Soda Stereo was a rock power trio formed in Buenos Aires, Argentina in 1982… Read Full Bio ↴Soda Stereo was a rock power trio formed in Buenos Aires, Argentina in 1982. Consisting of guitarist and vocalist Gustavo Cerati, bassist Zeta Bosio and drummer Charly Alberti, the band established what would become the template for many other popular Spanish-speaking pop and rock music groups: Clever, often mysterious lyrics, pleasing musical arrangements and an elaborate and glamorous aesthetic image.
Though nominally thought of as a new wave or alternative rock group, they also experimented with several different styles throughout their career, including ska, post-punk, power pop, shoegazing, neo-psychedelia, dream pop and electronic rock. The band's sound was heavily influenced at the beginning of their career by British and American new wave and post-punk groups, including The Police, XTC, Talking Heads and Squeeze.
In 1997, after a farewell tour through various countries and finally Argentina, the band disbanded. Personal and creative differences brought them to this decision. On September 20, 1997, Soda Stereo played their last show, in front of 75,000 people at the Estadio Monumental (or River Plate Stadium) in Buenos Aires.
A final comeback tour in late 2007, the "Me Verás Volver" tour, was scheduled and gave their fanbase one final opportunity to see them perform live. The large audiences that attended confirmed once again Soda Stereo's capacity to sell tickets record numbers throughout Latin America and the US.
With the release of albums such as "Signos", "Doble Vida", "Canción Animal" and "Dynamo", Soda Stereo became one of the most critically acclaimed Argentinean rock bands, being the first one to tour through all of Latin America, and achieving a degree of success that no other local rock band had accomplished before.
Bio:
In 1982, Cerati, Bosio and Alberti recorded some demos and started to play regularly in a Buenos Aires bar called "Zero". After performing several shows, a CBS producer decided to give the band a chance. In 1984, their eponymous debut album, Soda Stereo was released. Produced by Federico Moura, lead singer of the band Virus, it proved successful. In October, 1984 the band played at the Buenos Aires Rock & Pop Festival with INXS, Nina Hagen and Charly García.
Their second album, Nada Personal was released in 1985 and re-affirmed the popularity of the band. Instant classics such as "Nada Personal" and "Cuando Pase el Temblor" made the album a big seller and increased the band's notoriety, especially in neighbouring country, Chile. The video for the single "Cuando Pase el Temblor" was nominated in as best rock video on the 12th Edition of the Video and TV World Festival.
Released in 1986, their third LP Signos represented the international breakthrough from Argentina to the rest of Latin America: This was the first Argentinean rock album to be re-released post vinyl, on compact disc, -however, Soda's first original release in CD was 1988's "Doble Vida". "Signos" made the band tour from 1986 to 1987 and contained songs as "Persiana Americana", the self-tiled "Signos" and "Prófugos". The album was number one in several countries and gave the band the chance to conquer much wider audiences. "Sodamanía", closely resembling Beatlemania, was now widespread.
Soda Stereo embarked in an extensive tour through Latin America to promote the album: They gave an unprecedented 22 concerts in 17 different cities. A live album called Ruido Blanco was recorded and contained most of the songs played on the "Signos" Tour.
After over a year without recording new material, the band travelled to New York City to start work on Doble Vida which was released in 1988. The album, produced by David Bowie's guitarist Carlos Alomar, was recorded and mixed in a state of the arts console and was Soda's most ambitious project so far. The first three songs on the album were released as singles, "Picnic en el 4ºB", "En la Ciudad de la Furia" and "Lo que Sangra (La Cúpula)" which became massive hits. The EP Languis followed. Released a year later, it contaided mixes from Doble Vida and one new track, "Mundo de Quimeras".
It was their seventh album, Canción Animal, released in 1990 the one that represented the band's creative and commercial peak. The songs are amongst the band's strongest and most popular to date. It was recorded in Miami and Buenos Aires. "Canción Animal" contained the instant classic "de Música Ligera", the single "Un Millón de Años Luz", the intimate short piece "Té Para Tres" and the anthemic tracks "(En) El Séptimo Día" and "Hombre Al Agua". Overall, the album is considered by some critics as the most consistent work by the band, along with "Signos". On December 14, 1991 they performed the majority of the album on the 9 de Julio Avenue in Buenos Aires at a free concert. An unprecedented 250,000 people were in attendance.
This success brought them to perform 14 continuous sold-out shows at Buenos Aires's Gran Rex Theater. From these shows emerged the Live/Mixes EP Rex Mix.
In late 1992, Soda Stereo released Dynamo. This album although now regarded as a highlight in the history of Argentinean rock, was initially Soda's most underrated, and with the passing of time has achieved increased and significant recognition. It was Soda's most ambitious and experimental work so far, and was recorded entirely at the band's now self owned studio "Supersónico" in Buenos Aires. The album delved in electronic, shoegazy and dance-ethereal sophisticated compositions. The band presented the highly experimental record in its entirety in a local talk-show, "Fax". This was the first stereophonic TV transmission in Argentina. The band toured Europe and did TV Shows and concerts in Spain and later again in South America. Shortly after the tour, bassist Zeta Bosio suffered the loss of his son in a car accident. This unfortunate incident forced the band to stop touring and promoting the album and sent the trio into a hiatus, during which singer Gustavo Cerati started his solo career and released his debut solo album Amor Amarillo. To add to the confusion, Dynamo was not being promoted by CBS well, and the band decided to change labels, moving to BMG. This clearly affected the sales of Dynamo, as there was no sufficient promotion held by any of the parts involved.
The band's last studio album, Sueño Stereo was recorded in London and Buenos Aires and was released in 1995. Three singles became significant hits: "Ella Usó mi Cabeza como un Revolver", "Paseando por Roma" and "Zoom", which samples the guitar lick in "Back In The New York Groove". "Sueño Stereo" reached platinum disc only 15 days after its release. MTV Unplugged's Comfort y Música Para Volar was released in 1996, and contained not only unplugged and plugged songs, but some out-takes from Sueño Stereo as well.
On May 1st, 1997, personal problems between the members and different artistic criteria led the band to announce its end and started the final tour on July 1997. Their last concert given on September 20th at the River Plate Stadium was recorded and released in two CD's: "El Último Concierto - A & B".
Comeback
During 2007, after 10 years of the original split, rumours stated that Soda Stereo would tour South America before the end of the year. A reunion tour was finally announced on June 9, 2007 as the "Me Verás Volver" Tour ("You'll See Me Return", referring to lyrics on Doble Vida's "En la Ciudad de la Furia"). The tour started at the River Plate stadium on October 19, 2007, where they played "El Último Concierto" in 1997. It ended in the same venue on December 21, 2007.
Initially, the band announced two concerts at River, but 90.000 tickets were sold in only 24 hours. The band added one more show to the schedule, and after three days, the tickets for the first three shows were also sold out, forcing the band to add two more shows in Argentina to complete the local tour. The surprising amount of fans attending the five shows (more than 300,000) made Soda Stereo's return one of the most watched public events in Argentina. The situation would be mirrored in all Latin America as well.
As of 20 October 2007, 22 shows were confirmed, including one show in Santiago - Chile, another in Bogotá - Colombia, and later others in Ecuador, Venezuela, Perú and Panamá. Also three shows were confirmed in the United States: One in the Home Depot Center in Los Angeles, CA, and two in the American Airlines Arena in Miami, FL. Later, more shows were added in Mexico and Argentina.
Soda Stereo became then the only band to have performed more than five times to a sellout crowd at Buenos Aires's Estadio Monumental de River, in a single tour.
"Gira Me Verás Volver" -the supporting 2CD album, featured live performances of the songs in all the different countries of Latin America where the tour went, and the U.S. Together with the new comeback tour, a compilation album was released, entitled Me Verás Volver (Hits & +). Exclusive content was available for download via the band's official website using a special code featured on the CD booklet.
After the end of the tour, the band members continued with their individual careers.
Official Discography:
Soda Stereo / 1984
Nada Personal / 1985
Signos / 1986
Ruido Blanco (Recorded Live) / 1987
Doble Vida / 1988
Languis (EP) / 1989
Canción Animal / 1990
Rex Mix (Live EP) / 1991
Dynamo / 1992
Zona de Promesas (Remixes 1984-1993) / 1993
Sueño Stereo / 1995
Comfort y Música Para Volar (MTV Unplugged) /1996
El Último Concierto - A / 1997
El Último Concierto - B / 1997
Gira Me Verás Volver / 2007
Guest Musicians w/ Soda Stereo on records and tours include:
Daniel Melero: Keyboards
Richard Coleman: Guitars
Fabian Von Quintiero: Keyboards
Daniel Sais: Keyboards
Tweety González: Keyboards
Gonzalo Palacios: Sax
Marcelo Sánchez: Sax
Andrea Álvarez: Percussion
Celsa Mel Gowland: Backing Vocals
Flavio Etcheto: Keyboards
Leo García: Keyboards, Guitar
Leandro Fresco: Keyboards
Axel Krigier: Flute, Guitar
Alejandro Terán: Violin
Official Website:
www.sodastereo.com
Though nominally thought of as a new wave or alternative rock group, they also experimented with several different styles throughout their career, including ska, post-punk, power pop, shoegazing, neo-psychedelia, dream pop and electronic rock. The band's sound was heavily influenced at the beginning of their career by British and American new wave and post-punk groups, including The Police, XTC, Talking Heads and Squeeze.
In 1997, after a farewell tour through various countries and finally Argentina, the band disbanded. Personal and creative differences brought them to this decision. On September 20, 1997, Soda Stereo played their last show, in front of 75,000 people at the Estadio Monumental (or River Plate Stadium) in Buenos Aires.
A final comeback tour in late 2007, the "Me Verás Volver" tour, was scheduled and gave their fanbase one final opportunity to see them perform live. The large audiences that attended confirmed once again Soda Stereo's capacity to sell tickets record numbers throughout Latin America and the US.
With the release of albums such as "Signos", "Doble Vida", "Canción Animal" and "Dynamo", Soda Stereo became one of the most critically acclaimed Argentinean rock bands, being the first one to tour through all of Latin America, and achieving a degree of success that no other local rock band had accomplished before.
Bio:
In 1982, Cerati, Bosio and Alberti recorded some demos and started to play regularly in a Buenos Aires bar called "Zero". After performing several shows, a CBS producer decided to give the band a chance. In 1984, their eponymous debut album, Soda Stereo was released. Produced by Federico Moura, lead singer of the band Virus, it proved successful. In October, 1984 the band played at the Buenos Aires Rock & Pop Festival with INXS, Nina Hagen and Charly García.
Their second album, Nada Personal was released in 1985 and re-affirmed the popularity of the band. Instant classics such as "Nada Personal" and "Cuando Pase el Temblor" made the album a big seller and increased the band's notoriety, especially in neighbouring country, Chile. The video for the single "Cuando Pase el Temblor" was nominated in as best rock video on the 12th Edition of the Video and TV World Festival.
Released in 1986, their third LP Signos represented the international breakthrough from Argentina to the rest of Latin America: This was the first Argentinean rock album to be re-released post vinyl, on compact disc, -however, Soda's first original release in CD was 1988's "Doble Vida". "Signos" made the band tour from 1986 to 1987 and contained songs as "Persiana Americana", the self-tiled "Signos" and "Prófugos". The album was number one in several countries and gave the band the chance to conquer much wider audiences. "Sodamanía", closely resembling Beatlemania, was now widespread.
Soda Stereo embarked in an extensive tour through Latin America to promote the album: They gave an unprecedented 22 concerts in 17 different cities. A live album called Ruido Blanco was recorded and contained most of the songs played on the "Signos" Tour.
After over a year without recording new material, the band travelled to New York City to start work on Doble Vida which was released in 1988. The album, produced by David Bowie's guitarist Carlos Alomar, was recorded and mixed in a state of the arts console and was Soda's most ambitious project so far. The first three songs on the album were released as singles, "Picnic en el 4ºB", "En la Ciudad de la Furia" and "Lo que Sangra (La Cúpula)" which became massive hits. The EP Languis followed. Released a year later, it contaided mixes from Doble Vida and one new track, "Mundo de Quimeras".
It was their seventh album, Canción Animal, released in 1990 the one that represented the band's creative and commercial peak. The songs are amongst the band's strongest and most popular to date. It was recorded in Miami and Buenos Aires. "Canción Animal" contained the instant classic "de Música Ligera", the single "Un Millón de Años Luz", the intimate short piece "Té Para Tres" and the anthemic tracks "(En) El Séptimo Día" and "Hombre Al Agua". Overall, the album is considered by some critics as the most consistent work by the band, along with "Signos". On December 14, 1991 they performed the majority of the album on the 9 de Julio Avenue in Buenos Aires at a free concert. An unprecedented 250,000 people were in attendance.
This success brought them to perform 14 continuous sold-out shows at Buenos Aires's Gran Rex Theater. From these shows emerged the Live/Mixes EP Rex Mix.
In late 1992, Soda Stereo released Dynamo. This album although now regarded as a highlight in the history of Argentinean rock, was initially Soda's most underrated, and with the passing of time has achieved increased and significant recognition. It was Soda's most ambitious and experimental work so far, and was recorded entirely at the band's now self owned studio "Supersónico" in Buenos Aires. The album delved in electronic, shoegazy and dance-ethereal sophisticated compositions. The band presented the highly experimental record in its entirety in a local talk-show, "Fax". This was the first stereophonic TV transmission in Argentina. The band toured Europe and did TV Shows and concerts in Spain and later again in South America. Shortly after the tour, bassist Zeta Bosio suffered the loss of his son in a car accident. This unfortunate incident forced the band to stop touring and promoting the album and sent the trio into a hiatus, during which singer Gustavo Cerati started his solo career and released his debut solo album Amor Amarillo. To add to the confusion, Dynamo was not being promoted by CBS well, and the band decided to change labels, moving to BMG. This clearly affected the sales of Dynamo, as there was no sufficient promotion held by any of the parts involved.
The band's last studio album, Sueño Stereo was recorded in London and Buenos Aires and was released in 1995. Three singles became significant hits: "Ella Usó mi Cabeza como un Revolver", "Paseando por Roma" and "Zoom", which samples the guitar lick in "Back In The New York Groove". "Sueño Stereo" reached platinum disc only 15 days after its release. MTV Unplugged's Comfort y Música Para Volar was released in 1996, and contained not only unplugged and plugged songs, but some out-takes from Sueño Stereo as well.
On May 1st, 1997, personal problems between the members and different artistic criteria led the band to announce its end and started the final tour on July 1997. Their last concert given on September 20th at the River Plate Stadium was recorded and released in two CD's: "El Último Concierto - A & B".
Comeback
During 2007, after 10 years of the original split, rumours stated that Soda Stereo would tour South America before the end of the year. A reunion tour was finally announced on June 9, 2007 as the "Me Verás Volver" Tour ("You'll See Me Return", referring to lyrics on Doble Vida's "En la Ciudad de la Furia"). The tour started at the River Plate stadium on October 19, 2007, where they played "El Último Concierto" in 1997. It ended in the same venue on December 21, 2007.
Initially, the band announced two concerts at River, but 90.000 tickets were sold in only 24 hours. The band added one more show to the schedule, and after three days, the tickets for the first three shows were also sold out, forcing the band to add two more shows in Argentina to complete the local tour. The surprising amount of fans attending the five shows (more than 300,000) made Soda Stereo's return one of the most watched public events in Argentina. The situation would be mirrored in all Latin America as well.
As of 20 October 2007, 22 shows were confirmed, including one show in Santiago - Chile, another in Bogotá - Colombia, and later others in Ecuador, Venezuela, Perú and Panamá. Also three shows were confirmed in the United States: One in the Home Depot Center in Los Angeles, CA, and two in the American Airlines Arena in Miami, FL. Later, more shows were added in Mexico and Argentina.
Soda Stereo became then the only band to have performed more than five times to a sellout crowd at Buenos Aires's Estadio Monumental de River, in a single tour.
"Gira Me Verás Volver" -the supporting 2CD album, featured live performances of the songs in all the different countries of Latin America where the tour went, and the U.S. Together with the new comeback tour, a compilation album was released, entitled Me Verás Volver (Hits & +). Exclusive content was available for download via the band's official website using a special code featured on the CD booklet.
After the end of the tour, the band members continued with their individual careers.
Official Discography:
Soda Stereo / 1984
Nada Personal / 1985
Signos / 1986
Ruido Blanco (Recorded Live) / 1987
Doble Vida / 1988
Languis (EP) / 1989
Canción Animal / 1990
Rex Mix (Live EP) / 1991
Dynamo / 1992
Zona de Promesas (Remixes 1984-1993) / 1993
Sueño Stereo / 1995
Comfort y Música Para Volar (MTV Unplugged) /1996
El Último Concierto - A / 1997
El Último Concierto - B / 1997
Gira Me Verás Volver / 2007
Guest Musicians w/ Soda Stereo on records and tours include:
Daniel Melero: Keyboards
Richard Coleman: Guitars
Fabian Von Quintiero: Keyboards
Daniel Sais: Keyboards
Tweety González: Keyboards
Gonzalo Palacios: Sax
Marcelo Sánchez: Sax
Andrea Álvarez: Percussion
Celsa Mel Gowland: Backing Vocals
Flavio Etcheto: Keyboards
Leo García: Keyboards, Guitar
Leandro Fresco: Keyboards
Axel Krigier: Flute, Guitar
Alejandro Terán: Violin
Official Website:
www.sodastereo.com
Nuestra Fé
Soda Stereo Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Bajo esta piel
Que estoy mudando
Encendí un amanecer
Que no para de crecer
Que no para de crecer
Con el sol de Abril
Y sin saber por que
Estoy sudando en nuestra fe
Que no para de crecer
Que no para de crecer
Tengo aquí el cristal
En mis manos
Ya soy todo un corazón
Que no para de crecer
Que no para de crecer
Que estoy mudando
Encendí un amanecer
Que no para de crecer
Que no para de crecer
Con el sol de Abril
Y sin saber por que
Que no para de crecer
Que no para de crecer
Tengo aquí el cristal
En mis manos
Ya soy todo un corazón
Que no para de crecer
Que no para de crecer
The lyrics to Soda Stereo's song Nuestra Fe speak of a spiritual transformation that is taking place within the singer. They speak of the process of shedding old skin and discovering something new and profound beneath it. The line "Bajo esta piel que estoy mudando" which loosely translates to "Under this skin that I am shedding" speaks to the idea of personal growth and the journey towards self-discovery.
In the second verse, the lyrics speak of a newfound sense of faith without fully understanding the reason behind it. The line "Estoy sudando en nuestra fe" which translates to "I am sweating in our faith" speaks of the physical and emotional toll that the process of transformation can take. The reference to the "sol de abril" or "April sun" conjures up images of rebirth, renewal, and hope. It is through this spiritual awakening that the singer begins to feel a sense of expansion, symbolized by the line "Que no para de crecer" or "That doesn't stop growing".
The final verse speaks of the singer holding a crystal in his hands, further adding to the imagery of transformation and growth. The line "Ya soy todo un corazón" or "I am already a whole heart" further cements the idea of finding oneself and discovering a newfound depth of emotion and spirituality. The song as a whole speaks to the idea that making significant changes requires faith and resilience, but it is ultimately worth it as it leads to personal growth and a more profound understanding of ourselves.
Line by Line Meaning
Bajo esta piel
Underneath this skin
Que estoy mudando
That I am shedding
Encendí un amanecer
I lit a sunrise
Que no para de crecer
That doesn't stop growing
Que no para de crecer
That doesn't stop growing
Con el sol de Abril
With the April sun
Y sin saber por que
And without knowing why
Estoy sudando en nuestra fe
I am sweating in our faith
Que no para de crecer
That doesn't stop growing
Que no para de crecer
That doesn't stop growing
Tengo aquí el cristal
I have the crystal here
En mis manos
In my hands
Ya soy todo un corazón
I am already a whole heart
Que no para de crecer
That doesn't stop growing
Que no para de crecer
That doesn't stop growing
Lyrics © Peermusic Publishing
Written by: Gustavo Adrian Cerati, Mario Daniel Melero
Lyrics Licensed & Provided by LyricFind
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@sevsabril
Bajo esta piel
que estoy mudando
encendí un amanecer
que no para de crecer
que no para de crecer.
Con el sol de abril
y sin saber por qué
estoy sudando en nuestra fé
que no para de crecer
que no para de crecer.
Tengo aquí el cristal
en mis manos,
ya soy todo un corazón
que no para de crecer
que no para de crecer.
Ya no para de crecer
el poder de nuestra fé
@marcosgreeloel7899
A 27 años de su lanzamiento, apenas vengo a conocer esta cancion y desde hace unos dias que la escuche por primera vez, la he tocado cerca de cien veces ya o mas. Creo que podria estar esperando un bebe* de Gustavo Cerati, para describir un poco la sensacion que me dan tanto las notas como la voz y letra. Lo cierto es que al escucharla, es como si me conectara con el universo, hasta tengo visiones cosmogonicas tanto de la tierra como del hombre y su evolucion, desde el origen. Me transporta, me transforma, me ilumina y me llena por de mas.
*En 2002, febrero 9 de ese año, Gustavo salio al escenario del Auditorio Nacional, nos hablaba a los mexicanos como si el fuera el hermano mayor, sabia de nuestra jerga, a mitad del concierto, cuando comenzaba la musica de Raiz, una voz masculina al fondo, grito: "GUSTAVO! Estoy esperando un hijo tuyo" Lo gritó con tal ánimo que medio recinto rompió en carcajadas. Desde entonces, adopté el mismo grito en sus presentaciones subsecuentes. A las que pude ir. Tal vez otras tres: en la gira Me veras volver, con Los Tres en el Palacio de los "rebotes" como él le llamaba y una más que no recuerdo.
Aún siento la partida del maestro Gustavo, como eje musical, genio y líder de la generación que lo vimos surgir como ícono de la música.
Gracias por la oportunidad de encontrar el tune, por casualidad llegué a escucharlo y ahora es algo muy diferente, casi indescriptible lo que ha provodado en mi, aun 27 de años de su estreno.
@norbertomendez2867
Fue el primer disco presentado en TV, no sé si hay antecedentes. Tengo una rara enfermedad, se llama Síndrome de Meniere y soy sordo del oído derecho, sin embargo escucho el estéreo porque tenemos terminaciones nerviosas que lo permiten. El caso es que amo éste tema, porque me fascina, tiene arreglos imperceptibles y maravillosos que son imposibles de contar porque a raíz de ésta enfermedad hay frecuencias que escucho por sobre otras y hacen un combo perfecto, me encanta y a la vez relaja. Se supone que debería hacerme mal y por el contrario puedo escucharlo y disfrutarlo mil veces y siempre le encuentro algo distinto. Ésta enfermedad del oído es crónica, no tiene cura, y causa otros efectos que no vienen al caso,el tema es que ni en Argentina ni en la región hay Asociaciones aunque sí en España, se llama Asmes (Asociación Síndrome de Meniere España) y ahí lo recomendé junto con Efecto Doppler de Sueño Stereo así cómo en los diferentes foros que existen y otros que voy inaugurando. De más está decir que no sólo amo Claroscuro sino toda la obra de Soda y Cerati, incluso se lo comenté a Lilian en la clínica Alcla. Disfruto éste tema, todo Dynamo y todo Soda y especialmente Cerati con Colores Santos, su carrera solista y hasta su manera de ver la vida. Perdón por lo extenso, aunque no suelo opinar de un tema y asociarlo a mi enfermedad, y aquí lo hice
@miguelangelperezolivares2379
JAMÁS OLVIDES QUE ERES un SER MARAVILLOSO
@fernantorres9312
fua hermano, se me salieron varias lagrimas. es tan trágico y hermoso lo que contás al punto de querer experimentar lo que vos. sos grande.
@manuelvelazco4208
Sos un ídolo hermano.
@NaterFernat
Yo tengo el síndrome y siempre disfruto sodastereo ❤
@zulema8170
Querido amigo: Cerati es mágico. Provoca cosas impensadas.... DIOS SABRÁ PORQUÉ. Todo mi afecto para vos
@sebasmasbien
Musica electronica, guitarra española, bajo hipnotico, trompeta, R2D2, espiritualidad, rock de guitarras electricas, bateria perfecta, la voz de Gustavo, poesia transformadora para mejorar, yoga, drogarse sin drogas quimicas...todo eso junto en una pastilla musical de seis minutos....esto no es shogaeze ni pop ni rock...ESTO ES SODA STEREO, CARAJO!!!
@joseluisrichard9368
una buena fumada con categoria
@luiskevin6125
@@joseluisrichard9368 es la única canción que hace que luego de una buena fumada me hace sentir que duró una eternidad la canción y solo dura 6 minutos
@joseluisrichard9368
@@luiskevin6125 pues claaa