Their first wide-release single, "Walk, Don't Run" (1960), brought international fame to the group, and is often cited as one of the top songs ever recorded for guitar. In the 1960s and early 1970s, 38 of the band's albums charted in the US, ranking them as the 6th best album chart performer during the 1960s, and the band had 14 singles in the Billboard Hot 100. With over 100 million records sold, the Ventures are the best-selling instrumental band of all time.
The Ventures have had an enduring impact on the development of music worldwide. The band was among the first to employ and popularize fuzz and flanging guitar effects, concept albums, and twelve-string guitars in rock music. Their instrumental virtuosity, innovation, and unique sound influenced many musicians and bands, earning the group the moniker "The Band that Launched a Thousand Bands". Their recording of "Walk, Don't Run" was inducted into the Grammy Hall of Fame for its lasting impact, and in 2008 the group was inducted into the Rock and Roll Hall of Fame.
Don Wilson and Bob Bogle first met in 1958, when Bogle was looking to buy a car from a used car dealership in Seattle owned by Wilson's father. Finding a common interest in guitars, the two decided to play together, while Wilson joined Bogle performing masonry work. They bought two used guitars in a pawn shop for about $10 each. Initially calling themselves the Versatones, the duo played small clubs, beer bars, and private parties throughout the Pacific Northwest. Wilson played rhythm guitar, Bogle lead. When they went to register the band name, they found that it was already taken. Disappointed, they cast about for an appropriate name. Wilson's mother suggested the name "The Ventures", upon which they eventually agreed in 1959.
During their first years (1958–1961), the Ventures played Fender guitars (a Jazzmaster, a Stratocaster and a Precision Bass) for both their live performances and their recording sessions. These instruments are prominently visible on the covers of two early albums: The Ventures and The Colorful Ventures. From 1962 to 1963 they used two Jazzmasters with a Precision Bass, shown on the album cover of "Bobby Vee meets The Ventures". Then in early 1963, California guitar manufacturer Mosrite re-branded their uniquely styled, futuristic-looking Mark 1 electric guitar model for the Ventures by applying decals that stated "The Ventures Model" on the headstock. The band adopted these guitars (which included a bass model) and first used them on The Ventures in Space (1963), one of their most influential albums because of the unique, otherworldly guitar sounds it contained. From 1963 through 1968, a statement on their album covers announced that the Ventures used Mosrite guitars "exclusively" (the Ventures and designer Semie Moseley were partners in the distribution of these instruments). After the expiration of their contract with Moseley, the Ventures returned to playing mainly Fender guitars. Only rarely have they used Mosrite guitars since that contract ended.
In the mid-1990s, Fender issued a limited edition Ventures Signature Series of guitars consisting of a Jazzmaster, a Stratocaster, and a Fender Jazz Bass, all with specifications determined by the band.
Aria Guitars and Wilson Brothers Guitars have subsequently issued Ventures Signature Model instruments. The Wilson Brothers guitar, in particular, is closely modeled physically on the original Mosrite design.
The Ventures pioneered the use of special effects on such songs as "The 2000 Pound Bee", recorded in late 1962, in which lead guitarist Nokie Edwards employed a fuzz pedal. Edwards' use of "fuzz tone" predated the "King of Fuzz Guitar", Davie Allan of The Arrows, by at least three years. In addition, Edwards was among the first to use the twelve-string guitar in rock. The 1964 The Ventures In Space album was a primer in the use of special guitar effects, and made pioneering use of 'reverse-tracking'. The Ventures In Space, because of its ethereal space-like effects, was deemed an influence on the later 1960s San Francisco psychedelic generation, as well as being cited as a favorite by Keith Moon of the Who.
The band's cover of the Tornados' "Telstar" (released in January 1963) featured one of the first instances of flanging on a pop record. The song "Silver Bells" on The Ventures' Christmas Album, released in November 1965, has one of the first recorded uses of a talk box as a musical effect, voiced by Red Rhodes.
The Ventures have had an influence on many musicians, both professional and amateur. Their instructional album, Play Guitar with the Ventures, was the first such record to chart on the Billboard Top LPs list, peaking at No. 96, and taught thousands of budding guitarists how to play the guitar. George Harrison stated in a Guitar Player interview that he preferred the American guitar sound of the Ventures to British contemporaries. When asked to name the most influential rock guitar solos, Joe Walsh said he would have to include the entire song "Walk, Don't Run" because it changed so many guitar players' lives. John Fogerty, during his introduction of the Ventures at their Hall of Fame induction, said that it "kicked open a whole movement in rock and roll... The sound of it became 'surf music' and the audacity of it empowered guitarists everywhere." Stephen Stills told Ventures guitarist Don Wilson that he learned to play on Ventures records. Jeff Baxter and Gene Simmons were early members of the Ventures Fan Club. Carl Wilson called the Ventures a major influence on his early guitar playing, stating that the Beach Boys had learned to play all of their songs by ear.
Bob Bogle lived in Vancouver, Washington, for years and died there on June 14, 2009, of non-Hodgkin lymphoma; he was 75.
Nokie Edwards died on March 12, 2018, due to complications after hip surgery. He was 82.
Gerry McGee died on October 12, 2019, after having a heart attack and collapsing onstage four days earlier in Japan. He was 81.
Don Wilson continued to record with the band, but retired from touring at the end of 2015. He died of natural causes on January 22, 2022, at the age of 88.
Mel Taylor died on August 11, 1996, of cancer, at the age of 62. He was diagnosed two weeks before his death.
Sweet Caroline
The Ventures Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But then I know it's growing strong
Was in the spring and spring became the summer
Who'd have believed you'd come along?
Hands, touchin' hands, reachin' out
Touchin' me, touchin' you
I've been inclined to believe they never would
But now I look at the night
And it don't seem so lonely
We fill it up with only two
And when I hurt, hurtin' runs off my shoulders
How can I hurt when I'm with you?
Warm, touchin' warm, reachin' out
Touchin' me, touchin' you
Sweet Caroline, good times never seemed so good
I've been inclined to believe, they never would
Oh no, no
Sweet Caroline, good times never seemed so good
I've been inclined to believe, they never would
Sweet Caroline
The lyrics to The Ventures' song Sweet Caroline appear to be a love song about experiencing unexpected joy and happiness with someone special. The first verse sets a mysterious tone, with the singer not knowing where their happiness began but feeling it growing stronger. Spring turning into summer is used as a metaphor for the progress of their relationship. The second verse focuses on the physical intimacy of holding hands and the emotional comfort of being with someone who takes away their pain. The chorus repeats the titular phrase "Sweet Caroline" and expresses how the good times have never felt so good and how the singer never thought they would.
The beauty of this song lies in its simplicity and the universality of the emotions it conveys. The opening line "Where it began, I can't begin to knowin'" could be interpreted as a nod to the ongoing mystery around the true meaning of the song. The name "Caroline" has led to many speculations over the years, with some believing it to be inspired by Caroline Kennedy or Neil Diamond's ex-wife. However, Diamond himself has stated that the inspiration came from a photograph of a young Caroline Kennedy that he saw in a magazine.
Line by Line Meaning
Where it began, I can't begin to knowin'
I don't know exactly where this all started, it's hard to determine.
But then I know it's growing strong
However, it's clear that it's getting stronger and stronger over time.
Was in the spring and spring became the summer
It started in the spring and then transitioned into summer.
Who'd have believed you'd come along?
No one could have predicted you would come into my life.
Hands, touchin' hands, reachin' out
Our hands are touching and reaching out to each other.
Touchin' me, touchin' you
We are touching each other, creating a physical connection.
Sweet Caroline, good times never seemed so good
Being with you, Caroline, makes me feel like the good times are even better than they've ever been.
I've been inclined to believe they never would
I honestly never thought things could be this good, I'm surprised.
But now I look at the night
When I look at the night sky,
And it don't seem so lonely
It doesn't seem as lonely anymore.
We fill it up with only two
The two of us can fill up the night with our company.
And when I hurt, hurtin' runs off my shoulders
When I feel hurt, being with you helps me shake it off quickly.
How can I hurt when I'm with you?
It's hard to be upset or hurt when I'm spending time with you.
Warm, touchin' warm, reachin' out
We are touching each other with warmth and reaching out to each other.
Sweet Caroline, good times never seemed so good
Being with you, Caroline, makes me feel like the good times are even better than they've ever been.
I've been inclined to believe, they never would
I honestly never thought things could be this good, I'm surprised.
Oh no, no
Just an exclamation of emotion, expressing how great it feels.
Sweet Caroline, good times never seemed so good
Being with you, Caroline, makes me feel like the good times are even better than they've ever been.
Lyrics © Universal Music Publishing Group
Written by: Neil Diamond
Lyrics Licensed & Provided by LyricFind