Slipknot is well known for its attention-grabbing image, aggressive style of music, and energetic and chaotic live shows. The band rapidly rose to fame following the release of their eponymous debut album in 1999. The 2001 follow-up album, Iowa, although darker in tone, made the band more popular. After a brief hiatus, Slipknot returned in 2004 with Vol. 3: The Subliminal Verses, before going on another hiatus and returning in 2008 with its fourth album, All Hope Is Gone, which debuted at number one on the US Billboard 200 chart. After another long hiatus, Slipknot released its fifth studio album, .5: The Gray Chapter, in 2014. Their sixth studio album, We Are Not Your Kind, was released on August 9, 2019. Their seventh studio album, The End, So Far, was released on September 30, 2022. The band has released two live albums titled 9.0: Live and Day of the Gusano: Live in Mexico, a compilation album titled Antennas to Hell, and five live DVDs. The band has sold 30 million records worldwide.
Full Wikipedia article: https://en.wikipedia.org/wiki/Slipknot_(band)
Studio albums
Slipknot (1999)
Iowa (2001)
Vol. 3: The Subliminal Verses (2004)
All Hope Is Gone (2008)
.5: The Gray Chapter (2014)
We Are Not Your Kind (2019)
The End, So Far (2022)
Iowa
Slipknot Lyrics
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You belong to me, I fill your mouth with dirt
(Hahaha)
Relax, it's over
You can never leave
I take your second digit with me, love
You are my first
You are my favorite
Lay you down to sleep
It's all that I can do to stop, love
So blue, so broken, paper doll decays
I haven't left you yet
So cold, subversive, your eyes are full of bleach
Tomorrow, I will go away again, love
Love
Love
Love
Love
Love
Love, love
Oh god, oh god
Oh god, oh god, no god
It makes us all one, tears us apart (shut up)
Tears us apart, it tears us apart (shut up)
Tears us apart (shut up, shut up)
It tears us apart
It cuts us up
It cuts us
It cuts us, it cuts us
It cuts us
You can't leave
You are mine
You will always be mine
I can tear you apart
I can recombine you
All I want is to covet you all
You belong to me
I will kill you to love you
Love you
Love you
Love you
Love you
Love you
Love you
Love you
Do you, do you see? Do you see?
Do you see? Do you see?
My love
My, my, my love
Just you and I in love
Just you and through it all
It's you and I in love
It's you and I in love
It's you and I
Just you and I turned around
(My life) just you and I
It's you and I turned around
I can smell you all over me
I can smell you
I can smell you all over me
I can smell you all over me, hahaha, oh
I told you
I fucking told you
I told you
I fucking told you
You'll live forever
You'll live forever, hahaha
You will live forever
You will
The lyrics to Slipknot's song Iowa are highly disturbing and unsettling in nature. The deranged vocals of Corey Taylor and the aggressive instrumentals create a haunting atmosphere that grips and terrifies the listener.
The song begins by the singer saying, "relax, it's over". This translates to the fact that the person being addressed now belongs to the singer and he will never be able to leave. The line "I fill your mouth with dirt" suggests that the person is now dead, buried, and is now under the singer's control. The words "it's all that I can do to stop, love" indicate that the singer is reveling in the power he has over the person.
The latter part of the song contains multiple repetitions of the word "love". Although, instead of love, the person is suffering from the singer's obsession and sadism. The song also contains the phrase "You can't leave" implying that the singer has complete control over the person.
In summary, the song Iowa is about an individual who is physically and mentally dominating another person. It is about power and control, blood, sweat, and tears. The lyrics are dark and filthy.
Line by Line Meaning
Relax, it's over
The singer wants the listener to calm down because a certain experience has ended
You belong to me, I fill your mouth with dirt
The singer has complete control over the listener and can do whatever they please, even if it causes harm
(Hahaha)
The singer finds pleasure in the control and harm they cause
You can never leave
The artist has ensured that the listener will always be under their control and can never leave
I take your second digit with me, love
The artist has severed a part of the listener (possibly a finger) as a way of showing their power and control over them
You are my first
The listener is the singer's first choice and they hold a significant place in their life
I can barely breathe, I find you fascinating
The singer is deeply infatuated with the listener, even to the point of suffocation
You are my favorite
Out of all their possessions or people under their control, the listener is the artist's favorite
Lay you down to sleep
The artist wants the listener to rest and be still, possibly in a permanent sense
It's all that I can do to stop, love
The artist is struggling to control their urge to harm the listener, even though they love them
So blue, so broken, paper doll decays
The listener is fragile, easily broken, and disposable to the singer
I haven't left you yet
The artist has not abandoned the listener because their control and power over them is too strong
So cold, subversive, your eyes are full of bleach
The listener is emotionless and expressionless, possibly due to the singer's control and abuse
Tomorrow, I will go away again, love
The singer will leave the listener temporarily, but will inevitably come back to exert control over them again
Oh god, oh god
The singer is exclaiming in excitement or anticipation
Oh god, oh god, no god
The artist is experiencing conflicting and intense emotions
It makes us all one, tears us apart (shut up)
The artist wants the listener to shut up and stop resisting their control, as they believe it will bring them closer together despite it actually destroying them both
Tears us apart, it tears us apart (shut up)
The singer acknowledges that their control is causing harm but wants the listener to be quiet about it and continue to accept it
Tears us apart (shut up, shut up)
The singer is becoming agitated and impatient with the listener's resistance
It tears us apart
The artist acknowledges the harm caused by their control and abuse, but is unwilling or unable to stop
It cuts us up
The artist's control and abuse is literally and figuratively cutting both themselves and the listener
It cuts us
The artist's control is causing harm to both themselves and the listener
It cuts us, it cuts us
The harm caused by the singer's control is intensifying
It cuts us
The harm caused by the artist's control is ongoing and unending
You can't leave
The singer is repeating their control over the listener and making it clear that they have no choice in the matter
You are mine
The singer's control over the listener is possessive and ownership is implied
You will always be mine
The singer's control over the listener is permanent and will never change
I can tear you apart
The artist can cause physical and emotional harm to the listener at any time
I can recombine you
The artist can manipulate and control the listener's emotions and thoughts at will
All I want is to covet you all
The singer's only desire is to have complete control and ownership over the listener
You belong to me
The singer's control and ownership over the listener is absolute
I will kill you to love you
The artist's love and affection for the listener is so intense that they are willing to cause harm or even kill them
Do you, do you see? Do you see?
The artist is asking the listener to realize the depth of their control and abuse
My love
The artist's love is possessive and harmful
My, my, my love
The singer's love is obsessive and they want complete control over the listener
Just you and I in love
The artist wants to isolate the listener and have them completely to themselves
Just you and through it all
The singer's love will endure through any challenges or obstacles
It's you and I in love
The listener is the only person the singer cares about and they want to be in control of their every move
Just you and I in love
The singer is repeating their desire for isolation with the listener
It's you and I in love
The artist is emphasizing that the listener belongs to them and they will always be in control
It's you and I
The artist and listener are the only ones that matter, and the listener must always obey the artist's control and abuse
Just you and I turned around
The singer wants the listener to be dependent on them and always follow their lead
(My life) just you and I
The singer believes that the listener is the most important thing in their life and they will do anything to maintain control over them
It's you and I turned around
The artist wants the listener to be under their control and ultimately dependent on them
I can smell you all over me
The artist is obsessed with the listener and their scent
I can smell you
The artist is fixated on their control over the listener and the power it gives them
I can smell you all over me
The singer's obsession with the listener and their control over them is all-consuming
I told you
The artist is reminding the listener that they predicted what was going to happen
I fucking told you
The singer is upset that the listener did not listen to their warnings or obey their control
You'll live forever
The singer's control over the listener is so complete that they believe that the listener will never be able to escape or die
You'll live forever, hahaha
The singer finds pleasure in their control and abuse over the listener, even to the point of imagining it will be eternal
You will live forever
The artist's control over the listener will never end, even in death
Lyrics © Sony/ATV Music Publishing LLC
Written by: Christopher Fehn, Corey Taylor, Craig Jones, James Root, Michael Shawn Crahan, Mickael Thomson, Nathan J Jordison, Paul D Gray, Sidney Wilson
Lyrics Licensed & Provided by LyricFind
marauder
Lyrics:
[Verse]
Relax, it's over
You belong to me
I fill your mouth with dirt
Relax, it's over
You can never leave
I take your second digit with me
Love
You are my first
I can barely breathe
I find you fascinating
You are my favorite
I lay you down to sleep
It's all that I can do to stop
Love
So blue, so broken
Paper doll decays
I haven't left you yet
So cold, subversive
Your eyes are full of bleach
Tomorrow, I will go away again
Love
[Interlude]
Love, love, love
Love, love, love
Oh God, oh God
Oh God, oh God
Oh God, oh God
[Incomprehensible]
No one knows life
No one knows life, it kills
No one knows life
No one knows life
Makes us all love
Makes us all wanna
This is the part
(Shut up!)
This is the part
(Shut up!)
This is the part
(Shut up!)
This is the part
(Shut up!)
This is the part
(Shut up!)
This is the part
(Don't you fucking)
Em ta kool t'nod!
Em ta kool t'nod!
Em ta kool t'nod!
Em ta kool t'nod!
This is the circle, it hurts us
It cuts us
It hurts us
It cuts us
It cuts us up
It cuts us
It cuts us
It cuts us
It cuts us
I can't leave
[Bridge]
You are mine!
You will always be mine!
I can tear you apart!
I can recombine you!
All I want is to covet you all!
You belong to me!
I will kill you to love you!
Love you, love you, love you!
Love you, love you, love you!
Love you!
Fucking!
You fucking bitch!
Fuck you!
(Do you see?!)
(Do you see?!)
(Do you see?!)
(Do you see?!)
(Do you see?!)
Do you see?
Do you?
It's you and I, love
It's you and I, love
It's you and I
It's you and I, love
It's you and I, love
Em ta kool t'nod!
It's you and I, love
I can smell you
I can smell
I can smell you all over me
I can smell you on me
[Outro]
I fucking told you
I fucking told you
I fucking told you
I fucking told you
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(I fucking told you)
(You'll live forever)
You'll live forever
(Forever)
(Forever)
(Forever)
(You'll live forever)
(You'll Live forever)
Nathan Wells
Since it's been confirmed this song is about necrophilia, I'm going to make your time here just a little bit creepier:
0:00-2:35
The narrator has killed the woman in question and is just now realizing what he's done.
2:36-3:45
He now knows what he must do, or at least the equivalent of "what he must do" in his deranged mind.
4:08-4:54
He begins defiling his victim, and as he says, this is the first time he's done something like this.
4:55-5:58
He continues throughout the night (or day, IDK) as the body begins to decompose.
5:59-9:31
He leaves the body with plans to continue shortly thereafter. (Side note, but I think the reversed "don't look at me" symbolizes him having constant paranoia that someone will find out)
9:32-11:41
He revisits the body only to find it has decomposed even more and her withering face looks nothing like the woman he knew, and now he's overcome with rage, as he feels he's been tricked and lied to.
11:42-15:06
He gets rid of the body and tries to get her out of his mind, but he can't as he can smell her body's stench and her screams echo through his mind. And he begins detaching from reality more and more to the point where he sees her and is talking to her. And eventually what little sanity he had left is gone
Chelsea Kyle
Relax... it's over
You belong to me
I fill your mouth with dirt
Relax... it's over
You can never leave
I take your second digit with me... love
You are my first
I can barely breathe
I find you fascinating
You are my favorite
Lay you down to sleep
It's all that I can do to stop... love
So blue, so broken
Paper doll decays
I haven't left you yet
So cold, subversive
Your eyes are full of bleach
Tomorrow I will go away again... love
You are mine, you will always be mine
I can tear you apart
I can recombine you
All I want is to covet you all
You belong to me
I will kill you to love you (love you)
Do you see?
I can smell you
I fucking told you
You'll live forever
You will live forever
MetalLyrics
Lyrics:
Relax
It's over
You belong to me
I fill your mouth with dirt
Relax
It's over
You can never leave
I take your second digit with me
Love...
You are
My first
I can barely breathe
I find you fascinating
You are
My favorite
Lay you down to sleep
It's all that I can do to stop
Love...
So blue
So broken
Paper doll decays
I haven't left you yet
So cold
Subversive
Your eyes are full of bleach
Tomorrow I will go away again
Love...
YOU ARE MINE
YOU WILL ALWAYS BE MINE
I CAN TEAR YOU APART
I CAN RECOMBINE YOU
ALL I WANT
IS TO COVET YOU ALL
YOU BELONG TO ME
I WILL KILL YOU TO LOVE YOU
(Love)
Антон Колев
This song was so good they even named a state after it
Papa Danny
Vermilion was such a good song, they named a color after it
CEO of Femboys
Sulfur was so good, they named an element after it
Dubbass Music
@Papa Danny tão boa que ainda fizeram uma parte 2 dela
Brayden Taylor
Freddie Mercury was so awesome they named a planet, an element, a god, and a car after him.
Ron Sizzle 402
@Papa Danny so true 👍
TheLMSJestr3
Song: Song Starts: 0:00 Bass Begins: 0:31 Heaviness Begins: 2:56 1st Verse: 3:21 2nd Verse: 4:08 3rd Verse: 4:53 Guitar Stops (1st Half): 5:39 Corey Groaning: 6:07 Corey's Revered Vocals: 8:09 Climax: 9:32 Guitar Stops (2nd Half): 11:40 Percussion Ends: 14:11 Bass Ends: 14:31 Song Ends 15:05
•Little pleeth•
How bored were you? To analyze a 15 minute song
slipknot fan
thank you
Tech87hd
Thanks for tge play by play update😅😅😅