Sajama Cut is Marcel Thee (vocals, guitars, various instruments), Dion Panlima Reza (guitars, vocals, percussion, synths), Randy Apriza Akbar (bass, vocals), and Hans Citra Patria (percussion, synths). They formed in 2001. In March 2011, Sajama Cut announced that Andreas Humala (keyboards, synths, samplers, vocals) had left the band due to personal reasons.
Sajama Cut have released four albums, along with numerous compilations, most notably the JKT:SKRG (Jakarta Now!) compilation, and had a major radio hit when their single "Less Afraid" appeared on the major motion picture Janji Joni , in which the song, in a rare occurrence; could be heard almost in its entirety two times during the movie.
Videos for the singles Fallen Japanese and Alibi are also staples in both local TV channels in South-East Asia, and commercial channels, such as MTV, O-Channel, and STV.
Sajama Cut released their first indie album Apologia (2002) to praise from the indie community and media in Indonesia. Earning a 90% raiting in the influential Indonesian independent magazine Deathrockstar. The album also received critical praise from youth magazines such as Ripple, and Hai. This album was mostly done only by Thee and a drummer, making it more of a solo-oriented album than a complete band product.
The band released their second album, the semi-concept LP The Osaka Journals in 2005, with distribution help from the major label Universal Music Indonesia. With their name now more widely known amongst the music community, the band released 2 singles (and 2 videos) for "Fallen Japanese", "and Alibi".
The album The Osaka Journals received an even larger critical acclaim in the media, including MTV Trax Magazine, Rolling Stone Indonesia, and eventually making it as “One of the best (local and international) albums of the 2000 decade” in a list by The Jakarta Globe in 2009
In 2006, Sajama Cut also contributed 4 songs to another motion picture "Foto, Kotak, Jendela".
In June 2008, L’Internationale; a remix album collecting songs from The Osaka Journals with remixes from international producers was released. Those involved, includes producers/musicians/video directors from Japan, America, Britain, Indonesia, Norway, Italy, Scotland, Portugal, Germany, Venezuela, Hong Kong, etc.
The first single was a remix of Nemesis/Murder from the international 8-bit artist YMCK, from Tokyo, Japan. Three videos by international directors, including Raquel Meyers from Madrid, Hikori Kisogi from Tokyo, and David Horvitz (who documents Brooklyn art-rockers Xiu Xiu) will also be included in the CD.
Sajama Cut's third album "Manimal" was released in 2010. After releasing the critically acclaimed album Manimal five years ago, Sajama Cut returns with Hobgoblin, their new album of 11 songs which re-establishes their place as one of the country's most artistically ambitious bands.
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Booking: SRM Band Management
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Untitled
Sajama Cut Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
From a broken down record
A lover's benign blood
I'm broken without an easy way out
I'm broken without an easy way out
These are songs of unrequited love
They got talked about but still don't think that there's enough
You're caught oh no
Oh the lights arcs and buildings
Quaint history fights
Lost and broken old secular lovers in shroud
But I broke in spite of an easy way down
I broke in spite of an easy way down
These are songs of unrequited love
They got talked about but I still don't think that there's enough
These are songs of unrequited love
You're caught oh no
A castanet
A czar in Rome
Can just hop and cruise along to Beckett quotes
And Genghis' gold
He just gnaws and grooves along
These are songs of unrequited love
They got talked about but still don't think that there's enough
These are songs of unrequited love
You're caught oh no
These are songs of unrequited love
They got talked about but still don't think that there's enough
These are songs of unrequited love
You're caught oh no
The lyrics of Sajama Cut's song "Untitled" convey themes of unrequited love, brokenness, and the search for an easy way out. The imagery used in the song illustrates the pain and struggle that comes with longing for someone who does not feel the same way.
The first verse opens with the singer expressing their inability to comprehend the ways in which the person they desire shy away. They liken this behavior to that of a broken record, suggesting that the object of their affection is repeating patterns and avoiding emotional intimacy. The phrase "a lover's benign blood" further emphasizes the singer's frustration and longing, as they yearn for reciprocation.
The repetition of the line "I'm broken without an easy way out" underscores the singer's sense of helplessness and the absence of a simple resolution to their emotional turmoil. They feel shattered and unable to find a way to escape the pain they are experiencing.
The chorus reiterates the theme of unrequited love, emphasizing that these songs are about unfulfilled desires and feelings. The line "they got talked about but still don't think that there's enough" suggests that despite these songs being acknowledged and discussed, the singer still feels that they fail to capture the magnitude and depth of their emotions.
The second verse continues to explore the theme of brokenness, depicting the singer's struggle amidst the backdrop of lights, arcs, buildings, and a history filled with fights. The mention of "old secular lovers in shroud" implies that the singer witnesses the aftermath of failed relationships, which only serves as a reminder of their own brokenness. Despite this, they admit to breaking further despite the possibility of an easy way down, suggesting a lack of self-control or an inclination to self-destruct.
The third verse introduces new imagery, referencing a castanet (a percussion instrument) and a czar in Rome. These references could symbolize distraction and escapism in the form of music and power. The mention of Beckett quotes and Genghis' gold adds to the sense of escapism, suggesting that the singer can momentarily find solace in the works of respected authors and historical figures.
The repetition of the chorus once again highlights the disposition of unrequited love and suggests that the topic of unfulfilled desires continues to be explored throughout the song.
Overall, Sajama Cut's "Untitled" delves into the complexities of unrequited love, portraying the singer's struggles, brokenness, and search for release. The lyrics paint a vivid picture of their emotional state and dissatisfaction with the limited expression found in songs pertaining to unrequited love.
Line by Line Meaning
Well I can't imagine the ways that you shy
I cannot comprehend how you retreat or hold back
From a broken down record
Avoiding a worn-out, repetitive situation
A lover's benign blood
The gentle and harmless affection of a lover
I'm broken without an easy way out
I am emotionally shattered with no simple resolution
I'm broken without an easy way out
I am emotionally shattered with no simple resolution
Oh the lights arcs and buildings
The mesmerizing illumination of arches and structures
Quaint history fights
Charming past moments struggle
Lost and broken old secular lovers in shroud
Aged and wounded non-religious partners concealed
But I broke in spite of an easy way down
Despite having a simple path to follow, I fell apart
I broke in spite of an easy way down
I fell apart despite the option of an effortless escape
A castanet
A musical instrument made of two pieces of wood or shell
A czar in Rome
A ruler in power who is capable of great authority
Can just hop and cruise along to Beckett quotes
Can easily move forward while enjoying the writings of Beckett
And Genghis' gold
Refers to the wealth or treasures associated with Genghis Khan
He just gnaws and grooves along
He simply continues on, biting and carving his way
These are songs of unrequited love
These compositions express love that is not reciprocated
They got talked about but still don't think that there's enough
Although they are discussed, there is a sense of inadequacy
You're caught oh no
You are trapped or entangled, creating a feeling of distress
These are songs of unrequited love
These compositions express love that is not reciprocated
You're caught oh no
You are trapped or entangled, creating a feeling of distress
These are songs of unrequited love
These compositions express love that is not reciprocated
They got talked about but still don't think that there's enough
Although they are discussed, there is a sense of inadequacy
These are songs of unrequited love
These compositions express love that is not reciprocated
You're caught oh no
You are trapped or entangled, creating a feeling of distress
These are songs of unrequited love
These compositions express love that is not reciprocated
They got talked about but still don't think that there's enough
Although they are discussed, there is a sense of inadequacy
These are songs of unrequited love
These compositions express love that is not reciprocated
You're caught oh no
You are trapped or entangled, creating a feeling of distress
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind