The Pogues were founded in King's Cross, a district in north London, in 1982 as Pogue Mahone - "pogue mahone" being the Anglicisation of the Irish póg mo thóin, meaning "kiss my arse". The band specialised in Irish folk music, often playing with the energy of the punk rock scene from which several of the members had their roots.
Their politically-tinged music was reminiscent of The Clash, with whom they played (Joe Strummer produced one of their albums and even joined the group briefly), and used traditional Irish instruments such as the tin whistle, banjo, cittern, mandolin, accordion, and more. In the later incarnations of the band, after the departure of Shane MacGowan, electronic instruments such as the electric guitar would become more prominent. The first of The Pogues' albums, Red Roses for Me, borrows much from the punk tradition of MacGowan's previous band The Nipple Erectors (later dubbed The Nips).
Band history
Shane MacGowan (vocals), James Fearnley (accordion) and Spider Stacy (tin whistle) were the original members of the Pogues, in the days when they busked on the streets of London. Before the rest of the group formed, MacGowan and Stacy were rumoured to have played impromptu performances on street corners and city buses which attracted local interest to their talent. They later added Jeremy 'Jem' Finer (guitar, banjo), Cait O'Riordan (bass) and Andrew Ranken (drums). The band rapidly developed a reputation, started releasing independent work, and ended up opening for The Clash on tour in 1984. Shortening their name to "The Pogues" due to lack of radio play for the curse in their name, they released their first album Red Roses for Me that October.
Phil Chevron (guitar) joined the group soon after, then with the aid of punk and new wave forefather Elvis Costello they recorded the follow up, Rum Sodomy & the Lash, in 1985 (The album title is a famous comment attributed, probably falsely, to Winston Churchill and others in describing the traditions of the British Royal Navy). The album cover featured The Raft of the Medusa, though the faces on the characters in Géricault's painting have been replaced with those of the band members. While the first album had featured a higher percentage of traditional songs, Shane MacGowan came into his own as a songwriter with this disc, offering up poetic story-telling, such as "The Sick Bed of Cúchulainn" and "The Old Main Drag," as well as definitive interpretations of Ewan MacColl's "Dirty Old Town" and Eric Bogle's "And the Band Played Waltzing Matilda," the latter of which has become more popular than the original recording.
The band failed to take advantage of the momentum created by the strong artistic and commercial success of their second album. They first refused to record another album (offering up the 4 track EP Poguetry in Motion instead); O'Riordan married Costello and left the band, to be replaced by bassist Darryl Hunt; and they added a multi-instrumentalist in Terry Woods, formerly of Steeleye Span. Looming over the band at this period (as throughout their entire career) was the increasingly erratic behaviour of their vocalist, principal songwriter and creative visionary, Shane MacGowan.
Success & breakup
The band remained stable enough to record If I Should Fall from Grace with God in 1988 (with its Christmas hit duet with Kirsty MacColl "Fairytale of New York") and 1989's Peace and Love. The band was at the peak of its commercial success, with both albums making the top 5 in the UK (nos. 3 and 5 respectively), but MacGowan was spiralling out of control. Following their next album, Hell's Ditch, MacGowan and the band parted company in 1991.
With his departure, the band was thrown into a state of flux. Without their singer, vocal duties were for a time handled by Joe Strummer, before Stacy finally took over permanently. Two politely received albums followed, the first of which, Waiting for Herb, contained the band's third and final top twenty single, "Tuesday Morning" which became their best selling single internationally. In 1996, the Pogues disbanded with just three members remaining.
Post breakup
Shane MacGowan founded Shane MacGowan and The Popes in 1994. They recorded two studio albums in the period up to their split in 2002. MacGowan's autobiography, A Drink With Shane MacGowan, co-written with his journalist girlfriend Victoria Mary Clarke, appeared in 2001. During this time the three other long-term members of the Pogues (Spider Stacy, Andrew Ranken and Darryl Hunt) played together briefly as the Vendettas.
Reunion
The band, including MacGowan, re-formed for a Christmas tour in 2001 and performed 9 shows in the UK in December [2004]. In 2002 Q magazine named The Pogues as one of the "50 Bands To See Before You Die". Also in December 2004, VH1 Conducted a poll to find the best Christmas song ever, with "Fairytale of New York" coming number one with 2,650 of the 10,000 votes cast - over 25%. In early 2005, VH1 conducted another poll to find the 100 greatest number ones that never Were, With The Pogues coming in at number 27.
In July 2005, the band - again including MacGowan - played at the annual Guilfest festival in Guildford before flying out to Japan where they played three dates. Japan is the last place they all played together before MacGowan was originally sacked in 1991, and they have a strong following there. They played a date in Spain in early September. The reunited Pogues played dates in the UK with support from the Dropkick Murphys in late 2005, and re-released their 1987 Christmas classic "Fairytale Of New York" on 19th December, which went straight in at #3 in the UK Singles charts on Christmas Day 2005, showing the song's enduring popularity. On December 22nd 2005 the BBC broadcast a live performance (recorded the previous week) on the Jonathan Ross Christmas show with Katie Melua. "Fairytale of New York" was voted the greatest Christmas Record of all time for the second year running in a poll by UK Music Channel VH1, with "Fairytale of New York" taking in a whopping 39% of the overall vote.
The band was awarded the life-time achievement award at the annual Meteor Ireland Music Awards in February 2006.
In March 2011, the Pogues played a six-city/ten-show sell-out US tour titled "A Parting Glass with The Pogues". In August 2012, The Pogues undertook a 30th Anniversary European Tour.
Discography
Albums
Red Roses for Me - 1984, #89 UK
Rum, Sodomy, and the Lash - 1985, #13 UK
Poguetry in Motion (EP) - 1986, #29
If I Should Fall from Grace with God - 1988, #3 UK, #88 US
Peace and Love - 1989, #5 UK
Yeah Yeah Yeah Yeah Yeah (EP) - 1990, #43 UK
Hell's Ditch - 1990, #11 UK
Waiting for Herb - 1993, #20 UK
Pogue Mahone - 1996
The Best of The Pogues - 1991, #11 UK
The Rest of the Best - 1992
The Very Best of The Pogues - 2001, #18
The Ultimate Collection including Live at the Brixton Academy - 2001, #15 UK
Dirty Old Town: The Platinum Collection
Kitty
The Pogues Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
That the doom will be mine if I stay
'Tis far better to part, though it's hard to
Than to rot in their prison away
'Tis far better to part, though it's hard to
Than to rot in their prison away
So softly he then kissed her pale lips
Hush mavourneen, the police are watching
And you know that I must go a stór
Hush mavourneen, the police are watching
And you know that I must go a stór
In a day now I'll be over the mountain
There'll be time enough left for to cry
So good night and God guard you forever
And write to me won't you, goodbye
So good night and God guard you forever
And write to me won't you, goodbye
The Pogues' song "Kitty" tells the story of a man who is leaving his lover, Kitty, behind to avoid imprisonment. Despite the difficulty in saying goodbye, he knows that it is better to part and leave than to end up rotting in prison. The line "Tis far better to part, though it's hard to, Than to rot in their prison away" highlights this fact. Before he leaves, he shares a tender moment with Kitty, kissing her pale lips softly. He reminds her to be quiet as the police are watching, and says that he needs to go. He tells her that he will be over the mountain in a day and that there will be time enough to cry later, but for now, it's time to say goodbye. He asks her to write to him and wishes her good night, asking God to guard her forever.
The song is a heartbreaking tale of love and separation, with the sense of impending doom and the rush to say goodbye to someone you love. It captures the idea that sometimes, it is better to let go and move on rather than stay in a situation that will only lead to pain and suffering. The Pogues' use of traditional Irish music and instruments adds to the emotion of the song and makes it a classic example of their unique sound.
Line by Line Meaning
Oh Kitty, my Darling, remember
The singer is addressing his lover, Kitty, and reminding her to remember something important.
That the doom will be mine if I stay
The singer is warning Kitty that something bad will happen to him if he doesn't leave.
'Tis far better to part, though it's hard to
The singer believes that it's better to separate from Kitty, even though it's difficult.
Than to rot in their prison away
The artist would rather be apart from Kitty than be confined by some unknown force.
So softly he then kissed her pale lips
The artist kisses Kitty goodbye, probably for the last time.
'Twas the same story over an o'er
The singer has been in this situation before and has had to say goodbye to someone they loved.
Hush mavourneen, the police are watching
The singer is warning Kitty to keep quiet so as not to attract attention from the police who are present.
And you know that I must go a stór
The artist is telling Kitty that he has to leave.
In a day now I'll be over the mountain
The artist will be far away soon, but there's still time to say goodbye.
There'll be time enough left for to cry
Although the artist and Kitty will be separated, they will have time to grieve and cry separately.
So good night and God guard you forever
The singer bids Kitty goodnight and asks God to protect her always.
And write to me won't you, goodbye
The artist asks Kitty to write to him, knowing that they might never see each other again.
Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Peermusic Publishing
Written by: Andrew Ranken, Cait O'riordan, James Fearnley, Jeremy Finer, Peter Stacey, Shane Mac-Gowan
Lyrics Licensed & Provided by LyricFind