SPK was an Australian industrial music and noise music group formed in 1978… Read Full Bio ↴SPK was an Australian industrial music and noise music group formed in 1978. They were fronted by mainstay member, Graeme Revell on keyboards and percussion. In 1980 the group travelled to the United Kingdom where they issued their debut album, Information Overload Unit. In 1983 Sinan Leong joined on lead vocals. The group disbanded in 1988, two years later Revell and Leong relocated to the United States, where Revell has worked as a Hollywood film score composer. According to Australian rock music historian, Ian McFarlane, SPK were "at the forefront of the local post-punk, electronic/experimental movement of the late 1970s... their music progressed from discordant, industrial-strength metal noise to sophisticated and restrained dance-rock with strange attributes".
SPK was formed in 1978 in Sydney, Australia, when New Zealand-born Graeme Revell (aka "EMS AKS", "Operator", "Oblivion") met Neil Hill (aka "Ne/H/il"). Revell was working as a nurse on a psychiatric ward at Callan Park Hospital where Hill was also working. Hill and Revell shared a house and an interest in the manifesto of the German radical Marxist group known as the Sozialistisches Patientenkollektiv (SPK). The duo were influenced by Kraftwerk, Can, Neu!, Faust, and John Cage – they started playing their own variety of industrial music as SPK. According to rock music historian, Ian McFarlane the acronym SPK is variously given as "SoliPsiK, SepPuKu, Surgical Penis Klinik, System Planning Korporation and Sozialistisches Patienten Kollektiv". The band recruited two teenagers, Danny Rumour on lead guitar and David Virgin on bass guitar (both ex-Ugly Mirrors, and went on to form Sekret Sekret), on early recordings by SPK in 1979. In that year they independently released three 7" pressings: SoliPsiK as a three-track extended play in April, "Factory" as a single in August and "Mekano" in November.
Dominik Guerin (aka "Tone Generator") joined on synthesisers in 1980, and later concentrated on the band's visual content. In May they issued an EP, Meat Processing Section, as Surgical Penis Klinik. Without Hill, SPK relocated to London where Guerin and Revell recorded their debut album, Information Overload Unit, in a Vauxhall squat with the help of Revell's brother Ashley Revell (aka "Mr.Clean") and Mike Wilkins (guitar, bass guitar, backing vocals). The album's cover has System Planning Korporation with the initials SPK highlighted in red. In June 1980 they issued the single, "Slogun", with lyrics inspired by the Marxist manifesto: "Kill, Kill, Kill for inner peace / Bomb, Bomb, Bomb for mental health / Therapy through violence!" McFarlane suggested "the album's harsh, thumping sound appealed to fans of Throbbing Gristle and early Cabaret Voltaire". Allmusic's John Bush felt it was "(a) noisy record basically comprised of guitar feedback, synthesizer distortion and rigid drum programming". Other musicians working with SPK included James Pinker (drums, percussion) and Karel van Bergan (violin, vocals), who toured with them to the United States. In July 1981 in Australia, the M Squared label released another single, "See Saw". The cover depicts SoliPsiK with members given as Kitka (aka Kit Katalog), Sushi (aka Margaret Hill), Charlyiev (aka Paul Charlier) and Skorne (Neil Hill). Both tracks are co-written by Charlier and Hill.
In 1982 SPK's Guerin and Revell were joined by Brian Williams (aka Lustmord), John Murphy of Forresta di Ferro (aka "Kraang") and Derek Thompson (who later had a brief stint in The Cure and went on to record as Hoodlum Priest). SPK's second album, Leichenschrei (English: The Scream of the Corpse) (1982), shows Sozialistisches Patienten Kollektiv (English: Socialist Patients' Collective). After its recording they were joined by Sinan Leong on vocals, who had initially auditioned for a planned SPK side-project, Dance Macabre. Leong and Revell later married. In 1983 Thompson left SPK because Revell "wanted to make a very commercial sounding album which I did not". McFarlane found that "SPK had softened the approach somewhat with discernible synth melodies and dance beats coming to the fore amongst the noise". In August 1983, the group issued a compilation album, Auto Da Fé, showing SepPuKu written with SPK in red capital letters. It included three studio tracks recorded in 1981. Bush suggested the album was the "beginning of a more organized approach for SPK material, Auto Da-Fé presents an intriguing industrial-disco fusion, reminiscent of prime contemporary material by Cabaret Voltaire and DAF ... Although fans probably thought of it as an unconscionable crossover attempt, it's still quite experimental in retrospect". The three-track EP, Dekompositiones (also by SepPuKu) followed soon after. Its tracks were added to a later version of Auto Da Fé.
In early February 1984, just before his 28th birthday, Neil Hill committed suicide. Two days later his wife Margaret Hill (nee Nikitenko) died as a result of complications from anorexia. In March SPK issued another single, "Metal Dance", which was co-written by Revell, Leong and Thompson. SPK returned to Australia for a tour and recorded their third album, Machine Age Voodoo, in Sydney which was issued in 1984 on WEA Records. For the album, SPK's Revell and Leong were joined by Jeff Bartolomei on keyboards, Mary Bradfield-Taylor on vocals, Graham Jesse on saxophone, James Kelly on guitar, Sam McNally on keyboards and Phil Scorgie on bass guitar. McFarlane saw the album as "mixed mainstream disco-pop and sweet vocals with electronic experimentation (sort of like Blondie meets Kraftwerk)". While Bush felt it was "another leap towards dance-rock and away from the group's industrial past". The album spawned a single, "Junk Funk" in 1985.
Leong and Revell returned to Australia and added Karina Hayes as vocalist. They issued Zamia Lehmanni: Songs of Byzantine Flowers in 1986 which provided a single, "In Flagrante Delicto". It was followed by Digitalis Ambigua: Gold & Poison in 1987. Allmusic's Sean Carruthers observed that Revell "was in a period of transition... somewhere between the industrial noise of the early years and his later soundtrack work". In 1988, the band issued a live album, Oceania... In Performance 1987 but disbanded during the year. In 1989, Revell moved into work on scores and soundtracks. SPK's track "In Flagrante Delicto" was used by Revell for his work on the soundtrack for the 1989 film, Dead Calm. By 1991 Leong and Revell had moved to Los Angeles.
2) SPK is an electronic / funk act from UK, consisting of Macdonlad and Myatt. Released the single "Easy" in 2004.
Note: if you are here for the Croatian band, please use the tag S.P.K. instead.
SPK was formed in 1978 in Sydney, Australia, when New Zealand-born Graeme Revell (aka "EMS AKS", "Operator", "Oblivion") met Neil Hill (aka "Ne/H/il"). Revell was working as a nurse on a psychiatric ward at Callan Park Hospital where Hill was also working. Hill and Revell shared a house and an interest in the manifesto of the German radical Marxist group known as the Sozialistisches Patientenkollektiv (SPK). The duo were influenced by Kraftwerk, Can, Neu!, Faust, and John Cage – they started playing their own variety of industrial music as SPK. According to rock music historian, Ian McFarlane the acronym SPK is variously given as "SoliPsiK, SepPuKu, Surgical Penis Klinik, System Planning Korporation and Sozialistisches Patienten Kollektiv". The band recruited two teenagers, Danny Rumour on lead guitar and David Virgin on bass guitar (both ex-Ugly Mirrors, and went on to form Sekret Sekret), on early recordings by SPK in 1979. In that year they independently released three 7" pressings: SoliPsiK as a three-track extended play in April, "Factory" as a single in August and "Mekano" in November.
Dominik Guerin (aka "Tone Generator") joined on synthesisers in 1980, and later concentrated on the band's visual content. In May they issued an EP, Meat Processing Section, as Surgical Penis Klinik. Without Hill, SPK relocated to London where Guerin and Revell recorded their debut album, Information Overload Unit, in a Vauxhall squat with the help of Revell's brother Ashley Revell (aka "Mr.Clean") and Mike Wilkins (guitar, bass guitar, backing vocals). The album's cover has System Planning Korporation with the initials SPK highlighted in red. In June 1980 they issued the single, "Slogun", with lyrics inspired by the Marxist manifesto: "Kill, Kill, Kill for inner peace / Bomb, Bomb, Bomb for mental health / Therapy through violence!" McFarlane suggested "the album's harsh, thumping sound appealed to fans of Throbbing Gristle and early Cabaret Voltaire". Allmusic's John Bush felt it was "(a) noisy record basically comprised of guitar feedback, synthesizer distortion and rigid drum programming". Other musicians working with SPK included James Pinker (drums, percussion) and Karel van Bergan (violin, vocals), who toured with them to the United States. In July 1981 in Australia, the M Squared label released another single, "See Saw". The cover depicts SoliPsiK with members given as Kitka (aka Kit Katalog), Sushi (aka Margaret Hill), Charlyiev (aka Paul Charlier) and Skorne (Neil Hill). Both tracks are co-written by Charlier and Hill.
In 1982 SPK's Guerin and Revell were joined by Brian Williams (aka Lustmord), John Murphy of Forresta di Ferro (aka "Kraang") and Derek Thompson (who later had a brief stint in The Cure and went on to record as Hoodlum Priest). SPK's second album, Leichenschrei (English: The Scream of the Corpse) (1982), shows Sozialistisches Patienten Kollektiv (English: Socialist Patients' Collective). After its recording they were joined by Sinan Leong on vocals, who had initially auditioned for a planned SPK side-project, Dance Macabre. Leong and Revell later married. In 1983 Thompson left SPK because Revell "wanted to make a very commercial sounding album which I did not". McFarlane found that "SPK had softened the approach somewhat with discernible synth melodies and dance beats coming to the fore amongst the noise". In August 1983, the group issued a compilation album, Auto Da Fé, showing SepPuKu written with SPK in red capital letters. It included three studio tracks recorded in 1981. Bush suggested the album was the "beginning of a more organized approach for SPK material, Auto Da-Fé presents an intriguing industrial-disco fusion, reminiscent of prime contemporary material by Cabaret Voltaire and DAF ... Although fans probably thought of it as an unconscionable crossover attempt, it's still quite experimental in retrospect". The three-track EP, Dekompositiones (also by SepPuKu) followed soon after. Its tracks were added to a later version of Auto Da Fé.
In early February 1984, just before his 28th birthday, Neil Hill committed suicide. Two days later his wife Margaret Hill (nee Nikitenko) died as a result of complications from anorexia. In March SPK issued another single, "Metal Dance", which was co-written by Revell, Leong and Thompson. SPK returned to Australia for a tour and recorded their third album, Machine Age Voodoo, in Sydney which was issued in 1984 on WEA Records. For the album, SPK's Revell and Leong were joined by Jeff Bartolomei on keyboards, Mary Bradfield-Taylor on vocals, Graham Jesse on saxophone, James Kelly on guitar, Sam McNally on keyboards and Phil Scorgie on bass guitar. McFarlane saw the album as "mixed mainstream disco-pop and sweet vocals with electronic experimentation (sort of like Blondie meets Kraftwerk)". While Bush felt it was "another leap towards dance-rock and away from the group's industrial past". The album spawned a single, "Junk Funk" in 1985.
Leong and Revell returned to Australia and added Karina Hayes as vocalist. They issued Zamia Lehmanni: Songs of Byzantine Flowers in 1986 which provided a single, "In Flagrante Delicto". It was followed by Digitalis Ambigua: Gold & Poison in 1987. Allmusic's Sean Carruthers observed that Revell "was in a period of transition... somewhere between the industrial noise of the early years and his later soundtrack work". In 1988, the band issued a live album, Oceania... In Performance 1987 but disbanded during the year. In 1989, Revell moved into work on scores and soundtracks. SPK's track "In Flagrante Delicto" was used by Revell for his work on the soundtrack for the 1989 film, Dead Calm. By 1991 Leong and Revell had moved to Los Angeles.
2) SPK is an electronic / funk act from UK, consisting of Macdonlad and Myatt. Released the single "Easy" in 2004.
Note: if you are here for the Croatian band, please use the tag S.P.K. instead.
In Flagrante Delicto
SPK Lyrics
We have lyrics for 'In Flagrante Delicto' by these artists:
Propagandhi Après la petit mort, homey don′t want you no more That…
We have lyrics for these tracks by SPK:
High Tension Oh yeah Oh yeah Tak usah jadi keren kluarkan suaramu Ikuti i…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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@brucetheviking
I made this video in 1985 I think, ha ha so long ago good to see its still kicking around. Those interested might like to know it was made in a 3 machine standard betacam suite. The background is Gabo island off Tasmania, footage from the sydney-hobart race doco i was doing at the time, fun to do! This was way before computer effects, the last image melt I havent seen done on a computer. I am still doing clips if anyones keen! Greame, if youre reading this, I still want a copy of Lichenschri!
@pablosantander5739
Beautifull work, very inspired.
Thanls for share your memories about this amazing collaboration
@duprie37
Songs of Byzantine Flowers came out 1987
@69hau
Brilliant !
@sawtoothiandi
thank you!
@brucetheviking
So good to see this clip again. I had lost my copy. I shot the studio stuff of graemes wife(?) and edited it using some shots of Gabo island (from a doco on the sydney hobart yachy race our rather straight company were doing at the time) heavily keyed and many, many layered the hi res version has a pulse to it that doesnt really come across on the youtube res.
@Buegelpresse
Einer der schönsten Songs der australischen Rockband!!!
@Boadicea6
Many thanx to whomever placed this beautiful piece of music. Pity this kind of music is so hard to get on record these days. I am very nostalgic because it was the best and the worst time of my life and only the music cerstains, 'cause my memories fade.....
@brucetheviking
made this vid fo graeme in 1984 i think, i cant find the words i believe she is singing in classical Latin also sings twice on the track, early days of overlaying backtracks so she seems to slip out os sync its actually her second vocal track kicking in. With the video thanks for the many comments, i loved doing it and the elements used can be found further down this list of comments many thanks to the appreciative comments, im humbled.
@rockymoore6859
Beyond excellent. When video and song together compliment the other as well as this, it becomes fine art. You have a masterpiece.