Iowa
Slipknot Lyrics


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Relax, it's over
You belong to me, I fill your mouth with dirt
(Hahaha)
Relax, it's over
You can never leave
I take your second digit with me, love

You are my first
I can barely breathe, I find you fascinating
You are my favorite
Lay you down to sleep
It's all that I can do to stop, love

So blue, so broken, paper doll decays
I haven't left you yet
So cold, subversive, your eyes are full of bleach
Tomorrow, I will go away again, love

Love
Love
Love
Love
Love
Love, love

Oh god, oh god
Oh god, oh god, no god

It makes us all one, tears us apart (shut up)
Tears us apart, it tears us apart (shut up)
Tears us apart (shut up, shut up)
It tears us apart

It cuts us up
It cuts us
It cuts us, it cuts us
It cuts us
You can't leave

You are mine
You will always be mine
I can tear you apart
I can recombine you
All I want is to covet you all
You belong to me
I will kill you to love you
Love you
Love you
Love you
Love you
Love you
Love you
Love you

Do you, do you see? Do you see?
Do you see? Do you see?

My love
My, my, my love
Just you and I in love
Just you and through it all

It's you and I in love
It's you and I in love
It's you and I
Just you and I turned around
(My life) just you and I
It's you and I turned around

I can smell you all over me
I can smell you
I can smell you all over me

I can smell you all over me, hahaha, oh

I told you
I fucking told you
I told you
I fucking told you

You'll live forever
You'll live forever, hahaha




You will live forever
You will

Overall Meaning

The lyrics to Slipknot's song Iowa are highly disturbing and unsettling in nature. The deranged vocals of Corey Taylor and the aggressive instrumentals create a haunting atmosphere that grips and terrifies the listener.


The song begins by the singer saying, "relax, it's over". This translates to the fact that the person being addressed now belongs to the singer and he will never be able to leave. The line "I fill your mouth with dirt" suggests that the person is now dead, buried, and is now under the singer's control. The words "it's all that I can do to stop, love" indicate that the singer is reveling in the power he has over the person.


The latter part of the song contains multiple repetitions of the word "love". Although, instead of love, the person is suffering from the singer's obsession and sadism. The song also contains the phrase "You can't leave" implying that the singer has complete control over the person.


In summary, the song Iowa is about an individual who is physically and mentally dominating another person. It is about power and control, blood, sweat, and tears. The lyrics are dark and filthy.


Line by Line Meaning

Relax, it's over
The singer wants the listener to calm down because a certain experience has ended


You belong to me, I fill your mouth with dirt
The singer has complete control over the listener and can do whatever they please, even if it causes harm


(Hahaha)
The singer finds pleasure in the control and harm they cause


You can never leave
The artist has ensured that the listener will always be under their control and can never leave


I take your second digit with me, love
The artist has severed a part of the listener (possibly a finger) as a way of showing their power and control over them


You are my first
The listener is the singer's first choice and they hold a significant place in their life


I can barely breathe, I find you fascinating
The singer is deeply infatuated with the listener, even to the point of suffocation


You are my favorite
Out of all their possessions or people under their control, the listener is the artist's favorite


Lay you down to sleep
The artist wants the listener to rest and be still, possibly in a permanent sense


It's all that I can do to stop, love
The artist is struggling to control their urge to harm the listener, even though they love them


So blue, so broken, paper doll decays
The listener is fragile, easily broken, and disposable to the singer


I haven't left you yet
The artist has not abandoned the listener because their control and power over them is too strong


So cold, subversive, your eyes are full of bleach
The listener is emotionless and expressionless, possibly due to the singer's control and abuse


Tomorrow, I will go away again, love
The singer will leave the listener temporarily, but will inevitably come back to exert control over them again


Oh god, oh god
The singer is exclaiming in excitement or anticipation


Oh god, oh god, no god
The artist is experiencing conflicting and intense emotions


It makes us all one, tears us apart (shut up)
The artist wants the listener to shut up and stop resisting their control, as they believe it will bring them closer together despite it actually destroying them both


Tears us apart, it tears us apart (shut up)
The singer acknowledges that their control is causing harm but wants the listener to be quiet about it and continue to accept it


Tears us apart (shut up, shut up)
The singer is becoming agitated and impatient with the listener's resistance


It tears us apart
The artist acknowledges the harm caused by their control and abuse, but is unwilling or unable to stop


It cuts us up
The artist's control and abuse is literally and figuratively cutting both themselves and the listener


It cuts us
The artist's control is causing harm to both themselves and the listener


It cuts us, it cuts us
The harm caused by the singer's control is intensifying


It cuts us
The harm caused by the artist's control is ongoing and unending


You can't leave
The singer is repeating their control over the listener and making it clear that they have no choice in the matter


You are mine
The singer's control over the listener is possessive and ownership is implied


You will always be mine
The singer's control over the listener is permanent and will never change


I can tear you apart
The artist can cause physical and emotional harm to the listener at any time


I can recombine you
The artist can manipulate and control the listener's emotions and thoughts at will


All I want is to covet you all
The singer's only desire is to have complete control and ownership over the listener


You belong to me
The singer's control and ownership over the listener is absolute


I will kill you to love you
The artist's love and affection for the listener is so intense that they are willing to cause harm or even kill them


Do you, do you see? Do you see?
The artist is asking the listener to realize the depth of their control and abuse


My love
The artist's love is possessive and harmful


My, my, my love
The singer's love is obsessive and they want complete control over the listener


Just you and I in love
The artist wants to isolate the listener and have them completely to themselves


Just you and through it all
The singer's love will endure through any challenges or obstacles


It's you and I in love
The listener is the only person the singer cares about and they want to be in control of their every move


Just you and I in love
The singer is repeating their desire for isolation with the listener


It's you and I in love
The artist is emphasizing that the listener belongs to them and they will always be in control


It's you and I
The artist and listener are the only ones that matter, and the listener must always obey the artist's control and abuse


Just you and I turned around
The singer wants the listener to be dependent on them and always follow their lead


(My life) just you and I
The singer believes that the listener is the most important thing in their life and they will do anything to maintain control over them


It's you and I turned around
The artist wants the listener to be under their control and ultimately dependent on them


I can smell you all over me
The artist is obsessed with the listener and their scent


I can smell you
The artist is fixated on their control over the listener and the power it gives them


I can smell you all over me
The singer's obsession with the listener and their control over them is all-consuming


I told you
The artist is reminding the listener that they predicted what was going to happen


I fucking told you
The singer is upset that the listener did not listen to their warnings or obey their control


You'll live forever
The singer's control over the listener is so complete that they believe that the listener will never be able to escape or die


You'll live forever, hahaha
The singer finds pleasure in their control and abuse over the listener, even to the point of imagining it will be eternal


You will live forever
The artist's control over the listener will never end, even in death




Lyrics © Sony/ATV Music Publishing LLC
Written by: Christopher Fehn, Corey Taylor, Craig Jones, James Root, Michael Shawn Crahan, Mickael Thomson, Nathan J Jordison, Paul D Gray, Sidney Wilson

Lyrics Licensed & Provided by LyricFind
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Most interesting comments from YouTube:

marauder

Lyrics:


[Verse]
Relax, it's over
You belong to me
I fill your mouth with dirt
Relax, it's over
You can never leave
I take your second digit with me
Love

You are my first
I can barely breathe
I find you fascinating
You are my favorite
I lay you down to sleep
It's all that I can do to stop
Love

So blue, so broken
Paper doll decays
I haven't left you yet
So cold, subversive
Your eyes are full of bleach
Tomorrow, I will go away again
Love

[Interlude]
Love, love, love
Love, love, love
Oh God, oh God
Oh God, oh God
Oh God, oh God
[Incomprehensible]
No one knows life
No one knows life, it kills
No one knows life
No one knows life
Makes us all love
Makes us all wanna
This is the part
(Shut up!)
This is the part
(Shut up!)
This is the part
(Shut up!)
This is the part
(Shut up!)
This is the part
(Shut up!)
This is the part
(Don't you fucking)
Em ta kool t'nod!
Em ta kool t'nod!
Em ta kool t'nod!
Em ta kool t'nod!
This is the circle, it hurts us
It cuts us
It hurts us
It cuts us
It cuts us up
It cuts us
It cuts us
It cuts us
It cuts us
I can't leave

[Bridge]
You are mine!
You will always be mine!
I can tear you apart!
I can recombine you!
All I want is to covet you all!
You belong to me!
I will kill you to love you!
Love you, love you, love you!
Love you, love you, love you!
Love you!
Fucking!
You fucking bitch!
Fuck you!
(Do you see?!)
(Do you see?!)
(Do you see?!)
(Do you see?!)
(Do you see?!)
Do you see?
Do you?
It's you and I, love
It's you and I, love
It's you and I
It's you and I, love
It's you and I, love
Em ta kool t'nod!
It's you and I, love
I can smell you
I can smell
I can smell you all over me
I can smell you on me

[Outro]
I fucking told you
I fucking told you
I fucking told you
I fucking told you
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(You'll live forever)
You'll live forever
(Forever)
(Forever)
(Forever)
(You'll live forever)
(You'll Live forever)



Nathan Wells

Since it's been confirmed this song is about necrophilia, I'm going to make your time here just a little bit creepier:

0:00-2:35
The narrator has killed the woman in question and is just now realizing what he's done.

2:36-3:45
He now knows what he must do, or at least the equivalent of "what he must do" in his deranged mind.

4:08-4:54
He begins defiling his victim, and as he says, this is the first time he's done something like this.

4:55-5:58
He continues throughout the night (or day, IDK) as the body begins to decompose.

5:59-9:31
He leaves the body with plans to continue shortly thereafter. (Side note, but I think the reversed "don't look at me" symbolizes him having constant paranoia that someone will find out)

9:32-11:41
He revisits the body only to find it has decomposed even more and her withering face looks nothing like the woman he knew, and now he's overcome with rage, as he feels he's been tricked and lied to.

11:42-15:06
He gets rid of the body and tries to get her out of his mind, but he can't as he can smell her body's stench and her screams echo through his mind. And he begins detaching from reality more and more to the point where he sees her and is talking to her. And eventually what little sanity he had left is gone



Chelsea Kyle

Relax... it's over
You belong to me
I fill your mouth with dirt
Relax... it's over
You can never leave
I take your second digit with me... love

You are my first
I can barely breathe
I find you fascinating
You are my favorite
Lay you down to sleep
It's all that I can do to stop... love

So blue, so broken
Paper doll decays
I haven't left you yet
So cold, subversive
Your eyes are full of bleach
Tomorrow I will go away again... love

You are mine, you will always be mine
I can tear you apart
I can recombine you
All I want is to covet you all
You belong to me
I will kill you to love you (love you)

Do you see?

I can smell you

I fucking told you

You'll live forever
You will live forever



MetalLyrics

Lyrics:
Relax
It's over
You belong to me
I fill your mouth with dirt
Relax
It's over
You can never leave
I take your second digit with me

Love...



You are
My first
I can barely breathe
I find you fascinating
You are
My favorite
Lay you down to sleep
It's all that I can do to stop

Love...

So blue
So broken
Paper doll decays
I haven't left you yet
So cold
Subversive
Your eyes are full of bleach
Tomorrow I will go away again

Love...

YOU ARE MINE
YOU WILL ALWAYS BE MINE
I CAN TEAR YOU APART
I CAN RECOMBINE YOU
ALL I WANT
IS TO COVET YOU ALL
YOU BELONG TO ME
I WILL KILL YOU TO LOVE YOU

(Love)



All comments from YouTube:

Антон Колев

This song was so good they even named a state after it

Papa Danny

Vermilion was such a good song, they named a color after it

CEO of Femboys

Sulfur was so good, they named an element after it

Dubbass Music

@Papa Danny tão boa que ainda fizeram uma parte 2 dela

Brayden Taylor

Freddie Mercury was so awesome they named a planet, an element, a god, and a car after him.

Ron Sizzle 402

@Papa Danny so true 👍

47 More Replies...

TheLMSJestr3

Song: Song Starts: 0:00 Bass Begins: 0:31 Heaviness Begins: 2:56 1st Verse: 3:21 2nd Verse: 4:08 3rd Verse: 4:53 Guitar Stops (1st Half): 5:39 Corey Groaning: 6:07 Corey's Revered Vocals: 8:09 Climax: 9:32 Guitar Stops (2nd Half): 11:40 Percussion Ends: 14:11 Bass Ends: 14:31 Song Ends 15:05

•Little pleeth•

How bored were you? To analyze a 15 minute song

slipknot fan

thank you

Tech87hd

Thanks for tge play by play update😅😅😅

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