Cimmerian Shade
Sufjan Stevens Lyrics


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The lamb cries 'til ears ring
I cannot love from my prison of shame

In Cimmerian Shade
I'll keep her safe from the well, tailor made

I just want you to love me
I just wanted to know myself
Fix it all, Jonathan Demme
Beauty resides where your spirit dwells

My starling flies into the rainbow
Lost in the mist, chrysalis, kill your idols

Safe in my autogynephilia
One black witch moth, now she's lost in the meadow

I just want you to love me
I just wanted to change myself
Fix it all, Jonathan Demme
Beauty resides where your spirit dwells

I just want you to love me (just want you to love me)
I just wanted to change myself
Fix it all, Jonathan Demme (fix it all, Jonathan Demme)
Beauty resides where your spirit dwells

Save me from everything I ask for
Soil from the sod, Lamb of God, rest in peace

I'm still just running from the answer
Safe in the cell, kiss and tell, my Clarise

I just want you to know me
I just wanted to love myself
Fix it all, Jonathan Demme
Beauty resides where your spirit dwells

I just want you to know me (I just want you to love me)
I just wanted to love myself
Fix it all, Jonathan Demme (fix it all, Jonathan Demme)
Beauty resides where your spirit dwells

I just want you to love me
I just want you to love me
I just wanted to love myself, I
I just want you to love me

I just want you to love me
I just want you to love me
I just wanted to love myself, I
I just want you to love me





I just wanted to love myself, I

Overall Meaning

In "Cimmerian Shade," the first line "The lamb cries 'til ears ring" could be interpreted as the singer feeling overwhelming guilt and shame, possibly for past mistakes. It's as if the singer is unable to escape the constant reminder of their wrongdoing, represented by the lamb's cries, which are deafening. The second line "I cannot love from my prison of shame" further emphasizes this feeling of being trapped and unable to move forward. The singer can't love freely or be vulnerable with others because they are locked in a cycle of shame.


The chorus "I just want you to love me / I just wanted to know myself / Fix it all, Jonathan Demme / Beauty resides where your spirit dwells" seems to illustrate the singer's yearning for love and acceptance, both from others and from themselves. They want to be loved for who they truly are, beyond the shame and guilt that they are currently mired in. The reference to Jonathan Demme, a filmmaker who directed the iconic film "The Silence of the Lambs," might represent the singer's desire for a way to "fix" or escape their current state of being.


The verses that follow contain vivid imagery related to transformation and growth. The "starling flies into the rainbow" could be seen as a symbol of hope and possibility, while "autogynephilia" and "black witch moth" may represent reclaiming power over one's body and identity. The last verse "Save me from everything I ask for / Soil from the sod, Lamb of God, rest in peace" hints at the idea that the singer may be causing their own suffering through their desires and choices. However, in the end, they still long to be loved and understood, both by others and by themselves.


Line by Line Meaning

The lamb cries 'til ears ring
The lamb's cry is so sorrowful that it echoes through the listener's ears.


I cannot love from my prison of shame
Due to feelings of shame or guilt, the singer is unable to express love.


In Cimmerian Shade
The events described are taking place in a dark and oppressive atmosphere.


I'll keep her safe from the well, tailor made
The artist will protect someone they care about from a dangerous situation that seems to have been designed for them.


I just want you to love me
The artist desires to be loved by someone else.


I just wanted to know myself
The singer has a desire to understand and fully know their own identity.


Fix it all, Jonathan Demme
The singer addresses Jonathan Demme, likely as a metaphor for fixing the problems in their own life.


Beauty resides where your spirit dwells
True beauty is found within one's spirit or inner self.


My starling flies into the rainbow
A bird flies into a beautiful natural phenomenon, symbolizing a moment of wonder and awe.


Lost in the mist, chrysalis, kill your idols
The artist feels lost, like a butterfly in a cocoon or a foggy haze, and encourages a breaking free of societal norms and ideals.


Safe in my autogynephilia
The singer feels safe within their own fetish or sexual desire for themselves as the opposite gender.


One black witch moth, now she's lost in the meadow
A moth, traditionally a symbol of change, transformation, and a connection to nature, is lost and possibly in danger in the expansive meadow.


Save me from everything I ask for
The singer recognizes that what they desire may not actually be good for them, and asks for protection from themselves.


Soil from the sod, Lamb of God, rest in peace
The singer references religious symbolism and the cycle of life and death, possibly mourning the loss of someone or something.


I'm still just running from the answer
Despite seeking self-understanding and growth, the singer is still avoiding facing the difficult truths about themselves.


Safe in the cell, kiss and tell, my Clarise
The artist feels safe and protected by a secret or possibly a person named Clarise.


I just want you to know me
The artist desires to be truly known and understood by someone else.


I just wanted to love myself
The singer has a desire for self-love and acceptance.


I just want you to love me
The singer desires to be loved by someone else.


I just wanted to love myself, I
The artist has a strong desire for self-love and acceptance.


I just want you to love me
The artist desires to be loved by someone else.


I just wanted to love myself, I
The artist has a strong desire for self-love and acceptance.


I just want you to love me
The singer desires to be loved by someone else.




Lyrics © BMG Rights Management, SC PUBLISHING DBA SECRETLY CANADIAN PUB.
Written by: Angelo De Augustine, Sufjan Stevens

Lyrics Licensed & Provided by LyricFind
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Most interesting comments from YouTube:

@unclejohnthezef

Sufjan and Angelo use the term “Autogynephilia” in this new song. This term is an outdated, denounced, fringe word, a pseudo-scientific label, a hateful word to the community it purports to describe. Some listeners believe the singers use it intentionally as an era-specific disproven belief, in order to generate discussion and a more nuanced understanding of the character Buffalo Bill from the 1991 movie "The Silence of the Lambs": the assertion is that the singers use it knowingly, ironically, intellectually.



“Cimmerian Shade” is the next to last song on the album, presented, I believe, as the album’s defining single. The title seems to come from the definition “Cimmerian: Very dark or gloomy”, or “of a mythical people described by Homer as inhabiting a land of perpetual darkness”. So Cimmerian Shade is like saying “really dark blackness.” This probably refers to the darkness the killer keeps in his underground lair (in the well, in the basement, with the night-vision goggles, etc).

In his excellent review, Mark Redfern writes: “Cimmerian Shade” is sung from the perspective of Silence of the Lambs’ serial killer Buffalo Bill (aka Jame Gumb, as played by Ted Levine). De Augustine had this to say about the song in a press release: “Many authors have emotional attachments to the characters they create. But in this instance, I was interested in how a character felt about being created. In my imagination I was giving consciousness to someone else’s creation. The song is essentially a dialogue between creation and creator that seeks to find understanding to some of the same questions that we ask ourselves about existence, free will, fate, purpose, guidance and if anyone or anything out there is listening or cares.”





The entire song, in fact, is made up of low level word play based on the film: the lamb cries; my prison of shame; I’ll keep her safe in the well, tailor made; my Starling; Chrysalis; black witch moth, etc. Except for one shocking word we never expect to hear come out of Sufjan's mouth: Autogynephilia.











In her excellent article, “The Ongoing Damages of The Silence of the Lambs’s Buffalo Bill 30 Years On”, Stephanie Markwell writes “This idea of the autogynephilic trans woman was popularised by The Silence of the Lambs – Bill’s mission to “become” a woman is entirely informed by his sexual perversions, as mentioned earlier. Much of the disgust levelled at Bill throughout the film is informed by this, with Lecter’s accusation of Bill and other gender non-conforming (GNC) people being ‘… savage and terrifying’ being at least partially influenced by a disdain for Bill’s autogynephilia.” (2.)
This is perhaps best illustrated in one of the most famous scenes in the movie: Jame Gumb dances seductively for a video camera (to the song "Goodbye Horses"), while putting on makeup and a wig and lipstick, hiding their genitalia and asking the camera "Would you ** me? I'd ** me hard..." all the while becoming aroused, playing with their nipples, etc.




Julia Serano in her scholarly denunciations of autogynephilia(3.) writes: “It is generally accepted within psychology and among trans health providers that transgender people who transition do so because they have a gender identity that is incongruent with their birth-assigned sex, and distinct from their sexual orientation. In contradiction to this standard model, the theory of autogynephilia posits that transgender women’s female gender identities and transitions are merely a by-product of their sexual orientations. While subsequent research has yielded numerous lines of evidence that, taken together, disprove the theory, autogynephilia is still often touted by anti-transgender groups, including trans-exclusionary feminists.” (4.) and “Autogynephilia is a paraphilic model that states that all male-to-female (MtF) transsexuals who are not exclusively attracted toward men are instead sexually oriented toward the thought or image of themselves as a woman. The assertion that transsexual women are sexually motivated in their transitions challenges the standard model of transsexualism—that is, that transsexuals have a gender identity that is distinct from their sexual orientation and incongruent with their physical sex.” (5.)




I still think it’s a great album: just now every time I see a horror movie, I have to wonder what Sufjan would sing about it (eg. I just watched Malignant, and I’m already hearing the pretty melodies “in my head…”, pardon the pun...)



@liloeuf

Why are you using julia serano as evidence that agp isn't real?
"Most of my fantasies began with my abduction: I’d turn to putty in the hands of some
twisted man who would turn me into a woman as part of his evil plan. It’s
called forced feminization, and it’s not really about sex. It is about turning the
humiliation you feel into pleasure, transforming the loss of male privilege into
the best fuck ever.

While I never really believed the cliché about women being good for only
one thing, I found that that sentiment kept creeping into my fantasies. In my late
teens, I would imagine myself being sold into sex slavery and having strange
men take advantage of me."
-Julia Serano

hmmmm



@unclejohnthezef

One would hope that Stevens and DeAugustine use the term autogynephilia ironically in an attempt to be intellectual or artistic provocateurs, but that’s not good enough. If just judging from the small number of people who have listened to the song on YouTube and responded to it in the Comments is any indication, it has already hurt people. From the comments:

“dudes why the heck are you singing about autogynephilia, get that word out of your mouths. making a song based on an infamously transmisogynistic film, this is painful to hear.”

“These people have no business singing about or even uttering the word “autogynephilia”.”

“Any mention of that pseudoscience is offensive and gross.”

“i think it was still a really poor and uneducated choice on both of their parts, but i don't think there's any kind of ulterior motive behind using the word.”

“Bonehead choice for sure.”

“Can anything about Buffalo Bill ever be well intentioned? It’s literally all the worst transmisogynist tropes rolled up into one character. I don’t think anything good faith can be made from that source material. Mentioning autognyephilia was just adding insult to injury.”

“id just like to know cause that word (and the movie too) have such a bad history”

“but the use of "autogynophilia" muddies all of that”

“you're absolutely right about that cursed word though they need to take responsibility for that”




So what does Jonathan Demme have to do with all this?

Demme became a great Hollywood Director, who had always tried to be aligned with marginalised people, like the gay community. When the film came out, in 1991, Demme was crushed to find himself denounced as having made a homophobic film (while today, it is discussed for it’s transphobic depiction). As GLAAD said to the press about Jame Gumb back in 1991, ““He has a poodle named Precious, he sews, he wears a nipple ring, he has an affected feminine voice, and he cross-dresses. He completely promotes homophobia.” Demme’s response to his film being labeled as homophobic was to next direct Philadelphia, about a gay lawyer dying of AIDS and fighting for his rights. Philadelphia was also roundly criticized, but Demme’s response was very inspiring:


“I expected it—actually hoped for it,” Demme said in 1994. “It’s the job of militants to demand more of anything. If these people were satisfied, change would be hard to get through. Every one of them is right. There could have been more of this, or more of that, but now, maybe another film will take it further.” As the years went on, he also seemed to understand why activists were so incensed by Lambs. “Jame Gumb isn’t gay. And this is my directorial failing in making The Silence of the Lambs—that I didn’t find ways to emphasize the fact that Gumb wasn’t gay,” he said in 2014. “Juan Botas, who was one of the inspirations for Philadelphia, said, ‘You can’t imagine what it’s like to be a 12-year-old gay kid, and you go to the movies all the time and whenever you see a gay character, they’re either a ridiculous comic-relief caricature, or a demented killer. It’s very hard growing up gay and being exposed to all these stereotypes.’ That registered with me in a big way.” He acknowledged, fondly, “It’s now become a part of the dialogue on stereotypical portrayals of gays in movies.” (6.)




In an interview with GQ (7.) Stevens explains that he met Jonathan Demme when the director brought his family to see Stevens’ show. Stevens is a big fan of Demme’s work. DeAugustine goes farther (too far, I’m sure) in adding “That song began when I woke up one morning and started to write on the ukulele. I’d been imagining this situation where the character [Buffalo Bill] could have a conversation with the director. What would be said between the two of them? Would the conversation be one-sided because they’re both living in separate planes of existence? Or could that barrier be broken and an understanding be achieved? I think [The Silence of the Lambs] is about wanting to be loved for who you are. We seek guidance all the time for what purpose our lives hold, and that movie can be helpful for understanding some of those things.”

Again, I’m no Psychiatrist, but the serial killer in SOTL is definitely NOT motivated by seeking to be loved for who he is; he is motivated by the desire to torture, terrorize, maim and kill his victims; he desires their fear and to watch them die, then to cut them up and use their skin for a “woman suit”: not to “gain understanding”. It’s just possible Angelo and Sufjan have overthought this song a little bit. Their story/lyrics don’t hold up at all: Jame Gumb does not know Agent Starling and never calls her “My Clarice”: that’s a different serial killer in the movie. Jame Gumb did not “just want you to love me”: he never even knew her. There is an exhaustive article about Buffalo Bill’s origins and narrative at HannibalWiki. (8.)







But it is very interesting to have a fictional character wish they could have self-determination: Sesame Street used to have a simple line drawing character crying, and the character sobs “but I don’t want to be sad”… but they were drawn sad, and they are sad about being forced to be sad by nature; by their creator.

Cimmerian Shade would not engender all this discussion about Buffalo Bill, about SOTL, about Jonathan Demme, or about many important trans issues including the hateful and hurtful term “Autogynephilia”, if they left that word out of the song. My greatest wish, and the only thing I think that can address the harm using this word has caused, is to come out HARD against it: to make a strong, unambiguous statement right away, on the order of “We strongly denounce the concept of “Autogynephilia”, and any lingering credence anyone gives to this archaic and hurtful term. We use it here only to denounce the use of it by … and to hopefully make it even more unacceptable and rejected.” Sure, stir the pot, rile up all the greater non-trans public to raise awareness of these issues. But trans people are already hurt by this. Picture a listener (cis, trans, transitioning) hearing their hero Sufjan using the term in this song: “well, it must be acceptable or possibly even OK to believe in autogynephilia.” and from then on they keep their ears open for theories about trans people, believing this is a viable discussion point. don’t play coy about it: that’s a JK Rowling maneuver. None of this “We won’t ever discuss our lyrics’ meanings, that’s for our listeners to interpret for themselves… artistic privilege etc” Blabla bla... They should just come right out and say “We completely condemn autogynephilia theory, we just used it in our discussion because it was part of a film from 30 years ago.”

I wrote to Sufjan, and Asthmatic Kitty asking for clarification. (yeah, like they ever read a letter from me, let alone respond to me…) “Suf and Ange, I don’t know what’s “right” or “wrong”: I just know using this term is hurtful to a lot of people and many of your fans are confused and hurt: that’s a good time to say something, don’t you think?”











1. https://www.undertheradarmag.com/news/sufjan_stevens_and_angelo_de_augustine_share_cimmerian_shade_and_you_give_d




2.

https://scratchthatmagazine.com/issue-four-written-template-3/




3.

http://www.juliaserano.com/TSetiology.html




4.

http://www.juliaserano.com/av/Serano-AutogynephiliaEmbodiment.pdf




5.

https://www.juliaserano.com/av/Serano-CaseAgainstAutogynephilia.pdf




6.

.https://slate.com/human-interest/2017/04/director-jonathan-demme-faced-down-silence-of-the-lambs-gay-backlash.html




7.

https://www.gq.com/story/sufjan-stevens-angelo-de-augustine-interview

https://asthmatickitty.com/merch/a-beginners-mind/




8.

https://hannibal.fandom.com/wiki/Jame_Gumb




https://www.pastemagazine.com/music/sufjan-stevens-angelo-de-augustine/a-beginners-mind-album-review/




https://lwlies.com/interviews/sufjan-stevens-angelo-de-augustine-a-beginners-mind/




https://pubmed.ncbi.nlm.nih.gov/22005209/




https://www.huffpost.com/entry/why-jonathan-demme-applauded-the-lgbt-criticism-of-silence-of-the-lambs_n_5b4f6330e4b01e373aabe61b




https://www.wordnik.com/words/Cimmerian



All comments from YouTube:

@hopelessent.1700

This feels like a return to the more quiet and calming feel of Seven Swans I’ve wanted but with a twist as it also sounds like DiAngelo’s last collab with Sufjan, and a bit of Carrie and Lowell. I love it, love it with my whole heart. :)

@ryanfrancisco7533

Honestly, some of the music sounds like it takes inspiration from other albums like Illinois, Michigan, and carrie and lowell, maybe you can scratch some of those out but I've heard some sounds in the music that brings me to certain songs in those albums. I love everything Sufjan writes. You know he puts his soul on the page and that's what I admire the most. Him and Troye Sivan dominatey playlist because they are so soulful.

@hopelessent.1700

Ryan Francisco Sufjan’s albums at this point are set for each month throughout the year. Lot of classics in an abundant and varied discography.

@Gabunny

What did we do to deserve a Sufjan/DiAngelo song about Silence of the Lambs!

@ShroudedDay

Right?!? Amazeballs.

@saintherip8624

Hello, stranger. I hope you're doing okay.

@dantellywelyn

Yet another beautiful song by these exceptional artists. It shines. The world is now a little brighter ✨ 🙏🏼

@midnightnettle7510

All my pets died last week. A communicable disease (panleucoma) spread and I had to watch them fall sick one after the other. I thought we'd be happy forever. That week was just a nightmare straight out a horror movie. And now I am just... Empty. I'm trying to begin again but there are moments like seeing their plates or checking if anyone's around my feet while I'm walking when all progress disappears and all I'm left with is unthinkable sadness and anger.
Rest in Peace. Or get reincarnated as something beautiful. I love you more than you can know my darlings

@josephkingston5335

I can’t imagine how much you’re hurting right now. Hope you'll recover from this soon!

@midnightnettle7510

@@josephkingston5335 thank you so much 💕

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