Stewart's music career began in 1962 when he took up busking with a harmonica. In 1963, he joined The Dimensions as a harmonica player and vocalist. In 1964, Stewart joined Long John Baldry and the All Stars before moving to the Jeff Beck Group in 1967. Joining Faces in 1969, he also maintained a solo career releasing his debut album that year. Stewart's early albums were a fusion of rock, folk music, soul music, and R&B. His third album, 1971's Every Picture Tells a Story, was his breakthrough, topping the charts in the UK, US, Canada and Australia, as did its ballad "Maggie May". His 1972 follow-up album, Never a Dull Moment, also reached number one in the UK and Australia, while going top three in the US and Canada. Its single, "You Wear It Well", topped the chart in the UK and was a moderate hit elsewhere.
After Stewart had a handful more UK top ten hits, the Faces broke up in 1975. Stewart's next few hit singles were ballads with "Sailing", off the 1975 UK and Australian number-one album, Atlantic Crossing, becoming a hit in the UK and the Netherlands (number one), Germany (number four) and other countries, but barely charting in North America. A Night on the Town (1976), his fifth straight chart-topper in the UK, began a three-album run of going number one or top three in the US, Canada, the UK and Australia with each release. That album's "Tonight's the Night (Gonna Be Alright)" spent almost two months at number one in the US and Canada, and made the top five in other countries. Foot Loose & Fancy Free (1977) contained the hit "You're in My Heart (The Final Acclaim)" as well as the rocker "Hot Legs". Blondes Have More Fun (1978) and its disco-tinged "Da Ya Think I'm Sexy" both went to number one in Canada, Australia and the US, with "Da Ya Think I'm Sexy" also hitting number one in the UK and the top ten in other countries. Stewart's albums regularly hit the upper rungs of the charts in the Netherlands throughout the 70s and in Sweden from 1975 onward.
After a disco and new wave period in the late 1970s and early 1980s, Stewart's music turned to a soft rock/middle-of-the-road style, with most of his albums reaching the top ten in the UK, Germany and Sweden, but faring less well in the US. The single "Rhythm of My Heart" was a top five hit in the UK, US and other countries, with its source album, 1991's Vagabond Heart, becoming, at number ten in the US and number two in the UK, his highest-charting album in a decade. In 1993, he collaborated with Bryan Adams and Sting on the power ballad "All for Love", which went to number one in many countries. In the early 2000s, he released a series of successful albums interpreting the Great American Songbook.
In 2008, Billboard magazine ranked him the 17th most successful artist on the "Billboard Hot 100 All-Time Top Artists". A Grammy and Brit Award recipient, he was voted at No. 33 in Q Magazine's list of the Top 100 Greatest Singers of all time. As a solo artist, Stewart was inducted into the US Rock and Roll Hall of Fame in 1994, the UK Music Hall of Fame in 2006, and he was inducted a second time into the US Rock and Roll Hall of Fame in 2012 as a member of Faces.
Full Wikipedia article: https://en.wikipedia.org/wiki/Rod_Stewart
Studio albums
An Old Raincoat Won't Ever Let You Down (1969)
Gasoline Alley (1970)
Every Picture Tells a Story (1971)
Never a Dull Moment (1972)
Smiler (1974)
Atlantic Crossing (1975)
A Night on the Town (1976)
Foot Loose & Fancy Free (1977)
Blondes Have More Fun (1978)
Foolish Behaviour (1980)
Tonight I'm Yours (1981)
Body Wishes (1983)
Camouflage (1984)
Every Beat of My Heart (1986)
Out of Order (1988)
Vagabond Heart (1991)
A Spanner in the Works (1995)
When We Were the New Boys (1998)
Human (2001)
It Had to Be You: The Great American Songbook (2002)
As Time Goes By: The Great American Songbook, Volume II (2003)
Stardust: The Great American Songbook, Volume III (2004)
Thanks for the Memory: The Great American Songbook, Volume IV (2005)
Still the Same... Great Rock Classics of Our Time (2006)
Soulbook (2009)
Once in a Blue Moon: The Lost Album (2010)
Fly Me to the Moon... The Great American Songbook Volume V (2010)
Merry Christmas, Baby (2012)
Time (2013)
Another Country (2015)
Blood Red Roses (2018)
The Tears of Hercules (2021)
Cut Across Shorty
Rod Stewart Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And a city boy named Dan
Had to prove who could run the fastest
To wed Miss Lucy's hand
Now Dan had all the money
And he also had the looks
But Shorty musta had that something boys
Cut across Shorty, Shorty, cut across
That's what Miss Lucy said
Cut across Shorty, Shorty, cut across
You know it's you that I want to wed
Wait a minute
Now Dan had been in training
About a week before the race
He made up his mind old Shorty
Would end in second place
You know Dan with his long legs flying
He left Shorty far behind
Shorty heard him holler out
Miss Lucy that you'll soon be mine
Cut across Shorty, Shorty, cut across
That's what Miss Lucy said
Cut across Shorty, Shorty, cut across
You know it's you that I want to wed
But Shorty wasn't worried
There was a smile upon his face
'Cause old Lucy had fixed the race
And just like that old story
About the turtle and the hare, you know that thing
When Danny crossed over the finish line
He found Shorty waiting there
Cut across Shorty, Shorty, cut across
That's what Miss Lucy said
Cut across Shorty, Shorty, cut across
You know it's you that I want to wed
It's you that I want to wed, no no
And oh Lord it's you I want to wed
It's you that I want to wed
The lyrics of the song "Cut Across Shorty" by Rod Stewart narrate a story about two men who are competing to win the hand of Miss Lucy through a foot race. Shorty, a country boy, and Dan, a city boy, both desire to marry Lucy, but only one can be victorious. Even though Dan has the money and the looks, Shorty possesses something that cannot be taught in a book. The song repeatedly encourages Shorty to cut across the field, urging him to make it to the finish line before Dan does.
As the race begins, Dan confidently believes that he will beat Shorty, who he sees as an unworthy opponent. But, as the song progresses, it is revealed that Lucy has fixed the race in Shorty's favor. In a twist, Shorty's willingness to follow Lucy's lead ensures he wins the race, even if it means Dan will be the one to cross the finish line first. The song ends with Shorty and Lucy standing together and proclaiming their love for each other, affirming that it is Shorty who Lucy wishes to wed.
Line by Line Meaning
Now a country boy named Shorty
Introduces the singer of the story, a rural boy named Shorty.
And a city boy named Dan
Presents the other contender, a city boy named Dan.
Had to prove who could run the fastest
The two boys had to compete in a race to see who was the fastest.
To wed Miss Lucy's hand
The prize for winning the race was the opportunity to marry Miss Lucy.
Now Dan had all the money
Dan was a wealthy person.
And he also had the looks
Dan was also physically attractive.
But Shorty musta had that something boys
Shorty had a certain quality or characteristic that is appealing to others.
That can't be found in books
That quality may not be measurable or tangible.
Cut across Shorty, Shorty, cut across
Miss Lucy encourages Shorty to take a shortcut.
That's what Miss Lucy said
Miss Lucy is giving Shorty the edge to win.
Wait a minute
Introduces a pause in the story.
Now Dan had been in training
Dan had been preparing for the race.
About a week before the race
Dan had been training for a week.
He made up his mind old Shorty
Dan was confident that he could beat Shorty.
Would end in second place
Dan was certain he would win the race.
You know Dan with his long legs flying
Dan was running quickly.
He left Shorty far behind
Dan was winning the race.
Shorty heard him holler out
Dan shouted something while running.
Miss Lucy that you'll soon be mine
Dan was confident he would win the race and thus marry Miss Lucy.
But Shorty wasn't worried
Shorty was not upset about being behind in the race.
There was a smile upon his face
Shorty was content and confident.
'Cause old Lucy had fixed the race
Miss Lucy had rigged the race in favor of Shorty.
And just like that old story
A reference to the Aesop's Fables story, The Tortoise and the Hare.
About the turtle and the hare, you know that thing
Another reference to the story.
When Danny crossed over the finish line
Dan reached the finish line first.
He found Shorty waiting there
Shorty had already arrived at the finish line.
It's you that I want to wed, no no
Miss Lucy confirms that she wanted Shorty to win.
And oh Lord it's you I want to wed
Miss Lucy is happy that Shorty won.
It's you that I want to wed
Miss Lucy reaffirms her desire to marry Shorty.
Lyrics Š Universal Music Publishing Group
Written by: MARIJOHN WILKIN, WAYNE P. WALKER
Lyrics Licensed & Provided by LyricFind
Hridoye Bangladesh, from Bangladesh
āĻāĻāĻāĻŋ āĻŽāĻŋāĻ¨āĻŋāĻ āĻ āĻĒā§āĻā§āĻˇāĻž āĻāĻ°ā§āĻ¨...āĻāĻŽāĻŋ āĻ¤ā§āĻŽāĻžāĻā§āĻ āĻŦāĻŋāĻ¯āĻŧā§ āĻāĻ°āĻ¤ā§ āĻāĻžāĻ
Lyrics:
Now a country boy named Shorty
and a city boy named Dan
had to prove who could run the fastest
to wed Miss Lucy's hand
Now Dan had all the money
and he also had the looks
But Shorty musta had that something boy
that can't be found in books
Cut across Shorty, Shorty, cut across
That's what Miss Lucy said
Cut across Shorty, Shorty, cut across
You know it's you that I wanna wed
Wait a minute
Now Dan had been in training
about a week before the race
He made up his mind old Shorty
would end in second place
You know Dan with his long legs flying
he left Shorty far behind
Shorty heard him holler out
Miss Lucy that you'll soon be mine
But Shorty wasn't worried
There was a smile upon his face
'Cause old Lucy had fixed the race
And just like that old story
about the turtle and the hare, you know that thing
when Danny crossed over the finish line
he found Shorty waiting there
It's you that I wanna wed, no no
And oh Lord it's you I wanna wed
................It's you that I wanna wed
āĻāĻžāĻ¨ā§āĻ° āĻāĻĨāĻž:
āĻāĻāĻ¨ āĻļāĻ°ā§āĻā§ āĻ¨āĻžāĻŽā§āĻ° āĻāĻ āĻĻā§āĻļā§āĻ° āĻā§āĻ˛ā§
āĻāĻŦāĻ āĻĄā§āĻ¯āĻžāĻ¨ āĻ¨āĻžāĻŽā§ āĻāĻāĻāĻŋ āĻļāĻšāĻ°ā§āĻ° āĻā§āĻ˛ā§
āĻā§ āĻ¸āĻŦāĻā§āĻ¯āĻŧā§ āĻĻā§āĻ°ā§āĻ¤ āĻĻā§āĻĄāĻŧāĻžāĻ¤ā§ āĻĒāĻžāĻ°ā§ āĻ¤āĻž āĻĒā§āĻ°āĻŽāĻžāĻŖ āĻāĻ°āĻ¤ā§ āĻšāĻŦā§
āĻŽāĻŋāĻ¸ āĻ˛ā§āĻ¸āĻŋāĻ° āĻšāĻžāĻ¤āĻā§ āĻŦāĻŋāĻ¯āĻŧā§ āĻāĻ°āĻ¤ā§
āĻāĻāĻ¨ āĻĄā§āĻ¯āĻžāĻ¨ā§āĻ° āĻāĻžāĻā§ āĻ¸āĻŦ āĻāĻžāĻāĻž āĻāĻŋāĻ˛
āĻāĻŦāĻ āĻ¤āĻŋāĻ¨āĻŋ āĻā§āĻšāĻžāĻ°āĻž āĻāĻŋāĻ˛
āĻāĻŋāĻ¨ā§āĻ¤ā§ āĻļāĻ°ā§āĻāĻŋ āĻŽā§āĻ¸ā§āĻ¤āĻž āĻ¸ā§āĻ āĻāĻŋāĻā§ āĻāĻāĻāĻž āĻā§āĻ˛ā§ āĻāĻŋāĻ˛
āĻ¯āĻž āĻŦāĻāĻ¯āĻŧā§ āĻĒāĻžāĻāĻ¯āĻŧāĻž āĻ¯āĻžāĻ¯āĻŧ āĻ¨āĻž
āĻā§āĻ, āĻā§āĻ, āĻāĻžāĻāĻž āĻā§āĻĄāĻŧā§ āĻāĻžāĻāĻž
āĻāĻŽāĻ¨āĻāĻžāĻ āĻŦāĻ˛āĻ˛ā§āĻ¨ āĻŽāĻŋāĻ¸ āĻ˛ā§āĻ¸āĻŋ
āĻā§āĻ, āĻā§āĻ, āĻāĻžāĻāĻž āĻā§āĻĄāĻŧā§ āĻāĻžāĻāĻž
āĻ¤ā§āĻŽāĻŋ āĻāĻžāĻ¨ā§ āĻāĻŽāĻŋ āĻ¤ā§āĻŽāĻžāĻā§āĻ āĻŦāĻŋāĻ¯āĻŧā§ āĻāĻ°āĻ¤ā§ āĻāĻžāĻ
āĻāĻāĻāĻŋ āĻŽāĻŋāĻ¨āĻŋāĻ āĻ āĻĒā§āĻā§āĻˇāĻž āĻāĻ°ā§āĻ¨
āĻāĻāĻ¨ āĻĄā§āĻ¯āĻžāĻ¨ āĻĒā§āĻ°āĻļāĻŋāĻā§āĻˇāĻŖā§ āĻāĻŋāĻ˛
āĻĒā§āĻ°āĻ¤āĻŋāĻ¯ā§āĻāĻŋāĻ¤āĻžāĻ° āĻĒā§āĻ°āĻžāĻ¯āĻŧ āĻāĻ āĻ¸āĻĒā§āĻ¤āĻžāĻš āĻāĻā§
āĻ¸ā§ āĻ¤āĻžāĻ° āĻŽāĻ¨ āĻ¸ā§āĻĨāĻŋāĻ° āĻāĻ°āĻ˛ āĻŦā§āĻĄāĻŧā§ āĻļāĻ°ā§āĻāĻŋ
āĻĻā§āĻŦāĻŋāĻ¤ā§āĻ¯āĻŧ āĻ¸ā§āĻĨāĻžāĻ¨ā§ āĻļā§āĻˇ āĻšāĻŦā§
āĻāĻĒāĻ¨āĻŋ āĻĄā§āĻ¯āĻžāĻ¨āĻā§ āĻ¤āĻžāĻ° āĻ˛āĻŽā§āĻŦāĻž āĻĒāĻž āĻĻāĻŋāĻ¯āĻŧā§ āĻāĻĄāĻŧāĻ¤ā§ āĻāĻžāĻ¨ā§āĻ¨
āĻ¤āĻŋāĻ¨āĻŋ āĻļāĻ°ā§āĻāĻŋāĻā§ āĻ āĻ¨ā§āĻ āĻĒāĻŋāĻāĻ¨ā§ āĻĢā§āĻ˛ā§ āĻā§āĻā§āĻ¨
āĻļāĻ°ā§āĻāĻŋ āĻ¤āĻžāĻ° āĻāĻāĻ¯āĻŧāĻžāĻ āĻļā§āĻ¨āĻ¤ā§ āĻĒā§āĻ˛
āĻŽāĻŋāĻ¸ āĻ˛ā§āĻ¸āĻŋ āĻ¯ā§ āĻāĻĒāĻ¨āĻŋ āĻļā§āĻā§āĻ°āĻ āĻāĻŽāĻžāĻ° āĻšāĻŦā§
āĻāĻŋāĻ¨ā§āĻ¤ā§ āĻļāĻ°ā§āĻāĻŋ āĻāĻŋāĻ¨ā§āĻ¤āĻŋāĻ¤ āĻāĻŋāĻ˛ āĻ¨āĻž
āĻ¤āĻžāĻ° āĻŽā§āĻā§ āĻšāĻžāĻ¸āĻŋ āĻĢā§āĻāĻ˛
'āĻāĻžāĻ°āĻŖ āĻŦā§āĻĻā§āĻ§ āĻ˛ā§āĻ¸āĻŋ āĻĻā§āĻĄāĻŧ āĻ¸ā§āĻĨāĻŋāĻ° āĻāĻ°ā§āĻāĻŋāĻ˛ā§āĻ¨
āĻāĻŦāĻ āĻ āĻŋāĻ āĻ¸ā§āĻ āĻĒā§āĻ°āĻžāĻ¨ā§ āĻāĻ˛ā§āĻĒā§āĻ° āĻŽāĻ¤ā§
āĻāĻā§āĻāĻĒ āĻāĻŦāĻ āĻāĻ°āĻā§āĻļ āĻ¸āĻŽā§āĻĒāĻ°ā§āĻā§, āĻāĻĒāĻ¨āĻŋ āĻ¯ā§ āĻāĻŋāĻ¨āĻŋāĻ¸ āĻāĻžāĻ¨ā§āĻ¨
āĻ¯āĻāĻ¨ āĻĄā§āĻ¯āĻžāĻ¨āĻŋ āĻĢāĻŋāĻ¨āĻŋāĻļāĻŋāĻ āĻ˛āĻžāĻāĻ¨ āĻ āĻ¤āĻŋāĻā§āĻ°āĻŽ āĻāĻ°ā§
āĻ¤āĻŋāĻ¨āĻŋ āĻļāĻ°ā§āĻāĻŋāĻā§ āĻ¸ā§āĻāĻžāĻ¨ā§ āĻ āĻĒā§āĻā§āĻˇāĻž āĻāĻ°āĻ¤ā§ āĻĻā§āĻā§āĻ¨
āĻ¤ā§āĻŽāĻžāĻā§āĻ āĻāĻŽāĻŋ āĻŦāĻŋāĻ¯āĻŧā§ āĻāĻ°āĻ¤ā§ āĻāĻžāĻ, āĻ¨āĻž āĻ¨āĻž
āĻāĻ° āĻāĻš āĻĒā§āĻ°āĻā§, āĻāĻŽāĻŋ āĻ¤ā§āĻŽāĻžāĻā§āĻ āĻŦāĻŋāĻ¯āĻŧā§ āĻāĻ°āĻ¤ā§ āĻāĻžāĻ
................āĻāĻŽāĻŋ āĻ¤ā§āĻŽāĻžāĻā§āĻ āĻŦāĻŋāĻ¯āĻŧā§ āĻāĻ°āĻ¤ā§ āĻāĻžāĻ
bashfulbrother
This entire album is one of the best rock and country albums that has ever been produced. I love the way it sounds like it was recorded in someone's basement. Rod Stewart was at his best when he was doing this material.
Jamie Vanduinen
I love this album. I get so excited to hear the mandolin! Best album he has!
Phillip Smitj
I'm a 68 year old black hippy from Chicago the first time I heard this song was live on their first American tour followed by you're my girl. But Ronnie Lane and Rod's duet on baby I'm amazed haunts me till this day r i p Ron.
SeeCee
â¤ī¸ go Phil go
Richard Williams
DudeâĻyou got it rightâĻthe good stuff.
tin pan ally
Cool me too chicago
SteveDallas
the 1st 4 Stewart solo albums are him at his absolute best...he was picking great songs, writing great songs....and that attitude that's needed for this kinda rock n roll...plus the voice is right there....
Kris Scanlon
There has never been any more truer words than that! It's absolutely unbeatable combination interspersed with his records with the faces during the same time frame. By the time of Atlantic Crossing it was over. Rod was screwed over by the era but made a boatload of cash LOL never did reach these heights again. Songs,arrangements,and production set his voice perfectly.
Dag Nabbit
@Kris Scanlon Yeah he did he still knocked them out . Even did a good disco era song â If You Want My Body â, a salute to Motown , the Forever Young song . Rod just moved on from the English folk stylings he did . Just canât Maggie May it and Mandolin Wind it forever
Lynda McArdle
I've said the very same thing on so many occasions - to anyone else who'd listen mind - the musicians that worked with or were engaged by Stewart - were simply brilliant. This track highlights Mick Waller's drums, Woody's bass and guitar, the late jazz violinist Dick Powell who plays a stunning solo and outro and the ever-present, the late Martin Quittenton who raises the game in his classical guitar runs and riffs on every Stewart track on which he played.