Shirley Temple Black (born Shirley Jane Temple; April 23, 1928 – February 1… Read Full Bio ↴Shirley Temple Black (born Shirley Jane Temple; April 23, 1928 – February 10, 2014) was an American film and television actress, singer, dancer, and one-time U.S. ambassador to Ghana and Czechoslovakia. She also served as Chief of Protocol of the United States, 1976–1977.
Temple began her film career in 1932 at the age of three and, in 1934, found international fame in Bright Eyes, a feature film designed specifically for her talents. She received a special Juvenile Academy Award in February 1935 for her outstanding contribution as a juvenile performer to motion pictures during 1934, and film hits such as Curly Top and Heidi followed year after year during the mid-to-late 1930s. Licensed merchandise that capitalized on her wholesome image included dolls, dishes, and clothing. Her box office popularity waned as she reached adolescence, and she left the film industry in her teens. She appeared in a few films of varying quality in her mid-to-late teens, and retired completely from films in 1950 at the age of 22. She was the top box-office draw four years in a row (1935–38) in a Motion Picture Herald poll.
Temple returned to show business in 1958 with a two-season television anthology series of fairy tale adaptations. She made guest appearances on television shows in the early 1960s and filmed a sitcom pilot that was never released. She sat on the boards of corporations and organizations including The Walt Disney Company, Del Monte Foods, and the National Wildlife Federation. In 1988, she published her autobiography, Child Star. Temple was the recipient of awards and honors including Kennedy Center Honors and a Screen Actors Guild Life Achievement Award.
Temple ranks 18th on the American Film Institute's list of the greatest female American screen legends of all time.

Temple began dance classes at Meglin's Dance School in Hollywood in 1931, at the age of 3. Her film career began when a casting director from Educational Pictures visited her class. Although Temple hid behind the piano in the studio, she was chosen by the director, invited to audition, and, eventually, signed to a contract with Educational.

Temple worked at Educational from 1932 to 1933, and appeared in two series of short subjects for the studio. Her first series, Baby Burlesks, satirized recent motion pictures and politics. In the series "Baby Burlesks", Shirley would dress up in a diaper, but then be wearing adult clothes everywhere else. The series was considered controversial by some viewers because of its depiction of young children in adult situations. Her second series at Educational, Frolics of Youth, was a bit more acceptable, and cast her as a bratty younger sister in a contemporary suburban family.

While working for Educational Pictures, Temple also performed many walk-on and bit player roles in various films at other studios. She is said to have auditioned for a lead role in Hal Roach's Our Gang comedies (later known as The Little Rascals) in the early 1930s; various reasons are given for her not having been cast in the role. Roach stated that Temple and her mother were unable to make it through the red tape of the audition process, while Our Gang producer/director Robert F. McGowan recalls that the studio wanted to cast Temple, but they refused to give in to Temple's mother's demands that Temple receive special star billing. Temple, in her autobiography Child Star, denies that she ever auditioned for Our Gang at all. However, Temple had some connection with Our Gang in that Temple's carpool friend, David Holt, had a small role in the 1933 Little Rascals film Forgotten Babies.

Temple was finally signed to Fox Film Corporation (which later merged with 20th Century Pictures to become 20th Century Fox) in late 1933 after appearing in Stand Up and Cheer! with James Dunn. Later, she was paired with Dunn in several films.

Temple would stay with Fox until 1940, becoming the studio's most lucrative player. Her contract was amended several times between 1933 and 1935, and she was loaned to Paramount for a pair of successful films in 1934. For four solid years, she ranked as the top-grossing box office star in America. Shirley's birth certificate was altered to hold on to her babyhood; her birth year was advanced from 1928 to 1929. She was not told her real age until her twelfth (actually thirteenth) birthday.

Her popularity earned her both public adulation and the approval of her peers. Even at the age of five, the hallmark of her acting work was her professionalism: she always had her lines memorized and dance steps prepared when shooting began.

Temple also made pictures with Carole Lombard, Gary Cooper, Adolphe Menjou, and many others. Arthur Treacher appeared as a kindly butler in several of Temple's films.

Temple's ability as a dancer (especially a tap dancer) is well known and celebrated. Even in her earliest films she danced, and she was able to handle complex tap choreography by the age of five. She was teamed with famed dancer Bill "Bojangles" Robinson in The Little Colonel, The Littlest Rebel, Rebecca of Sunnybrook Farm and Just Around the Corner. Robinson also coached and developed her choreography for many of her other films. Because Robinson was African-American, and the South was replete with racism, his scenes holding hands with Temple had to be edited out in many cities in the South.

Aside from the films, there were many Shirley Temple product during the 1930s. Ideal's numerous Temple dolls, dressed in costumes from the movies, were top sellers. Original Shirley Temple dolls bring in hundreds of dollars on the secondary market today. Other successful Temple items included a line of girls' dresses and hairbows. Several of Temple's film songs, including "On the Good Ship Lollipop"(from 1934's Bright Eyes), "Animal Crackers in My Soup" (from 1935's Curly Top) and "Goodnight My Love" (from 1936's Stowaway) were popular radio hits. She frequently lent her likeness and talent to promoting various social causes, including the Red Cross.

Temple was the first recipient of the special Juvenile Performer Academy Award in 1935 for recognition of her outstanding contribution to screen entertainment in 1934. Seventy years later, Temple is still the youngest performer ever to receive this honor, or any Oscar. She is also the youngest actress to add foot and hand prints to the forecourt at Grauman's Chinese Theatre.

Laugh You Son-Of-A-Gun
Shirley Temple Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

I′m not a king
But I've got more than a king
Because this whole world
Seems to be a comedy to me

I may be broke
But I take life as a joke
And if you want to

Make each day a holiday
Try my way

Look at the funny side
And have your fun
Stay by your honey′s side
And laugh you son of a gun

It doesn't cost a thing
To buy the sun
You haven't lost a thing
So laugh you son of a gun

I don′t mean a snigger
Heh heh heh
I don′t mean a giggle
Hee hee hee
I don't mean a chuckle
No no no no
What I mean is ho ho ho ho

Look at the funny side
For when you′re done

Its all a buggy ride
So laugh you son of a gun!

Overall Meaning

The song "Laugh You Son-Of-A-Gun" by Shirley Temple is a cheerful and uplifting piece that encourages listeners to find the humor in life and enjoy every moment. The lyrics express the idea that even if one is not wealthy or powerful, the ability to see the world as a comedy and take it all in good fun can bring immense pleasure and richness to life. The singer suggests that by looking at the funny side of things and finding humor in everyday situations, one can make each day a holiday and find joy in life's simple pleasures.

The refrain of the song encourages the listener to laugh and have fun, regardless of circumstances. The singer urges the audience to stay close to loved ones and revel in each other's company, highlighting the importance of human connection and laughter. The use of onomatopoeia in the lines, "heh heh heh", "hee hee hee", and "ho ho ho ho", strengthens the message and creates a playful and lighthearted effect.

"Laugh You Son-Of-A-Gun" is an inspiring and happy-go-lucky song that reminds us to appreciate the beauty and humor in life, no matter what. It is an enjoyable piece that encourages people to let go of their inhibitions and loosen up, to find joy in life and to spread happiness to those around them.

Line by Line Meaning

I'm not a king
Although I'm not royalty, my life is still enjoyable

But I've got more than a king
I have an abundance of happiness and laughter, which is worth more than material wealth

Because this whole world
The entirety of existence

Seems to be a comedy to me
Appears to be entertaining and humorous

I may be broke
I might not have a lot of money

But I take life as a joke
However, I approach life with a lighthearted demeanor

And if you want to
If you desire

Make each day a holiday
Turn every day into a joyous celebration

Try my way
Follow my approach

Look at the funny side
Find the humorous aspects

And have your fun
Enjoy yourself