T.Rex was a primary force in glam rock, thanks to the creative direction of guitarist/vocalist Marc Bolan (born Mark Feld). Bolan created a deliberately trashy form of rock and roll that was proud of its own disposability, which stood in contrast to the low-key whimsical poetry of the earlier duo. T.Rex's music borrowed the underlying sexuality of early rock & roll, adding dirty, simple grooves and fat distorted guitars, as well as an overarching folky/hippie spirituality that always came through the clearest on ballads. While most of his peers concentrated on making cohesive albums, Bolan kept the idea of a three-minute pop single alive in the early 1970s. In Britain, he became a superstar, sparking a period of "T.Rextacy" among the pop audience with a series of Top Ten hits, including four number one singles. Over in America, the group only had one major hit -- the Top Ten "Bang a Gong (Get It On)" -- before disappearing from the charts in 1973. T.Rex's popularity in the U.K. didn't begin to waver until 1975, and they retained a devoted following until Marc Bolan's death in 1977. Over the next three decades, Bolan has emerged as a cult figure and the music of T.Rex has proved quite influential on hard rock, punk, new wave, and alternative rock.
Following a career as a teenage model, Marc Bolan began performing music professionally in 1965, releasing his first single, "The Wizard," on Decca Records. Bolan joined the psychedelic folk-rock combo John's Children in 1967, appearing on three unsuccessful singles before the group disbanded later that year. Following the breakup, he formed the folk duo Tyrannosaurus Rex with percussionist Steve Peregrine Took. The duo landed a record deal with a subsidiary of EMI in February 1968, recording their debut album with producer Tony Visconti. "Debora," the group's first single, peaked at number 34 in May of that year, and their debut album, "My People Were Fair and Had Sky in Their Hair...But Now They're Content to Wear Stars on Their Brow", reached number 15 shortly afterward. The duo released their second album, "Prophets, Seers & Sages, the Angels of the Ages", in November of 1968.
By this time, Tyrannosaurus Rex was building a sizable underground following, which helped Bolan's book of poetry, The Warlock of Love, enter the British best-seller charts. In the summer of 1969, the duo released their third album, "Unicorn", as well as the single "King of the Rumbling Spires," the first Tyrannosaurus Rex song to feature an electric guitar. Following an unsuccessful American tour that fall, Took left or as is often stated by people close to the band, was sacked. He was replaced by Mickey Finn, previously linked to the band Haphash and the coloured coat.(There are a few more artists using the name Mickey Finn, though that is where the connection ends)! The new duo's first single did not chart, yet their first album, 1970's "A Beard of Stars", reached number 21.
The turning point in Bolan's career came in October of 1970, when he shortened the group's name to T.Rex and released "Ride a White Swan," a fuzz-drenched single driven by a rolling backbeat. "Ride a White Swan" became a major hit in the U.K., climbing all the way to number two. The band's next album, T.Rex, peaked at number 13 and stayed on the charts for six months. Encouraged by the results, Bolan expanded T.Rex to a full band, adding bassist Steve Currie and drummer Bill Legend (born Bill Fifield). The new lineup recorded "Hot Love," which spent six weeks at number one in early 1971. That summer, T.Rex released "Get It On" (retitled "Bang a Gong (Get It On)" in the U.S.), which became their second straight U.K. number one; the single would go on to be their biggest international hit, reaching number ten in the U.S. in 1972. "Electric Warrior", the first album recorded by the full band, was released in the fall of 1971; it was number one for six weeks in Britain and cracked America's Top 40.
By now, "T.Rextacy" was in full swing in England, as the band had captured the imaginations of both teenagers and the media with its sequined, heavily made-up appearance; the image of Marc Bolan in a top hat, feather boa, and platform shoes, performing "Get It On" on the BBC became as famous as his music. At the beginning of 1972, T.Rex signed with EMI, setting up a distribution deal for Bolan's own T.Rex Wax Co. record label. "Telegram Sam," the group's first EMI single, became their third number one single.
"Metal Guru" also hit number one, spending four weeks at the top of the chart. The Slider, released in the summer of 1972, shot to number one upon its release, allegedly selling 100,000 copies in four days; the album was also T.Rex's most successful American release, reaching number 17. Appearing in the spring of 1973, Tanx was another Top Five hit for T.Rex; the singles "20th Century Boy" and "The Groover" soon followed it to the upper ranks of the charts. However, those singles would prove to be the band's last two Top Ten hits. In the summer of 1973, rhythm guitarist Jack Green joined the band, as did three backup vocalists, including the American soul singer Gloria Jones; Jones would soon become Bolan's girlfriend. At the beginning of 1974, drummer Bill Legend left the group and was replaced by Davy Lutton, as Jones became the group's keyboardist.
In early 1974, the single "Teenage Dream" was the first record to be released under the name Marc Bolan and T.Rex. The following album, Zinc Alloy and the Hidden Riders of Tomorrow, was the last Bolan recorded with Tony Visconti. Throughout the year, T.Rex's popularity rapidly declined -- by the time "Zip Gun Boogie" was released in November, it could only reach number 41. Finn and Green left the group at the end of the year, while keyboardist Dino Dines joined. The decline of T.Rex's popularity was confirmed when 1975's Bolan's "Zip Gun" failed to chart. Bolan took the rest of the year off, returning in the spring of 1976 with "Futuristic Dragon", which peaked at number 50. Released in the summer of 1976, "I Love to Boogie," a disco-flavored three-chord thumper, became Bolan's last Top 20 hit.
Bolan released "Dandy in the Underworld" in the spring of 1977; it was a modest hit, peaking at number 26. While "The Soul of My Suit" reached number 42 on the charts, T.Rex's next two singles failed to chart. Sensing it was time for a change of direction, Bolan began expanding his horizons in August. In addition to contributing a weekly column for Record Mirror, he hosted his own variety television show, Marc. Featuring guest appearances by artists like David Bowie and Generation X, Marc helped restore Bolan's hip image. Signing with RCA Records, the guitarist formed a new band with bassist Herbie Flowers and drummer Tony Newman, yet he never was able to record with the group. While driving home from a London club with Bolan, Gloria Jones lost control of her car, smashing into a tree. Marc Bolan, riding in the passenger's seat of the car, was killed instantly.
While T.Rex's music was intended to be disposable, it has proven surprisingly influential over the years. Hard rock and heavy metal bands borrowed the group's image, as well as the pounding insistence of their guitars. Punk bands may have discarded the high heels, feather boas, and top hats, yet they adhered to the simple three-chord structures and pop aesthetics that made the band popular, as they still are today 30 years after Marc's death.
Sunken Rags
T. Rex Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The way you play me down
It's a shame the way you hide me in the electric school
I was brave to call your name
Down in the alleyway
It's a shame the way you treat me like a fool
So ride on, fight on
Love is gonna win
Fight on, ride on
Love is gonna win
It's gonna beat your sins
It's a game with broken brain
The way you smile on me
I'm a bird that rides upon your window fools
It's a shame how you unzip my winter poetry
It's a shame the way you treat me like a fool
T. Rex's "Sunken Rags" is a lament about feeling treated poorly by a lover. The singer is expressing sadness and frustration over being made to feel like a fool by someone they love. The lyrics use some interesting imagery to convey this message. For example, the idea of being hidden in the electric school is a metaphor for feeling invisible and ignored. The metaphor of being a bird that rides upon your window fools is meant to convey a sense of vulnerability and dependence.
Throughout the song, the singer tries to rise above this mistreatment by urging themselves to "ride on" and "fight on." They suggest that "love is gonna win" and that it will "beat your sins." In other words, the singer believes that ultimately, love will conquer all and that the hurt they feel now will be overcome.
Despite this hopeful message, the overall tone of the song is one of sadness and melancholy. Marc Bolan's voice is mournful and the instrumentation is soft and gentle. It's as if the song is trying to capture the feeling of being hurt by someone who was supposed to love you, while also holding out hope that things will get better.
Line by Line Meaning
It's a shame it's sunken rags
The situation of our relationship seems hopeless and worthless
The way you play me down
You constantly belittle me and make me feel inferior
It's a shame the way you hide me in the electric school
You keep our relationship hidden and act like we are not together
I was brave to call your name
I took a risk by confessing my feelings for you
Down in the alleyway
In a hidden, isolated place where no one else could see us
It's a shame the way you treat me like a fool
You often make me look foolish or stupid in front of others
So ride on, fight on
I will not give up on our relationship no matter what happens
Love is gonna win
My love for you will eventually triumph over any challenges
It's gonna beat your sins
Any mistakes or bad decisions you make will not destroy the love between us
It's a game with broken brain
Our relationship is a mess and does not make sense logically
The way you smile on me
You often give me false hope by leading me on or pretending to care about me
I'm a bird that rides upon your window fools
I am dependent on you and at your mercy, like a bird waiting for scraps
It's a shame how you unzip my winter poetry
You reveal my vulnerabilities and innermost thoughts to others without my consent, which hurts me deeply
It's a shame the way you treat me like a fool
You often make me look foolish or stupid in front of others
Lyrics © SPIRIT MUSIC GROUP
Written by: MARC BOLAN
Lyrics Licensed & Provided by LyricFind
@Foul_Quince
Should have been on Tanx. Total underrated classic
@williamhuard3860
Tanx had some great songs
This was another children of the revolution spin off
The decline started in 1972
Tragic
@nicholasalvarez9843
It sounds so much like the New York Dolls at their peak. I bought this single from the Ex-Jukebox record shop in York, 1973..so I was 11 years old. Great vocals and should have been a single in its own right. Bolan was so so so great!
@jeffreycafferelli6973
Correct me if I wrong but the T Rex single came out before the NY Dolls release.
@nicholasalvarez9843
@@jeffreycafferelli6973 I guess they were both out at the same time...the Dolls were much dirtier
@koont666
Blimey we had a few of them shops in London,old lady's sorting through records ,no shop front sign only an address of the sleeve I think,and me and my mate knocking on the door,They let us in to have a dig around,penny's for 7,s lucky us some rare jukebox only singles madness ect good times ❤🇬🇧
@justmadeit2
One of my favourite songs of theirs
@nightburgers3670
This absolutely rocks! Always loved it, beyond me why he didn’t release it as a single. Thinking of you today beautiful KALMIYH ❤️
@fogydew54
The b side's could easily be hit records at the time I know this one is a real gem.
@BoudicaJ
Peter Outlaw I prefer this vastly to the Aside xxx