I've Got Dreams To Remember
Otis Redding Lyrics
I've got dreams, dreams to remember
I've got dreams, dreams to remember
Honey, I saw you there last night
Another man's arms holding you tight
Nobody knows what I feel inside
All I know, I walked away and cried
I've got dreams
Dreams to remember
(I've got dreams) rough dreams (dreams to remember)
I know you said he was just a friend
But I saw him kiss you again and again
These eyes of mine, they don't fool me
Why did he hold you so tenderly?
I've got dreams
Dreams to remember
Listen, honey
(I've got dreams) rough dreams (dreams to remember)
I still want you to stay
I still love you anyway
I don't want you to ever leave
Girl, you just satisfy me, ooh-wee
I know you said he was just a friend
But I saw you kiss him again and again
These eyes of mine, they don't fool me
Why did he hold you so tenderly?
I've got dreams
Dreams to remember
Listen to me, mama
(I've got dreams) bad dreams, rough dreams, oh (dreams to remember)
Don't make me suffer, don't let me
(I've got dreams, dreams, dreams to remember) rough dreams, bad dreams, rough dreams
Lyrics © Universal Music Publishing Group, Spirit Music Group
Written by: JOE ROCK, OTIS REDDING, ZELMA REDDING
Lyrics Licensed & Provided by LyricFind
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Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer, songwriter, record producer, arranger, and talent scout. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s. During his lifetime, his recordings were produced by Stax Records, based in Memphis, Tennessee. Read Full BioOtis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer, songwriter, record producer, arranger, and talent scout. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s. During his lifetime, his recordings were produced by Stax Records, based in Memphis, Tennessee.
Redding was born in Dawson, Georgia, and at the age of 2, moved to Macon, Georgia. Redding quit school at age 15 to support his family, working with Little Richard's backing band, the Upsetters, and by performing in talent shows at the historic Douglass Theatre in Macon. In 1958, he joined Johnny Jenkins's band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first single, "These Arms of Mine", in 1962.
Stax released Redding's debut album, Pain in My Heart, two years later. Initially popular mainly with African-Americans, Redding later reached a wider American pop music audience. Along with his group, he first played small gigs in the American South. He later performed at the popular Los Angeles night club Whisky a Go Go and toured Europe, performing in London, Paris and other major cities. He also performed at the Monterey Pop Festival in 1967.
Shortly before his death in a plane crash, Redding wrote and recorded his iconic "(Sittin' On) The Dock of the Bay" with Steve Cropper. The song became the first posthumous number-one record on both the Billboard Hot 100 and R&B charts. The album The Dock of the Bay was the first posthumous album to reach number one on the UK Albums Chart. Redding's premature death devastated Stax. Already on the verge of bankruptcy, the label soon discovered that the Atco division of Atlantic Records owned the rights to his entire song catalog.
Redding received many posthumous accolades, including the Grammy Lifetime Achievement Award and induction into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In addition to "(Sittin' On) The Dock of the Bay," "Respect" and "Try a Little Tenderness" are among his best-known songs.
Redding has been called the "King of Soul", an honorific also given to Brown and Cooke. He remains one of the genre's most recognized artists. His lean and powerful style exemplified the Stax sound; he was said to be "the heart and soul of Stax", while artists such as Al Jackson, Dunn and Cropper helped to expand its structure. His open-throated singing, the tremolo/vibrato, the manic, electrifying stage performances and perceived honesty were particular hallmarks, along with the use of interjections (such as "gotta, gotta, gotta"), some of which came from Cooke. Producer Stewart thought the "begging singing" was stress-induced and enhanced by Redding's shyness.
Artists from many genres have named Redding as a musical influence. George Harrison called "Respect" an inspiration for "Drive My Car". The Rolling Stones also mentioned Redding as a major influence. Other artists influenced by Redding include Led Zeppelin, Grateful Dead, Lynyrd Skynyrd, the Doors, and virtually every soul and R&B musician from the early years, such as Al Green, Etta James, William Bell, Aretha Franklin, Marvin Gaye and Conley. Janis Joplin was influenced by his singing style, according to Sam Andrew, a guitarist in her band Big Brother and the Holding Company. She stated that she learned "to push a song instead of just sliding over it" after hearing Redding.
The Bee Gees' Barry Gibb and Robin Gibb wrote the song "To Love Somebody" for him to record. He loved it, and he was going to "cut it", as Barry put it, on his return from his final concert. They dedicated the song to his memory.
Redding was born in Dawson, Georgia, and at the age of 2, moved to Macon, Georgia. Redding quit school at age 15 to support his family, working with Little Richard's backing band, the Upsetters, and by performing in talent shows at the historic Douglass Theatre in Macon. In 1958, he joined Johnny Jenkins's band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first single, "These Arms of Mine", in 1962.
Stax released Redding's debut album, Pain in My Heart, two years later. Initially popular mainly with African-Americans, Redding later reached a wider American pop music audience. Along with his group, he first played small gigs in the American South. He later performed at the popular Los Angeles night club Whisky a Go Go and toured Europe, performing in London, Paris and other major cities. He also performed at the Monterey Pop Festival in 1967.
Shortly before his death in a plane crash, Redding wrote and recorded his iconic "(Sittin' On) The Dock of the Bay" with Steve Cropper. The song became the first posthumous number-one record on both the Billboard Hot 100 and R&B charts. The album The Dock of the Bay was the first posthumous album to reach number one on the UK Albums Chart. Redding's premature death devastated Stax. Already on the verge of bankruptcy, the label soon discovered that the Atco division of Atlantic Records owned the rights to his entire song catalog.
Redding received many posthumous accolades, including the Grammy Lifetime Achievement Award and induction into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In addition to "(Sittin' On) The Dock of the Bay," "Respect" and "Try a Little Tenderness" are among his best-known songs.
Redding has been called the "King of Soul", an honorific also given to Brown and Cooke. He remains one of the genre's most recognized artists. His lean and powerful style exemplified the Stax sound; he was said to be "the heart and soul of Stax", while artists such as Al Jackson, Dunn and Cropper helped to expand its structure. His open-throated singing, the tremolo/vibrato, the manic, electrifying stage performances and perceived honesty were particular hallmarks, along with the use of interjections (such as "gotta, gotta, gotta"), some of which came from Cooke. Producer Stewart thought the "begging singing" was stress-induced and enhanced by Redding's shyness.
Artists from many genres have named Redding as a musical influence. George Harrison called "Respect" an inspiration for "Drive My Car". The Rolling Stones also mentioned Redding as a major influence. Other artists influenced by Redding include Led Zeppelin, Grateful Dead, Lynyrd Skynyrd, the Doors, and virtually every soul and R&B musician from the early years, such as Al Green, Etta James, William Bell, Aretha Franklin, Marvin Gaye and Conley. Janis Joplin was influenced by his singing style, according to Sam Andrew, a guitarist in her band Big Brother and the Holding Company. She stated that she learned "to push a song instead of just sliding over it" after hearing Redding.
The Bee Gees' Barry Gibb and Robin Gibb wrote the song "To Love Somebody" for him to record. He loved it, and he was going to "cut it", as Barry put it, on his return from his final concert. They dedicated the song to his memory.
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Mels SF
I've got dreams, dreams to remember
I've got dreams, dreams to remember
Honey, I saw you there last night
Another man's arms holding you tight
Nobody knows what I feel inside
All I know, I walked away and cried
I've got dreams, dreams to remember
Listen to me (I've got dreams) rough dreams (dreams to remember)
I know you said he was just a friend
But I saw him kiss you, again and again
These eyes of mine, they don't fool me
Why did he hold you, so tenderly
I've got dreams, dreams to remember
Listen honey (I've got dreams) rough dreams (dreams to remember)
I still want you to stay
I still love you anyway
I don't want you to ever leave
Girl, you just satisfy me, ooh-wee, ooh yeah
I know you said he was just a friend
But I saw you kiss him again and again
These eyes of mine, they don't fool me
Why did he hold you so tenderly
I've got dreams, dreams to remember
Listen to me mama (I've got dreams) bad dreams, rough dreams (dreams to remember)
Don't make me suffer (I've got dreams) rough dreams, bad dreams (dreams to remember)
비정한세상
Otis Redding-(1968 US)
I've got dreams Dreams to remember (X2)
Honey I saw you there last night
Another mans arms holding you tight
Nobody knows what I feeled inside
All I know, I walked away and cried
I've got dreams Dreams to remember
[Listen to me]
I've got dreams, rough dreams
Dreams to remember
I know you said he was just a friend
But I saw him kiss you again and again
These eyes of mine, they don't fool me
Why did he hold you so tenderly?
I've got dreams Dreams to remember
[Listen honey]
I've got dreams Dreams, rough dreams
Dreams to remember
I still want you to stay
I still love you anyway
I still don't want you to ever leave
Girl, you just satisfy me!
[Ooh-Wee!]
♩~♬~Instrumental~♪~♬
I know you said he was just a friend
But I saw you kiss him again and again
These eyes of mine, they don't fool me
Why did he hold you so tenderly?
I've got dreams Dreams to remember
[Listen to me mama]
I've got dreams Dreams, bad dreams
Dreams, rough dreams To remember
Don't make me suffer Dreams, bad dreams
Dreams, rough dreams To remember
bane bukowski
If his music doesn't stir something up inside of you there might be a good chance you're already dead, he's one of the greatest
bane bukowski
@Joe Black so true
Joe Black
A time when music an the singer we’re one an they made you feel the song the pain
or the joy ‘old school music never dies.
dlgarrettjr
When I first met my wife God Rest her soul passed away 7 years after we were married from lung cancer but I'm getting away from what I was going to say about your statement for your comment I love Otis Otis reminds me of my mother and she passed too but I'm saying that to say this that music was good back then and I wasn't even born I was born in 69 but I seem to always go back to the older music except for Michael Jackson cuz I love everything Michael had homemade but yeah when you hear that certain song and you can remember where you were at and you close your eyes and you imagine it you could even smell the surroundings when you were there like if you were out in the garden or something you get it don't you
Cheryl Dodds
He was poetic and soulfull. One of a kind
TrumpSoulJah Frontline Trumper
When Otis sings, time flies and so is my body
Ken Gordon
Otis Redding’s vocals go right to the core of every emotional thread.
James Codling
I was lucky enough to see him perform in Liverpool, absolute magic.
Ian McDonald
❤That had to be amazing.
Untangled Mind
Who in their right mind would give this a thumbs down?