Shirley Horn was born and raised in Washington, D.C.. Encouraged by her grandmother, an amateur organist, Horn began piano lessons at the age of four. Aged 12, she studied piano and composition at Howard University, later graduating from there in classical music. Horn was offered a place at the Juilliard School, but her family could not afford to send her there. Horn formed her first jazz piano trio when she was 20. Horn's early piano influences were Erroll Garner, Oscar Peterson and Ahmad Jamal, and moving away from her classical background, Horn later said that "Oscar Peterson became my Rachmaninov, and Ahmad Jamal became my Debussy." She then became enamored with the famous U Street jazz area of Washington (largely destroyed in the 1968 riots), sneaking into jazz clubs before she was of legal age.
Horn first achieved fame in 1960, through her association with Miles Davis. Davis' praise had particular resonance in two respects: because he was so highly respected as a musician, and because he rarely offered public praise for fellow musicians at that time. Horn had, though, recorded several songs with violinist Stuff Smith in 1959 both as a pianist and a singer. After her discovery by Davis, she recorded albums on different small labels in the early 1960s, eventually landing contracts with larger labels Mercury Records and Impulse Records. She was popular with jazz critics, but did not achieve significant popular success.
Quincy Jones attempted to make Horn into a pure vocalist in several recording sessions, something he later hinted may have been a mistake. Horn was also disturbed by the changes in popular music in the 1960s following the arrival of The Beatles. Largely rejecting efforts to remake her into a popular singer, she stated: "I will not stoop to conquer."[4] From the late-1960s, she concentrated on raising her daughter Rainy with her husband, Shepherd Deering (whom she had married in 1955), and largely limited her performances to her native Washington, D.C.
Miles Davis made a rare appearance as a sideman on Horn's 1991 album You Won't Forget Me. Although she preferred to perform in small settings, such as her trio, she also recorded with orchestras, as on the 1992 album Here's to Life, the title song (lyrics by Phyllis Molinary, music by Artie Butler) of which became her signature song. A video documentary of Horn's life and music was released at the same time as "Here's To Life" and shared its title. At the time, arranger Johnny Mandel commented that Horn's piano skill was comparable to that of the noted jazz great Bill Evans. A follow-up was made in 2001, named You're My Thrill.
Horn worked with the same rhythm section for 25 years: Charles Ables (bass) and Steve Williams (drums). Don Heckman wrote in the Los Angeles Times (February 2, 1995) about "the importance of bassist Charles Ables and drummer Steve Williams to Horn's sound. Working with boundless subtlety, following her every spontaneous twist and turn, they were the ideal accompanists for a performer who clearly will tolerate nothing less than perfection".
Her albums Here's to Life, Light Out of Darkness (A Tribute to Ray Charles) and I Love You, Paris all reached number one on the Billboard jazz charts.
Due to health problems in the early 2000s, Horn had to cut back on her performances. After 2002, a foot amputation (from complications of diabetes) led her to leave the piano playing to pianist George Mesterhazy. In late 2004, Horn felt able to play piano again, and recorded a live album for Verve, at Manhattan's Au Bar with trumpet player Roy Hargrove, which did not satisfy her.[citation needed] It remains unreleased except for tracks on But Beautiful - The Best of Shirley Horn.
A breast cancer survivor, she had been battling diabetes when she died of complications from the condition, aged 71. She is interred at Ft. Lincoln Cemetery in Washington, D.C.
Horn was nominated for nine Grammy Awards during her career, winning the Grammy Award for Best Jazz Vocal Performance at the 41st Grammy Awards for I Remember Miles, a tribute to her friend and mentor (the album's cover featuring a Miles Davis drawing of them both).
She was officially recognized by the 109th US Congress for "her many achievements and contributions to the world of jazz and American culture", and performed at The White House for several U.S. presidents. Horn was awarded an honorary Doctor of Music degree from the Berklee College of Music in 2002.
She was awarded the National Endowment for the Arts Jazz Masters Award in 2005 (the highest honors that the United States bestows upon jazz musicians).
That Old Black Magic
Shirley Horn Lyrics
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Those icy fingers up and down my spine
That same old witchcraft when your eyes meet mine.
The same old tingle that I feel inside, and then that elevator starts its ride
And down and down I go, round and round I go, like a leaf that's caught in the tide.
I should stay away, but what can I do?
I hear your name and I'm aflame
Aflame with such a burning desire that only your kiss can put out the fire.
For you're the lover I have waited for, the mate that fate had me created for.
And every time your lips meet mine, darling, down and down I go, round and round I go
In a spin, loving the spin I'm in, under that old black magic called love.
The song "That Old Black Magic" by Shirley Horn tells the story of a person who is under the spell of a love that they cannot control. The lyrics speak of a mysterious force, the "old black magic," that has taken hold of the singer and causes them to feel a powerful desire whenever they are near their love interest. This is conveyed through the use of vivid, tactile language, such as "icy fingers up and down my spine" and the metaphor of an elevator ride that represents the rush of emotions that the singer feels when they're with their lover. The song's narrative implies that the love is not necessarily healthy or rational, but is instead something that the singer cannot resist.
The imagery of magic and witchcraft adds an element of mysticism to the song, further emphasizing the idea that the singer's love is uncontrollable and inexplicable. This is reinforced by the repetition of the phrase "round and round I go," which suggests the feeling of being caught in a cycle that the singer cannot escape from. The lyrics also suggest that the singer is aware of the potential harm that their love could cause ("I should stay away"), but ultimately cannot resist the pull of their emotions.
Line by Line Meaning
That old black magic has me in its spell, that old black magic that you weave so well.
The spellbinding and manipulative power of your love has bewitched me.
Those icy fingers up and down my spine
The exhilarating and chilling sensation that your touch elicits.
That same old witchcraft when your eyes meet mine.
The elusive and mysterious force that emanates from the gaze of our eye contact.
The same old tingle that I feel inside, and then that elevator starts its ride
The familiar sensation of excitement that I experience within me, leading to a dizzying rush of sensations.
And down and down I go, round and round I go, like a leaf that's caught in the tide.
I am spiraling into a sea of emotions without any control over my feelings.
I should stay away, but what can I do?
Despite my recognition of the danger, I am unable to resist the allure of your love.
I hear your name and I'm aflame
The mere mention of your name ignites a burning passion within me.
Aflame with such a burning desire that only your kiss can put out the fire.
The intensity of my longing for you can only be assuaged by your affection and attention.
For you're the lover I have waited for, the mate that fate had me created for.
You are the one that my heart had been waiting for, the ideal companion that destiny had chosen for me.
And every time your lips meet mine, darling, down and down I go, round and round I go
Every time we embrace in a kiss, my emotions spiral out of control, leaving me feeling dizzy and lightheaded.
In a spin, loving the spin I'm in, under that old black magic called love.
I am caught up in a whirlwind of passionate emotions and I am enjoying every single moment of this surreal, magical experience called love.
Lyrics © Sony/ATV Music Publishing LLC
Written by: HAROLD ARLEN, JOHNNY MERCER
Lyrics Licensed & Provided by LyricFind