Members
Julian Casablancas (vocals), Nick Valensi (guitar), Albert Hammond Jr. (guitar), Nikolai Fraiture (bass), and Fabrizio Moretti (drums)
Formation
The founding process of The Strokes was a serendipitous convergence of childhood connections and a shared musical vision. Julian Casablancas, Fabrizio Moretti, and Nick Valensi, childhood friends with varying musical experiences, came together in the late '90s. The trio's dynamic was enriched with the addition of guitarist Albert Hammond Jr. and bassist Nikolai Fraiture. Bonded by a mutual love for garage rock, punk, and new wave, the quintet officially formed The Strokes in 1998, embarking on a journey to synthesize their diverse influences into a sound that would later redefine the indie rock landscape. The amalgamation of their individual talents and shared passion for music set the stage for The Strokes' rise to prominence in the early 2000s.
Is This It (2001)
"Is This It" The Strokes" debut album released in 2001 under the reputable record label RCA, is an electrifying sonic manifesto that not only redefined the landscape of indie rock but also garnered widespread critical acclaim. Infused with a raw and unfiltered energy, the album became an instant classic, hailed for its gritty exploration of New York City's underground music scene. Featuring iconic tracks like "Last Nite" and "Someday," Julian Casablancas' charismatic vocals, Nick Valensi and Albert Hammond Jr.'s guitar interplay, and the band's overall swagger made "Is This It" a timeless masterpiece. Its critical acclaim propelled The Strokes to the forefront of the early 2000s indie rock revival, cementing their status as trailblazers in the genre.
Room On Fire (2003)
"Room On Fire" the sophomore album by The Strokes released in 2003, seamlessly follows the success of their groundbreaking debut, "Is This It" The Strokes" (2001). While "Is This It" The Strokes" quickly became a cultural touchstone and achieved widespread acclaim, "Room On Fire" faced the challenge of living up to its predecessor's legacy.
From the rhythmic urgency of "12:51" to the infectious guitar riffs of "Reptilia," each track on "Room On Fire" showcases The Strokes' continued commitment to crafting catchy, yet substantive, rock anthems. While not eclipsing the commercial success of their debut, the album solidified The Strokes' standing as stalwarts of the early 2000s rock revival, demonstrating their artistic growth and ability to sustain their unique sound.
Juicebox and First Impressions Of Earth (2005 - 2006)
"Juicebox" by The Strokes, released as a single on November 14, 2005, ahead of their album "First Impressions of Earth," faced an early online leak, adding to the anticipation. Despite this, the track's bold guitar riffs and Julian Casablancas' charismatic vocals contributed to its positive reception, marking a significant moment in The Strokes' musical journey. They also released a catchy B-side "Hawaii".
"First Impressions Of Earth" The Strokes' third studio album released in January 2006, received a mix of reviews. Critics praised the album's experimental departure from the band's earlier sound, commending Julian Casablancas' introspective lyrics, dynamic guitar work, and rhythmic innovation. Standout tracks like "Juicebox" and "You Only Live Once" showcased The Strokes' ability to evolve while retaining their signature coolness. Despite differing opinions, the album marked a bold exploration of new musical territories and sparked conversations about the band's artistic evolution within the indie rock landscape.
Angles (2011)
"Angles" released by The Strokes in 2011, is a pivotal album in the band's journey, receiving a mix of reviews. Critics lauded its experimentation and collaborative nature, showcasing a departure from their previous works. Standout tracks like "Under Cover of Darkness" and "Machu Picchu" received praise for blending The Strokes' signature sound with fresh influences. While some critics found the album's diversity refreshing, others felt it lacked cohesion. Despite mixed reviews, "Angles" signaled The Strokes' return with a revitalized energy, sparking conversations about their evolving musical direction.
Comedown Machine (2013)
"Comedown Machine" released by The Strokes in 2013, is a unique entry in their discography. The album showcases a departure from their traditional sound, embracing a more synth-driven and experimental approach. Tracks like "One Way Trigger" and "Tap Out" demonstrate The Strokes' willingness to evolve, dividing critics but still affirming their capacity for sonic exploration. "Comedown Machine" adds another layer to The Strokes' musical evolution, inviting listeners into a realm of unexpected sounds and creative divergence. The Strokes adopted a media blackout strategy, refraining from interviews and traditional promotional activities. This intentional approach added an air of mystery to the album's release, sparking curiosity and discussions about the band's creative intentions.
Future Present Past EP (2016)
"Future Present Past" is a 2016 EP by The Strokes, featuring tracks like "Drag Queen", "OBLIVIOUS" and "Threat Of Joy" offering a glimpse into the band's evolving sound during the period between their albums "Comedown Machine" and "The New Abnormal".
The New Abnormal (2020)
Produced by legendary music producer Rick Rubin, "The New Abnormal" is The Strokes' sixth studio album, released in 2020 after a seven-year hiatus. The album represents a return to the spotlight for the band and showcases a blend of their signature rock sound with fresh and contemporary elements. Notable tracks include "The Adults Are Talking" and "Selfless". "The New Abnormal" received critical acclaim for its maturity, experimentation, and the band's ability to evolve while staying true to their distinctive style. The album's release was a highly anticipated moment for fans, marking a successful comeback for The Strokes after their extended hiatus.
Albert Hammond Jr. confirmed, that The Strokes are working on a new album, a follow-up to the succesful "The New Abnormal".
Here are the band members' side projects along with their released albums:
Julian Casablancas:
Julian Casablancas - Phrazes For The Young (2009).The Voidz - Tyranny (2014), Virtue (2018).
Albert Hammond Jr.
Albert Hammond Jr. - Yours To Keep (2006), Como Te Llama? (2008), Momentary Masters (2016), Francis Trouble (2018).
Nick Valensi
CRX - New Skin (2016), Peek (2018).
Fabrizio Moretti
Little Joy - Little Joy (2008).machinegum - Conduit (2019).
Nikolai Fraiture
Nickel Eye - The Time Of The Assassins (2008).SUMMER MOON - With You Tonight (2017), Casino Days (2023).
Post Modern Girls
The Strokes Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Modern girls always have to go (Right on time)
Old-fashioned men always want a mistress (You were right)
Modern girls always get their way (I was wrong)
Modern men dream of what they can't say (That's alright)
Right? Right? Right? Right? Right?
I don't belong (I don't belong)
Says that he'll apologize and it won't take too long
Well, you don't wanna trust nobody else (Always thinking 'bout yourself)
(Time)
There's a few things that are gonna have to change (I'm your son)
Everyone has the same opinion (Won't you please?)
Your time is almost over (Don't be mean)
We won't get the chance to do this over (That's alright)
Right? Right? Right? Right? Right?
I don't belong (I don't belong)
I don't want the imprint of your key upon my nose (Why're you sitting over there?)
You don't have to tell no one 'cause no one wants to know
That you don't have no happiness at all (Always thinking 'bout yourself)
Oh yes, we're falling down
Oh yes, we're falling down
Oh yes, we're falling down
Oh yes, we're falling down
Oh yes, we're falling down
Oh yes, we're falling down
Oh yes, we're falling down
So fucking help me up
Always thinking 'bout yourself (You don't love me)
Always thinking 'bout yourself (I am an animal)
Always thinking 'bout yourself (I am not practical)
Was I?
The lyrics of The Strokes's song Post Modern Girls can be interpreted in a number of ways, but one possible explanation is that the song is a commentary on gender and social norms. The opening lines suggest a contrast between modern, independent women and old-fashioned, possessive men. The singer implies that he underestimated the power of modern women, who "always get their way," while modern men are trapped by their unspoken desires. The chorus, "I don't belong," suggests a sense of alienation from these social norms, perhaps on the part of the singer or someone close to him.
The second verse takes a more personal turn, with the singer addressing someone directly. They seem to be in a strained relationship, with one person (presumably the singer) feeling emotionally neglected and the other making empty promises of apology. The repeated phrase "Always thinking 'bout yourself" suggests that this is a recurring issue in the relationship. The final lines, "So fucking help me up," could be interpreted as a plea for support or a sarcastic jab at the other person's selfishness.
Overall, the song's lyrics convey a sense of disillusionment with societal expectations and human relationships. The singer appears to be struggling to reconcile his own desires with the demands of others, and his frustration is palpable.
Line by Line Meaning
You were
Addressing a specific person or group of people who held a certain status in the past
Modern girls always have to go (Right on time)
Acknowledging the habit of modern girls to live a fast-paced life and follow schedules strictly
Old-fashioned men always want a mistress (You were right)
Admitting the accuracy of a previous statement made by someone, indicating that the concept of mistresses wasn't uncommon in the past.
Modern girls always get their way (I was wrong)
Conceding that the idea of modern girls getting everything they want is valid, and acknowledging a previous belief where they were not given as much freedom and control.
Modern men dream of what they can't say (That's alright)
Asserting that there are things that modern men hope for, but can't voice out, and that is acceptable.
Right? Right? Right? Right? Right?
Repeating the word 'right?' multiple times to emphasize and reinforce the ideas presented in the previous lines.
I don't belong (I don't belong)
Expressing a sense of not fitting in or having a place where one can truly belong.
Why you gotta say it if you know it's something wrong? (Why're you sitting over there?)
Questioning the need for someone to verbalize a statement that they know to be incorrect or false, compared to someone being excluded or ostracized.
Says that he'll apologize and it won't take too long
Revealing that someone else has offered to make amends and correct something wrong that was previously stated or done.
Well, you don't wanna trust nobody else (Always thinking 'bout yourself)
Making an observation about someone's personality, where they are not willing to rely on or place trust in others, and therefore, only thinking about themselves.
(Time)
The repetition of the word 'time' is used as a transition to a new series of statements alluding to the passage of time.
There's a few things that are gonna have to change (I'm your son)
Implying the existence of a significant relationship, where a certain level of authority is required to enforce changes, represented by the title of 'son'.
Everyone has the same opinion (Won't you please?)
Stating that everyone has a common view or belief, and requesting for further agreement or validation from the listener.
Your time is almost over (Don't be mean)
Warning someone that their time or chance is limited, while also discouraging cruelty or unkindness.
We won't get the chance to do this over (That's alright)
Acknowledging that certain things cannot be undone or repeated and being okay with it.
Right? Right? Right? Right? Right?
Repeating the word 'right?' multiple times to emphasize and reinforce the ideas presented in the previous lines.
I don't belong (I don't belong)
Making a final statement to express a sense of isolation or not belonging.
I don't want the imprint of your key upon my nose (Why're you sitting over there?)
Using an analogy to express reluctance to be influenced or pressured by someone else, while also hinting at the physical presence of another individual.
You don't have to tell no one 'cause no one wants to know
Arguing that what is being said is trivial or unimportant, and therefore not worth sharing or discussing with others.
That you don't have no happiness at all (Always thinking 'bout yourself)
Asserting that someone is not content or satisfied with their life and is always thinking about themselves.
Oh yes, we're falling down
Repeating a phrase multiple times to convey a sense of inevitability or acceptance of a situation where everything is falling apart or failing.
So fucking help me up
An expression of frustration or desperation, urging someone to help them out of a difficult situation.
Always thinking 'bout yourself (You don't love me)
Repeating a previous statement to emphasize that someone is only thinking about themselves, followed by an accusation of lack of love or care.
Always thinking 'bout yourself (I am an animal)
Repeating a previous statement to emphasize that someone is only thinking about themselves, followed by the assertion of being an animal, or naturally selfish.
Always thinking 'bout yourself (I am not practical)
Repeating a previous statement to emphasize that someone is only thinking about themselves, followed by the disapproval of impractical behavior or thinking.
Was I?
Asking a rhetorical question to confirm something previously hinted or implied.
Lyrics © Warner/Chappell Music, Inc., BMG RIGHTS MANAGEMENT US, LLC
Written by: JULIAN CASABLANCAS
Lyrics Licensed & Provided by LyricFind
PC Disciple
It's always surprising how amazing Regina's and Julian's voices sound so good together. Hers is so clear and angelic, his gritty and nonchalant. Well written song too, love how it sounds like they're arguing with each other.
PC Disciple
@Opomax Awesome I will install it now!
Opomax
Yeah that should be it my friend, let me know if you worked out how to do it :) x
PC Disciple
@Opomax I'm getting it thru the site which leads me to CNET, is that right? My browser said that it's not secure or something.
Opomax
Traktor is better though, but you can only get the demo unless you can find the cracked version. VDJ is easy to download as it's free.
PC Disciple
@Opomax ooo. thank you :)
Nadia O
Regina collaborating with the strokes is the best thing to ever happen
Matt Lefever
when regina sings in the beginning, it's haunting. i get goosebumps.
Chelsea & Dayvid
Two voices that just simply sound beautiful together
Rosemary May Richings
wow..what a cool combination of people for a duet! This is so unexpected but brilliant...