Sparrow's roots are in Gran Roi, a rural fishing village in Grenada. He was born to a poor working class family. They migrated to his adopted homeland, Trinidad, when he was just one year old. He attended the New Town Boys School where he was selected to sing in the boys. choir of St. Patrick's Catholic Church. This was his initial involvement in music. The harmonics of the Gregorian Chants and the Plainsongs of the church that were embedded in him would later affect the depth and intensity of his compositions. His vocal abilities also reflect his childhood role as the head choirboy who sang baritone and tenor in Latin in the church.
Other influences included listening to American street quartets, pop tunes by Nat King Cole and Frankie Laine, Sarah Vaughn, Billy Eckstein, Frank Sinatra and Ella Fitzgerald with their jazz contributions, and the early calypsoes of Lord Melody, Lord Kitchener, Lord Christo, Lord Invader (of Rum and Coca Cola fame) and the Mighty Spoiler, to name a few.
At the tender age of 20, Sparrow emerged, as the leading Calypsonian with his record-breaking hit, Jean and Dinah. (Yankees Gone, 1956 covered by Harry Belafonte). Throughout the years he managed to showcase his diversity each year with the release of at least one album dating from the catchy Jean and Dinah. in 1956 to Carnival Boycott (1957, a song responsible for the many changes and improvement for mass men, calypsonians and steelband men). This song was eventually responsible for the formation of the Carnival Development Committee. An organization to assist calypsonians, steelband men and mas men. This committee was fully endorsed by the Founding Father of Trinidad and Tobago, Dr. Eric Eustace Williams.
In 1958 he became the only calypsonian to have had a triple win, in the same year, in the Road March Competition. The calypsoes were P.A.Y.E. (Pay As You Earn, a song that enabled the citizens of Trinidad and Tobago, to understand the importance of paying taxes). Russian Satellite (a song reflecting on the act of cruelty to animals) and Theresa (a number where, for the first time in his career, he utilized other languages). In an unprecedented move, he was awarded a cash prize by the Carnival Development Committee, for winning the Road March Competition that year.
In 1959 he released Federation, (a song that reflected his disappointment over the breaking up of the proposed Caribbean Federation). In 1960 his career continued to soar with the melodious May May and Leave the damn Doctor, Royal Jail and Ten to one is Murder followed in 1961. In 1962 he presented us with Sparrow Come Back Home and Model Nation. Dan is the Man in the Van came in 1963 and the Village Ram in 1964.
In 1965 we experienced Congo Man. In that same year Sparrow proved himself a balladeer with his remake of Arthur Prysock's original, Only A Fool Breaks His Own Heart accompanied by Byron Lee and the Dragonaires. This rendition won him a Gold Record in Holland. He also recorded Frank Sinatra's My Way and Lucho Gatica's "El Reloj".
In 1966, He won the Road March Competition again with Melda and 1967 he advised the youth on the importance of Education. Mr. Walker was his hit in 1968, he won the Road March Competition again in 1969 with Sa Sa Yea and in 1970 he appealed to the people of this world to Love one Another and Lend A Hand. These songs appealed to the country for unity "Unity somehow if Trinidad ever needed you is now".
In 1971 Good Citizen followed and in 1972 he won the Calypso Monarch and Road March Competitions with Drunk and Disorderly. No Kind of Man at all was released in 1973 and We Pass That Stage (a strong social commentary in 1974. In 1975 he gave us a psychological analysis, showing where the rich is envious of the poor with Neurosis of the Rich. The Mayor of Detroit, Coleman Young, also presented him with the keys to the city.
In 1976 we got the humorous Salt Fish, and in 1977 he lead the Caribbean with a tribute to Hasley Crawford, the Olympic Gold Medallist. In the same year, during FESTAC, in Nigeria, Sparrow received the honorary title of Chief of the Yorubas, (which is Chief Omo Wale of Ikoyi).
In 1978 he paid tribute to Penny Commissiong (the first black Miss Universe) with The First Black Miss Universe, and chided Idi Amin Dada, tyrant in Africa. Kerry Packer (a song about the cricket revolution) followed in 1979 and in 1980 the Shah of Iran (Wanted Dead or Alive ). This number was covered by the popular American group, Manhattan Transfer.
Sparrow continued to climb the ladder of success while becoming the most popular caypsonian of all time. He demonstrated year after year, with his social commentaries that the calypsonian is really the eyes and ears of the people. In 1981 he registered his social/political Commentaries. We Like It So and his first chutney contribution Sexy Marajhin another liguistic inclusion. In 1982 he gave us Human Rights and in 1983 another powerful, State of the Union address Capitalism Gone Mad. He added another Road March title to his record in 1984 with Doh Back Back and in 1985 he demonstrated to the youth in the business that he can step up to another level when necessary with Soca Pressure.
Around this same time, Mayor Ed Koch of New York proclaimed March 18th, The Mighty Sparrow Day. He dealt with another evil of society in 1986 advising the vulnerable that Coke Is Not It. In 1987 he thrilled the world with another classic, the humorous Lying Excuses. He made another appearance in Nigeria, this time as Chief Omo Wale of Ikoyi, during his National Tour of Afirca and upon his return he was awarded an Honorary Doctorate Degree, Doctor of Letters, from the University of the West Indies. Hence, the reason for Dr. Bird his chronicling of the event at the University of the West Indies, (using humor again as he always does She had a headache and this Dr. Bird performed a myomectamy on her) in 1988.
Manjhay, and Dutch Romance (which gave us a touch of French and Dutch languages) in 1989. In 1990 he gave us Let the Music Play and was inducted into the SUNSHINE Awards Calypso and Steelband Music Hall of Fame on June 24th. That same day the Brooklyn Borough President, Howard Golder proclaimed the day The Mighty Sparrow Day. Another strong social commentary, We Could Make It Easy If We Try and Precious a dedication to his daughter followed in 1991.
Sparrow continued to define the true meaning of "The Calypso King of the World. In 1992 with Both of Them, Crown Heights Justice and Man will Survive. All making a big impact in the Caribbean and the United States.
In 1993 he sang Put On Your Dancing Shoes and More the Merrier and in 1994 told the youth on his heels that Age Is Just A Number and Salvation, underscoring his roots as a choirboy in the church. In 1995 he gave us a course in history where once again he kept the linguistic involvement Democracy In Haiti (Liberte) and a keen sense of observation with the social situation at home This Is Madness, ("Why have we cast aside intelligence and abandon common sense with unprecedented violence for which there is no known defense"). Incidentally these gems earned him third place in the Calypso Monarch Competition. He gave us OJ (the juice is loose) and the Royal Divorce in 1996 and an assortment of Soca Ballads in 1997.
This illustrious lyricist/composer/singer/comedian/entertainer is an 11 time Calypso Monarch. This includes winning the King of Kings Competition (where every monarch in the calypso world is invited to compete against the Mighty Sparrow, each time suffering total defeat at his hands) in Trinidad. He also won the Trinidad and Tobago's Carnival Road March Competition eight (8) times, second only to the Lord Kitchener, (his songs were selected and played most often by the bands in this category). Sparrow received many other University citations and awards from Governments and organizations too numerous to mention.
Now in 1998, The Mighty Sparrow, continues to rule the Calypso/Soca world with his voice, lyrics and melodies. He is demonstrating once more that he is the King. His new release, The Supreme Serenader is full of dance, humor and facts. The first track Paramaribo is not only a beautiful rendition of how he was captivated by the girls in Surinam but it also demonstrates the depth of his thoughts and his gratitude for a land of style and grace.
Santo Domingo is a track full of dance and proof positive that the King is truly global with his music. He will be embraced by the Latino communities around the world for this one. Racism is a very powerful social commentary, both lyrically and musically. In this song, Sparrow once again deals with an issue of international concern while at the same time reflecting on those who have been in the forefront of the struggle.
Willie Dead is a humorously and classically executed double entendre, so convincing that you will mourn for Willie. Another powerful and appealing social commentary is Raperman. The King assumes the role of messenger and protector of women and underscores his position with the following tracks, Born To Love, and Don't Give It Up.
The Mighty Sparrow has proved himself as the Quintessential Calypsonian, par excellence, with over seventy (70) albums to his credit. He is richly endowed with many gifts. He possesses an amazing ability not only to put into works and tempo the exploits of society, but to crown it all with showmanship and appeal. His great contribution to the artform and our lives has unraveled the mysteries of Caribbean life, leaving the professionally trained sociologist and economist befuddled.
A combination of talent, hard work and opportunity enabled Sparrow's ascendance to Calypso King of the World. He brought honor, glory and dignity to an indigenous art form that was once scorned upon by the elite of Caribbean society. He is one extraordinary entertainer who utilizes the medium he masters not just to entertain but also to edify, enlighten, and educate.
The King is currently preparing for the new millennium when he will re-enter the World Monarch and Road March Competitions for a cataclysmic encounter with his competitors.
Without doubt, as The Mighty Sparrow, The King of Kings, is the real Supreme Serenader.
Patsy
Mighty Sparrow Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But girl, it is getting late
Patsy, don't try to tempt me
You ain't know, you ain't know
But you testing me faith"
"Oh yo yo, get away from me, you see
You too small, you too small dou-dou"She say "Who you talking to, dou-dou?"
She say "If anybody too small is you!"
"Patsy, you must be crazy
How you goin' make, I mean an open statement like that?
Maybe you would like to have me
Locho making time
Like man noh with the blasting cap"
"Aye aye aye, get away from me, you see
You too small, you too small dou-dou"
She say "Who you talking to, boo-boo?
Sparrow if anybody too small is you!"
"Darling look how I trembling
Please don't make me lose control
It is evening but you should be leaving
Don't let me have the cause
To sing me soul"
"Oh yo yo, get away from me, you see
You too small, you too small dou-dou"
She say "Who you talking to, dou-dou?
Sparrow if anybody too small is old you!"
"Patsy look you look so dainty
She said "I am not!
Sparrow me ain't frightened
Come on, come on, come on!"
"Aye aye aye, get away from me, you see
You too small, you going make me feel like a brute"
To my surprise she wasn't telling lies
"You're no little Patsy, that's talking the truth!"
The Mighty Sparrow's song "Patsy" is a flirtation song between two individuals named Sparrow and Patsy. Sparrow compliments Patsy, who looks lovely, but reminds her that it's getting late and she shouldn't try to tempt him. Patsy responds by saying that if anyone is too small, it's Sparrow. They continue to banter back and forth with Sparrow insisting that Patsy is crazy if she thinks he wants to be with her, and Patsy challenging Sparrow's masculinity by calling him "dou-dou" and "boo-boo." Sparrow then gets nervous and asks Patsy to leave, to which she responds by saying that she is not frightened and Sparrow is not as big and strong as he thinks he is.
One possible interpretation of the song could be a commentary on gender roles and power dynamics in relationships. Sparrow tries to assert his dominance over Patsy, but she refuses to be intimidated by him and challenges his masculinity instead. The lyrics also play on cultural stereotypes of masculinity and femininity, with Sparrow being expected to act tough and in control, while Patsy is expected to be demure and submissive. The song could be seen as a critique of these gender norms and an attempt to subvert them through humor and irony.
Line by Line Meaning
Patsy, you look so lovely
Mighty Sparrow finds Patsy beautiful
But girl, it is getting late
Mighty Sparrow acknowledges that it is late
Patsy, don't try to tempt me
Mighty Sparrow asks Patsy not to tempt him
You ain't know, you ain't know
Mighty Sparrow implies that Patsy might not know the extent of her actions
But you testing me faith
Mighty Sparrow is being tested and is unsure about his faith
Oh yo yo, get away from me, you see
Mighty Sparrow is telling Patsy to move away
You too small, you too small dou-dou"
Mighty Sparrow is teasing Patsy for being small
She say "Who you talking to, dou-dou?"
Patsy questions Mighty Sparrow's statement
She say "If anybody too small is you!"
Patsy is telling Mighty Sparrow that he is the one who is too small, not her
Patsy, you must be crazy
Mighty Sparrow thinks Patsy is crazy for making a bold statement
How you goin' make, I mean an open statement like that?
Mighty Sparrow questions Patsy's statement
Maybe you would like to have me
Mighty Sparrow thinks Patsy wants him
Locho making time
Mighty Sparrow suggests that Patsy wants to have sex with him
Like man noh with the blasting cap
Mighty Sparrow is using a metaphor to suggest that sex with Patsy will be explosive
Aye aye aye, get away from me, you see
Mighty Sparrow is telling Patsy to move away again
She say "Who you talking to, boo-boo?
Patsy questions Mighty Sparrow again
Sparrow if anybody too small is you!"
Patsy is teasing Mighty Sparrow for being small
Darling look how I trembling
Mighty Sparrow is trembling with desire
Please don't make me lose control
Mighty Sparrow is asking Patsy not to make him lose control
It is evening but you should be leaving
Mighty Sparrow thinks it is time for Patsy to leave
Don't let me have the cause
Mighty Sparrow is asking Patsy not to give him a reason
To sing me soul
Mighty Sparrow is suggesting that Patsy might make him very sad
Patsy look you look so dainty
Mighty Sparrow is complimenting Patsy again
And I'm so big and strong
Mighty Sparrow is emphasizing that he is a big, strong man
She said "I am not!
Patsy is disagreeing with Mighty Sparrow
Sparrow me ain't frightened
Patsy is telling Mighty Sparrow that she is not afraid of him
Come on, come on, come on!"
Patsy is inviting Mighty Sparrow to make a move
You too small, you going make me feel like a brute
Patsy is telling Mighty Sparrow that his size doesn't matter
To my surprise she wasn't telling lies
Mighty Sparrow is surprised that Patsy was telling the truth
"You're no little Patsy, that's talking the truth!"
Patsy is confirming that she is not as innocent as Mighty Sparrow thought
Contributed by Aubrey G. Suggest a correction in the comments below.
@cherylashby6728
One of my Spartow Favourite, There Will NEVER Be Another SPARROW👏👏👏👍👍
@riyadhrafique8377
Sparrow is the KING of double entendre!!!!
@normanosborne7367
DOCTOR BIRD HAD SO MUCH ""STYLE"" CHARISMA TO DASH IN THE MIX. PATSY ANOTHER FAVORITE CLASSIC OF MINE.
@bondeebryan411
Will we ever see another Sparrow in our lifetime?
Like Ali like Sobers, Never.!
@sbhawanie69
Oh Wow! One of my dad's favourites
@cherylashby6728
There will never be another SPARROW, one of my favourite,
@jerardnijel
Sparrow was really crazy yes!! Ah killing meh self here loool!!!!
@ianpatterson8838
Yeah Mon it irie n sweeeeet
@nicolebranche5302
i can imagin him calling her name patricia in his husky sexy voice