Musical influences include funk, soul music. The disco sound has a soaring, often reverberated vocals over a steady "four-on-the-floor" beat, an eighth note (quaver) or sixteenth note (semi-quaver) hi-hat pattern with an open hi-hat on the off-beat, and prominent, syncopated electric bass line. Strings, horns, electric pianos, and electric guitars create a lush background sound. Orchestral instruments such as the flute are often used for solo melodies, and unlike in rock, lead guitar is rarely used.
Well-known late 1970s disco performers included Bee Gees, Donna Summer and The Jacksons. Summer would become the first well-known and most popular female disco artist, and also played a part in pioneering the electronic sound that later became a part of disco. While performers and singers garnered the lion's share of public attention, the behind-the-scenes producers played an equal, if not more important role in disco, since they often wrote the songs and created the innovative sounds and production techniques that were part of the "disco sound". Many non-disco artists recorded disco songs at the height of disco's popularity, and films such as Saturday Night Fever and Thank God It's Friday contributed to disco's rise in mainstream popularity and ironically the beginning of its commercial decline.
During this period of decline in disco's popularity, several record companies folded, were reorganized, or were sold. In 1979, MCA Records purchased ABC Records, absorbed some of its artists, and then shut the label down. RSO Records founder Robert Stigwood left the label in 1981 and TK Records closed in the same year. Salsoul Records folded in 1984. Casablanca Records had been releasing fewer records in the 1980s, and was shut down in 1986 by parent company PolyGram.
Many groups that were popular during the disco period subsequently struggled to maintain their success—even those that tried to adapt to evolving musical tastes. The Bee Gees, for instance, only had one major hit in the United States after the 1970s—even though later songs they wrote and had others perform were successful. Of the handful of groups not taken down by disco's fall from favor, The Jacksons—and Michael Jackson in particular—stand out: In spite of having helped define the disco sound early on, they continued to make popular and danceable, if more refined, songs for yet another generation of music fans in the 1980s and beyond.
As disco's popularity sharply declined in the United States, abandoned by major U.S. record labels and producers, European disco continued evolving within the broad mainstream pop music scene. European acts Silver Convention, Love and Kisses, Munich Machine, and American acts Donna Summer and the Village People, were acts that defined the late 1970s Euro disco sound. Producers Giorgio Moroder, whom AllMusic described as "one of the principal architects of the disco sound" with the Donna Summer hit "I Feel Love" (1977), and Jean-Marc Cerrone were involved with Euro disco. The German group Kraftwerk also had an influence on Euro disco.
By far the most successful Eurodisco act was ABBA. This Swedish quartet—with such hits as "Waterloo" (1974), "Fernando" (1976), "Take a Chance on Me" (1978), "Gimme! Gimme! Gimme! (A Man After Midnight)" (1979), and their signature smash "Dancing Queen" (1976)—ranks as the eighth best-selling act of all time. Other prominent European pop and disco groups were Luv' from the Netherlands and Boney M., a group of four West Indian singers and dancers masterminded by West German record producer Frank Farian. Boney M. charted worldwide hits with such songs as "Daddy Cool", "Ma Baker" and "Rivers of Babylon".
Another euro-disco act was Amanda Lear, where eurodisco sound is most heard in Enigma ("Give a bit of Mmh to me") song (1978).In France, Claude François who re-invented himself as the king of French disco, released "La plus belle chose du monde", a French version of the Bee Gees hit record, "Massachusetts", which became a big hit in Canada and Europe and "Alexandrie Alexandra" was posthumously released on the day of his burial and became a worldwide hit. Dalida released "J'attendrai", which became a big hit in Canada and Japan, and Cerrone's early hit songs, "Love in C Minor", "Give Me Love" and "Supernature" became major hits in the U.S. and Europe.
The resurgence of Disco, the second generation of Disco artists, commonly referred to as "Dance" or "Dance Pop" artists took shape. By this point, this style of music no longer favoured only the highly orchestral song structure. Post-disco (club music or dance) is the significant period in popular music history that followed the commercial "death" of disco music that emerged during late 1970s and early 1980s. The stripped-down musical trends followed from the DJ- and producer-driven, increasingly electronic and experimental side of disco, and were typified by the styles of dance-pop, boogie, italo disco and the early alternative dance. Techno and house are both rooted in post-disco music. From 1990 forward, while not commonly referred to as Disco, continued to gain mainstream success.
Nu-disco is a 21st-century dance music genre associated with the renewed interest in 1970s and early 1980s disco, mid-1980s Italo disco, and the synthesizer-heavy Euro disco aesthetics. The moniker appeared in print as early as 2002, and by mid-2008 was used by record shops such as the online retailers Juno and Beatport.
These vendors often associate it with re-edits of original-era disco music, as well as with music from European producers who make dance music inspired by original-era American disco, electro and other genres popular in the late 1970s and early 1980s. It is also used to describe the music on several American labels that were previously associated with the genres electroclash and french house.
In 2013, several 1970s-style disco and R&B songs charted, and the pop charts had more dance songs than at any other point since the late 1970s. The biggest disco hit of the year as of June was "Get Lucky" by Daft Punk, featuring Nile Rodgers on guitar. The song was initially thought likely to be a leading candidate to become the summer's biggest hit that year; however, the song ended up peaking at number 2 on the Billboard Hot 100 chart for five weeks behind another major disco-styled song, Robin Thicke's "Blurred Lines", which spent twelve weeks at number 1 on the Hot 100, and in the process became the eventual song of the summer itself. Both were popular with a wide variety of demographic groups. Other disco-styled songs that made it into the top 40 were Justin Timberlake's "Take Back The Night" (No. 29), and Bruno Mars' "Treasure" (No. 5) and and Michael Jackson's posthumous release "Love Never Felt So Good" (No. 9).
In addition, Arcade Fire's Reflektor and Daft Punk's Random Access Memories, both featured strong disco elements, topped the Billboard 200 in 2013. In 2014, disco music could be found in Lady Gaga's "Artpop" and Katy Perry's "Birthday" and in 2015 with Mark Ronson featuring Bruno Mars "Uptown Funk".
Billie Jean
Michael Jackson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I said don't mind, but what do you mean, I am the one
Who will dance on the floor in the round?
She said I am the one, who will dance on the floor in the round
She told me her name was Billie Jean, as she caused a scene
Then every head turned with eyes that dreamed of being the one
Who will dance on the floor in the round
People always told me be careful of what you do
And don't go around breaking young girls' hearts
And mother always told me be careful of who you love
And be careful of what you do 'cause the lie becomes the truth
Billie Jean is not my lover
She's just a girl who claims that I am the one
But the kid is not my son
She says I am the one, but the kid is not my son
For forty days and forty nights
The law was on her side
But who can stand when she's in demand
Her schemes and plans
'Cause we danced on the floor in the round
So take my strong advice, just remember to always think twice
(Do think twice, do think twice)
She told my baby we'd danced 'til three, then she looked at me
Then showed a photo my baby cried his eyes were like mine (oh, no)
'Cause we danced on the floor in the round, baby
People always told me be careful of what you do
And don't go around breaking young girls' hearts
She came and stood right by me
Just the smell of sweet perfume
This happened much too soon
She called me to her room
Billie Jean is not my lover
She's just a girl who claims that I am the one
But the kid is not my son
Billie Jean is not my lover
She's just a girl who claims that I am the one
But the kid is not my son
She says I am the one, but the kid is not my son
She says I am the one, but the kid is not my son
Billie Jean is not my lover
She's just a girl who claims that I am the one
But the kid is not my son
She says I am the one, but the kid is not my son
She says I am the one
You know what you did, (she says he is my son) breaking my heart babe
She says I am the one
Billie Jean is not my lover
Billie Jean is not my lover
Billie Jean is not my lover
Billie Jean is not my lover (don't Billie Jean)
Billie Jean is not my lover
Billie Jean is not my lover
"Billie Jean" is a hit song by Michael Jackson that was released in 1983. The song is about a woman who claims that Jackson fathered one of her twins. Jackson initially denies the claim, saying that he is not the father. However, people start to harass him because Billie Jean is convinced that he is the father. The song portrays a sense of paranoia and fear that stems from Jackson's mistaken belief about his own celebrity status.
The opening lines of the song reference a beauty queen from a movie scene. This sets the tone for the rest of the song, which is about a woman who is obsessed with Jackson. She claims that he is the father of her child, but he denies the claim. The song explores the darker side of fame and celebrity, showing how it can be dangerous and destructive. Michael Jackson wrote and sang the song, while Quincy Jones produced it.
Line by Line Meaning
She was more like a beauty queen from a movie scene
She appeared to be a queen-like character from a perfect and glamorous movie scene
I said don't mind, but what do you mean, I am the one
Who will dance on the floor in the round?
I tried to be polite but didn't understand what she wanted from me, as the person who will dance on the dance floor
She said I am the one, who will dance on the floor in the round
She confirmed that I was the one who would dance on the floor in the round
She told me her name was Billie Jean, as she caused a scene
Then every head turned with eyes that dreamed of being the one
Who will dance on the floor in the round
She introduced herself as Billie Jean and made a scene that caught everyone's attention. Everyone was envious of the person who would dance with her in the round
People always told me be careful of what you do
And don't go around breaking young girls' hearts
And mother always told me be careful of who you love
And be careful of what you do 'cause the lie becomes the truth
I was always advised to be careful and not hurt anyone, as the truth can always be revealed
Billie Jean is not my lover
She's just a girl who claims that I am the one
But the kid is not my son
She says I am the one, but the kid is not my son
Billie Jean claims that I am the father of her child, but I deny it. I am the one she wants but not the father of her son
For forty days and forty nights
The law was on her side
But who can stand when she's in demand
Her schemes and plans
'Cause we danced on the floor in the round
So take my strong advice, just remember to always think twice
(Do think twice, do think twice)
She had the support of the law for a period of time, and it was tough to refuse her demands. However, I advise to think twice before taking action
She told my baby we'd danced 'til three, then she looked at me
Then showed a photo my baby cried his eyes were like mine (oh, no)
'Cause we danced on the floor in the round, baby
She told my child that we danced until late and showed him a picture, which made my baby cry as he looks like me. We have danced together in the round before
She came and stood right by me
Just the smell of sweet perfume
This happened much too soon
She called me to her room
She came close to me and had a strong perfume scent. Things went too fast, and she invited me to her room
She says I am the one
You know what you did, (she says he is my son) breaking my heart babe
She says I am the one
She insists that I am the one who broke her heart and caused her pain, and that her son belongs to me
Billie Jean is not my lover
I reiterate that Billie Jean is not my lover
Billie Jean is not my lover (don't Billie Jean)
I state that Billie Jean is not my lover and request not to call me that
Billie Jean is not my lover
I remind again that Billie Jean is not my lover
Lyrics © Sony/ATV Music Publishing LLC
Written by: Michael Jackson
Lyrics Licensed & Provided by LyricFind
Brittany Smith
I love this song
@jarlyjhosmel18
1970: Michael es grandioso.
1980: Michael es grandioso.
1990: Michael es grandioso.
2000: Michael es grandioso.
2010: Michael es grandioso.
2020: Michael es grandioso.
Michael Jackson será grandioso para siempre.
1970: Michael is great.
1980: Michael is great.
1990: Michael is great.
2000: Michael is great.
2010: Michael is great.
2020: Michael is great.
Michael Jackson will be great forever.
@mariamccartney2322
me want to search Billie Jean
me: Billi-
yt: billie eilish
me: no
@maxiu3130
Yes
@andresricardogarcia1481
No, god please no! XD
@redwolfamy9714
SAME OMG
@quebestiaimhungry
don't woosh me for saying this, but u can just put bj mj
@emiliolaruso7447
Im billy Ohh
@jarlyjhosmel18
1970: Michael es grandioso.
1980: Michael es grandioso.
1990: Michael es grandioso.
2000: Michael es grandioso.
2010: Michael es grandioso.
2020: Michael es grandioso.
Michael Jackson será grandioso para siempre.
1970: Michael is great.
1980: Michael is great.
1990: Michael is great.
2000: Michael is great.
2010: Michael is great.
2020: Michael is great.
Michael Jackson will be great forever.
@oscarmat1780
💙💜👌
@soft9949
@OMC._. XD 🤔