Members
Julian Casablancas (vocals), Nick Valensi (guitar), Albert Hammond Jr. (guitar), Nikolai Fraiture (bass), and Fabrizio Moretti (drums)
Formation
The founding process of The Strokes was a serendipitous convergence of childhood connections and a shared musical vision. Julian Casablancas, Fabrizio Moretti, and Nick Valensi, childhood friends with varying musical experiences, came together in the late '90s. The trio's dynamic was enriched with the addition of guitarist Albert Hammond Jr. and bassist Nikolai Fraiture. Bonded by a mutual love for garage rock, punk, and new wave, the quintet officially formed The Strokes in 1998, embarking on a journey to synthesize their diverse influences into a sound that would later redefine the indie rock landscape. The amalgamation of their individual talents and shared passion for music set the stage for The Strokes' rise to prominence in the early 2000s.
Is This It (2001)
"Is This It" The Strokes" debut album released in 2001 under the reputable record label RCA, is an electrifying sonic manifesto that not only redefined the landscape of indie rock but also garnered widespread critical acclaim. Infused with a raw and unfiltered energy, the album became an instant classic, hailed for its gritty exploration of New York City's underground music scene. Featuring iconic tracks like "Last Nite" and "Someday," Julian Casablancas' charismatic vocals, Nick Valensi and Albert Hammond Jr.'s guitar interplay, and the band's overall swagger made "Is This It" a timeless masterpiece. Its critical acclaim propelled The Strokes to the forefront of the early 2000s indie rock revival, cementing their status as trailblazers in the genre.
Room On Fire (2003)
"Room On Fire" the sophomore album by The Strokes released in 2003, seamlessly follows the success of their groundbreaking debut, "Is This It" The Strokes" (2001). While "Is This It" The Strokes" quickly became a cultural touchstone and achieved widespread acclaim, "Room On Fire" faced the challenge of living up to its predecessor's legacy.
From the rhythmic urgency of "12:51" to the infectious guitar riffs of "Reptilia," each track on "Room On Fire" showcases The Strokes' continued commitment to crafting catchy, yet substantive, rock anthems. While not eclipsing the commercial success of their debut, the album solidified The Strokes' standing as stalwarts of the early 2000s rock revival, demonstrating their artistic growth and ability to sustain their unique sound.
Juicebox and First Impressions Of Earth (2005 - 2006)
"Juicebox" by The Strokes, released as a single on November 14, 2005, ahead of their album "First Impressions of Earth," faced an early online leak, adding to the anticipation. Despite this, the track's bold guitar riffs and Julian Casablancas' charismatic vocals contributed to its positive reception, marking a significant moment in The Strokes' musical journey. They also released a catchy B-side "Hawaii".
"First Impressions Of Earth" The Strokes' third studio album released in January 2006, received a mix of reviews. Critics praised the album's experimental departure from the band's earlier sound, commending Julian Casablancas' introspective lyrics, dynamic guitar work, and rhythmic innovation. Standout tracks like "Juicebox" and "You Only Live Once" showcased The Strokes' ability to evolve while retaining their signature coolness. Despite differing opinions, the album marked a bold exploration of new musical territories and sparked conversations about the band's artistic evolution within the indie rock landscape.
Angles (2011)
"Angles" released by The Strokes in 2011, is a pivotal album in the band's journey, receiving a mix of reviews. Critics lauded its experimentation and collaborative nature, showcasing a departure from their previous works. Standout tracks like "Under Cover of Darkness" and "Machu Picchu" received praise for blending The Strokes' signature sound with fresh influences. While some critics found the album's diversity refreshing, others felt it lacked cohesion. Despite mixed reviews, "Angles" signaled The Strokes' return with a revitalized energy, sparking conversations about their evolving musical direction.
Comedown Machine (2013)
"Comedown Machine" released by The Strokes in 2013, is a unique entry in their discography. The album showcases a departure from their traditional sound, embracing a more synth-driven and experimental approach. Tracks like "One Way Trigger" and "Tap Out" demonstrate The Strokes' willingness to evolve, dividing critics but still affirming their capacity for sonic exploration. "Comedown Machine" adds another layer to The Strokes' musical evolution, inviting listeners into a realm of unexpected sounds and creative divergence. The Strokes adopted a media blackout strategy, refraining from interviews and traditional promotional activities. This intentional approach added an air of mystery to the album's release, sparking curiosity and discussions about the band's creative intentions.
Future Present Past EP (2016)
"Future Present Past" is a 2016 EP by The Strokes, featuring tracks like "Drag Queen", "OBLIVIOUS" and "Threat Of Joy" offering a glimpse into the band's evolving sound during the period between their albums "Comedown Machine" and "The New Abnormal".
The New Abnormal (2020)
Produced by legendary music producer Rick Rubin, "The New Abnormal" is The Strokes' sixth studio album, released in 2020 after a seven-year hiatus. The album represents a return to the spotlight for the band and showcases a blend of their signature rock sound with fresh and contemporary elements. Notable tracks include "The Adults Are Talking" and "Selfless". "The New Abnormal" received critical acclaim for its maturity, experimentation, and the band's ability to evolve while staying true to their distinctive style. The album's release was a highly anticipated moment for fans, marking a successful comeback for The Strokes after their extended hiatus.
Albert Hammond Jr. confirmed, that The Strokes are working on a new album, a follow-up to the succesful "The New Abnormal".
Here are the band members' side projects along with their released albums:
Julian Casablancas:
Julian Casablancas - Phrazes For The Young (2009).The Voidz - Tyranny (2014), Virtue (2018).
Albert Hammond Jr.
Albert Hammond Jr. - Yours To Keep (2006), Como Te Llama? (2008), Momentary Masters (2016), Francis Trouble (2018).
Nick Valensi
CRX - New Skin (2016), Peek (2018).
Fabrizio Moretti
Little Joy - Little Joy (2008).machinegum - Conduit (2019).
Nikolai Fraiture
Nickel Eye - The Time Of The Assassins (2008).SUMMER MOON - With You Tonight (2017), Casino Days (2023).
All the Time
The Strokes Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Should we care about the only ones?
All the time that I need is never quite enough
All the time that I have is all that's necessary
You're livin' a lie
You're livin' a lie
You've got to cope with the past
You never ask why
You never ask why
You're livin' a lie
Baby, you're flying too high
No one talks
About the war
On my block
Or by the shore
All alone in a room
Do you want what I want, too?
All the time in the world
Is all that's necessary
You're livin' a lie
You're livin' a lie
You're livin' too fast
You've got to cope with the past
You never ask why
You never ask why
You're livin' a lie
Baby, you're flying too high
You never ask why
You never ask why
You're livin' a lie
Baby, you're flying too high
Don't get on your phone
Don't reach for the door
You know the answer that you're looking for
You're livin' a lie
You're livin' a lie
You're livin' too fast
You've got to cope with the past
You never ask why
You never ask why
You're livin' a lie
Baby, you're flying too high
In "All the Time," The Strokes touch on themes of freedom, satisfaction, and fulfilment. The opening lines "Those that try anything once / Should we care about the only ones?" suggest that the band is questioning what it means to live life to the fullest. They seem to be suggesting that perhaps one should try anything once, but are asking if it's necessary to care about those who haven't. The chorus suggests that there is never enough time to do what one wants, but that the time one has is still enough.
The second verse continues with this theme of living a lie and delving into one's past. The line "You're living too fast / You've got to cope with the past" suggests that perhaps the person is running away from something, and it's important to confront it. The chorus emphasizes the lie the person is living and how they're flying too high without asking why.
Line by Line Meaning
Those that try anything once
People who experience something new
Should we care about the only ones?
Should we worry about individuals?
All the time that I need is never quite enough
I never have enough time to complete everything I need to do
All the time that I have is all that's necessary
I have just the right amount of time to finish what I need to do
You're livin' a lie
You're not living truthfully
You're livin' too fast
You're living recklessly
You've got to cope with the past
You must deal with your past mistakes or regrets
You never ask why
You don't question things
Baby, you're flying too high
You're taking unnecessary risks
No one talks
People don't discuss
About the war
About ongoing conflicts
On my block
In my neighborhood
Or by the shore
Or near the water
All alone in a room
Being solitary in a space
Do you want what I want, too?
Do you share my desires?
All the time in the world
Having a lot of time
Is all that's necessary
Not needing more time than what is available
Don't get on your phone
Don't use your phone
Don't reach for the door
Don't leave
You know the answer that you're looking for
You already know what you want to hear or do
Lyrics © Warner Chappell Music, Inc.
Written by: Fabrizio Moretti, Julian Casablancas, Nick Valensi, Nikolai Fraiture, Albert Jr. Hammond
Lyrics Licensed & Provided by LyricFind
@CarlosSebastian-iy2ww
Lyrics:
Those that try anything once
Should we care about the only ones?
All the time that I need is never quite enough
All the time that I have is all that’s necessary
You’re livin’ a lie
You’re livin’ a lie
You’re living too fast
You've got to cope with the past
You never ask why
You never ask why
You’re livin' a lie
Baby, you’re flying too high
No one talks, about the war
On my block, or by the shore
All alone in a room
Do you want what I want, too?
All the time in the world
Is all that’s necessary
You’re livin’ a lie
You’re livin’ a lie
You’re living too fast
You gotta pray for the best
You never ask why
You never ask why
You’re livin' a lie
Baby, you’re flying too high
You never ask why
You never ask why
You’re livin’ a lie
Baby you’re flying too high
Don’t get on your phone
Don’t reach for the door
You know the answer that you’re looking for
You’re livin’ a lie
You’re livin’ a lie
You’re living too fast
You've got to cope with the past
You never ask why
You never ask why
You’re livin’ a lie
Baby, you’re flying too high.
@salvadorperales40
I can't die without attending a the strokes concert, that'd be unforgivable
@blackbloodcell5147
Did you?
@summers232
ye man we need an update
@WaifuSeeker
did you?
@AlmiNia
we need to know!!!
@giovannib1866
@@blackbloodcell5147think he died
@ixigo3444
The coolest band ever
@youtubehandleorsomething
A Star Wars fan and a The Strokes fan, I admire your taste
@ixigo3444
@@youtubehandleorsomething Wow hahahaha, I'm delighted knowing there is more people like me! My favourite trilogy are the prequels, I hate the sequels
@youtubehandleorsomething
@@ixigo3444 Well pretty much the same as you can see from my pfp