Two common misconceptions about his appearance stubbornly continue to surface about Orbison: one, that he was an albino, and two, that he wore his trademark dark glasses because he was blind or nearly so. Neither is correct, although his poor vision required him to wear thick corrective lenses (He suffered from childhood from a combination of hyperopia, severe astigmatism, presbyopia, anisometropia, and strabismus). Orbison's trademark sunglasses were a fashion statement arising from an accident early in his career. Due to go onstage in a few minutes, Orbison left his regular glasses in an airplane. Unable to see without corrective lenses, the only other pair of glasses he had available were darkly tinted prescription sunglasses. "I had to see to get onstage," so he wore the glasses throughout his tour with the Beatles, and he carried on with it for the rest of his professional career. "I'll just do this and look cool."
Early life and career
Orbison was born in Vernon, Texas, the second son of Nadine and Orbie Lee. After moving to Fort Worth around 1943 to find work in the munitions and aircraft factories expanded as a result of the Second World War, the family moved to the tiny oil town of Wink in late 1946. Music was an important part of his family life.
In 1949, at age 13, he organized his first band, "The Wink Westerners", and when not singing with the band he spent his time playing guitar and writing songs. The band appeared weekly on KERB radio in Kermit, Texas. Orbison graduated from Wink High School in 1954. He attended North Texas State College in Denton, Texas for a year, and enrolled at Odessa Junior College in 1955 to study history and English. The Wink Westerners had some success on local television, being given 30 minute weekly shows on KMID and then KOSA. One of the guests on their show was Johnny Cash, who advised them to seek a contract with his record producer, Sam Phillips, of Sun Records. Having renamed The Wink Westerners as "The Teen Kings", Orbison left college in March 1956, determined to give music a serious try, and headed for Sun Records in Memphis, Tennessee.
Many of the earliest songs he recorded were produced by Sam Phillips, who also produced Jerry Lee Lewis, Carl Perkins, Johnny Cash, and Elvis Presley. Orbison achieved his first commercial success in June 1956 with "Ooby Dooby", a song written by friends of Orbison from college. His song "Claudette", named after his first wife, was recorded by The Everly Brothers as the B-side to their Number 1 hit "All I Have To Do Is Dream". However, the rockabilly and blues sounds of Sun's artists did not bring Orbison much success and his career seemed over, although fans of rockabilly music count his records among the best that this kind of music has to offer. For a time, he worked at Acuff-Rose Music in Nashville, Tennessee as a songwriter, and then was given a contract by RCA, but eventually Chet Atkins referred him to Fred Foster, the owner of Monument Records, where he moved after his contract with RCA ended in 1959.
Breakthrough and sudden decline
At Monument, Foster encouraged him to break from his established style. Under Foster's guidance, he began writing his own songs alone or in collaboration with Joe Melson and later Bill Dees, developing his signature operatic voice, and creating a sound unheard of in rock and roll at the time. His first record, "Uptown" was moderately successful. With the release of "Only the Lonely" and its immediate rise to the top of the charts (#2 in the US, #1 in the UK), he went on to become an international rock and roll star. His follow-up single, "Running Scared" became a US #1. Throughout his stay at Monument Records, his backup band was a group of outstanding studio musicians led by Bob Moore. The play of Orbison's voice against the dynamic yet uncluttered sound of the band gave Orbison's records a unique, identifiable sound.
A powerful influence on his contemporaries such as The Rolling Stones, in 1963, Roy Orbison headlined a European tour with The Beatles, becoming lifelong friends with the band, in particular with John Lennon and George Harrison. Orbison would later record with Harrison as part of The Traveling Wilburys. During their tour of Europe, an impressed Roy Orbison encouraged The Beatles to come to the United States. When they finally decided to try America, they asked Orbison to manage their first tour but his own schedule forced him to turn down what was to become an astounding success.
Unlike many artists, Orbison maintained his success as the British Invasion swept America in 1964. His single "Oh, Pretty Woman" broke the Beatles' stranglehold on the Top 10, soaring to No. 1 on the Billboard charts. The record sold more copies in its first ten days of release than any 45rpm up to that time and would go on to sell more than seven million copies. The song later became the signature tune for the film Pretty Woman, named for his song, which brought fame to actress Julia Roberts.
He toured with The Beach Boys in 1964, and with The Rolling Stones in Australia in 1965. He was very successful in England, logging three No.1 hit singles and was several times voted top male vocalist of the year.
Orbison signed a contract with MGM Records in 1966, and starred in MGM Studios' western-musical motion picture The Fastest Guitar Alive in which he would perform several songs from an album of the same name. However, due to changes in musical taste, he suddenly ceased to have hits in the United States after 1967, and although he would remain popular elsewhere, his American popularity did not recover until the 1980s.
He also suffered problems in his personal life, with the death of his first wife, Claudette (Frady), in a motorcycle accident in 1966 after 11 years of marriage. Two years later, the family home at Old Hickory Lake in Hendersonville, Tennessee burned to the ground while Orbison was touring in England, and two of his three young sons, Anthony and Roy Jr., died in the fire. The youngest boy, Wesley, at the time only three, was saved by Orbison's parents. He met his second wife, Barbara, in August 1968, in Leeds, England, and they were married in Nashville on May 25, 1969.
His contract with MGM ended in 1973, and he signed for Mercury Records. Songs that had only reasonable success in North America, such as "Penny Arcade" and "Working for the Man", would go to Number 1 on the Australian charts, and "Too Soon to Know" was Number 3 in England. His popularity extended to Germany, and he recorded his hit song "Mama" in German. His records were in great demand on the "black market" behind the Iron Curtain. In France, he was viewed as the master of the ballad of lost love in the vein of that country's most popular singer Édith Piaf, and a cover version of Orbison's "Blue Bayou" sung in French by Mireille Mathieu went to the top of France's record charts. Fans in the Netherlands founded his largest world-wide fan club. He continued to perform in Ireland, despite the constant terrorist activities in Northern Ireland. A rendition of the popular ballad "Danny Boy" on the 1972 Memphis album is considered one of the best recordings ever made of this much-recorded song.
He re-signed with Monument in 1976, but his career remained in the doldrums until the late 1980s.
Resurgence in the 1980s
In 1980, Orbison teamed up with Emmylou Harris to win the 1981 Grammy Award for Best Country Performance by a Duo or Group with Vocal for their song, "That Lovin' You Feelin' Again". In 1985, Orbison recorded "Wild Hearts" for the Nic Roeg film Insignificance, released on the ZTT Records label, produced by David Briggs and Will Jennings. The inclusion of "In Dreams" in the 1986 David Lynch film Blue Velvet also aided Orbison's popular resurrection. He was inducted into the Rock and Roll Hall of Fame in 1987, the induction speech made by Bruce Springsteen (who had famously referenced Orbison and "Only the Lonely" in his 1975 song "Thunder Road"). His pioneering contribution was also recognized by the Rockabilly Hall of Fame. Having signed a recording contract for the first time in 10 years, with Virgin Records, he re-recorded his 1961 hit song, "Crying," as a duet with k.d. lang in 1987 for the soundtrack of the motion picture, Hiding Out. The song would earn the Grammy Award for Best Country Collaboration with Vocals.
Roy Orbison and Friends: A Black and White Night, a black and white Cinemax television special recorded at the Coconut Grove in the Ambassador Hotel in Los Angeles in 1988, brought Orbison to the attention of a younger generation. Orbison was accompanied by a who's-who supporting cast, organized by musical director T-Bone Burnett, all fans and all volunteers who lobbied to participate: on piano was Glen Hardin, who had played for Buddy Holly as well as working with Elvis Presley for a number of years; lead guitarist James Burton had also played with Presley; male background vocals, with some also playing the guitar, came from Bruce Springsteen, Tom Waits, Elvis Costello, Jackson Browne, J.D. Souther, and Steven Soles; and k.d. lang, Jennifer Warnes, and Bonnie Raitt provided female background vocals.
Shortly after this critically acclaimed performance, whilst working with Jeff Lynne of Electric Light Orchestra on tracks for a new album, Orbison joined Bob Dylan, George Harrison, Jeff Lynne and Tom Petty to form The Traveling Wilburys, achieving substantial commercial and critical success. He subsequently recorded a new solo album, Mystery Girl, produced by Orbison, Mike Campbell (of Tom Petty's Heartbreakers), and Jeff Lynne. It included one track by U2's Bono (who also wears trademark dark glasses and co-wrote the track "She's a Mystery to Me" with The Edge specifically for Orbison). At an awards ceremony in Antwerp, a few days before his death, Roy Orbison gave his only public rendition of the hit "You Got It" to the applause of a huge crowd.
Death
Orbison had triple heart bypass surgery on January 18, 1978 and enjoyed smoking most of his life. On December 6, 1988, at the age of 52, he suffered a fatal heart attack while visiting his mother in the Nashville, Tennessee suburb of Hendersonville. At the direction of his second wife, Barbara, Roy Orbison was interred on December 15, 1988, in the Westwood Village Memorial Park Cemetery in Westwood, California. His two sons and their mother, Claudette, who predeceased him, had been laid to rest at his request in the Woodlawn Memorial Park Cemetery in Nashville, Tennessee.
His new album, Mystery Girl, and the single from it, "You Got It", were posthumous hits, and are generally regarded as Orbison's best work since his success of the 1960s. He was the posthumous winner of the 1991 Grammy Award for Best Male Pop Vocal Performance and in 1992, the popular "I Drove All Night" and "Heartbreak Radio" appeared on the posthumous album, King of Hearts, produced by Jeff Lynne.
Legacy
Orbison is most remembered for his ballads of lost love, and within the music community he is revered for his song-writing abilities. Record producer and Orbison fan Don Was, commenting on Orbison's writing skills, said: "He defied the rules of modern composition." Songwriter Bernie Taupin, composer of many lyrics for Elton John, and others referred to Orbison as far ahead of the times, creating lyrics and music in a manner that broke with all traditions. Roy Orbison's vocal range was impressive (three octaves) and his songs were melodically and rhythmically advanced and lyrically sophisticated. Three songs written and recorded by Orbison, "Only the Lonely," "Oh, Pretty Woman," and "Crying," are in the Grammy Hall of Fame. In 2004, Rolling Stone named those three songs plus "In Dreams" on its list of the "500 Greatest Songs of All Time." In 1989, he was inducted posthumously into the National Academy of Popular Music/Songwriters Hall of Fame.
From the stage in Las Vegas in 1976, Elvis Presley called Orbison "the greatest singer in the world", and Barry Gibb of the Bee Gees referred to him as the "Voice of God." Multiple Academy Award–winning songwriter Will Jennings ("My Heart Will Go On," from the Titanic soundtrack) called him a "poet, a songwriter, a vision," after working with him and co-writing "Wild Hearts." Bob Dylan, later a bandmate of Orbison's in the Traveling Wilburys, wrote "Orbison … transcended all the genres. … With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. … [He sang] his compositions in three or four octaves that made you want to drive your car over a cliff. He sang like a professional criminal. … His voice could jar a corpse, always leave you muttering to yourself something like, 'Man, I don't believe it.' His songs had songs within songs. Orbison was deadly serious–no pollywog and no fledgling juvenile. There wasn't anything else on the radio like him."
www.royorbison.com
Beautiful Dreamer
Roy Orbison Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Starlight and dewdrops are waiting for thee;
Sounds of the rude world heard in the day,
Lull'd by the moonlight have all passed away!
Beautiful dreamer, queen of my song,
List while I woo thee with soft melody;
Gone are the cares of life's busy throng
Beautiful dreamer, awake unto me!
Beautiful dreamer, awake unto me!
Beautiful dreamer, out on the sea,
Mermaids are chanting the wild Lorelei;
Over the stream let vapors are borne,
Waiting to fade at the bright coming morn.
Beautiful dreamer, beam on my heart,
E'en as the morn on the stream let and sea;
Then will all clouds of sorrow depart,
Beautiful dreamer, awake unto me!
Beautiful dreamer, awake unto me!
In Roy Orbison's "Beautiful Dreamer", the lyrics depict a yearning for the unconscious state of dreaming as a reprieve from the harsh realities of daily life. The song's verses are an invitation for the "beautiful dreamer" to wake up and be present in the beauty of the night, where starlight and dewdrops offer a peaceful setting. Orbison laments the harsh sounds of the "rude world" heard in the daytime and contrasts them with the gentler sounds of the night, which bring a sense of calm and serenity. He refers to the moonlight as a soothing lullaby which fades the worries of the day away. The imagery conjured is one of the idealised mind where the harshness of the real world has no place.
The lyrics continue as Orbison moves from a general ode to dreaming to a specific address of the "beautiful dreamer". He calls this person the queen of his song, asserting his desire to woo them with soft melody. Here, he uses the language of romance to describe his longing for the peaceful state of unconsciousness. He implores the dreamer to awaken and be with him in this moment. In the second verse, Orbison extends the metaphor by imagining a dreamer on a ship at sea. He references the mythical "wild Lorelei" and the vapors that fade at dawn. This scene is another allusion to the kind of dreams that Orbison yearns for; those which offer an escape from life's cares. The final lines complete the song's message by stating before his love that once the morning comes, and the dreamer must face reality. He urges that if his dreamer were to awaken, her beauty can beam on his heart and drive all sorrow away.
Line by Line Meaning
Beautiful Dreamer, wake unto me,
The singer is asking the beautiful dreamer to wake up and come into his reality.
Starlight and dewdrops are waiting for thee;
There are beautiful sights that the dreamer can appreciate if they come out of their dream world.
Sounds of the rude world heard in the day,
The harsh and chaotic sounds of the world can be heard during the day.
Lull'd by the moonlight have all passed away!
All of those sounds have died down in the night and have been replaced with a peaceful, moonlit stillness.
Beautiful dreamer, queen of my song,
The dreamer is the muse for the singer's music, his thoughts and desires revolve around the dreamer.
List while I woo thee with soft melody;
The singer is asking the dreamer to listen to his gentle and appealing voice as he sings to woo her.
Gone are the cares of life's busy throng
All of the troubles that the world has brought are forgotten in the dream world.
Beautiful dreamer, awake unto me!
The singer repeats his plea for the dreamer to wake up and leave the dream world in order to be with him in the real world.
Beautiful dreamer, out on the sea,
The dreamer is far away from the singer, tottering on the edge of reality on the vast sea of imagination.
Mermaids are chanting the wild Lorelei;
The dreamer is surrounded by enchanting and mystical oceanic creatures, like mermaids, singing a mesmerizing song that lures people.
Over the stream let vapors are borne,
Mist is hovering over the stream, being carried by the air.
Waiting to fade at the bright coming morn.
The mist and the dream have to vanish as the day begins and the sun rises.
Beautiful dreamer, beam on my heart,
The singer wants the dreamer's light to shine into his heart, warming him up and changing him forever.
E'en as the morn on the streamlet and sea;
The light from the dreamer's eyes is compared to the morning light that brightens the sea and the streams, making them appear terrific.
Then will all clouds of sorrow depart,
All of the cloudiness within the singer's mind and heart will be cleared away if the dreamer favors him.
Beautiful dreamer, awake unto me!
The last repetition of the phrase emphasizes the singer's desire for the dreamer to wake up and come into his own existence.
Lyrics © Unison Rights S.L., ACUM Ltd., Reservoir Media Management, Inc., Warner Chappell Music, Inc.
Written by: Stephen Collins Foster
Lyrics Licensed & Provided by LyricFind
@aimee7delgado453
Beautiful Dreamer, wake unto me,
Starlight and dewdrops are waiting for thee;
Sounds of the rude world heard in the day,
Lull'd by the moonlight have all passed away!
Beautiful dreamer, queen of my song,
List while I woo thee with soft melody;
Gone are the cares of life's busy throng
Beautiful dreamer, awake unto me!
Beautiful dreamer, awake unto me!
Beautiful dreamer, out on the sea,
Mermaids are chanting the wild Lorelei;
Over the stream let vapors are borne,
Waiting to fade at the bright coming morn.
Beautiful dreamer, beam on my heart,
E'en as the morn on the stream let and sea;
Then will all clouds of sorrow depart,
Beautiful dreamer, awake unto me!
Beautiful dreamer, awake unto me!
@johnzajac9849
Beautiful dreamer, wake unto me,
Starlight and dewdrops are waiting for thee;
Sounds of the rude world, heard in the day,
Lull'd by the moonlight have all passed away!
Beautiful dreamer, queen of my song,
List while I woo thee with soft melody;
Gone are the cares of life's busy throng,
Beautiful dreamer, awake unto me!
Beautiful dreamer, awake unto me!
@TestTube416
Such a beautiful song I wonder if a man that lives inside of a living red house sung along to this
@DinosarDaniel
@(-🃏Wally Darling Fan🃏-) couldn’t agree more, this isn’t even the same video anymore lol
@CelestialBellDrop
I think that’s why most of us are here
@saoirsekate5668
@• CelestialBeanDrop • what’s the reference please.
@kirigirikyoko1816
Yo también me preguntó si un pequeño hombre con cabello de chocorrol lo hará
@milton9128
I don't have a little red house but I do sing that song quite often
@KennithSimmonsCbars
I love this song honestly.
@sulfurmonoxide
oh god
@callmeblue2121
I'd ask for Barnaby to help with the rest of the lyrics tho
@ChibiSarah9788
👁️👁️