I've Got Dreams To Remember
Otis Redding Lyrics
I've got dreams, dreams to remember
I've got dreams, dreams to remember
Honey, I saw you there last night
Another man's arms holding you tight
Nobody knows what I feel inside
All I know, I walked away and cried
I've got dreams
Dreams to remember
(I've got dreams) rough dreams (dreams to remember)
I know you said he was just a friend
But I saw him kiss you again and again
These eyes of mine, they don't fool me
Why did he hold you so tenderly?
I've got dreams
Dreams to remember
Listen, honey
(I've got dreams) rough dreams (dreams to remember)
I still want you to stay
I still love you anyway
I don't want you to ever leave
Girl, you just satisfy me, ooh-wee
I know you said he was just a friend
But I saw you kiss him again and again
These eyes of mine, they don't fool me
Why did he hold you so tenderly?
I've got dreams
Dreams to remember
Listen to me, mama
(I've got dreams) bad dreams, rough dreams, oh (dreams to remember)
Don't make me suffer, don't let me
(I've got dreams, dreams, dreams to remember) rough dreams, bad dreams, rough dreams
Lyrics © Universal Music Publishing Group, Spirit Music Group
Written by: JOE ROCK, OTIS REDDING, ZELMA REDDING
Lyrics Licensed & Provided by LyricFind
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Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer, songwriter, record producer, arranger, and talent scout. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s. During his lifetime, his recordings were produced by Stax Records, based in Memphis, Tennessee. Read Full BioOtis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer, songwriter, record producer, arranger, and talent scout. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Redding's style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s. During his lifetime, his recordings were produced by Stax Records, based in Memphis, Tennessee.
Redding was born in Dawson, Georgia, and at the age of 2, moved to Macon, Georgia. Redding quit school at age 15 to support his family, working with Little Richard's backing band, the Upsetters, and by performing in talent shows at the historic Douglass Theatre in Macon. In 1958, he joined Johnny Jenkins's band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first single, "These Arms of Mine", in 1962.
Stax released Redding's debut album, Pain in My Heart, two years later. Initially popular mainly with African-Americans, Redding later reached a wider American pop music audience. Along with his group, he first played small gigs in the American South. He later performed at the popular Los Angeles night club Whisky a Go Go and toured Europe, performing in London, Paris and other major cities. He also performed at the Monterey Pop Festival in 1967.
Shortly before his death in a plane crash, Redding wrote and recorded his iconic "(Sittin' On) The Dock of the Bay" with Steve Cropper. The song became the first posthumous number-one record on both the Billboard Hot 100 and R&B charts. The album The Dock of the Bay was the first posthumous album to reach number one on the UK Albums Chart. Redding's premature death devastated Stax. Already on the verge of bankruptcy, the label soon discovered that the Atco division of Atlantic Records owned the rights to his entire song catalog.
Redding received many posthumous accolades, including the Grammy Lifetime Achievement Award and induction into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In addition to "(Sittin' On) The Dock of the Bay," "Respect" and "Try a Little Tenderness" are among his best-known songs.
Redding has been called the "King of Soul", an honorific also given to Brown and Cooke. He remains one of the genre's most recognized artists. His lean and powerful style exemplified the Stax sound; he was said to be "the heart and soul of Stax", while artists such as Al Jackson, Dunn and Cropper helped to expand its structure. His open-throated singing, the tremolo/vibrato, the manic, electrifying stage performances and perceived honesty were particular hallmarks, along with the use of interjections (such as "gotta, gotta, gotta"), some of which came from Cooke. Producer Stewart thought the "begging singing" was stress-induced and enhanced by Redding's shyness.
Artists from many genres have named Redding as a musical influence. George Harrison called "Respect" an inspiration for "Drive My Car". The Rolling Stones also mentioned Redding as a major influence. Other artists influenced by Redding include Led Zeppelin, Grateful Dead, Lynyrd Skynyrd, the Doors, and virtually every soul and R&B musician from the early years, such as Al Green, Etta James, William Bell, Aretha Franklin, Marvin Gaye and Conley. Janis Joplin was influenced by his singing style, according to Sam Andrew, a guitarist in her band Big Brother and the Holding Company. She stated that she learned "to push a song instead of just sliding over it" after hearing Redding.
The Bee Gees' Barry Gibb and Robin Gibb wrote the song "To Love Somebody" for him to record. He loved it, and he was going to "cut it", as Barry put it, on his return from his final concert. They dedicated the song to his memory.
Redding was born in Dawson, Georgia, and at the age of 2, moved to Macon, Georgia. Redding quit school at age 15 to support his family, working with Little Richard's backing band, the Upsetters, and by performing in talent shows at the historic Douglass Theatre in Macon. In 1958, he joined Johnny Jenkins's band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first single, "These Arms of Mine", in 1962.
Stax released Redding's debut album, Pain in My Heart, two years later. Initially popular mainly with African-Americans, Redding later reached a wider American pop music audience. Along with his group, he first played small gigs in the American South. He later performed at the popular Los Angeles night club Whisky a Go Go and toured Europe, performing in London, Paris and other major cities. He also performed at the Monterey Pop Festival in 1967.
Shortly before his death in a plane crash, Redding wrote and recorded his iconic "(Sittin' On) The Dock of the Bay" with Steve Cropper. The song became the first posthumous number-one record on both the Billboard Hot 100 and R&B charts. The album The Dock of the Bay was the first posthumous album to reach number one on the UK Albums Chart. Redding's premature death devastated Stax. Already on the verge of bankruptcy, the label soon discovered that the Atco division of Atlantic Records owned the rights to his entire song catalog.
Redding received many posthumous accolades, including the Grammy Lifetime Achievement Award and induction into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In addition to "(Sittin' On) The Dock of the Bay," "Respect" and "Try a Little Tenderness" are among his best-known songs.
Redding has been called the "King of Soul", an honorific also given to Brown and Cooke. He remains one of the genre's most recognized artists. His lean and powerful style exemplified the Stax sound; he was said to be "the heart and soul of Stax", while artists such as Al Jackson, Dunn and Cropper helped to expand its structure. His open-throated singing, the tremolo/vibrato, the manic, electrifying stage performances and perceived honesty were particular hallmarks, along with the use of interjections (such as "gotta, gotta, gotta"), some of which came from Cooke. Producer Stewart thought the "begging singing" was stress-induced and enhanced by Redding's shyness.
Artists from many genres have named Redding as a musical influence. George Harrison called "Respect" an inspiration for "Drive My Car". The Rolling Stones also mentioned Redding as a major influence. Other artists influenced by Redding include Led Zeppelin, Grateful Dead, Lynyrd Skynyrd, the Doors, and virtually every soul and R&B musician from the early years, such as Al Green, Etta James, William Bell, Aretha Franklin, Marvin Gaye and Conley. Janis Joplin was influenced by his singing style, according to Sam Andrew, a guitarist in her band Big Brother and the Holding Company. She stated that she learned "to push a song instead of just sliding over it" after hearing Redding.
The Bee Gees' Barry Gibb and Robin Gibb wrote the song "To Love Somebody" for him to record. He loved it, and he was going to "cut it", as Barry put it, on his return from his final concert. They dedicated the song to his memory.
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Mels SF
I've got dreams, dreams to remember
I've got dreams, dreams to remember
Honey, I saw you there last night
Another man's arms holding you tight
Nobody knows what I feel inside
All I know, I walked away and cried
I've got dreams, dreams to remember
Listen to me (I've got dreams) rough dreams (dreams to remember)
I know you said he was just a friend
But I saw him kiss you, again and again
These eyes of mine, they don't fool me
Why did he hold you, so tenderly
I've got dreams, dreams to remember
Listen honey (I've got dreams) rough dreams (dreams to remember)
I still want you to stay
I still love you anyway
I don't want you to ever leave
Girl, you just satisfy me, ooh-wee, ooh yeah
I know you said he was just a friend
But I saw you kiss him again and again
These eyes of mine, they don't fool me
Why did he hold you so tenderly
I've got dreams, dreams to remember
Listen to me mama (I've got dreams) bad dreams, rough dreams (dreams to remember)
Don't make me suffer (I've got dreams) rough dreams, bad dreams (dreams to remember)
Daniel Gunter
Oh, man. The talent of the 1960s: Otis, Sam Cooke, Wilson Pickett, Percy Sledge, Ben E. King, Ray Charles, James Brown, James Carr, Marvin Gaye, Jackie Wilson . . . and that's just a few of the great male vocalists. All of them great. This is one of those knockout songs. I was in a store recently and heard it on the radio. I wasn't expecting to hear it, but there it was. I couldn't move until the end of it: too powerful.
Andrea Vlasis
@Chevonaugh Walker no your normal there f up
Andrea Vlasis
I love ottis Redding
Andrea Vlasis
My era the best
lydia Johnson
Oh they were all legends!!!!
Words cannot ever Express the tremendous joy listening to them growing up.
Don't know who of them are still around?
Those once gone.R.I.P my brothers .
Cleatrice Joyner
@Linda Maddox pq
Pisces king
Dear GOD, please help those are hurting right now. Guide them and place your arms around and comfort them gave them strenght to carry on there journey.. Amen..
Toby Benjamin
1
Erikka's Epiphany
Amen! Thank you! ♥️😊☝️🙏
Christy Mearna
💯💯💯💯💯💯❣️