Childhood:
Samy Deluxe grew up with his mothers family as his Sudanese father left Germany when Samy was just two years old. Shortly after this event his half-sister was born. After living in Barmbek for many years they then moved to Eppendorf, a generally better-off suburb of Hamburg. Given this contrast - he certainly did not come from a well-off background - and his constant problems at school with teachers who he often defied, he looked for a release and a way to express himself away from school. He soon discovered music.
Style:
Samy modelled himself on American hip hop. This gave him a great sense of caring for his family, although he boasts of having had a good relationship with his mother and the people who looked after him. He practised all year long writing lyrics and spitting them, he has outstanding freestyling skills. Even his fiercest rivals have admitted that he is one of the best Freestylers in Germany.
Audacious and eloquent, Samy initially chose an aggressive style, based on imaginative use of metaphors, complex overlapping rhymes and his own melodic flow. He favours constructing contantly changing pictures rather than telling long stories. Critics find fault with his limited content and repetitive subjects, but Sam Semillia (as he calls himself, taken from the non-toxis form of the cannabis plant, Sinsemilia) has responded by saying that he can only rap in the style and about the subjects that feel real to him.
Starting Out:
Before working with Dynamite Deluxe he was a member of German Hip Hop group "No Nonsens". He became very well known due to his many guest appearances on the CDs put out by hip hop artists such as Freundeskreis, the Stieber Twins, Main Concept, Eins Zwo, Ferris MC, Absolute Beginner, Das Bo and 5 Sterne Deluxe. It was the latter group in particular that he performed many concerts with. He also took it upon himself to do the festivals all over Germany in order to make a name for himself.
Bürger von Konsolien
Samy Deluxe Lyrics
Jump to: Overall Meaning ↴
Lasst die zeit frei, lasst sie laufen
Denn wir 2 hier aus mongolien
Könnten die ganz gut gebrauchen!
Sie halten sie gefangen und schlagen sie tot
In digitalen szenarien
Böse zungen behaupten sie täten dies
Aufgrund minimaler genitalien
Der alte ruhigsteller religion ist out!
So können alle ihre zweifel und ängste
Begeistert im erreichen der
Highscores ertränken!
Sie daddeln und daddeln
Kommen level für level gefesselt im sessel
Dabei kumpels im tekken zu battlen
Wollen unter die besten der besten
Vergessen zu essen, ham keine interessen
Außer die competition zu testen das sind die
Bürger von konsolien, lasst die zeit frei
Lasst sie laufen
Denn wir 2 hier aus mongolien
Können die ganz gut gebrauchen!
Die zeit ist derbe in not!
Bereit's vom aussterben bedroht!
Ihre mörder sind seelenlose körper
Hängen an den kabeln
Wie an der nadel und daddeln!
Ich kenn'n typen aus der nachbarschaft den
Jeder für n looser hält
Doch daheim in seiner computerwelt
Ist er'n superheld
Macht locker jeden platt und
Toppt jeden punktestand
Aber im alltag bleibt er unbekannt
Sein name ungenannt
Depressiv, trinkt gleich morgens schon
Nen wodka gorbatschow
Schmeißt dann die konsole an und wixt
Sich einen auf lara croft!
Einer der, weder frau, freunde
Noch familie hat, und alle erfolge
Im leben gesaved auf memory card
Verschwendet jeden tag
Weil er ganz allein zu hause hockt
Denn in der welt da draußen gibt
Es bei gefahr kein pauseknopf!
Und wenn ihr selbst jemand kennt
Der ähnliche probleme hat
Dann schenkt ihm diese platte und
Nehmt ihm seine geräte ab!
(und darum geht das an die:)
Und wir singen dies' lied
Bis es jeder hier versteht!
Es wird zeit dass ihr euer leben lebt!
Denn ich kann nicht nur daneben stehen
Zusehen wie alle falsche wege wählen
Sich alles nur noch um geräte
Dreht, während die welt untergeht!
The lyrics to Samy Deluxe's song "Bürger von Konsolien" address the citizens of "Konsolien," a metaphorical realm where people are consumed by their digital devices and video games. The song critiques the obsession and escapism that technology can bring, highlighting how individuals in Konsolien are trapped in a cycle of chasing high scores and virtual achievements while neglecting real-life experiences and relationships. The reference to individuals from Mongolia needing time to run free suggests that the people of Konsolien are hindering the natural flow of time and are disconnected from the present moment.
The lyrics also touch upon themes of isolation, as exemplified by the character from the neighborhood who is considered a loser in real life but finds solace and validation in the virtual world as a superhero. This portrayal reflects a poignant commentary on how technology can both empower and alienate individuals, leading to a sense of disconnection from reality. The character's dependence on video games to escape from his troubles and lack of human connections underscores the negative impact of excessive screen time and isolation on mental health.
The song emphasizes the urgent need for individuals to break free from the digital confines of Konsolien and start living their lives authentically. The singer urges listeners to recognize the destructive patterns of excessive technology use and to take control of their own destinies before it's too late. By encouraging self-reflection and promoting a return to real-world interactions, the lyrics advocate for a balanced approach to technology consumption and a rediscovery of meaningful human connections.
In the final verse, the singer calls for action, challenging listeners to make a change in their lives and in the lives of those around them who may be struggling with similar issues related to technology addiction and isolation. The impassioned plea to reclaim agency over one's existence and to prioritize genuine experiences over virtual distractions serves as a powerful message of resilience and hope for those who may feel trapped in the digital realm of Konsolien. Overall, the song serves as a wake-up call to society to reevaluate their relationship with technology and to prioritize mental well-being and human connection in an increasingly digital world.
Lyrics © Freibank Musikverlags und vermarktungs GmbH, Warner Chappell Music, Inc.
Written by: SAMY SORGE, CHRIS FIEDLER, LIEVEN BRUNCKHORST, JOHANNES BRACHTENDORF, MARC WILKES, OLIVER KUSTERER, JAN PHILLIP EISSFELDT, HARTMUT KAREZ, ALEXANDER BUSSE
Lyrics Licensed & Provided by LyricFind
((Cortex))
ich peile das Lied 18 Jahre später, oh man
Sabine Sabine
Von Tag 1 bis heute genial!
Gonz Buster
Ich will das album wieder haben..
Gonz Buster
Ich werde es suchen..
Shaundy Sweed
ich auch!!! :3
frage is nur gibts das überhaupt noch original und net nur "gebraucht" auf ebay oder so mist?
gitti gscheit
Samy war der beste!
Jana_mag_bäume
Ich die das Lied 2022 im Religions Unterricht in der Schule gehört hat
Sebastian Schwank
[11.4., 01:51] Sebastian Schwank: Talk'n_PlaY?
[11.4., 01:51] Sebastian Schwank: PlaY'n_Talk?
MB
,, auf die Reihe,, wohl zu viel gekifft :)
Reapiczz lp Zocken ohne ENDE
GG ;)