History
2005–2006: Origins and The Fratellis EP
The band's name came from the criminal family in The Goonies and received their first radio playing in 2005, on central Scotland's Beat 106 (later XFM Scotland, now Galaxy Scotland) Beatscene show hosted by Jim Gellatly. They were signed by Fallout Records.
They played their first show on 4 March 2005 in the O'Henry's bar in Glasgow across the road from the Horseshoe bar. The Fratellis EP was released on 3 April 2006, featuring the tracks "Stacie Anne" and "The Gutterati?". "Creepin' Up the Backstairs" was never a single released by the band, even though a video was made for it. The first single released by the band was Henrietta, which was released on 12 June 2006 and charted at number 19 on the UK Charts.
2006–2007: Costello Music and mainstream success
Costello Music was the debut album for the Fratellis and was released on 11 September 2006. It charted at number two in the UK album charts for three weeks. The success of the album led to the Fratellis winning the Brit Award for British Breakthrough Act in 2007, an award that was voted for by BBC Radio One listeners.
The Fratellis perform in Scotland.
The Fratellis supported Kasabian in December 2006 on their UK tour before playing 10 dates by themselves in February and March 2007. The tour of the UK festival circuit, playing at Glastonbury and headlining at festivals such as NME's Rock 'n' Riot tour, OXEGEN 2007 and T in the Park 2007, amongst others. They also opened for The Police Reunion Tour in the summer of 2007 in some of the North America dates. The Fratellis also recorded some cover songs during the year including "All Along the Watchtower" for Radio 1's 40th Anniversary Double Album, Radio 1: Established 1967, and "Solid Gold Easy Action" for the soundtrack of the film Hot Fuzz, which also included the single "Baby Fratelli".
The band released their first live DVD, Edgy In Brixton, in the UK on 1 October 2007, which was recorded at the Brixton Academy in London. The DVD contains a locations included Nottingham, Manchester, Glasgow, Birmingham and London. Following the release of the album, the Fratellis embarked on a full live performance of the debut album Costello Music, B-sides from various singles and a new song called "Pretty Like a Girl". Extras on the DVD include the band being asked questions by members of the Fratellis' website, and on the deluxe edition, . It was released in the United States on 30 October 2007.
2007–2009: Here We Stand
The band's filmed on 18 June 2008 at the Fillmore, San Francisco; performances of "Milk and Money", "Flathead" and "Mistress Mabel" from Abbey Road Studios and the videos for second album, Here We Stand, was first mentioned in November 2007 on the Fratellis' official website, which stated that work had begun on the album in a rehearsal space in Glasgow. The band said that they were self-producing the album and had their own studio to record in. Recording finished on 13 January 2008.
On 22 February 2008, they played a highlights from the T in the Park 2007 festival small show for fans at Queen Margaret Union to debut new songs from the upcoming album. About eight new going towards the Teenage Cancer Trust. The third single was "A Heady Tale", released on 22 December. The Fratellis released a deluxe edition of Here We Stand internationally songs from their new album were played, including "Mistress Mabel", "Acid Jazz Singer", and "Look Out Sunshine!". This performance introduced two new touring members, a guitarist, Robin Peringer and a keyboard player, Will Foster. However, after the Teenage Cancer Trust show in 2008, Robin departed the tour for unknown reasons. Will Foster subsequently played both keyboard and guitar during live performances.
The album, was released on 9 June 2008 in the UK and 10 June 2008 in the United States. The band marked the US release of the album with sold-out shows in New York City, Boston, and Los Angeles. The first single from the album,"Mistress Mabel", was released on 26 May 2008. The next single, "Look Out Sunshine!", released on 18 August 2008 and with money on 8 December. The CD included a new song titled "Moriarty's Last Stand" and the accompanying DVD which features "The Year of the Thief" (a documentary of the band on the road in the US), a live show the singles "Mistress Mabel" and "Look Out Sunshine!".
During 2009, the band did a mini-tour of Australia and Japan during February and March. The Fratellis headlined the Island Records 50th anniversary show on 27 May 2009 where they debuted their new track to be included on the Island 50: 50 Years of Island Records which was Bob Marley's "Stir It Up". The band also headlined the Hop Farm Festival 2009 on 4 July, with a gig at the Middlesbrough Empire on 3 July to prepare for the upcoming headline slot.
2009–2012: 'Indefinite' hiatus and side projects
After the Hop Farm show in 2009, the band were going to take an extended break citing exhaustion and relationships within the band turning sour after a series of prolonged touring and working together. Jon went on to form a new band with singer/songwriter Lou Hickey called Codeine Velvet Club. He released an self-titled album with the band in December 2009 and toured during late 2009 and early 2010. The band came to a finish and he decided to become a solo artist. He released his debut solo album, Psycho Jukebox in 2010 and intended to release a second, titled Bright Night Flowers in 2012 but this was shelved due to the Fratellis reuniting. It would eventually be released in 2019, in a re-recorded form after the fifth Fratellis album In Your Own Sweet Time.
Barry initially stated that he was starting his own musical project and would let Fratellis fans know about it via the Fratellis website. He didn't let fans know his musical ventures until November 2011, where he revealed he had joined Birmingham band the Twang, who he played with until August 2012 when he rejoined the Fratellis. He is also a regular on the DJ circuit, and still DJs now when he can.
Mince initially joined a heavy metal band called Throne o' Diablo, before leaving the band for unknown reasons. He would go on to join Jon's solo band as a second drummer, backing vocalist and occasional guitarist during live shows for his Psycho Jukebox tour.
2012–2014: We Need Medicine
The Fratellis played their first show since 2009 to raise money for the Eilidh Brown Memorial Fund on 15 June 2012, marking nearly 3 years since they last shared a stage together. They then performed at O2 ABC Glasgow on 26 September 2012 and announced a UK tour in April 2013. During the UK tour, 3 more songs were debuted live; "She's Not Gone Yet But She's Leaving", "Seven Nights Seven Days" and "Whiskey Saga". The band went on to perform dates in Oxford, Leicester and Sheffield with another date at Loopallu festival, forming a small September tour. During the tour, the band debuted 2 new tracks, "This Old Ghost Town" (previously played by and mainland Europe. With 2014, the band played festivals across the world, returning to the US, UK and Europe and also headed over to Japan before finishing the We Jon in a solo show) and "Rock n Roll Will Break Your Heart".
On 4 February 2013, the Fratellis finished recording their third album, which was to be called We Need Medicine with a release date of 7 October 2013. "Seven Nights Seven Days" was released as a single on 29 September. The album was recorded in Glasgow with Jon Fratelli and Stuart McCredie on production duties.
The band saw out 2013 with a highly successful tour of the US, UK Need Medicine album campaign with two shows in Russia in September 2014. The band released a brand new EP in September 2014 called The Soul Crush EP, which was released for free on their website.
2014–2016: Eyes Wide, Tongue Tied
During Christmas break 2013, the band started writing new material, and two of the songs debuted live in 2014. "Too Much Wine" was played on the early 2014 US tour, with "All the Live Long Day" (later to be known as "Impostors (Little By Little)") turning up later on. Upon releasing The Soul Crush EP in 2014, the band stated they would be heading to LA to record their fourth album, with Barry confirming on Twitter it was once again with Tony Hoffer (Beck, Air), producer-architect of both their debut album and of Jon's solo album Psycho Jukebox.
News stayed quiet until 1 June 2015, when the band announced their new album would be called Eyes Wide, Tongue Tied and would be released through Cooking Vinyl on 21 August 2015. The band revealed the first song from the album "Me and the Devil" through their website, and later announced the first single "Baby Don't You Lie To Me" on 29 June. Both tracks were made available as instant downloads with your pre-order of the album. The band shared a new video for "Baby Don't You Lie To Me!" on 24 July 2015.
In late 2016, the Fratellis launched a UK-wide tour to mark the 10-year anniversary of Costello Music, playing 16 shows through November and December.
2017–2019: In Your Own Sweet Time and Bright Night Flowers
In 2017, the band headlined posts since 30 April, the band confirmed on Instagram that they were in Los Angeles to record their fifth album with Tony Hoffer once again producing.
On 29 September 2017 the band announced their the Vicar's Picnic music festival 14–15 July, as well as the Lindisfarne Festival, which ran 31 August to 3 September.
On 8 May, after hinting through several fifth studio album, In Your Own Sweet Time which was released on 16 March 2018 and followed by with a UK concert tour in March 2018. The album was released on CD, LP, limited edition orange LP and cassette. They also toured the U.S. in late Spring 2018 and early Summer.
After the recording of In Your Own Sweet Time, Jon had quietly re-recorded his shelved 2012 solo album Bright Night Flowers and after the main bulk of touring was finished for In Your Own Sweet Time, Jon announced his solo album would be released in February 2019, supported with two shows in London and Glasgow. His first solo shows in 6 years featured nearly the entirety of Bright Night Flowers with only one song from his previous solo album showing up along with Fratellis' favourites "Whistle for the Choir" and "Laughing Gas" in rearranged forms and a series of covers.
I Am That
The Fratellis Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Take my heart in your bare hands, keep it beating
I never wanted anything but this
I never saw myself fading or repeating
So help me God I was sold
A promise from a liar
Religion for a blindfold
Work it out
Give me silver, give me gold
I don't know if it's devine
But I know that it's mine
I don't know if it's devine
But I know that it's mine
Stay with me 'til my talk gets strange
Stay with me 'til my eyes get low and heavy
I know this and this only as myself
I'll sing that melody when I'm good and ready
So help me God I was sold
A promise from a liar
Religion for a blindfold
Work it out
Work it out
Give me silver, give me gold
I don't know if it's devine
But I know that it's mine
I don't know if it's devine
But I know that it's mine
I don't know if it's devine
But I know that it's mine
I don't know if it's devine
But I know that it's mine
I don't know if it's devine
But I know that it's mine
Work it out
Work it out
Take me high, break me down
I don't know if it's devine
But I know that it's mine
Hold me close
Let me go
This is all I need to know
I don't know if it's devine
But I know that it's mine
Kneel down
Make no sound
Here comes your last time around
I don't know if it's devine
But I know that it's mine
Take the smile
Off your lips
Where you go when time just slips
In "I Am That" by The Fratellis, the lyrics delve into themes of self-discovery, personal ownership, and the questioning of external influences. The song opens with the singer craving genuine connection, desiring someone to speak to them with sincerity. They long for someone to hold their heart and keep it beating, representing a deep desire for emotional intimacy and honesty in relationships.
The next line, "I never wanted anything but this," suggests that the singer has been searching for something authentic and meaningful throughout their life. They never envisioned a life of monotony or repetition, indicating a desire for excitement and fulfillment. However, they never saw themselves fading or repeating, implying that they strive for uniqueness and individuality.
The chorus introduces a contradictory struggle. It begins with the declaration, "So help me God I was sold," implying an admission of being deceived or misled by false promises. The reference to "religion for a blindfold" suggests that the singer has put their faith in something that ultimately hindered their ability to see the truth. This could symbolize blind devotion to a belief system or person that hasn't provided the desired outcome.
The plea to "work it out" can be interpreted as a desire for clarity, resolution, or understanding. The repeated request for "silver, give me gold" suggests a longing for wealth or material possessions, but it could also represent a longing for fulfillment and abundance in life.
Throughout the song, the singer questions the divine nature of their experiences, representing a search for meaning and purpose. They may not know if their journey is divine, but they claim it as their own and acknowledge its significance. Their conviction in this ownership speaks to their personal growth and self-awareness.
The final verses touch upon the transient nature of life and relationships. The singer invites someone to stay with them through the strange moments and when their eyes grow heavy, revealing a desire for companionship during both highs and lows. The line "I know this and this only as myself" emphasizes the importance of self-identity and embracing one's individuality.
The repetition of "I don't know if it's divine, but I know that it's mine" underscores the personal ownership and acceptance of the singer's journey, regardless of its divine nature or lack thereof. The plea to "work it out" and the phrase "take me high, break me down" suggest a desire for growth and self-discovery, even if it involves hardships or challenges.
The song concludes with reflections on the fleeting nature of time and the need to seize the present moment. It speaks to the impermanence of happiness, urging the listener to let go of superficial pleasures and embrace the deeper aspects of life. Overall, "I Am That" explores the complexities of personal identity, the search for authenticity, and the questioning of external influences.
Line by Line Meaning
Talk with me in your vacant tones
Engage in empty conversations with me
Take my heart in your bare hands, keep it beating
Hold onto my heart and keep it alive
I never wanted anything but this
All I ever desired was exactly what I have now
I never saw myself fading or repeating
I never imagined losing myself or falling into monotonous patterns
So help me God I was sold
I was deceived and manipulated
A promise from a liar
I was given false hope by someone untrustworthy
Religion for a blindfold
Blindly following faith without questioning
Work it out
Figure it out
Give me silver, give me gold
Provide me with wealth and riches
I don't know if it's divine
I am unsure if it's godly
But I know that it's mine
But I'm aware that it belongs to me
Stay with me 'til my talk gets strange
Stay by my side even when I speak oddly
Stay with me 'til my eyes get low and heavy
Stay with me until I become tired and my eyes close
I know this and this only as myself
I understand only myself and nothing else
I'll sing that melody when I'm good and ready
I will sing that tune when I feel like it
Work it out
Figure it out
Work it out
Figure it out
Take me high, break me down
Elevate me, then bring me crashing down
Hold me close
Embrace me tightly
Let me go
Release me
This is all I need to know
This is the only information I require
Kneel down
Get down on your knees
Make no sound
Remain silent
Here comes your last time around
Your final chance is approaching
Take the smile off your lips
Wipe that smile off your face
Where you go when time just slips
Where do you escape to when time passes by
Lyrics © REACH MUSIC PUBLISHING
Written by: Anthony Hoffer, John Lawler
Lyrics Licensed & Provided by LyricFind