Exogenesis: Symphony
Muse Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Let's start over again
Why can't we start it over again
Just let us start it over again
And we'll be good
This time we'll get it, get it right
It's our last chance to forgive ourselves




Overall Meaning

"Muse's song Exogenesis: Symphony" is a three-part symphony that is spread out through three of the band's albums. The lyrics of the song are very emotional and intense, and the meaning behind the lyrics is quite thought-provoking. The above lyrics represent the concluding part of the symphony where the singer accepts his past mistakes and wants to make amends.


The singer attempts to start things over again, indicating his desire to begin anew. The repetition of the phrase emphasizes the essentiality of starting afresh to make things right. The lines "This time we'll get it, get it right" seems to indicate the singer acknowledging that they did make mistakes and are determined to correct those mistakes this time around. The last line states "It's our last chance to forgive ourselves," which denotes that the singer has realized that forgiveness is not only associated with others, but also with oneself.


In summary, the above lyrics evoke a sense of catharsis, where the singer comes to terms with their past mistakes and attempts to move forward.


Line by Line Meaning

Let's start over again
Let us begin anew


Why can't we start it over again
What prevents us from starting afresh?


Just let us start it over again
Simply allow us to start again


And we'll be good
And we'll be okay


This time we'll get it, get it right
This time we'll succeed, we'll do it correctly


It's our last chance to forgive ourselves
This is our final opportunity to absolve ourselves




Lyrics ยฉ Warner/Chappell Music, Inc.
Written by: MATT BELLAMY, MATTHEW JAMES BELLAMY

Lyrics Licensed & Provided by LyricFind
To comment on or correct specific content, highlight it

Genre not found
Artist not found
Album not found
Song not found
Most interesting comments from YouTube:

Francisco R. Aguilera

'The Resistance' was the first MUSE album I heard, it seemed incredibly good to me until 'Exogenesis Symphony' came along and the first time I heard it I had no words to describe the feelings it produced in me.

It is a masterpiece of the incredible Matthew Bellamy, inspired by the progressive rock of the 70 'and the finest pieces of classic composers, it reminded me of Pink Floyd (another of my favorite bands) and their album' The Dark Side of the Moon', the constant experimentation with sounds, chords, and vowels, that juxtaposition between digital and analog elements, at the sonic level presents a deeply rooted complexity.

My interpretation of the symphony is panspermia. Humanity, reluctant to take for granted that the Earth is finished, is forced to flourish again elsewhere in the Cosmos. The physicist Carl Sagan used to say: "Nitrogen is in our DNA, calcium in our teeth, iron in our blood, we were made inside collapsing stars, we're made of star-stuff." In a way, we are a product of the celestial bodies. The word "exogenesis" means "originated from outside", and each piece is told in a linear way with different musical arrangements, but capable of connecting the story in an epic way.

The first part (Overture) embodies humanity's struggle against its own final destiny, a consequence of its own actions. "Caught in God's program. Who are we? Where are we? Why are we?" describes the natural questioning of human beings about questions that will never have a clear answer. In the end, when Bellamy sings: "I cannot forgive you, and I cannot forget", he may be referring to the "God's program" that could do nothing to prevent the jaded end of earthly civilization, or to the very human beings who seek passionately blaming their peers for those acts they commit themselves. "Overture" is a hymn to anxiety, exasperation and that feeling of not being able to go back in time and the acts that happen in it, in the end, humanity, without hope, questions the very reason for existing if the final end is already written.

The second part (Cross-Pollination) begins with a surprising piano arrangement, similar to the pieces by the Polish composer Frรฉdรฉric Chopin and the Hungarian virtuoso Franz Liszt. "Cross-Pollination" is actually a natural process, this type of pollination is characterized by the transfer of pollen grains loaded with genetic material from a flowering plant (angiosperm) to another that is further away, unlike the auto-pollination (pollen transfer) in the same flowers of a single plant. For obvious reasons, cross-pollination has evolutionary advantages. The Encyclopedia Britannica argues: "Genetic variability within a cross-pollinating population may allow some individuals to adapt to their new situation, ensuring the survival of the species."

The incredible thing about this is that cross-pollination usually occurs thanks to a natural agent such as wind, and in this piece of the symphony, Bellamy sings: "Rise above the crowds, through the toxic clouds and break the outer sphere" and sentence in an epic crescendo that "it is up to you to spread our codes to the stars." That parallelism between a fully natural fact and the hope of humanity to perpetuate its species in the middle of an epic cataclysm, loaded with a sublime arrangement performed on the piano, almost brought me to tears the first time I heard it.

"Cross-Pollination" is the hope that humanity will find a space outside its "container" flower (Earth) in the farthest reaches of the universe. Unlike "Overture", this piece contrasts the feeling we have when something that we thought was totally lost, still has opportunities to be reborn; It is there when we engage in any battle in order to preserve it.

Finally, the piece with which I could not contain emotions arrives: "Redemption". The third part of the symphony represents humanity that has managed to escape its imminent end, with great difficulty and sacrificing everything it could have had. This piece begins with a timid progressive crescendo, unlike the previous part that symbolized a sense of setback and urgency. "Redemption" begins shyly because it represents all of us when we recover from a fall, we return to ourselves progressively but not in a hurry, also the product of our own psychological reaction to the fear of failing again, but previously we seized on the opportunity to survive, so now we have to look up again. After a majestic progression on the piano accompanied by the violin, Bellamy sings, "Let's start over again. Why can't we start over?" and it starts with a sweet but energetic melody. We have regained our vitality.

I believe that this final part represents humanity seeing a new horizon, those who went into space to look for a new home realize that everything is part of a great cycle, of the great phase to which everything is subjected, up to the existence itself. At this point, Bellamy sings: "Just let us start it over again, and we'll be good. This time we'll get it, get it right. It's the last chance to forgive ourselves" hinting that if we do not change, our destiny will be ruined again. The diminuendo at the end is the representation of humanity accepting its past mistakes, with a view to starting over without making the same mistakes.

Almost 13 minutes of pure magic, an ethereal sensation that cannot be expressed in words. When I finished 'The Resistance', one night when I was not feeling well, I could only feel a few tears falling. I am someone who enjoys art and music, it seems to be the most sublime expression of a human being; Since I was a little boy I have dreamed of the stars, I have observed them and I have asked myself the same questions that some people usually ask about existence, amid innocence and bright eyes. "Exogenesis Symphony" is managed to condense years and years of emotions into a single song.

A musical and literary masterpiece. Since then, MUSE is probably my favorite band.



Crit Shot

Aping my soul
You stole my overture
Trapped in Gods program
Oh I can't escape
Who are we?
Where are we?
When are we?
Why are we?
Who are we?
Where are we?
Why, why, why?
I can't forgive you
And I can't forget



All comments from YouTube:

Mr Kitrid

Classical influences:
4:18 Chopin's "Octaves" Etude
4:40 Rachmaninoff - just his usual chord progressions
8:16 Beethoven's Moonlight Sonata - mov 1
11:45 Chopin's "Wrong Note" Etude - coda

Olesja Isaak

Yesterday was the first time i listened to this beautiful incredible unexpected piece.
So since yesterday, i listen to it, whenever i have a couple of minutes and i cry every time.
I dindt expect this to be so overwhelming. Didn't know about this piece of art from MUSE.
It hit my heart and soul.
And the third part hits my soul everytime, the beauty, the music, the lyrics.
Thank you MUSE.
I love you.

Maria Ayanyan

My final wish is to hear the whole Exogenesis live!

Enrique X MirrorJoe

Sounds like a hard wish to become true but it would be great :)

Kirby Spencer Music

I have, at Wembley, it was awesome. :)

Croasis

Nu uh, they've never played Part 2, and they've played part 3 once in Japan.

Unfunnny Meme

its youtube to probably yes

FreezingDodge

They played part 1 many times in 2010

26 More Replies...

jlo

It's a shame Muse doesn't do this kind of music anymore.

Joor

Imagine If They Combined Their New Electronic Sound With Classical Piano Pieces.

More Comments

More Versions