee pants,
My mama done tol' me, Son!
A woman'll sweet talk
And give ya the big eye;
But when the sweet talkin's done,
A woman's a two face
A worrisome thing
Who'll leave ya t'sing
The blues in the night

Now the rain's a-fallin',
Hear the train a-callin'
Whoo-ee (my mama done tol' me)
Hear that lonesome whistle
Blowin' `cross the trestle,
Whoo-ee (my mama done tol' me)
A whoo-ee-duh-whoo-ee, ol' clickety clack's
A-echoin' back the blues in the night

The evenin' breeze'll start the trees to cryin'
And the moon'll hide its light
When you get the blues in the night

Take my word, the mockin' bird'll
Sing the saddest kind o' song
He knows things are wrong and he's right

From Natchez to Mobile,
From Memphis to St. Jo,
Wherever the four winds blow,
I been in some big towns,
An' heard me some big talk,
But there is one thing I know
A woman's a two face,
A worrisome thing
Who'll leave ya t'sing the blues in the night.





My mama was right,
There's blues in the night.

Overall Meaning

The song Running in the Night by Mercer & Gissal is a reinterpretation of the classic jazz song Blues in the Night, which was originally composed in 1941 by Harold Arlen and Johnny Mercer. This song revolves around the theme of a woman's deceptive nature and how this can lead to the heartache of men. The lyrics are a warning to men to be wary of women's sweet talk and big eyes, as despite the charm and allure, women can be two-faced and cause the blues in the night.


The song begins with the singer's mother warning him about the dangers of women, specifically how they can sweet talk and give the big eye. However, once the talking is over, women can be worrisome and leave one singing the blues in the night. The song also includes sound effects such as the rain falling and the train calling, which adds to the gloomy mood of the lyrics. The final verse of the song encompasses the universality of the theme, and how it applies to women worldwide. The singer has been in big towns and heard big talk, but one thing he knows for sure is that women can leave one singing the blues in the night.


Overall, Running in the Night by Mercer & Gissal is an artistic interpretation of the classic Blues in the Night. The lyrics are reflective of the common theme in jazz music of unrequited love and heartache, and the sound effects in the song contribute to the bluesy mood of the lyrics.


Line by Line Meaning

My mama done tol' me,
My mother taught me,


When I was in knee pants,
When I was young,


My mama done tol' me, Son!
My mother told me, son!


A woman'll sweet talk
Women often flatter people,


And give ya the big eye;
And show signs of affection,


But when the sweet talkin's done,
But after the flattery is over,


A woman's a two face
Women can be insincere and deceptive,


A worrisome thing
This can be concerning,


Who'll leave ya t'sing
And cause one to feel sorrow,


The blues in the night
A feeling of sadness and loneliness at night.


Now the rain's a-fallin',
Now it is raining,


Hear the train a-callin'
Hear the sound of the train,


Whoo-ee (my mama done tol' me)
An exclamation, reminiscent of the mother's warning,


Hear that lonesome whistle
Listen to the sad sound of the whistle,


Blowin' `cross the trestle,
Blowing across the bridge,


Whoo-ee (my mama done tol' me)
A repetition of the earlier warning,


A whoo-ee-duh-whoo-ee, ol' clickety clack's
The sound of the train passing by,


A-echoin' back the blues in the night
Echoing and emphasizing the loneliness and sadness of the night,


The evenin' breeze'll start the trees to cryin'
The evening breeze makes trees sway,


And the moon'll hide its light
And the moon will hide behind the clouds,


When you get the blues in the night
When one feels sad and lonely at night.


Take my word, the mockin' bird'll
Believe me, the mockingbird will


Sing the saddest kind o' song
Sing the saddest song


He knows things are wrong and he's right
The bird knows when things are wrong, and it is correct.


From Natchez to Mobile,
From Natchez to Mobile, Alabama,


From Memphis to St. Jo,
From Memphis to St. Joseph, Missouri,


Wherever the four winds blow,
In any place the winds blow,


I been in some big towns,
I have been in some large cities,


An' heard me some big talk,
And heard some grandiose speeches,


But there is one thing I know
But one thing is certain,


A woman's a two face,
Women can be deceptive and cruel,


A worrisome thing
This can be concerning,


Who'll leave ya t'sing the blues in the night.
Which can make you feel sad and lonely at night.


My mama was right,
My mother was correct,


There's blues in the night.
The night can be a time of sadness and loneliness.




Lyrics © Kanjian Music, BMG Rights Management, Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Royalty Network, Songtrust Ave, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: Harold Arlen, Johnny Mercer

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

@elderherrera2238

Oh, thank you. My ears and myself are in awe.

@williammorris584

When I was small, my father used to occasionally whistle the first six notes of this, but rather slower than this is played. I never asked him what it was. Years later at All State Band, sheet music was handed out and I smiled when this came out of my trombone - somehow I had never heard it. It’s possible to grin and maintain an embouchure. I’ve become a lot more knowledgeable about this era of music since.

@rebelscum7870

Two wonderful singers, glad to have discovered them both lately.

@tomaszlerski7517

Jakość dźwięku fenomenalna

@michaellazzeri2069

THE BEST version, ever. Written by Mr Mercer & Harold Arlen -----------This is my kind of music ! -----------------MJL< 76 y/o

@Hallands.

There are innumerable ways to do Blues In The Night. This one is fascinating, delicate and unpretentious – which comes out delicious and brilliant imo.

@Trombonology

This early take has always been my favorite treatment of the epic Mercer-Arlen collaboration. Not structurally a blues, this number nevertheless evokes the mood and its lyricist in company with Jo, The Pipers and the Weston band, make the most of every nuance. Johnny and Jo had the the perfect voices for this mournful and yet defiant song, with its southern dialect lyrics.

@zackhample

Love your critique/assessment. :)

@swingman5635

Say there lady,have you heard Jo's '41 version with TD and orch.? It wasn't commercially released,but I have it on a decades old Reader's Digest collection that is stowed away in a crate in my basement. Otherwise, I'd tell you the name. You probably know of it, anyway. There's not much that I can inform you of,lol.

@Trombonology

@@swingman5635 Yes, I have! That arrangement is socko and Jo really blues up her vocal, deviating a bit from the insistent melody as written. I like that one a lot, but I think I like this joint effort best, because Johnny was such a good vocalist for this type of material and we get to hear Jo playing the part of Mama -- "A woman will sweet talk ..." Also, I like the Pipers on "Now the rain's a-fallin.'" And of course Jo recorded the song again, at Columbia, for her '59 Ballad of the Blues album. All great takes, and Jo spoke so highly of the song.

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