Method Man spent a childhood split between separated parents in Long Island and Staten Island, and in an apparent precursor to his career in hip hop was introduced both to playing drums and to poetry by his father. Not only was Method interested in music, he was also fascinated by comic books and particularly Ghost Rider, a fascination which manifested itself years later in several of his many rap aliases. His pre-hip hop adult life was mostly split between drug dealing and low-paid jobs (including a stint working at the Statue of Liberty, along with future Wu-Tang colleague U-God). After becoming well known on the streets for his rhyming abilities, he joined with 8 friends to form the Wu-Tang Clan in the early 1992.
Since the Wu-Tang Clan's ascendancy to hip hop stardom, Method Man has always been one of the most visible members of the collective. He was one of only two of the group to get a solo song on the group's debut album Enter the Wu-Tang: 36 Chambers and he was the first to release a solo album under the Clan's unusual contract which allows its members to release albums under any record label (Method chose to sign with legendary rap label Def Jam). Method Man's solo debut, Tical (1994) was critically acclaimed and extremely popular, entering the American charts at #4 and eventually selling in excess of one million copies.
He soon collaborated with Mary J. Blige and Redman with a series of hit singles, one of which (the Blige duet "I'll Be There For You/You're All I Need To Get By") won a Grammy, before recording the second Wu-Tang album, Wu-Tang Forever.
His second solo album was Tical 2000: Judgement Day (1998), which was heavily influenced by the apocalypse theories surrounding the forthcoming end of the millennium, and which featured a vast amount of guest appearances, from his fellow Clansmen to Lisa "Left Eye" Lopes, D'Angelo, Chris Rock, Mobb Deep, Redman and even Donald Trump. The album sold even better than his first, though reviews were mixed and its long running time and the abundance of between-song comedy skits were criticised by many.
Method Man then toured with Jay-Z and recorded Blackout! with Redman, a light-hearted, fun record with an EPMD-evoking emphasis on funky beats and the mischievous wit and cool flows of the two MCs.
In the twenty-first century, Method Man forged a successful career in acting. As well as his 1998 appearance in the film Belly along with fellow rappers Nas and DMX, Method has also appeared in 187 Oz, How High (a stoner film with Redman), The Wire, My Baby's Daddy, Garden State and Soul Plane, while continuing to record with the Wu-Tang Clan. He also co-starred with Redman in his own Fox sitcom called Method & Red, however after only a short time on the air the show was put on hiatus and never returned. Method Man later complained in the press about Fox's influence on the show's style, claiming that "there's been too much compromise on our side and not enough on their side" and bemoaning the network's decision to add a laugh track.
In 2004, Meth released his third album Tical 0: The Prequel, which spawned a successful single in "What's Happenin" with Busta Rhymes, but was poorly received both by critics and fans. There was trouble even before the album's release when Method apparently complained to the press about excessive interference from Def Jam over the album's beats (Meth supposedly desired more input from Wu-Tang leader RZA). On its release, many fans and critics were taken aback by its strong "mainstream" or "commercial" sound, highlighted by the guest appearances of pop-rap stars of the time Missy Elliot, P. Diddy and Ludacris. However, the album sold reasonably well, selling more than any of the other Wu-Tang solo projects released at around the same time. There was good news in early 2005 for fans who were disappointed with The Prequel as Method Man announced that a new RZA-produced album would be released later in the year. The album ultimately never materialized in 2005, though RZA and Meth continue to work on the album and are now aiming for a mid-2006 release date.
Aliases
Big John Stud
The Ghost Rider (from the comic Ghost Rider)
Hot Nickelz
Hot Nixon
Iron Lung
John-John
Johnny Blaze (from the comic Ghost Rider)
Johnny Dangerous
John-John Blaizini
Methtical (Meth-tical)
Meth
Mr. Meth
MZA ("The Mizza")
The Panty Raider
Shakwon (5% Nation "righteous name")
Tical
Ticallion Stallion
Albums
1994 Tical (Platinum)
1998 Tical 2000: Judgement Day (Platinum)
1999 Blackout! (with Redman) (Platinum)
2004 Tical 0: The Prequel
2006 4:21 The Day After
2009 Blackout! 2 (with Redman)
Singles and EPs
1994 "Bring The Pain"
1995 "I'll Be There For You/You're All I Need To Get By" (with Mary J. Blige)
1995 "Release Yo' Delf"
1998 "Break Ups 2 Make Ups"
1998 "Judgement Day"'
1998 "Grand Finale" (with DMX, Nas & Ja Rule)
1999 "Tear It Off" (Method Man & Redman)
1999 "Da Rockwilder" (Method Man & Redman)
1999 "Y.O.U." (Method Man & Redman)
2004 "What's Happenin" (with Busta Rhymes)
2005 "The Show"
Appears On
1993 Enter the Wu-Tang: 36 Chambers (album by the Wu-Tang Clan)
1994 "The What" (from the The Notorious B.I.G. album Ready to Die)
1995 "Dirty Dancin" (from the Ol' Dirty Bastard album Return To The 36 Chambers: The Dirty Version)
1995 "Got The Flava" (from the Showbiz & AG album Goodfellas)
1995 "Wu-Gambinos" & "Ice Cream" (from the Raekwon album Only Built 4 Cuban Linx)
1995 "Living In The World Today", "Shadowboxin" & "Gold" (from the GZA album Liquid Swords)
1995 "The Riddler" (from the Batman Forever Soundtrack)
1996 "Box In Hand" (from the Ghostface Killah album Ironman)
1996 "Box In Hand (Remix)" (Ghostface Killah single)
1996 "Got My Mind Made Up" (from the 2Pac album All Eyez On Me)
1996 "Do What Ya Feel" (from the Redman album Muddy Waters)
1996 "Extortion" (from the Mobb Deep album Hell On Earth)
1996 "Hit 'Em High" (from the Space Jam soundtrack)
1997 Wu-Tang Forever (album by the Wu-Tang Clan)
1997 "Milk The Cow", "Supa Ninjaz" & "Dart Throwing" (from the Cappadonna album The Pillage)
1997 "Next Up" & "Collaboration 98" (from the Sunz Of Man album The Last Shall Be First)
1997 "4,3,2,1" (from the LL Cool J album Phenonemon)
1998 "Well All Rite Cha" (from the Redman album Doc's Da Name 2000)
1998 "Pussy Pop" (from the Xzibit album 40 Dayz & 40 Nightz)
1998 "Whatcha Gonna Do" (from the Jayo Felony album Whatcha Gonna Do)
1998 "The Worst" (from the Onyx album Shut 'Em Down)
1999 "Rumble" (from the U-God album The Golden Arms Redemption)
1999 "Am I My Brother's Keeper" (from the Shyheim album Manchild)
1999 "Fuck Them" (from the Raekwon album Immobilarity)
1999 "Left & Right" (from the D'Angelo album Voodoo)
1999 "Stringplay" (from the GZA album Beneath The Surface)
1999 "N 2 Gether Now" (from the Limp Bizkit album Significant Other)
1999 "Half Man Half Amazin" (from the Pete Rock album Soul Survivor)
1999 "Three Amigos (If It's On)" (from the Popa Wu album Visions Of The Tenth Chamber)
1999 "NYC Everything" (from the RZA album Bobby Digital In Stereo)
1999 "Simon Says (Remix)" (from the Pharoahe Monch album Internal Affairs)
2000 "Buck 50" (from the Ghostface Killah album Supreme Clientele)
2000 "Fuhgidabowdit" (from the LL Cool J album G.O.A.T.)
2000 "Rollin' (Urban Assault Vehicle)" (from the Limp Bizkit album Chocolate Starfish and the Hot Dog Flavored Water)
2000 The W (album by the Wu-Tang Clan)
2000 "Ghetto Celebrity" (from the album In The Mode by Roni Size & Reprazent
2001 "La Rhumba" & "Glocko Pop" (from the RZA album Digital Bullet)
2001 "Enjoy Da Ride" (from the Redman album Malpractice)
2001 "Dog In Heat" (from the Missy Elliott album Miss E...So Addictive)
2001 "Party & Bullshit" (from the Rush Hour 2 soundtrack)
2001 Iron Flag (album by the Wu-Tang Clan)
2001 "Red Meth And Bee" (from the Cypress Hill album Stoned Raiders)
2002 "Flowers" (from the Ghostface Killah album Bulletproof Wallets)
2003 "Respect Mine" (from the Mathematics album Love, Hell Or Right)
2003 "Love @ 1st Sight" (from the Mary J. Blige album Love & Life)
2003 "We Pop (Remix)" (RZA single)
2003 "Bring The Pain" (from the Missy Elliott album This Is Not A Test!)
2003 "Ice Cream Part 2" (from the Raekwon album Lex Diamonds Story)
2003 "Noble Art" (from the IAM album Revoir Un Printemps)
2003 "Rock 'N' Roll" (from the Naughty By Nature album Icons)
2004 "Secret Rivals" (from the Masta Killa album No Said Date)
2004 "The Drummer" (from the Theodore Unit album 718)
2004 Disciples of the 36 Chambers: Chapter 1 (album by the Wu-Tang Clan)
2005 "Head Rush", "John 3:16" & "Spot Lite" (from the Mathematics album The Problem)
2005 "All My Niggas", "Shoot On Sight (S.O S.)" & "Street Education" (from the Streetlife album Street Education)
2005 "High Rollers" (from the Proof album Searching for Jerry Garcia)
2005 "Still On It" (from the Ashanti album Collectables by Ashanti)
2006 "9 Milli Bros." (from the Ghostface Killah album Fishscale)
The Glide
Method Man Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
It's back to that good ol' thing again, you know?
(Pass that, pass that, man) Word up, we do this tremendously
(It's on, Rae) word up from staircase to stage
Yeah, (yo who that?) you know what it is
(Oh s***, that's the Wu n****z man) aiyo
From out the air space, I'm rockin' leather pants in the tenth grade
Put this s*** back in order, do it like the crack days
Stack up, you little n****z back up, your raps suck
I demolish a maggot, faggot lines, n****, you'se a savage
But don't never compare me to your whack times
I'll smash your hood up, yeah, anybody you call
I straight mash out, for cash n****, put up
The Embassy's calling, Wu-Tang, Wu-Tang
Enemies is falling, y'all n****z ain't good enough
Now acknowledge the strength, we stand like buildings
In the city, raise that rent up, y'all n****z gonna give me, baby
Yeah, what, f***er, we stomp n****z out like X-U-Vs
Then f*** ya girl in the butt
Nine rap playboys, see me in the Playboy Mansion
With the playboys on, I play rid up
N****, we glide when we ride, don't choke when we smoke
Disrespect fam, yo a** gon' get smoked
We got real money, seven figure deal money
I'm in the Samuel Jackson, Time to Kill money
Yeah, we got them anthems, we handsome and raw
All day, cops harass, but we laugh at the law
And a fiend got my stash, I blast through your door
I caught her with the four, his dame was frozen
She loves sniffing coke til her veins is bulging
You punk motherf***er, your ribs is frail
I've been eating calamari, getting big in jail
N****, we glide when we ride, don't choke when we smoke
I got that side dish super today, eye candy
With the sweetest love, one bite, your tooth'll decay
I'm moving units like I'm moving the yae, and like they say
In this business, you either in it, b****, or you in the way
Sky's the limit, I ain't come here to play, or come to s*** where I lay
Who in that six blunt, clipping his tray
Sippin' some Ice Water, dipping with Rae
Tipping these tricks, dripping for pay
And knowing half them b****es is gay
T.M.I. blowing tree in sky, we on the job
So be advised, that whack n****z, needing apply
S.I., represent til we die, this track is pitching to fry
Enter the Dragon, I be spitting that fire
Keep ya balls off, so calling you dogs off
'cause word to these jeans, hanging off of my a**, I never fall off
The sensei, with this pen I slay
Pick up a queen in Miami, then get M.I.A., John Blaze, b****
N****, we glide when we ride, don't choke when we smoke
Disrespect fam, yo a** gon' get smoked
We got real money, seven figure deal money
I'm in the Samuel Jackson, Time to Kill money
N****, we glide when we ride, don't choke when we smoke
Disrespect fam, yo a** gon' get smoked
We got real money, seven figure deal money
I'm in the Samuel Jackson, Time to Kill money
The Glide by Method Man is a song that belongs to his fourth studio album called "4:21". The song starts with Method Man nodding to his Wu-Tang roots and detailing his previous experiences in hip-hop. He boasts about his ability to take down anyone who dares to come in his way, and he compares himself with a drug dealer from the crack era. He continues with threats to his enemies, implying that they can never match his level of skill. The lyrics mention that they take pride in their wealth, and their strength comes from their bond as a group, like "buildings" that stand together. The song finishes with Method Man mocking his adversaries, elevating his status as a player in the rap game, and delivering a few last blows to his enemies.
One interesting fact is that the song features two other Wu-Tang members, Streetlife and Raekwon, whose distinctive voices can be heard throughout the track. Additionally, the song samples the Commodore's song "Say Yeah," and it draws a connection between Method Man's present-day success and his past affiliations with Wu-Tang Clan. Another notable fact is that The Glide has been used in various movies and TV shows, including the 2012 movie "The Man with the Iron Fists" and the TV show "Breaking Bad." Besides, the song was released on May 15, 2006, and it received favorable reviews from fans and critics alike.
The chords for The Glide are unavailable as the song heavily relies on its drum loops and sampling. However, one might notice the song's frequent use of Major and Minor chords to create a feeling of tension and release. Also, Method Man's flow and enthralling rhymes give the song a futuristic vibe that are almost palpable. Fun Fact: The song's chorus "N****, we glide when we ride, don't choke when we smoke" is a reference to Outkast's song "Player's Ball," which is an early '90s Atlanta hip-hop classic.
Line by Line Meaning
Wu-Tang, yeah (what up son) you know
Introducing the Wu-Tang Clan to the listener
It's back to that good ol' thing again, you know?
Returning to the classic sound of the Wu-Tang Clan
(Pass that, pass that, man) Word up, we do this tremendously
Passing the weed and proclaiming their impressive skills
(It's on, Rae) word up from staircase to stage
Acknowledging their impressive performances from the streets to the stage
Yeah, (yo who that?) you know what it is
Asserting their presence as the Wu-Tang Clan
(Oh s***, that's the Wu n****z man) aiyo
Recognizing the Wu-Tang Clan's reputation and influence
From out the air space, I'm rockin' leather pants in the tenth grade
Recalling his past and bragging about his style
My pen blaze, now we in the wind gate, killin' haze
Boasting about his impressive lyrics and skill level
Put this s*** back in order, do it like the crack days
Calling for a return to the energy and intensity of the past
Stack up, you little n****z back up, your raps suck
Demeaning lesser rappers and asserting his own superiority
I demolish a maggot, faggot lines, n****, you'se a savage
Continuing to insult lesser rappers and their lyrical abilities
But don't never compare me to your whack times
Rejecting comparisons to lesser rappers and asserting his own unique style
I'll smash your hood up, yeah, anybody you call
Threatening violence against those who oppose him or disrespect the Wu-Tang Clan
I straight mash out, for cash n****, put up
Conveying a willingness to take on challenges and make money
The Embassy's calling, Wu-Tang, Wu-Tang
Paying homage to the Wu-Tang Clan and their influence in the hip-hop community
Enemies is falling, y'all n****z ain't good enough
Boasting about their success and dominance over lesser rappers
Now acknowledge the strength, we stand like buildings
Asserting their strength and perseverance as a group
In the city, raise that rent up, y'all n****z gonna give me, baby
Bringing their influence to the city and demanding respect
Yeah, what, f***er, we stomp n****z out like X-U-Vs
Boasting about their ability to take out their competition
Then f*** ya girl in the butt
Boasting about their sexual conquests
Nine rap playboys, see me in the Playboy Mansion
Boasting about their success and rumored party lifestyle
With the playboys on, I play rid up
Continuing to boast about their flashy, luxurious lifestyle
N****, we glide when we ride, don't choke when we smoke
Asserting their coolness and confidence in their skills and weed-smoking abilities
Disrespect fam, yo a** gon' get smoked
Threatening violence against those who disrespect or insult their family
We got real money, seven figure deal money
Boasting about their wealth and success in the music industry
I'm in the Samuel Jackson, Time to Kill money
Boasting about having the same level of wealth as a successful actor
Yeah, we got them anthems, we handsome and raw
Boasting about their hit songs and impressive looks and skills
All day, cops harass, but we laugh at the law
Defining their rebellion against authority and police harassment
And a fiend got my stash, I blast through your door
Boasting about their violent response to threats or theft of their property
I caught her with the four, his dame was frozen
Boasting about his sexual exploits and dominance over women
She loves sniffing coke til her veins is bulging
Describing the drug use and addiction of a woman he was involved with
You punk motherf***er, your ribs is frail
Insulting a lesser rapper and suggesting that they are weak
I've been eating calamari, getting big in jail
Boasting about his strength and physique, even while in prison
I got that side dish super today, eye candy
Describing a particularly attractive woman he has met
With the sweetest love, one bite, your tooth'll decay
Comparing the sexual satisfaction he provides to a dangerous, but addictive candy
I'm moving units like I'm moving the yae, and like they say
Boasting about his sales and business savvy
In this business, you either in it, b****, or you in the way
Asserting that success in the music industry requires dedication and hard work
Sky's the limit, I ain't come here to play, or come to s*** where I lay
Asserting his ambition and refusal to settle for mediocrity
Who in that six blunt, clipping his tray
Asking who is rolling their marijuana in a six blunt wrap
Sippin' some Ice Water, dipping with Rae
Relaxing with friends and fellow rappers
Tipping these tricks, dripping for pay
Boasting about their success with women and financial gains
And knowing half them b****es is gay
Asserting knowledge and awareness of certain women's sexual orientations
T.M.I. blowing tree in sky, we on the job
Smoking marijuana and continuing to work hard
So be advised, that whack n****z, needing apply
Warning lesser rappers that they are not welcome among the Wu-Tang Clan
S.I., represent til we die, this track is pitching to fry
Representing their home city and asserting their loyalty to each other as a group
Enter the Dragon, I be spitting that fire
Comparing himself to a martial arts icon and asserting his impressive lyrical abilities
Keep ya balls off, so calling you dogs off
Threatening violence against those who challenge or disrespect him
'cause word to these jeans, hanging off of my a**, I never fall off
Asserting his style and confidence, even when confronted with adversity
The sensei, with this pen I slay
Boasting of his mastery and skill with a pen
Pick up a queen in Miami, then get M.I.A., John Blaze, b****
Boasting about his conquests and success, while also referencing popular culture
Lyrics © Universal Music Publishing Group
Written by: ROBERT F. DIGGS, CLIFFORD SMITH, COREY WOODS, LAMONT HAWKINS, L. JACKSON
Lyrics Licensed & Provided by LyricFind
Jethro Bro
2k20 love it
Gunnar Hanson
listen to this album near daily, dude is so slept on
#PIMPADOCIOUS
ODB - Skrilla feat.Rza
Ason Unique
Thank You Ol' Dirty for this track
Jose Rodriguez
Tical
Francis berube
wu