Miriam Makeba used her voice to entertain, but also to give a voice to millions of oppressed fellow South Africans who suffered as a result of apartheid. The price she had to pay for her actions was high, namely her South African citizenship. After she appeared, in 1960, in the an anti-apartheid documentary Come Back, Africa, the South African regime banned her from returning to her home country and took away her citizenship.
This event didn't stop her from continuing to raise her voice against the apartheid regime. Between 1964 and 1975, as a United Nations delegate of Guinea where she was granted asylum, Miriam Makeba addressed the General Assembly of the United Nations regularly on the tragic developments in South Africa.
Meanwhile she carried on singing, a process in which she put South African music on the map. Over the years Makeba worked with artists as Joe Sample, Stix Hooper, Arthur Adams, and David T. Walker of The Crusaders. In the late 1980's she joined Paul Simon and Ladysmith Black Mambazo during their world-wide Graceland tour and in 1990 she worked with Odetta and Nina Simone for the One Nation tour.
Following Nelson Mandela's release from prison, the citizen of the world Makeba returned to South Africa in December 1990; more than thirty years after she went in exile. In April 1991 she performed her first concert in her homeland in three decades.
The years after were busy ones for Makeba. She starred in the South African award-winning musical Sarafina! , about the 1976 Soweto youth uprisings, playing the role of the title character's mother. She then reunited with her first husband, trumpeter Hugh Masekela, for the Tour Of Hope. She also performed at the Vatican's Nevi Hall during the world-wide broadcasted show, Christmas In The Vatican. In 2000 Makeba released the grammy-nominated Homeland, her first studio album in a decade. In 2002 she shared the Polar Music Prize with Sofia Gubaidulina, in recognition of her exceptional achievements in the creation and advancement of music.
After her return to South Africa Miriam Makeba recorded over ten albums. In 2004, at the age of 72, she relased Reflections honoring the tenth anniversary of the end of apartheid in South Africa. In that same year Makeba was voted 38th in the Top 100 Great South Africans. She also started a 14 month worldwide farwell tour in 2005, holding concerts in all countries she had visited during her life.
With an impressive career spanning more than four decades Miriam Makeba is, indeed, one of the most respected, loved and cherished treasures in (South) Africa.
On the early morning of 10th of November 2008 she died at the age of 76 after being taken ill near the southern Italian town of Caserta, after performing at a concert against organized crime.
Source: Miriam Makeba, A true South African musical Legend
Discography on last.fm
External links:
Official website
Unofficial website
Movie database
Make Us One
Miriam Makeba Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
We've left our parents miles and miles away
So let us make this trip together and make us live in peace
Lord make us one
We've come from far away places tot he golden city
We've left our parents miles and miles away
So let us make this trip together and make us live in peace
We come from different types of Nations and different homes
But now we're forming one big family
So let us make this trip together and make us live in peace
Lord make uso one
Make us live in harmony, like children of the Lord
We come from different types of Nations and different homes
But now we're forming one big family
So let us make this trip together and make us live in peace
Lord make uso one
Make us live in harmony, like children of the Lord
We come from different types of Nations and different homes
But now we're forming one big family
So let us make this trip together and make us live in peace
Lord make uso one
We've come from far away places tot he golden city
We've left our parents miles and miles away
So let us make this trip together and make us live in peace
Lord make uso one
Lord make us one
Miriam Makeba's "Make Us One" is a song that speaks to the plight of people who have left their homes and families to immigrate to a foreign land. The song is a prayer that they remain united and in peace amidst the hardships of assimilating into a new culture. Miriam Makeba expresses the sense of dislocation that immigrants often feel, having to give up the familiarity of their home countries and adjust to new ways of life.
The opening lines, "We've come from far away places, to the golden city/ We've left our parents miles and miles away" sets the stage for the theme of the song. The golden city stands for the bright new opportunities of the United States that they have come to seek. The miles and miles of separation that they have left behind, however, holds the essence of their culture and roots that they do not want to forget. The song is about the hope that they can retain their identity while also embracing their new home and making it work for them.
The repeated refrain of "Lord make us one" is a spiritual plea for unity and peace amongst the immigrants from various nations forming one big family in the golden city. Makeba's lyrics embrace the idea of solidarity and togetherness in different ways, assuring the listener that they are not alone, and that there is comfort to be found in shared experiences. The song ultimately calls for harmony and unity among immigrants, regardless of their diverse nationalities, cultural background, or religion.
Line by Line Meaning
We've come form far away places, tot he golden city
Although we may have originated from distant lands, we have journeyed to this beautiful city.
We've left our parents miles and miles away
We have separated ourselves from our families in order to pursue new opportunities in this city.
So let us make this trip together and make us live in peace
Since we are all together in this new place, let us work towards creating a peaceful environment for everyone to live in.
Lord make us one
We ask for divine assistance in helping us unite as one community.
We come from different types of Nations and different homes
Having come from varied backgrounds and homelands, we bring our unique identities to this collective group.
But now we're forming one big family
Despite our differences, we are coming together to create a strong, united family.
Make us live in harmony, like children of the Lord
We hope to live in peaceful harmony, much like how children of God are meant to coexist peacefully.
Writer(s): Gibson Kente
Contributed by Ryan S. Suggest a correction in the comments below.
Mfundo Piti
on To Those We Love (Nongqongqo)
At the time the song was composed and released all the people mentioned ((Mangaliso) Sobukhwe, (Albert) Luthuli, (Nelson) Mandela, and (Walter) Sisulu were alive. While the three were in prison at Robben Island, Luthuli was not in prison, hence the question to Luthuli asking what "will you do?". Luthuli was the president of the banned African National Congress (ANC). Sobukhwe the president of Pan Africanist Congress (PAC). Mandela and Sisulu occupied executive leadership positions within the ANC at the time of their sentencing to serve life sentences in prison (1964). The same question is asked to all Africans.
Mfundo Piti
on To Those We Love (Nongqongqo)
The lyrics of "To Those We Love" by Miriam Makeba are about the struggles, sacrifices, and resilience of great African leaders who fought for freedom, justice, and equality. The repetitive chorus, "Bahleli bonke entilongweni, Bahleli bonke kwaNongqongqo" refers to how all these leaders, including Sobukwe, Luthuli, Mandela, and Sisulu, are resting in peace or buried in their respective homes. The verses pose questions about their legacy and the continuation of their work, asking "Why, Baba Luthuli? What will you do?" and "What will happen to us, MaAfrica?" These questions are a call to action for listeners to carry on the struggle for freedom and justice.
Junior
on Soweto Blues
The melancholy in her voice
Junior
on Mama
It makes me cry I could not bury my mother cause I was in prison when I ask prison authorities to allow me an opportunity to go and attend the funeral they refused. We always underestimate the role of women
no
on Beware, Verwoerd! (Ndodemnyama)
no
hi! i enjoted. this song. i loved it
Matt Olomu
on Noweva
This is your challenge, South Africans who understand the lyrics of NOWEVER. Do yourselves and Africa a favour. Interpret it.