Born in 1975. One half of the duo Daft Punk, producer and writer. Son of Da… Read Full Bio ↴Born in 1975. One half of the duo Daft Punk, producer and writer. Son of Daniel Bangalter AKA Daniel Vangarde, who composed D.I.S.C.O. for Ottawan. Thomas composed the score to the 2002 French film Irréversible.
After the experience of Darlin' and before the Daft Punk phenomena, Thomas Bangalter released the two famous EP's 'Trax On Da Rocks', a composite of various samples set to funky House and Techno beats.
Part of Stardust, he released 'Music Sounds Better With You' on his own label, Roulé, as well as his remix for "Rock Shock" by Roy Davis Jr.. The sub-label, Scratché, served to release the first opus of Buffalo Bunch, The.
In 1998, his track 'Gym Tonic' was the center of a 'scandal' as Bob Sinclar included it on his album "Paradise" without the consent of Bangalter. This resulted in a law suit intended by guru fitness and actress Jane Fonda which voice was illegally sampled on the record.
In 2004 DJ Falcon and Bangalter had the idea for 'Call On Me', a track based on a sample of 'Valerie' performed by Steve Winwood. Released as a white label, it started to get played in France. A DJ named Eric Prydz was supposed to remix it, but ever since the 'Gym Tonic Event', Bangalter had gained a notoriety in finding good samples and imaginative ideas. For unknown reasons, Roulé didn't clear the sample to release the track commercially, but Prydz, helped with his label Ministry Of Sound, did. Even Steve Winwood liked the track and re-recorded a part of his vocals to be part of the project. Result: 'Call On Me' became a worldwide hit, but without any mention of Bangalter in the credits or in the concept.
A year later, the German duo N-Trance under the alias of Freeloaders (2), did the same thing with 'So Much Love To Give'.
Since then, Thomas Bangalter and the artists around him ceased to release on Roulé, put in sleep mode for an undefinite period of time.
A very 'anonymous' person, Bangalter nontheless gave a few interviews in and out of the Daft Punk phenomena. Although a lot of people credit him for the invention of 'filtered house', he cited Carl Craig AKA Paperclip People ("Throw") and Kenny "Dope" Gonzalez as precursors of the style.
Thomas helped produce tracks off Arcade Fire’s 2017 album “Everything Now”. Two tracks from Bangalter were in Gaspar Noé’s 2018 film “Climax”. One of these tracks, “Sangria” had not been previously released. After Daft Punk Split in 2021, Bangalter contributed to a track on the 2022 film “En Corps”. In 2022, He had composed music for a ballet known as “Mythologies”. The music composed for the ballet would be released as an album in 2023. Bangalter appeared in press material and interviews without costume.
After the experience of Darlin' and before the Daft Punk phenomena, Thomas Bangalter released the two famous EP's 'Trax On Da Rocks', a composite of various samples set to funky House and Techno beats.
Part of Stardust, he released 'Music Sounds Better With You' on his own label, Roulé, as well as his remix for "Rock Shock" by Roy Davis Jr.. The sub-label, Scratché, served to release the first opus of Buffalo Bunch, The.
In 1998, his track 'Gym Tonic' was the center of a 'scandal' as Bob Sinclar included it on his album "Paradise" without the consent of Bangalter. This resulted in a law suit intended by guru fitness and actress Jane Fonda which voice was illegally sampled on the record.
In 2004 DJ Falcon and Bangalter had the idea for 'Call On Me', a track based on a sample of 'Valerie' performed by Steve Winwood. Released as a white label, it started to get played in France. A DJ named Eric Prydz was supposed to remix it, but ever since the 'Gym Tonic Event', Bangalter had gained a notoriety in finding good samples and imaginative ideas. For unknown reasons, Roulé didn't clear the sample to release the track commercially, but Prydz, helped with his label Ministry Of Sound, did. Even Steve Winwood liked the track and re-recorded a part of his vocals to be part of the project. Result: 'Call On Me' became a worldwide hit, but without any mention of Bangalter in the credits or in the concept.
A year later, the German duo N-Trance under the alias of Freeloaders (2), did the same thing with 'So Much Love To Give'.
Since then, Thomas Bangalter and the artists around him ceased to release on Roulé, put in sleep mode for an undefinite period of time.
A very 'anonymous' person, Bangalter nontheless gave a few interviews in and out of the Daft Punk phenomena. Although a lot of people credit him for the invention of 'filtered house', he cited Carl Craig AKA Paperclip People ("Throw") and Kenny "Dope" Gonzalez as precursors of the style.
Thomas helped produce tracks off Arcade Fire’s 2017 album “Everything Now”. Two tracks from Bangalter were in Gaspar Noé’s 2018 film “Climax”. One of these tracks, “Sangria” had not been previously released. After Daft Punk Split in 2021, Bangalter contributed to a track on the 2022 film “En Corps”. In 2022, He had composed music for a ballet known as “Mythologies”. The music composed for the ballet would be released as an album in 2023. Bangalter appeared in press material and interviews without costume.
Tempus Edax Rerum
Thomas Bangalter Lyrics
We have lyrics for these tracks by Thomas Bangalter:
FOUT LA MERDE J'arrive, je fous la merde comme en concert Et je me…
Together We are human after all Flesh uncovered after all We…
What to Do I- I- I- I- don- I don′t- I- Don't- I don- I- don′t I don-…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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ANGUSRAZE
This gives me The Shining opening vibes and I adore it
Aurelie Dos Santos Duchesne
Or Berlioz "La Symphonie fantastique" :)
bantheMPAA
BTW that drum beat is totally a ticking clock!!
Santeri Laakkonen
My local theater had a screening of this movie today and I was happy to be able to see this film for the first time in a theater. I was hooked instantly from the credits with all the names and stuff flashing in the beat of that drum.
SugarK
The intro of this movie is impactful
Weston Reisch
Cool how this short piece prepares us for rest of film
DEADSIDE
Weston Reisch when the credits start to flip upside down I knew I was in for some shit
It felt like the movie came from hell
Hamish
I’m obsessed with the gap at 0:27 maybe I’m overthinking but it feels like there’s a reason that runs deeper
elmerin nurkka
watch the opening credits
Respectful Gamer
Most painful movie I ever watched. I will never forget it.